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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77C019 it is the complementary color #883FE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77C019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77C019 shade: #7CC014, #8DD227, #9EE43A, #AFF64D and #C0FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77C019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77C019 shade: #77C019, #66AE06, #559C00, #448A00 and #337800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77C019 shade: #78C219, #A6C219, #C2B119, #C28319 and #C25619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77C019 shade: #78C219, #4BC219, #1DC219, #19C243 and #19C270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77C019 shade matches the following richer shades: #78C219 and #7AD407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77C019 shade: #78C219, #76B02B, #749F3D, #728D4E and #6F7B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77C019 shade: #C2B119, #A6C219, #79C219, #4CC219 and #1FC219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77C019 shade: #4B7910, #629E14, #78C219, #8EE222 and #A1E747

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77C019 shade: #77C019, #19C284 and #C219BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77C019 shade: #77C019, #1979C2 and #C21979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77C019 shade: #77C019, #19C284, #6219C2 and #C21957

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77C019 shade: #77C019, #19C2B7, #6219C2 and #C21924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 87 / 25

HEX #77C019

RGB 119 192 25

HSL 86.23, 0.77%, 0.43%

LAB 70.66, -46.34, 67.2

 

Complementary color

CMYK 41 / 73 / 0 / 10

HEX #883FE6

RGB 136 63 230

HSL 266.23, 0.77%, 0.57%

LAB 44.95, 62.77, -72.55

 

CMYK 35 / 0 / 90 / 25

HEX #7CC014

RGB 124 192 20

HSL 83.72, 0.81%, 0.42%

LAB 70.89, -44.7, 68.43

 

CMYK 33 / 0 / 81 / 18

HEX #8DD227

RGB 141 210 39

HSL 84.21, 0.69%, 0.49%

LAB 77.22, -45.51, 70.12

 

CMYK 31 / 0 / 75 / 11

HEX #9EE43A

RGB 158 228 58

HSL 84.71, 0.76%, 0.56%

LAB 83.47, -46.1, 70.73

 

CMYK 29 / 0 / 69 / 4

HEX #AFF64D

RGB 175 246 77

HSL 85.21, 0.9%, 0.63%

LAB 89.66, -46.54, 70.66

 

CMYK 25 / 0 / 62 / 0

HEX #C0FF60

RGB 192 255 96

HSL 83.77, 1%, 0.69%

LAB 93.26, -42.98, 67.48

 

CMYK 38 / 0 / 87 / 25

HEX #77C019

RGB 119 192 25

HSL 86.23, 0.77%, 0.43%

LAB 70.66, -46.34, 67.2

 

CMYK 41 / 0 / 97 / 32

HEX #66AE06

RGB 102 174 6

HSL 85.71, 0.93%, 0.35%

LAB 64.25, -45.33, 64.54

 

CMYK 46 / 0 / 100 / 39

HEX #559C00

RGB 85 156 0

HSL 87.31, 1%, 0.31%

LAB 57.76, -43.97, 59.93

 

CMYK 51 / 0 / 100 / 46

HEX #448A00

RGB 68 138 0

HSL 90.43, 1%, 0.27%

LAB 51.16, -42.38, 54.45

 

CMYK 58 / 0 / 100 / 53

HEX #337800

RGB 51 120 0

HSL 94.5, 1%, 0.24%

LAB 44.43, -40.6, 48.88

 

CMYK 38 / 0 / 87 / 24

HEX #78C219

RGB 120 194 25

HSL 86.27, 0.77%, 0.43%

LAB 71.31, -46.81, 67.77

 

CMYK 14 / 0 / 87 / 24

HEX #A6C219

RGB 166 194 25

HSL 69.94, 0.77%, 0.43%

LAB 74.04, -29.05, 71.15

 

CMYK 0 / 9 / 87 / 24

HEX #C2B119

RGB 194 177 25

HSL 53.96, 0.77%, 0.43%

LAB 71.54, -8.53, 70.04

 

CMYK 0 / 32 / 87 / 24

HEX #C28319

RGB 194 131 25

HSL 37.63, 0.77%, 0.43%

LAB 59.68, 16.25, 60.48

 

CMYK 0 / 56 / 87 / 24

HEX #C25619

RGB 194 86 25

HSL 21.66, 0.77%, 0.43%

LAB 49.73, 40.21, 52.43

 

CMYK 38 / 0 / 87 / 24

HEX #78C219

RGB 120 194 25

HSL 86.27, 0.77%, 0.43%

LAB 71.31, -46.81, 67.77

 

CMYK 61 / 0 / 87 / 24

HEX #4BC219

RGB 75 194 25

HSL 102.25, 0.77%, 0.43%

LAB 69.58, -60.16, 65.6

 

CMYK 85 / 0 / 87 / 24

HEX #1DC219

RGB 29 194 25

HSL 118.58, 0.77%, 0.43%

LAB 68.69, -67.78, 64.48

 

CMYK 87 / 0 / 65 / 24

HEX #19C243

RGB 25 194 67

HSL 134.91, 0.77%, 0.43%

LAB 68.89, -65.06, 51.06

 

CMYK 87 / 0 / 42 / 24

HEX #19C270

RGB 25 194 112

HSL 150.89, 0.77%, 0.43%

LAB 69.44, -58.44, 30.22

 

CMYK 38 / 0 / 87 / 24

HEX #78C219

RGB 120 194 25

HSL 86.27, 0.77%, 0.43%

LAB 71.31, -46.81, 67.77

 

CMYK 42 / 0 / 97 / 17

HEX #7AD407

RGB 122 212 7

HSL 86.34, 0.94%, 0.43%

LAB 76.82, -53.69, 74.82

 

