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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77CCED it is the complementary color #883312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77CCED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77CCED shade: #7CCCE8, #8DDEFB, #9EF0FF, #AFFFFF and #C0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77CCED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77CCED shade: #77CCED, #66BADA, #55A8C7, #4496B4 and #3384A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77CCED shade: #78CCED, #78ADED, #788DED, #8278ED and #A278ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77CCED shade: #78CCED, #78ADED, #788DED and #7878ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77CCED shade matches the following richer shades: #78CCED and #6BD2FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77CCED shade: #78CCED, #84C7E1, #90C2D5, #9DBCC8 and #A9B7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77CCED shade: #78EDCE, #78EDED, #78CEED, #78AFED and #788FED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77CCED shade: #2FB1E4, #53BFE9, #78CCED, #9CDAF2 and #C1E8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77CCED shade: #77CCED, #AF78ED and #EDDE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77CCED shade: #77CCED, #ED78CE and #CEED78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77CCED shade: #77CCED, #AF78ED, #ED9778 and #B6ED78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77CCED shade: #77CCED, #D278ED, #ED9778 and #93ED78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

Complementary color

CMYK 0 / 63 / 87 / 47

HEX #883312

RGB 136 51 18

HSL 16.78, 0.77%, 0.3%

LAB 33.23, 34.7, 37.54

 

CMYK 47 / 12 / 0 / 9

HEX #7CCCE8

RGB 124 204 232

HSL 195.56, 0.7%, 0.7%

LAB 78.05, -17.22, -21.48

 

CMYK 44 / 12 / 0 / 2

HEX #8DDEFB

RGB 141 222 251

HSL 195.82, 0.93%, 0.77%

LAB 84.42, -17.39, -21.86

 

CMYK 38 / 6 / 0 / 0

HEX #9EF0FF

RGB 158 240 255

HSL 189.28, 1%, 0.81%

LAB 90.23, -21.24, -15.12

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 53 / 15 / 0 / 15

HEX #66BADA

RGB 102 186 218

HSL 196.55, 0.61%, 0.63%

LAB 71.56, -16.67, -23.88

 

CMYK 57 / 16 / 0 / 22

HEX #55A8C7

RGB 85 168 199

HSL 196.32, 0.5%, 0.56%

LAB 65.01, -16.26, -23.5

 

CMYK 62 / 17 / 0 / 29

HEX #4496B4

RGB 68 150 180

HSL 196.07, 0.45%, 0.49%

LAB 58.36, -15.71, -23.09

 

CMYK 68 / 18 / 0 / 37

HEX #3384A1

RGB 51 132 161

HSL 195.82, 0.52%, 0.42%

LAB 51.59, -14.96, -22.65

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 49 / 27 / 0 / 7

HEX #78ADED

RGB 120 173 237

HSL 212.82, 0.76%, 0.7%

LAB 69.47, -0.12, -37.4

 

CMYK 49 / 41 / 0 / 7

HEX #788DED

RGB 120 141 237

HSL 229.23, 0.76%, 0.7%

LAB 60.92, 18.29, -50.83

 

CMYK 45 / 49 / 0 / 7

HEX #8278ED

RGB 130 120 237

HSL 245.13, 0.76%, 0.7%

LAB 56.38, 32.96, -58.03

 

CMYK 32 / 49 / 0 / 7

HEX #A278ED

RGB 162 120 237

HSL 261.54, 0.76%, 0.7%

LAB 59.19, 40.69, -53.38

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 49 / 27 / 0 / 7

HEX #78ADED

RGB 120 173 237

HSL 212.82, 0.76%, 0.7%

LAB 69.47, -0.12, -37.4

 

CMYK 49 / 41 / 0 / 7

HEX #788DED

RGB 120 141 237

HSL 229.23, 0.76%, 0.7%

LAB 60.92, 18.29, -50.83

 

CMYK 49 / 49 / 0 / 7

HEX #7878ED

RGB 120 120 237

HSL 240, 0.76%, 0.7%

LAB 55.62, 30.75, -59.28

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 57 / 16 / 0 / 2

HEX #6BD2FA

RGB 107 210 250

HSL 196.78, 0.93%, 0.7%

LAB 79.68, -18.83, -28.68

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 41 / 12 / 0 / 12

HEX #84C7E1

RGB 132 199 225

HSL 196.77, 0.61%, 0.7%

LAB 76.79, -14.56, -19.59

 

