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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77E17B it is the complementary color #881E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77E17B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77E17B shade: #7CE176, #8DF389, #9EFF9C, #AFFFAF and #C0FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77E17B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77E17B shade: #77E17B, #66CF68, #55BD55, #44AB42 and #33992F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77E17B shade: #75E179, #8EE175, #ABE175, #C8E175 and #E1DC75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77E17B shade: #75E179, #75E196, #75E1B3, #75E1D0 and #75D4E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77E17B shade matches the following richer shades: #75E179, #67EE6C and #5AFC60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77E17B shade: #75E179, #83D386, #90C592, #9EB89F and #ABAAAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77E17B shade: #ABE175, #8EE175, #75E179, #75E195 and #75E1B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77E17B shade: #31D237, #53D958, #75E179, #97E89A and #B9F0BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77E17B shade: #77E17B, #75C8E1 and #E1759C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77E17B shade: #77E17B, #7975E1 and #E17975

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77E17B shade: #77E17B, #75C8E1, #E175DD and #E18E75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77E17B shade: #77E17B, #75A7E1, #E175DD and #E1AE75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 45 / 12

HEX #77E17B

RGB 119 225 123

HSL 122.26, 0.64%, 0.67%

LAB 81.4, -51.15, 40.51

 

Complementary color

CMYK 0 / 78 / 3 / 47

HEX #881E84

RGB 136 30 132

HSL 302.26, 0.64%, 0.33%

LAB 33.62, 54.99, -32.79

 

CMYK 45 / 0 / 48 / 12

HEX #7CE176

RGB 124 225 118

HSL 116.64, 0.64%, 0.67%

LAB 81.53, -50.43, 43.16

 

CMYK 42 / 0 / 44 / 5

HEX #8DF389

RGB 141 243 137

HSL 117.74, 0.82%, 0.75%

LAB 87.76, -50.32, 41.93

 

CMYK 38 / 0 / 39 / 0

HEX #9EFF9C

RGB 158 255 156

HSL 118.79, 1%, 0.81%

LAB 92.22, -47.63, 38.51

 

CMYK 31 / 0 / 31 / 0

HEX #AFFFAF

RGB 175 255 175

HSL 120, 1%, 0.84%

LAB 93.33, -39.56, 30.69

 

CMYK 25 / 0 / 24 / 0

HEX #C0FFC2

RGB 192 255 194

HSL 121.9, 1%, 0.88%

LAB 94.58, -31.12, 22.93

 

CMYK 47 / 0 / 45 / 12

HEX #77E17B

RGB 119 225 123

HSL 122.26, 0.64%, 0.67%

LAB 81.4, -51.15, 40.51

 

CMYK 51 / 0 / 50 / 19

HEX #66CF68

RGB 102 207 104

HSL 121.14, 0.52%, 0.61%

LAB 75.11, -51.18, 41.8

 

CMYK 55 / 0 / 55 / 26

HEX #55BD55

RGB 85 189 85

HSL 120, 0.44%, 0.54%

LAB 68.74, -51.06, 43.09

 

CMYK 60 / 0 / 61 / 33

HEX #44AB42

RGB 68 171 66

HSL 118.86, 0.44%, 0.46%

LAB 62.29, -50.72, 44.32

 

CMYK 67 / 0 / 69 / 40

HEX #33992F

RGB 51 153 47

HSL 117.74, 0.53%, 0.39%

LAB 55.78, -50, 45.34

 

CMYK 48 / 0 / 46 / 12

HEX #75E179

RGB 117 225 121

HSL 122.22, 0.64%, 0.67%

LAB 81.3, -51.98, 41.35

 

CMYK 37 / 0 / 48 / 12

HEX #8EE175

RGB 142 225 117

HSL 106.11, 0.64%, 0.67%

LAB 82.32, -45.1, 44.79

 

CMYK 24 / 0 / 48 / 12

HEX #ABE175

RGB 171 225 117

HSL 90, 0.64%, 0.67%

LAB 83.86, -35.23, 47.03

 

