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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77E463 it is the complementary color #881B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77E463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77E463 shade: #7CE45E, #8DF671, #9EFF84, #AFFF97 and #C0FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77E463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77E463 shade: #77E463, #66D250, #55C03D, #44AE2A and #339C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77E463 shade: #77E363, #9AE363, #BCE363, #DFE363 and #E3C563

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77E463 shade: #77E363, #63E372, #63E394, #63E3B7 and #63E3DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77E463 shade matches the following richer shades: #77E363 and #6DF254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77E463 shade: #77E363, #81D572, #8BC681, #96B78F and #A0A89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77E463 shade: #BDE363, #9BE363, #78E363, #63E370 and #63E392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77E463 shade: #3FCF25, #58DD40, #77E363, #95EA86 and #B4F0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77E463 shade: #77E463, #63DFE3 and #E363AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77E463 shade: #77E463, #6378E3 and #E36378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77E463 shade: #77E463, #63DFE3, #CE63E3 and #E36763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77E463 shade: #77E463, #63B9E3, #CE63E3 and #E38E63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 57 / 11

HEX #77E463

RGB 119 228 99

HSL 110.7, 0.7%, 0.64%

LAB 82.01, -55.38, 52.58

 

Complementary color

CMYK 13 / 83 / 0 / 39

HEX #881B9C

RGB 136 27 156

HSL 290.7, 0.7%, 0.36%

LAB 34.84, 60.05, -45.6

 

CMYK 46 / 0 / 59 / 11

HEX #7CE45E

RGB 124 228 94

HSL 106.57, 0.71%, 0.63%

LAB 82.15, -54.48, 55.02

 

CMYK 43 / 0 / 54 / 4

HEX #8DF671

RGB 141 246 113

HSL 107.37, 0.88%, 0.7%

LAB 88.34, -54.56, 53.94

 

CMYK 38 / 0 / 48 / 0

HEX #9EFF84

RGB 158 255 132

HSL 107.32, 1%, 0.76%

LAB 91.89, -50.86, 49.65

 

CMYK 31 / 0 / 41 / 0

HEX #AFFF97

RGB 175 255 151

HSL 106.15, 1%, 0.8%

LAB 92.96, -43.06, 42.08

 

CMYK 25 / 0 / 33 / 0

HEX #C0FFAA

RGB 192 255 170

HSL 104.47, 1%, 0.83%

LAB 94.15, -34.84, 34.45

 

CMYK 48 / 0 / 57 / 11

HEX #77E463

RGB 119 228 99

HSL 110.7, 0.7%, 0.64%

LAB 82.01, -55.38, 52.58

 

CMYK 51 / 0 / 62 / 18

HEX #66D250

RGB 102 210 80

HSL 109.85, 0.59%, 0.57%

LAB 75.76, -55.18, 53.63

 

CMYK 56 / 0 / 68 / 25

HEX #55C03D

RGB 85 192 61

HSL 109.01, 0.52%, 0.5%

LAB 69.45, -54.76, 54.47

 

CMYK 61 / 0 / 76 / 32

HEX #44AE2A

RGB 68 174 42

HSL 108.18, 0.61%, 0.42%

LAB 63.07, -54.01, 54.86

 

CMYK 67 / 0 / 85 / 39

HEX #339C17

RGB 51 156 23

HSL 107.37, 0.74%, 0.35%

LAB 56.63, -52.76, 54.37

 

CMYK 48 / 0 / 56 / 11

HEX #77E363

RGB 119 227 99

HSL 110.63, 0.7%, 0.64%

LAB 81.71, -54.99, 52.23

 

CMYK 32 / 0 / 56 / 11

HEX #9AE363

RGB 154 227 99

HSL 94.22, 0.7%, 0.64%

LAB 83.29, -43.99, 54.47

 

CMYK 17 / 0 / 56 / 11

HEX #BCE363

RGB 188 227 99

HSL 78.28, 0.7%, 0.64%

LAB 85.27, -31.63, 57.26

 

CMYK 2 / 0 / 56 / 11

HEX #DFE363

RGB 223 227 99

HSL 61.88, 0.7%, 0.64%

LAB 87.74, -17.88, 60.73

 

CMYK 0 / 13 / 56 / 11

HEX #E3C563

RGB 227 197 99

HSL 45.94, 0.7%, 0.64%

LAB 80.27, -1.11, 52.3

 

CMYK 48 / 0 / 56 / 11

HEX #77E363

RGB 119 227 99

HSL 110.63, 0.7%, 0.64%

LAB 81.71, -54.99, 52.23

 

CMYK 56 / 0 / 50 / 11

HEX #63E372

RGB 99 227 114

HSL 127.03, 0.7%, 0.64%

LAB 81.18, -58.31, 44.46

 

CMYK 56 / 0 / 35 / 11

HEX #63E394

RGB 99 227 148

HSL 142.97, 0.7%, 0.64%

LAB 81.69, -52.87, 28.18

 

CMYK 56 / 0 / 19 / 11

HEX #63E3B7

RGB 99 227 183

HSL 159.38, 0.7%, 0.64%

LAB 82.38, -45.78, 10.92

 

CMYK 56 / 0 / 4 / 11

HEX #63E3DA

RGB 99 227 218

HSL 175.78, 0.7%, 0.64%

LAB 83.26, -37.37, -6.3

 

CMYK 48 / 0 / 56 / 11

HEX #77E363

RGB 119 227 99

HSL 110.63, 0.7%, 0.64%

LAB 81.71, -54.99, 52.23

 

CMYK 55 / 0 / 65 / 5

HEX #6DF254

RGB 109 242 84

HSL 110.51, 0.86%, 0.64%

LAB 85.7, -64.75, 62.99

 