CMYK 32 / 9 / 0 / 16

HEX #90C2D5

RGB 144 194 213

HSL 196.52, 0.45%, 0.7%

LAB 75.65, -11.78, -14.78

 

CMYK 22 / 6 / 0 / 22

HEX #9DBCC8

RGB 157 188 200

HSL 196.74, 0.28%, 0.7%

LAB 74.38, -7.8, -9.53

 

CMYK 10 / 3 / 0 / 26

HEX #A9B7BC

RGB 169 183 188

HSL 195.79, 0.12%, 0.7%

LAB 73.5, -3.82, -4.2

 

CMYK 49 / 0 / 13 / 7

HEX #78EDCE

RGB 120 237 206

HSL 164.1, 0.76%, 0.7%

LAB 86.51, -40.48, 4.86

 

CMYK 49 / 0 / 0 / 7

HEX #78EDED

RGB 120 237 237

HSL 180, 0.76%, 0.7%

LAB 87.33, -33.02, -10.21

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 49 / 26 / 0 / 7

HEX #78AFED

RGB 120 175 237

HSL 211.79, 0.76%, 0.7%

LAB 70.01, -1.24, -36.55

 

CMYK 49 / 40 / 0 / 7

HEX #788FED

RGB 120 143 237

HSL 228.21, 0.76%, 0.7%

LAB 61.44, 17.11, -50.01

 

CMYK 79 / 22 / 0 / 11

HEX #2FB1E4

RGB 47 177 228

HSL 196.91, 0.77%, 0.54%

LAB 67.76, -17.25, -35.33

 

CMYK 64 / 18 / 0 / 9

HEX #53BFE9

RGB 83 191 233

HSL 196.8, 0.77%, 0.62%

LAB 72.88, -18.34, -30.06

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 36 / 10 / 0 / 5

HEX #9CDAF2

RGB 156 218 242

HSL 196.74, 0.77%, 0.78%

LAB 83.77, -13.86, -18.01

 

CMYK 22 / 6 / 0 / 3

HEX #C1E8F7

RGB 193 232 247

HSL 196.67, 0.77%, 0.86%

LAB 89.75, -9.43, -11.46

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 26 / 49 / 0 / 7

HEX #AF78ED

RGB 175 120 237

HSL 268.21, 0.76%, 0.7%

LAB 60.48, 44.04, -51.25

 

CMYK 0 / 6 / 49 / 7

HEX #EDDE78

RGB 237 222 120

HSL 52.31, 0.76%, 0.7%

LAB 87.78, -8.08, 51.45

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 0 / 49 / 13 / 7

HEX #ED78CE

RGB 237 120 206

HSL 315.9, 0.76%, 0.7%

LAB 66.44, 55.64, -24.11

 

CMYK 13 / 0 / 49 / 7

HEX #CEED78

RGB 206 237 120

HSL 75.9, 0.76%, 0.7%

LAB 89.41, -27.54, 52.87

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 26 / 49 / 0 / 7

HEX #AF78ED

RGB 175 120 237

HSL 268.21, 0.76%, 0.7%

LAB 60.48, 44.04, -51.25

 

CMYK 0 / 36 / 49 / 7

HEX #ED9778

RGB 237 151 120

HSL 15.9, 0.76%, 0.7%

LAB 70.52, 29.02, 29.76

 

CMYK 23 / 0 / 49 / 7

HEX #B6ED78

RGB 182 237 120

HSL 88.21, 0.76%, 0.7%

LAB 87.91, -36.41, 50.69

 

CMYK 50 / 14 / 0 / 7

HEX #77CCED

RGB 119 204 237

HSL 196.78, 0.77%, 0.7%

LAB 78.01, -16.99, -24.25

 

CMYK 11 / 49 / 0 / 7

HEX #D278ED

RGB 210 120 237

HSL 286.15, 0.76%, 0.7%

LAB 64.36, 53.38, -44.86

 

CMYK 0 / 36 / 49 / 7

HEX #ED9778

RGB 237 151 120

HSL 15.9, 0.76%, 0.7%

LAB 70.52, 29.02, 29.76

 

CMYK 38 / 0 / 49 / 7

HEX #93ED78

RGB 147 237 120

HSL 106.15, 0.76%, 0.7%

LAB 86.07, -48.23, 48.03

 

Description

Color code: HEX #77CCED | qconv.com Color code: HEX #77CCED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 204 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 204 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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