CMYK 11 / 0 / 48 / 12

HEX #C8E175

RGB 200 225 117

HSL 73.89, 0.64%, 0.67%

LAB 85.71, -24.41, 49.72

 

CMYK 0 / 2 / 48 / 12

HEX #E1DC75

RGB 225 220 117

HSL 57.22, 0.64%, 0.67%

LAB 86.25, -12.14, 50.8

 

CMYK 48 / 0 / 46 / 12

HEX #75E179

RGB 117 225 121

HSL 122.22, 0.64%, 0.67%

LAB 81.3, -51.98, 41.35

 

CMYK 48 / 0 / 33 / 12

HEX #75E196

RGB 117 225 150

HSL 138.33, 0.64%, 0.67%

LAB 81.75, -47.36, 27.34

 

CMYK 48 / 0 / 20 / 12

HEX #75E1B3

RGB 117 225 179

HSL 154.44, 0.64%, 0.67%

LAB 82.32, -41.75, 13.02

 

CMYK 48 / 0 / 8 / 12

HEX #75E1D0

RGB 117 225 208

HSL 170.56, 0.64%, 0.67%

LAB 83.01, -35.22, -1.3

 

CMYK 48 / 6 / 0 / 12

HEX #75D4E1

RGB 117 212 225

HSL 187.22, 0.64%, 0.67%

LAB 79.79, -24.71, -15.14

 

CMYK 48 / 0 / 46 / 12

HEX #75E179

RGB 117 225 121

HSL 122.22, 0.64%, 0.67%

LAB 81.3, -51.98, 41.35

 

CMYK 57 / 0 / 55 / 7

HEX #67EE6C

RGB 103 238 108

HSL 122.22, 0.8%, 0.67%

LAB 84.54, -62.23, 51.36

 

CMYK 64 / 0 / 62 / 1

HEX #5AFC60

RGB 90 252 96

HSL 122.22, 0.96%, 0.67%

LAB 88.28, -71.25, 60.81

 

CMYK 48 / 0 / 46 / 12

HEX #75E179

RGB 117 225 121

HSL 122.22, 0.64%, 0.67%

LAB 81.3, -51.98, 41.35

 

CMYK 38 / 0 / 36 / 17

HEX #83D386

RGB 131 211 134

HSL 122.25, 0.48%, 0.67%

LAB 77.95, -40.03, 30.61

 

CMYK 27 / 0 / 26 / 23

HEX #90C592

RGB 144 197 146

HSL 122.26, 0.31%, 0.67%

LAB 74.79, -27.37, 20.16

 

CMYK 14 / 0 / 14 / 28

HEX #9EB89F

RGB 158 184 159

HSL 122.31, 0.15%, 0.67%

LAB 72.26, -13.73, 9.75

 

CMYK 0 / 1 / 0 / 33

HEX #ABAAAB

RGB 171 170 171

HSL 300, 0.01%, 0.67%

LAB 69.72, 0.55, -0.4

 

CMYK 24 / 0 / 48 / 12

HEX #ABE175

RGB 171 225 117

HSL 90, 0.64%, 0.67%

LAB 83.86, -35.23, 47.03

 

CMYK 37 / 0 / 48 / 12

HEX #8EE175

RGB 142 225 117

HSL 106.11, 0.64%, 0.67%

LAB 82.32, -45.1, 44.79

 

CMYK 48 / 0 / 46 / 12

HEX #75E179

RGB 117 225 121

HSL 122.22, 0.64%, 0.67%

LAB 81.3, -51.98, 41.35

 

CMYK 48 / 0 / 34 / 12

HEX #75E195

RGB 117 225 149

HSL 137.78, 0.64%, 0.67%

LAB 81.73, -47.54, 27.83

 

CMYK 48 / 0 / 21 / 12

HEX #75E1B2

RGB 117 225 178

HSL 153.89, 0.64%, 0.67%

LAB 82.3, -41.96, 13.51

 

