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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77CC30 it is the complementary color #8833CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77CC30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77CC30 shade: #7CCC2B, #8DDE3E, #9EF051, #AFFF64 and #C0FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77CC30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77CC30 shade: #77CC30, #66BA1D, #55A80A, #449600 and #338400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77CC30 shade: #76CA2F, #A0CA2F, #CACA2F, #CAA12F and #CA782F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77CC30 shade: #76CA2F, #4CCA2F, #2FCA3D, #2FCA66 and #2FCA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77CC30 shade matches the following richer shades: #76CA2F, #74DF1B and #72F307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77CC30 shade: #76CA2F, #78B644, #7AA258, #7B8E6C and #7D7A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77CC30 shade: #CACA2F, #A1CA2F, #78CA2F, #4ECA2F and #2FCA3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77CC30 shade: #4F8820, #63A928, #76CA2F, #8BD54E and #A1DD6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77CC30 shade: #77CC30, #2FCAA1 and #CA2FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77CC30 shade: #77CC30, #2F78CA and #CA2F78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77CC30 shade: #77CC30, #2FCAA1, #822FCA and #CA2F59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77CC30 shade: #77CC30, #2FC5CA, #822FCA and #CA352F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 76 / 20

HEX #77CC30

RGB 119 204 48

HSL 92.69, 0.62%, 0.49%

LAB 74.39, -50.21, 64.54

 

Complementary color

CMYK 34 / 75 / 0 / 19

HEX #8833CF

RGB 136 51 207

HSL 272.69, 0.62%, 0.51%

LAB 41.39, 62.41, -65.19

 

CMYK 39 / 0 / 79 / 20

HEX #7CCC2B

RGB 124 204 43

HSL 89.81, 0.65%, 0.48%

LAB 74.6, -48.8, 66.33

 

CMYK 36 / 0 / 72 / 13

HEX #8DDE3E

RGB 141 222 62

HSL 90.38, 0.71%, 0.56%

LAB 80.88, -49.32, 66.57

 

CMYK 34 / 0 / 66 / 6

HEX #9EF051

RGB 158 240 81

HSL 90.94, 0.84%, 0.63%

LAB 87.09, -49.67, 66.23

 

CMYK 31 / 0 / 61 / 0

HEX #AFFF64

RGB 175 255 100

HSL 90.97, 1%, 0.7%

LAB 92.38, -48.63, 64.62

 

CMYK 25 / 0 / 53 / 0

HEX #C0FF77

RGB 192 255 119

HSL 87.79, 1%, 0.73%

LAB 93.48, -41, 57.93

 

CMYK 42 / 0 / 76 / 20

HEX #77CC30

RGB 119 204 48

HSL 92.69, 0.62%, 0.49%

LAB 74.39, -50.21, 64.54

 

CMYK 45 / 0 / 84 / 27

HEX #66BA1D

RGB 102 186 29

HSL 92.1, 0.73%, 0.42%

LAB 68.04, -49.51, 63.74

 

CMYK 49 / 0 / 94 / 34

HEX #55A80A

RGB 85 168 10

HSL 91.52, 0.89%, 0.35%

LAB 61.62, -48.48, 61.58

 

CMYK 55 / 0 / 100 / 41

HEX #449600

RGB 68 150 0

HSL 92.8, 1%, 0.29%

LAB 55.12, -47.01, 57.56

 

CMYK 61 / 0 / 100 / 48

HEX #338400

RGB 51 132 0

HSL 96.82, 1%, 0.26%

LAB 48.52, -45.11, 52.11

 

CMYK 42 / 0 / 77 / 21

HEX #76CA2F

RGB 118 202 47

HSL 92.52, 0.62%, 0.49%

LAB 73.74, -49.79, 64.21

 

CMYK 21 / 0 / 77 / 21

HEX #A0CA2F

RGB 160 202 47

HSL 76.26, 0.62%, 0.49%

LAB 76.02, -34.44, 67.17

 