CMYK 38 / 0 / 87 / 24

HEX #78C219

RGB 120 194 25

HSL 86.27, 0.77%, 0.43%

LAB 71.31, -46.81, 67.77

 

CMYK 33 / 0 / 76 / 31

HEX #76B02B

RGB 118 176 43

HSL 86.17, 0.61%, 0.43%

LAB 65.81, -39.1, 57.91

 

CMYK 27 / 0 / 62 / 38

HEX #749F3D

RGB 116 159 61

HSL 86.33, 0.45%, 0.43%

LAB 60.65, -30.79, 45.33

 

CMYK 19 / 0 / 45 / 45

HEX #728D4E

RGB 114 141 78

HSL 85.71, 0.29%, 0.43%

LAB 55.25, -20.86, 30.44

 

CMYK 10 / 0 / 22 / 52

HEX #6F7B60

RGB 111 123 96

HSL 86.67, 0.12%, 0.43%

LAB 49.97, -9.7, 13.31

 

CMYK 0 / 9 / 87 / 24

HEX #C2B119

RGB 194 177 25

HSL 53.96, 0.77%, 0.43%

LAB 71.54, -8.53, 70.04

 

CMYK 14 / 0 / 87 / 24

HEX #A6C219

RGB 166 194 25

HSL 69.94, 0.77%, 0.43%

LAB 74.04, -29.05, 71.15

 

CMYK 38 / 0 / 87 / 24

HEX #79C219

RGB 121 194 25

HSL 85.92, 0.77%, 0.43%

LAB 71.36, -46.46, 67.84

 

CMYK 61 / 0 / 87 / 24

HEX #4CC219

RGB 76 194 25

HSL 101.89, 0.77%, 0.43%

LAB 69.6, -59.92, 65.63

 

CMYK 84 / 0 / 87 / 24

HEX #1FC219

RGB 31 194 25

HSL 117.87, 0.77%, 0.43%

LAB 68.71, -67.58, 64.51

 

CMYK 38 / 0 / 87 / 53

HEX #4B7910

RGB 75 121 16

HSL 86.29, 0.77%, 0.27%

LAB 45.92, -32.17, 46.98

 

CMYK 38 / 0 / 87 / 38

HEX #629E14

RGB 98 158 20

HSL 86.09, 0.78%, 0.35%

LAB 59.07, -39.72, 57.92

 

CMYK 38 / 0 / 87 / 24

HEX #78C219

RGB 120 194 25

HSL 86.27, 0.77%, 0.43%

LAB 71.31, -46.81, 67.77

 

CMYK 37 / 0 / 85 / 11

HEX #8EE222

RGB 142 226 34

HSL 86.25, 0.77%, 0.51%

LAB 81.98, -51.92, 75.48

 

CMYK 30 / 0 / 69 / 9

HEX #A1E747

RGB 161 231 71

HSL 86.25, 0.77%, 0.59%

LAB 84.58, -45.54, 67.43

 

CMYK 38 / 0 / 87 / 25

HEX #77C019

RGB 119 192 25

HSL 86.23, 0.77%, 0.43%

LAB 70.66, -46.34, 67.2

 

CMYK 87 / 0 / 32 / 24

HEX #19C284

RGB 25 194 132

HSL 157.99, 0.77%, 0.43%

LAB 69.79, -54.4, 20.16

 

CMYK 0 / 87 / 3 / 24

HEX #C219BC

RGB 194 25 188

HSL 302.13, 0.77%, 0.43%

LAB 46.7, 76.37, -45.11

 

CMYK 38 / 0 / 87 / 25

HEX #77C019

RGB 119 192 25

HSL 86.23, 0.77%, 0.43%

LAB 70.66, -46.34, 67.2

 

CMYK 87 / 38 / 0 / 24

HEX #1979C2

RGB 25 121 194

HSL 205.92, 0.77%, 0.43%

LAB 49.22, 0.44, -45.44

 

CMYK 0 / 87 / 38 / 24

HEX #C21979

RGB 194 25 121

HSL 325.92, 0.77%, 0.43%

LAB 43.57, 67.99, -9.69

 

CMYK 38 / 0 / 87 / 25

HEX #77C019

RGB 119 192 25

HSL 86.23, 0.77%, 0.43%

LAB 70.66, -46.34, 67.2

 

CMYK 87 / 0 / 32 / 24

HEX #19C284

RGB 25 194 132

HSL 157.99, 0.77%, 0.43%

LAB 69.79, -54.4, 20.16

 

CMYK 49 / 87 / 0 / 24

HEX #6219C2

RGB 98 25 194

HSL 265.92, 0.77%, 0.43%

LAB 32.23, 63.05, -72.81

 

CMYK 0 / 87 / 55 / 24

HEX #C21957

RGB 194 25 87

HSL 337.99, 0.77%, 0.43%

LAB 42.54, 65.08, 10.05

 

CMYK 38 / 0 / 87 / 25

HEX #77C019

RGB 119 192 25

HSL 86.23, 0.77%, 0.43%

LAB 70.66, -46.34, 67.2

 

CMYK 87 / 0 / 6 / 24

HEX #19C2B7

RGB 25 194 183

HSL 176.09, 0.77%, 0.43%

LAB 71.01, -41.42, -5.76

 

CMYK 49 / 87 / 0 / 24

HEX #6219C2

RGB 98 25 194

HSL 265.92, 0.77%, 0.43%

LAB 32.23, 63.05, -72.81

 

CMYK 0 / 87 / 81 / 24

HEX #C21924

RGB 194 25 36

HSL 356.09, 0.77%, 0.43%

LAB 41.68, 62.58, 40.17

 

Description

Color code: HEX #77C019 | qconv.com Color code: HEX #77C019 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 192 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 192 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 87 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 87% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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