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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77C331 it is the complementary color #883CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77C331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77C331 shade: #7CC32C, #8DD53F, #9EE752, #AFF965 and #C0FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77C331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77C331 shade: #77C331, #66B11E, #559F0B, #448D00 and #337B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77C331 shade: #77C431, #9FC431, #C4C131, #C49931 and #C47231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77C331 shade: #77C431, #50C431, #31C43A, #31C461 and #31C489

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77C331 shade matches the following richer shades: #77C431, #77D81D and #76EB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77C331 shade: #77C431, #78B045, #799C59, #7A886C and #7B7580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77C331 shade: #C4C131, #9FC431, #78C431, #51C431 and #31C438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77C331 shade: #4F8220, #63A329, #77C431, #8CD24C and #A1DA6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77C331 shade: #77C331, #31C49A and #C431B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77C331 shade: #77C331, #3178C4 and #C43178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77C331 shade: #77C331, #31C49A, #7D31C4 and #C4315B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77C331 shade: #77C331, #31C1C4, #7D31C4 and #C43331

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 75 / 24

HEX #77C331

RGB 119 195 49

HSL 91.23, 0.6%, 0.48%

LAB 71.67, -46.49, 61.59

 

Complementary color

CMYK 34 / 71 / 0 / 19

HEX #883CCE

RGB 136 60 206

HSL 271.23, 0.6%, 0.52%

LAB 42.65, 58.39, -62.56

 

CMYK 36 / 0 / 77 / 24

HEX #7CC32C

RGB 124 195 44

HSL 88.21, 0.63%, 0.47%

LAB 71.89, -45.04, 63.5

 

CMYK 34 / 0 / 70 / 16

HEX #8DD53F

RGB 141 213 63

HSL 88.8, 0.64%, 0.54%

LAB 78.23, -45.51, 63.56

 

CMYK 32 / 0 / 65 / 9

HEX #9EE752

RGB 158 231 82

HSL 89.4, 0.76%, 0.61%

LAB 84.5, -45.81, 63.09

 

CMYK 30 / 0 / 59 / 2

HEX #AFF965

RGB 175 249 101

HSL 90, 0.93%, 0.69%

LAB 90.69, -46, 62.32

 

CMYK 25 / 0 / 53 / 0

HEX #C0FF78

RGB 192 255 120

HSL 88, 1%, 0.74%

LAB 93.49, -40.9, 57.5

 

CMYK 39 / 0 / 75 / 24

HEX #77C331

RGB 119 195 49

HSL 91.23, 0.6%, 0.48%

LAB 71.67, -46.49, 61.59

 

CMYK 42 / 0 / 83 / 31

HEX #66B11E

RGB 102 177 30

HSL 90.61, 0.71%, 0.41%

LAB 65.25, -45.86, 61

 

CMYK 47 / 0 / 93 / 38

HEX #559F0B

RGB 85 159 11

HSL 90, 0.87%, 0.33%

LAB 58.74, -44.92, 59.08

 

CMYK 52 / 0 / 100 / 45

HEX #448D00

RGB 68 141 0

HSL 91.06, 1%, 0.28%

LAB 52.15, -43.56, 55.23

 

CMYK 59 / 0 / 100 / 52

HEX #337B00

RGB 51 123 0

HSL 95.12, 1%, 0.24%

LAB 45.46, -41.75, 49.69

 

CMYK 39 / 0 / 75 / 23

HEX #77C431

RGB 119 196 49

HSL 91.43, 0.6%, 0.48%

LAB 71.98, -46.9, 61.88

 

CMYK 19 / 0 / 75 / 23

HEX #9FC431

RGB 159 196 49

HSL 75.1, 0.6%, 0.48%

LAB 74.24, -31.96, 64.84

 

CMYK 0 / 2 / 75 / 23

HEX #C4C131

RGB 196 193 49

HSL 58.78, 0.6%, 0.48%

LAB 76.13, -15.1, 67.59

 