CMYK 0 / 0 / 77 / 21

HEX #CACA2F

RGB 202 202 47

HSL 60, 0.62%, 0.49%

LAB 79.04, -17.13, 71.05

 

CMYK 0 / 20 / 77 / 21

HEX #CAA12F

RGB 202 161 47

HSL 44.13, 0.62%, 0.49%

LAB 68.21, 4.14, 61.1

 

CMYK 0 / 41 / 77 / 21

HEX #CA782F

RGB 202 120 47

HSL 28.26, 0.62%, 0.49%

LAB 58.22, 26.41, 51.52

 

CMYK 42 / 0 / 77 / 21

HEX #76CA2F

RGB 118 202 47

HSL 92.52, 0.62%, 0.49%

LAB 73.74, -49.79, 64.21

 

CMYK 62 / 0 / 77 / 21

HEX #4CCA2F

RGB 76 202 47

HSL 108.77, 0.62%, 0.49%

LAB 72.22, -61.54, 62.22

 

CMYK 77 / 0 / 70 / 21

HEX #2FCA3D

RGB 47 202 61

HSL 125.42, 0.62%, 0.49%

LAB 71.68, -65.74, 56.55

 

CMYK 77 / 0 / 50 / 21

HEX #2FCA66

RGB 47 202 102

HSL 141.29, 0.62%, 0.49%

LAB 72.1, -60.7, 38.73

 

CMYK 77 / 0 / 29 / 21

HEX #2FCA90

RGB 47 202 144

HSL 157.55, 0.62%, 0.49%

LAB 72.8, -52.75, 17.94

 

CMYK 42 / 0 / 77 / 21

HEX #76CA2F

RGB 118 202 47

HSL 92.52, 0.62%, 0.49%

LAB 73.74, -49.79, 64.21

 

CMYK 48 / 0 / 88 / 13

HEX #74DF1B

RGB 116 223 27

HSL 92.76, 0.78%, 0.49%

LAB 79.94, -59.32, 74.65

 

CMYK 53 / 0 / 97 / 5

HEX #72F307

RGB 114 243 7

HSL 92.8, 0.94%, 0.49%

LAB 85.85, -67.39, 81.87

 

CMYK 42 / 0 / 77 / 21

HEX #76CA2F

RGB 118 202 47

HSL 92.52, 0.62%, 0.49%

LAB 73.74, -49.79, 64.21

 

CMYK 34 / 0 / 63 / 29

HEX #78B644

RGB 120 182 68

HSL 92.63, 0.46%, 0.49%

LAB 67.92, -39.18, 50.34

 

CMYK 25 / 0 / 46 / 36

HEX #7AA258

RGB 122 162 88

HSL 92.43, 0.3%, 0.49%

LAB 62.24, -26.98, 34.05

 

CMYK 13 / 0 / 24 / 44

HEX #7B8E6C

RGB 123 142 108

HSL 93.53, 0.14%, 0.49%

LAB 56.72, -13.37, 15.9

 

CMYK 2 / 5 / 0 / 50

HEX #7D7A80

RGB 125 122 128

HSL 270, 0.02%, 0.49%

LAB 51.65, 2.34, -2.87

 

CMYK 0 / 0 / 77 / 21

HEX #CACA2F

RGB 202 202 47

HSL 60, 0.62%, 0.49%

LAB 79.04, -17.13, 71.05

 

CMYK 20 / 0 / 77 / 21

HEX #A1CA2F

RGB 161 202 47

HSL 75.87, 0.62%, 0.49%

LAB 76.08, -34.04, 67.25

 

CMYK 41 / 0 / 77 / 21

HEX #78CA2F

RGB 120 202 47

HSL 91.74, 0.62%, 0.49%

LAB 73.83, -49.13, 64.33

 

CMYK 61 / 0 / 77 / 21

HEX #4ECA2F

RGB 78 202 47

HSL 108, 0.62%, 0.49%

LAB 72.27, -61.09, 62.29

 

