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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77D747 it is the complementary color #8828B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77D747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77D747 shade: #7CD742, #8DE955, #9EFB68, #AFFF7B and #C0FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77D747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77D747 shade: #77D747, #66C534, #55B321, #44A10E and #338F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77D747 shade: #77D747, #9ED747, #C4D747, #D7C247 and #D79B47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77D747 shade: #77D747, #50D747, #47D765, #47D78B and #47D7B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77D747 shade matches the following richer shades: #77D747, #71E935 and #6BFB23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77D747 shade: #77D747, #7DC459, #83B26B, #89A07D and #8F8E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77D747 shade: #C3D747, #9DD747, #77D747, #51D747 and #47D764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77D747 shade: #50A725, #60C82C, #77D747, #90DE69 and #A9E58B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77D747 shade: #77D747, #47D7C3 and #D747B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77D747 shade: #77D747, #4777D7 and #D74777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77D747 shade: #77D747, #47D7C3, #A747D7 and #D7475A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77D747 shade: #77D747, #47BFD7, #A747D7 and #D75F47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

Complementary color

CMYK 26 / 78 / 0 / 28

HEX #8828B8

RGB 136 40 184

HSL 280, 0.64%, 0.44%

LAB 38.22, 61.51, -56.9

 

CMYK 42 / 0 / 69 / 16

HEX #7CD742

RGB 124 215 66

HSL 96.64, 0.65%, 0.55%

LAB 78.04, -51.82, 62

 

CMYK 39 / 0 / 64 / 9

HEX #8DE955

RGB 141 233 85

HSL 97.3, 0.77%, 0.62%

LAB 84.28, -52.1, 61.4

 

CMYK 37 / 0 / 59 / 2

HEX #9EFB68

RGB 158 251 104

HSL 97.96, 0.95%, 0.7%

LAB 90.44, -52.25, 60.54

 

CMYK 31 / 0 / 52 / 0

HEX #AFFF7B

RGB 175 255 123

HSL 96.36, 1%, 0.74%

LAB 92.6, -46.43, 54.87

 

CMYK 25 / 0 / 44 / 0

HEX #C0FF8E

RGB 192 255 142

HSL 93.45, 1%, 0.78%

LAB 93.74, -38.52, 47.61

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 48 / 0 / 74 / 23

HEX #66C534

RGB 102 197 52

HSL 99.31, 0.58%, 0.49%

LAB 71.56, -52.56, 60.2

 

CMYK 53 / 0 / 82 / 30

HEX #55B321

RGB 85 179 33

HSL 98.63, 0.69%, 0.42%

LAB 65.19, -51.84, 59.88

 

CMYK 58 / 0 / 91 / 37

HEX #44A10E

RGB 68 161 14

HSL 97.96, 0.84%, 0.34%

LAB 58.74, -50.72, 58.33

 

CMYK 64 / 0 / 100 / 44

HEX #338F00

RGB 51 143 0

HSL 98.6, 1%, 0.28%

LAB 52.23, -49.05, 55.04

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 27 / 0 / 67 / 16

HEX #9ED747

RGB 158 215 71

HSL 83.75, 0.64%, 0.56%

LAB 79.8, -39.68, 62.46

 

CMYK 9 / 0 / 67 / 16

HEX #C4D747

RGB 196 215 71

HSL 67.92, 0.64%, 0.56%

LAB 82.27, -24.83, 65.78

 

CMYK 0 / 10 / 67 / 16

HEX #D7C247

RGB 215 194 71

HSL 51.25, 0.64%, 0.56%

LAB 78.16, -6.44, 62.05

 

CMYK 0 / 28 / 67 / 16

HEX #D79B47

RGB 215 155 71

HSL 35, 0.64%, 0.56%

LAB 68.27, 14.18, 51.57

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 63 / 0 / 67 / 16

HEX #50D747

RGB 80 215 71

HSL 116.25, 0.64%, 0.56%

LAB 76.53, -63.23, 58.01

 

CMYK 67 / 0 / 53 / 16

HEX #47D765

RGB 71 215 101

HSL 132.5, 0.64%, 0.56%

LAB 76.61, -61.6, 44.87

 

CMYK 67 / 0 / 35 / 16

HEX #47D78B

RGB 71 215 139

HSL 148.33, 0.64%, 0.56%

LAB 77.16, -55.34, 26.61

 

CMYK 67 / 0 / 17 / 16

HEX #47D7B2

RGB 71 215 178

HSL 164.58, 0.64%, 0.56%

LAB 77.97, -46.87, 7.16

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 52 / 0 / 77 / 9

HEX #71E935

RGB 113 233 53

HSL 100, 0.8%, 0.56%

LAB 82.94, -62.72, 71.06

 