CMYK 0 / 22 / 75 / 23

HEX #C49931

RGB 196 153 49

HSL 42.45, 0.6%, 0.48%

LAB 65.55, 5.9, 57.6

 

CMYK 0 / 42 / 75 / 23

HEX #C47231

RGB 196 114 49

HSL 26.53, 0.6%, 0.48%

LAB 56.08, 27.22, 48.21

 

CMYK 39 / 0 / 75 / 23

HEX #77C431

RGB 119 196 49

HSL 91.43, 0.6%, 0.48%

LAB 71.98, -46.9, 61.88

 

CMYK 59 / 0 / 75 / 23

HEX #50C431

RGB 80 196 49

HSL 107.35, 0.6%, 0.48%

LAB 70.46, -58.4, 59.89

 

CMYK 75 / 0 / 70 / 23

HEX #31C43A

RGB 49 196 58

HSL 123.67, 0.6%, 0.48%

LAB 69.78, -63.82, 55.72

 

CMYK 75 / 0 / 51 / 23

HEX #31C461

RGB 49 196 97

HSL 139.59, 0.6%, 0.48%

LAB 70.17, -59.12, 38.81

 

CMYK 75 / 0 / 30 / 23

HEX #31C489

RGB 49 196 137

HSL 155.92, 0.6%, 0.48%

LAB 70.83, -51.69, 18.96

 

CMYK 39 / 0 / 75 / 23

HEX #77C431

RGB 119 196 49

HSL 91.43, 0.6%, 0.48%

LAB 71.98, -46.9, 61.88

 

CMYK 45 / 0 / 87 / 15

HEX #77D81D

RGB 119 216 29

HSL 91.12, 0.76%, 0.48%

LAB 77.95, -55.72, 72.63

 

CMYK 50 / 0 / 96 / 8

HEX #76EB09

RGB 118 235 9

HSL 91.06, 0.93%, 0.48%

LAB 83.59, -63.45, 79.96

 

CMYK 39 / 0 / 75 / 23

HEX #77C431

RGB 119 196 49

HSL 91.43, 0.6%, 0.48%

LAB 71.98, -46.9, 61.88

 

CMYK 32 / 0 / 61 / 31

HEX #78B045

RGB 120 176 69

HSL 91.4, 0.44%, 0.48%

LAB 66.12, -36.41, 47.89

 

CMYK 22 / 0 / 43 / 39

HEX #799C59

RGB 121 156 89

HSL 91.34, 0.27%, 0.48%

LAB 60.39, -24.27, 31.19

 

CMYK 10 / 0 / 21 / 47

HEX #7A886C

RGB 122 136 108

HSL 90, 0.11%, 0.48%

LAB 54.9, -10.5, 13.36

 

CMYK 4 / 9 / 0 / 50

HEX #7B7580

RGB 123 117 128

HSL 272.73, 0.04%, 0.48%

LAB 50.09, 4.52, -5.2

 

CMYK 0 / 2 / 75 / 23

HEX #C4C131

RGB 196 193 49

HSL 58.78, 0.6%, 0.48%

LAB 76.13, -15.1, 67.59

 

CMYK 19 / 0 / 75 / 23

HEX #9FC431

RGB 159 196 49

HSL 75.1, 0.6%, 0.48%

LAB 74.24, -31.96, 64.84

 

CMYK 39 / 0 / 75 / 23

HEX #78C431

RGB 120 196 49

HSL 91.02, 0.6%, 0.48%

LAB 72.02, -46.56, 61.95

 

CMYK 59 / 0 / 75 / 23

HEX #51C431

RGB 81 196 49

HSL 106.94, 0.6%, 0.48%

LAB 70.49, -58.15, 59.93

 

CMYK 75 / 0 / 71 / 23

HEX #31C438

RGB 49 196 56

HSL 122.86, 0.6%, 0.48%

LAB 69.77, -63.99, 56.46

 