CMYK 77 / 0 / 71 / 21

HEX #2FCA3A

RGB 47 202 58

HSL 124.26, 0.62%, 0.49%

LAB 71.66, -66, 57.66

 

CMYK 42 / 0 / 76 / 47

HEX #4F8820

RGB 79 136 32

HSL 92.88, 0.62%, 0.33%

LAB 51.12, -36.49, 46.79

 

CMYK 41 / 0 / 76 / 34

HEX #63A928

RGB 99 169 40

HSL 92.56, 0.62%, 0.41%

LAB 62.66, -43.07, 55.55

 

CMYK 42 / 0 / 77 / 21

HEX #76CA2F

RGB 118 202 47

HSL 92.52, 0.62%, 0.49%

LAB 73.74, -49.79, 64.21

 

CMYK 35 / 0 / 63 / 16

HEX #8BD54E

RGB 139 213 78

HSL 92.89, 0.62%, 0.57%

LAB 78.24, -45.08, 57.68

 

CMYK 27 / 0 / 50 / 13

HEX #A1DD6F

RGB 161 221 111

HSL 92.73, 0.62%, 0.65%

LAB 82.08, -37.65, 47.59

 

CMYK 42 / 0 / 76 / 20

HEX #77CC30

RGB 119 204 48

HSL 92.69, 0.62%, 0.49%

LAB 74.39, -50.21, 64.54

 

CMYK 77 / 0 / 20 / 21

HEX #2FCAA1

RGB 47 202 161

HSL 164.13, 0.62%, 0.49%

LAB 73.17, -48.8, 9.35

 

CMYK 0 / 77 / 10 / 21

HEX #CA2FB6

RGB 202 47 182

HSL 307.74, 0.62%, 0.49%

LAB 49.46, 72.16, -37.15

 

CMYK 42 / 0 / 76 / 20

HEX #77CC30

RGB 119 204 48

HSL 92.69, 0.62%, 0.49%

LAB 74.39, -50.21, 64.54

 

CMYK 77 / 41 / 0 / 21

HEX #2F78CA

RGB 47 120 202

HSL 211.74, 0.62%, 0.49%

LAB 49.86, 6.15, -48.98

 

CMYK 0 / 77 / 41 / 21

HEX #CA2F78

RGB 202 47 120

HSL 331.74, 0.62%, 0.49%

LAB 46.9, 64.56, -3.95

 

CMYK 42 / 0 / 76 / 20

HEX #77CC30

RGB 119 204 48

HSL 92.69, 0.62%, 0.49%

LAB 74.39, -50.21, 64.54

 

CMYK 77 / 0 / 20 / 21

HEX #2FCAA1

RGB 47 202 161

HSL 164.13, 0.62%, 0.49%

LAB 73.17, -48.8, 9.35

 

CMYK 36 / 77 / 0 / 21

HEX #822FCA

RGB 130 47 202

HSL 272.13, 0.62%, 0.49%

LAB 39.65, 61.83, -65.15

 

CMYK 0 / 77 / 56 / 21

HEX #CA2F59

RGB 202 47 89

HSL 343.74, 0.62%, 0.49%

LAB 46.06, 61.91, 13.92

 

CMYK 42 / 0 / 76 / 20

HEX #77CC30

RGB 119 204 48

HSL 92.69, 0.62%, 0.49%

LAB 74.39, -50.21, 64.54

 

CMYK 77 / 2 / 0 / 21

HEX #2FC5CA

RGB 47 197 202

HSL 181.94, 0.62%, 0.49%

LAB 72.76, -35.48, -13.49

 

CMYK 36 / 77 / 0 / 21

HEX #822FCA

RGB 130 47 202

HSL 272.13, 0.62%, 0.49%

LAB 39.65, 61.83, -65.15

 

CMYK 0 / 74 / 77 / 21

HEX #CA352F

RGB 202 53 47

HSL 2.32, 0.62%, 0.49%

LAB 46.05, 57.7, 39.06

 

Description

Color code: HEX #77CC30 | qconv.com Color code: HEX #77CC30 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 204 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 204 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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