CMYK 77 / 0 / 74 / 18

HEX #31D237

RGB 49 210 55

HSL 122.24, 0.64%, 0.51%

LAB 74.2, -68.44, 61.34

 

CMYK 62 / 0 / 59 / 15

HEX #53D958

RGB 83 217 88

HSL 122.24, 0.64%, 0.59%

LAB 77.38, -61.54, 51.82

 

CMYK 48 / 0 / 46 / 12

HEX #75E179

RGB 117 225 121

HSL 122.22, 0.64%, 0.67%

LAB 81.3, -51.98, 41.35

 

CMYK 35 / 0 / 34 / 9

HEX #97E89A

RGB 151 232 154

HSL 122.22, 0.64%, 0.75%

LAB 85.31, -40.05, 30.34

 

CMYK 23 / 0 / 22 / 6

HEX #B9F0BB

RGB 185 240 187

HSL 122.18, 0.65%, 0.83%

LAB 89.96, -27.49, 20.05

 

CMYK 47 / 0 / 45 / 12

HEX #77E17B

RGB 119 225 123

HSL 122.26, 0.64%, 0.67%

LAB 81.4, -51.15, 40.51

 

CMYK 48 / 11 / 0 / 12

HEX #75C8E1

RGB 117 200 225

HSL 193.89, 0.64%, 0.67%

LAB 76.39, -18.67, -20.26

 

CMYK 0 / 48 / 31 / 12

HEX #E1759C

RGB 225 117 156

HSL 338.33, 0.64%, 0.67%

LAB 62.62, 46.19, -1.68

 

CMYK 47 / 0 / 45 / 12

HEX #77E17B

RGB 119 225 123

HSL 122.26, 0.64%, 0.67%

LAB 81.4, -51.15, 40.51

 

CMYK 46 / 48 / 0 / 12

HEX #7975E1

RGB 121 117 225

HSL 242.22, 0.64%, 0.67%

LAB 54.26, 29.19, -54.74

 

CMYK 0 / 46 / 48 / 12

HEX #E17975

RGB 225 121 117

HSL 2.22, 0.64%, 0.67%

LAB 62.48, 39.82, 20.42

 

CMYK 47 / 0 / 45 / 12

HEX #77E17B

RGB 119 225 123

HSL 122.26, 0.64%, 0.67%

LAB 81.4, -51.15, 40.51

 

CMYK 48 / 11 / 0 / 12

HEX #75C8E1

RGB 117 200 225

HSL 193.89, 0.64%, 0.67%

LAB 76.39, -18.67, -20.26

 

CMYK 0 / 48 / 2 / 12

HEX #E175DD

RGB 225 117 221

HSL 302.22, 0.64%, 0.67%

LAB 64.92, 56.06, -34.96

 

CMYK 0 / 37 / 48 / 12

HEX #E18E75

RGB 225 142 117

HSL 13.89, 0.64%, 0.67%

LAB 67, 28.82, 26.49

 

CMYK 47 / 0 / 45 / 12

HEX #77E17B

RGB 119 225 123

HSL 122.26, 0.64%, 0.67%

LAB 81.4, -51.15, 40.51

 

CMYK 48 / 26 / 0 / 12

HEX #75A7E1

RGB 117 167 225

HSL 212.22, 0.64%, 0.67%

LAB 67.17, -0.97, -34.42

 

CMYK 0 / 48 / 2 / 12

HEX #E175DD

RGB 225 117 221

HSL 302.22, 0.64%, 0.67%

LAB 64.92, 56.06, -34.96

 

CMYK 0 / 23 / 48 / 12

HEX #E1AE75

RGB 225 174 117

HSL 31.67, 0.64%, 0.67%

LAB 74.55, 11.7, 36.31

 

Description

Color code: HEX #77E17B | qconv.com Color code: HEX #77E17B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 225 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 225 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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