CMYK 57 / 0 / 86 / 2

HEX #6BFB23

RGB 107 251 35

HSL 100, 0.96%, 0.56%

LAB 88.08, -71.27, 80.02

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 36 / 0 / 55 / 23

HEX #7DC459

RGB 125 196 89

HSL 99.81, 0.48%, 0.56%

LAB 72.6, -41.47, 46.2

 

CMYK 26 / 0 / 40 / 30

HEX #83B26B

RGB 131 178 107

HSL 99.72, 0.32%, 0.56%

LAB 67.82, -28.86, 31.36

 

CMYK 14 / 0 / 22 / 37

HEX #89A07D

RGB 137 160 125

HSL 99.43, 0.16%, 0.56%

LAB 63.29, -14.78, 15.62

 

CMYK 1 / 1 / 0 / 44

HEX #8F8E90

RGB 143 142 144

HSL 270, 0.01%, 0.56%

LAB 59.16, 0.76, -0.94

 

CMYK 9 / 0 / 67 / 16

HEX #C3D747

RGB 195 215 71

HSL 68.33, 0.64%, 0.56%

LAB 82.19, -25.24, 65.68

 

CMYK 27 / 0 / 67 / 16

HEX #9DD747

RGB 157 215 71

HSL 84.17, 0.64%, 0.56%

LAB 79.74, -40.05, 62.38

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 62 / 0 / 67 / 16

HEX #51D747

RGB 81 215 71

HSL 115.83, 0.64%, 0.56%

LAB 76.56, -63.02, 58.05

 

CMYK 67 / 0 / 53 / 16

HEX #47D764

RGB 71 215 100

HSL 132.08, 0.64%, 0.56%

LAB 76.59, -61.74, 45.33

 

CMYK 52 / 0 / 78 / 35

HEX #50A725

RGB 80 167 37

HSL 100.15, 0.64%, 0.4%

LAB 61.2, -48.52, 54.86

 

CMYK 52 / 0 / 78 / 22

HEX #60C82C

RGB 96 200 44

HSL 100, 0.64%, 0.48%

LAB 72.21, -55.93, 63.37

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 35 / 0 / 53 / 13

HEX #90DE69

RGB 144 222 105

HSL 100, 0.64%, 0.64%

LAB 81.4, -44.58, 49.38

 

CMYK 26 / 0 / 39 / 10

HEX #A9E58B

RGB 169 229 139

HSL 100, 0.63%, 0.72%

LAB 85.17, -35.04, 37.89

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 67 / 0 / 9 / 16

HEX #47D7C3

RGB 71 215 195

HSL 171.67, 0.64%, 0.56%

LAB 78.39, -42.61, -1.31

 

CMYK 0 / 67 / 18 / 16

HEX #D747B0

RGB 215 71 176

HSL 316.25, 0.64%, 0.56%

LAB 54.12, 66.47, -26.21

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 67 / 45 / 0 / 16

HEX #4777D7

RGB 71 119 215

HSL 220, 0.64%, 0.56%

LAB 51.2, 14.82, -54.18

 

CMYK 0 / 67 / 45 / 16

HEX #D74777

RGB 215 71 119

HSL 340, 0.64%, 0.56%

LAB 52.16, 59.78, 4.59

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 67 / 0 / 9 / 16

HEX #47D7C3

RGB 71 215 195

HSL 171.67, 0.64%, 0.56%

LAB 78.39, -42.61, -1.31

 

CMYK 22 / 67 / 0 / 16

HEX #A747D7

RGB 167 71 215

HSL 280, 0.64%, 0.56%

LAB 49.04, 61.79, -57.19

 

CMYK 0 / 67 / 58 / 16

HEX #D7475A

RGB 215 71 90

HSL 352.08, 0.64%, 0.56%

LAB 51.49, 57.39, 21.06

 

CMYK 45 / 0 / 67 / 16

HEX #77D747

RGB 119 215 71

HSL 100, 0.64%, 0.56%

LAB 77.86, -52.99, 59.83

 

CMYK 67 / 11 / 0 / 16

HEX #47BFD7

RGB 71 191 215

HSL 190, 0.64%, 0.56%

LAB 71.9, -25.7, -21.82

 

CMYK 22 / 67 / 0 / 16

HEX #A747D7

RGB 167 71 215

HSL 280, 0.64%, 0.56%

LAB 49.04, 61.79, -57.19

 

CMYK 0 / 56 / 67 / 16

HEX #D75F47

RGB 215 95 71

HSL 10, 0.64%, 0.56%

LAB 55.16, 45.59, 36.67

 

Description

Color code: HEX #77D747 | qconv.com Color code: HEX #77D747 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 215 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 215 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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