CMYK 48 / 0 / 56 / 11

HEX #77E363

RGB 119 227 99

HSL 110.63, 0.7%, 0.64%

LAB 81.71, -54.99, 52.23

 

CMYK 39 / 0 / 46 / 16

HEX #81D572

RGB 129 213 114

HSL 110.91, 0.54%, 0.64%

LAB 78.15, -44.45, 40.94

 

CMYK 30 / 0 / 35 / 22

HEX #8BC681

RGB 139 198 129

HSL 111.3, 0.38%, 0.64%

LAB 74.48, -32.31, 28.68

 

CMYK 18 / 0 / 22 / 28

HEX #96B78F

RGB 150 183 143

HSL 109.5, 0.22%, 0.64%

LAB 71.1, -18.87, 16.73

 

CMYK 5 / 0 / 6 / 34

HEX #A0A89E

RGB 160 168 158

HSL 108, 0.05%, 0.64%

LAB 67.98, -4.73, 4.18

 

CMYK 17 / 0 / 56 / 11

HEX #BDE363

RGB 189 227 99

HSL 77.81, 0.7%, 0.64%

LAB 85.33, -31.25, 57.35

 

CMYK 32 / 0 / 56 / 11

HEX #9BE363

RGB 155 227 99

HSL 93.75, 0.7%, 0.64%

LAB 83.34, -43.65, 54.55

 

CMYK 47 / 0 / 56 / 11

HEX #78E363

RGB 120 227 99

HSL 110.16, 0.7%, 0.64%

LAB 81.75, -54.71, 52.29

 

CMYK 56 / 0 / 51 / 11

HEX #63E370

RGB 99 227 112

HSL 126.09, 0.7%, 0.64%

LAB 81.16, -58.58, 45.38

 

CMYK 56 / 0 / 36 / 11

HEX #63E392

RGB 99 227 146

HSL 142.03, 0.7%, 0.64%

LAB 81.66, -53.23, 29.16

 

CMYK 70 / 0 / 82 / 19

HEX #3FCF25

RGB 63 207 37

HSL 110.82, 0.7%, 0.48%

LAB 73.43, -66.4, 66.13

 

CMYK 60 / 0 / 71 / 13

HEX #58DD40

RGB 88 221 64

HSL 110.83, 0.7%, 0.56%

LAB 78.55, -64.1, 62.85

 

CMYK 48 / 0 / 56 / 11

HEX #77E363

RGB 119 227 99

HSL 110.63, 0.7%, 0.64%

LAB 81.71, -54.99, 52.23

 

CMYK 36 / 0 / 43 / 8

HEX #95EA86

RGB 149 234 134

HSL 111, 0.7%, 0.72%

LAB 85.48, -44.52, 40.56

 

CMYK 25 / 0 / 30 / 6

HEX #B4F0A9

RGB 180 240 169

HSL 110.7, 0.7%, 0.8%

LAB 89.34, -32.05, 28.38

 

CMYK 48 / 0 / 57 / 11

HEX #77E463

RGB 119 228 99

HSL 110.7, 0.7%, 0.64%

LAB 82.01, -55.38, 52.58

 

CMYK 56 / 2 / 0 / 11

HEX #63DFE3

RGB 99 223 227

HSL 181.88, 0.7%, 0.64%

LAB 82.36, -33.14, -12.4

 

CMYK 0 / 56 / 24 / 11

HEX #E363AC

RGB 227 99 172

HSL 325.78, 0.7%, 0.64%

LAB 60.1, 57.56, -14.59

 

CMYK 48 / 0 / 57 / 11

HEX #77E463

RGB 119 228 99

HSL 110.7, 0.7%, 0.64%

LAB 82.01, -55.38, 52.58

 

CMYK 56 / 47 / 0 / 11

HEX #6378E3

RGB 99 120 227

HSL 230.16, 0.7%, 0.64%

LAB 53.63, 23.29, -56.96

 

CMYK 0 / 56 / 47 / 11

HEX #E36378

RGB 227 99 120

HSL 350.16, 0.7%, 0.64%

LAB 58.61, 51.62, 13.42

 

CMYK 48 / 0 / 57 / 11

HEX #77E463

RGB 119 228 99

HSL 110.7, 0.7%, 0.64%

LAB 82.01, -55.38, 52.58

 

CMYK 56 / 2 / 0 / 11

HEX #63DFE3

RGB 99 223 227

HSL 181.88, 0.7%, 0.64%

LAB 82.36, -33.14, -12.4

 

CMYK 9 / 56 / 0 / 11

HEX #CE63E3

RGB 206 99 227

HSL 290.16, 0.7%, 0.64%

LAB 59.52, 60.64, -46.97

 

CMYK 0 / 55 / 56 / 11

HEX #E36763

RGB 227 103 99

HSL 1.88, 0.7%, 0.64%

LAB 58.91, 47.95, 25.96

 

CMYK 48 / 0 / 57 / 11

HEX #77E463

RGB 119 228 99

HSL 110.7, 0.7%, 0.64%

LAB 82.01, -55.38, 52.58

 

CMYK 56 / 19 / 0 / 11

HEX #63B9E3

RGB 99 185 227

HSL 199.69, 0.7%, 0.64%

LAB 71.48, -14.13, -28.91

 

CMYK 9 / 56 / 0 / 11

HEX #CE63E3

RGB 206 99 227

HSL 290.16, 0.7%, 0.64%

LAB 59.52, 60.64, -46.97

 

CMYK 0 / 37 / 56 / 11

HEX #E38E63

RGB 227 142 99

HSL 20.16, 0.7%, 0.64%

LAB 66.96, 28.04, 36.26

 

Description

Color code: HEX #77E463 | qconv.com Color code: HEX #77E463 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 228 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 228 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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