CMYK 39 / 0 / 75 / 49

HEX #4F8220

RGB 79 130 32

HSL 91.22, 0.6%, 0.32%

LAB 49.17, -33.83, 44.87

 

CMYK 39 / 0 / 75 / 36

HEX #63A329

RGB 99 163 41

HSL 91.48, 0.6%, 0.4%

LAB 60.79, -40.47, 53.38

 

CMYK 39 / 0 / 75 / 23

HEX #77C431

RGB 119 196 49

HSL 91.43, 0.6%, 0.48%

LAB 71.98, -46.9, 61.88

 

CMYK 33 / 0 / 64 / 18

HEX #8CD24C

RGB 140 210 76

HSL 91.34, 0.6%, 0.56%

LAB 77.39, -43.61, 57.6

 

CMYK 26 / 0 / 50 / 15

HEX #A1DA6D

RGB 161 218 109

HSL 91.38, 0.6%, 0.64%

LAB 81.19, -36.51, 47.47

 

CMYK 39 / 0 / 75 / 24

HEX #77C331

RGB 119 195 49

HSL 91.23, 0.6%, 0.48%

LAB 71.67, -46.49, 61.59

 

CMYK 75 / 0 / 21 / 23

HEX #31C49A

RGB 49 196 154

HSL 162.86, 0.6%, 0.48%

LAB 71.19, -47.79, 10.32

 

CMYK 0 / 75 / 9 / 23

HEX #C431B3

RGB 196 49 179

HSL 306.94, 0.6%, 0.48%

LAB 48.49, 69.84, -36.98

 

CMYK 39 / 0 / 75 / 24

HEX #77C331

RGB 119 195 49

HSL 91.23, 0.6%, 0.48%

LAB 71.67, -46.49, 61.59

 

CMYK 75 / 39 / 0 / 23

HEX #3178C4

RGB 49 120 196

HSL 211.02, 0.6%, 0.48%

LAB 49.58, 4.17, -45.98

 

CMYK 0 / 75 / 39 / 23

HEX #C43178

RGB 196 49 120

HSL 331.02, 0.6%, 0.48%

LAB 46.03, 62.35, -5.37

 

CMYK 39 / 0 / 75 / 24

HEX #77C331

RGB 119 195 49

HSL 91.23, 0.6%, 0.48%

LAB 71.67, -46.49, 61.59

 

CMYK 75 / 0 / 21 / 23

HEX #31C49A

RGB 49 196 154

HSL 162.86, 0.6%, 0.48%

LAB 71.19, -47.79, 10.32

 

CMYK 36 / 75 / 0 / 23

HEX #7D31C4

RGB 125 49 196

HSL 271.02, 0.6%, 0.48%

LAB 38.8, 58.79, -63.07

 

CMYK 0 / 75 / 54 / 23

HEX #C4315B

RGB 196 49 91

HSL 342.86, 0.6%, 0.48%

LAB 45.2, 59.73, 11.33

 

CMYK 39 / 0 / 75 / 24

HEX #77C331

RGB 119 195 49

HSL 91.23, 0.6%, 0.48%

LAB 71.67, -46.49, 61.59

 

CMYK 75 / 2 / 0 / 23

HEX #31C1C4

RGB 49 193 196

HSL 181.22, 0.6%, 0.48%

LAB 71.4, -35.18, -12.25

 

CMYK 36 / 75 / 0 / 23

HEX #7D31C4

RGB 125 49 196

HSL 271.02, 0.6%, 0.48%

LAB 38.8, 58.79, -63.07

 

CMYK 0 / 74 / 75 / 23

HEX #C43331

RGB 196 51 49

HSL 0.82, 0.6%, 0.48%

LAB 44.7, 56.6, 36.12

 

Description

Color code: HEX #77C331 | qconv.com Color code: HEX #77C331 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 195 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 195 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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