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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77B70D it is the complementary color #8848F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77B70D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77B70D shade: #7CB708, #8DC91B, #9EDB2E, #AFED41 and #C0FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77B70D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77B70D shade: #77B70D, #66A500, #559300, #448100 and #336F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77B70D shade: #76B50D, #A3B50D, #B59A0D, #B56C0D and #B53F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77B70D shade: #76B50D, #48B50D, #1BB50D, #0DB52C and #0DB559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77B70D shade matches the following richer shades: #76B50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77B70D shade: #76B50D, #72A61C, #6E962C, #6A863C and #66764B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77B70D shade: #B5990D, #A4B50D, #77B50D, #4AB50D and #1DB50D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77B70D shade: #446807, #5D8F0A, #76B50D, #8FDC0F and #A3F025

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77B70D shade: #77B70D, #0DB56C and #B00DB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77B70D shade: #77B70D, #0D77B5 and #B50D77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77B70D shade: #77B70D, #0DB56C, #4A0DB5 and #B50D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77B70D shade: #77B70D, #0DB59F, #4A0DB5 and #B50D23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 93 / 28

HEX #77B70D

RGB 119 183 13

HSL 82.59, 0.87%, 0.38%

LAB 67.89, -42.88, 66.94

 

Complementary color

CMYK 44 / 70 / 0 / 5

HEX #8848F2

RGB 136 72 242

HSL 262.59, 0.87%, 0.62%

LAB 47.34, 61.64, -75.41

 

CMYK 32 / 0 / 96 / 28

HEX #7CB708

RGB 124 183 8

HSL 80.23, 0.92%, 0.37%

LAB 68.15, -41.1, 67.87

 

CMYK 30 / 0 / 87 / 21

HEX #8DC91B

RGB 141 201 27

HSL 80.69, 0.76%, 0.45%

LAB 74.52, -42.08, 70.53

 

CMYK 28 / 0 / 79 / 14

HEX #9EDB2E

RGB 158 219 46

HSL 81.16, 0.71%, 0.52%

LAB 80.81, -42.83, 71.83

 

CMYK 26 / 0 / 73 / 7

HEX #AFED41

RGB 175 237 65

HSL 81.63, 0.83%, 0.59%

LAB 87.03, -43.39, 72.21

 

CMYK 25 / 0 / 67 / 0

HEX #C0FF54

RGB 192 255 84

HSL 82.11, 1%, 0.66%

LAB 93.17, -43.82, 72.01

 

CMYK 35 / 0 / 93 / 28

HEX #77B70D

RGB 119 183 13

HSL 82.59, 0.87%, 0.38%

LAB 67.89, -42.88, 66.94

 

CMYK 38 / 0 / 100 / 35

HEX #66A500

RGB 102 165 0

HSL 82.91, 1%, 0.32%

LAB 61.42, -41.71, 63.13

 

CMYK 42 / 0 / 100 / 42

HEX #559300

RGB 85 147 0

HSL 85.31, 1%, 0.29%

LAB 54.86, -40.26, 57.67

 

CMYK 47 / 0 / 100 / 49

HEX #448100

RGB 68 129 0

HSL 88.37, 1%, 0.25%

LAB 48.17, -38.73, 52.11

 

CMYK 54 / 0 / 100 / 56

HEX #336F00

RGB 51 111 0

HSL 92.43, 1%, 0.22%

LAB 41.33, -37.04, 46.44

 

CMYK 35 / 0 / 93 / 29

HEX #76B50D

RGB 118 181 13

HSL 82.5, 0.87%, 0.38%

LAB 67.22, -42.39, 66.38

 

CMYK 10 / 0 / 93 / 29

HEX #A3B50D

RGB 163 181 13

HSL 66.43, 0.87%, 0.38%

LAB 70.08, -24.29, 69.86

 

CMYK 0 / 15 / 93 / 29

HEX #B59A0D

RGB 181 154 13

HSL 50.36, 0.87%, 0.38%

LAB 64.13, -2.39, 65.94

 

CMYK 0 / 40 / 93 / 29

HEX #B56C0D

RGB 181 108 13

HSL 33.93, 0.87%, 0.38%

LAB 52.48, 22.98, 57.26

 

CMYK 0 / 65 / 93 / 29

HEX #B53F0D

RGB 181 63 13

HSL 17.86, 0.87%, 0.38%

LAB 43.37, 45.91, 50.79

 

CMYK 35 / 0 / 93 / 29

HEX #76B50D

RGB 118 181 13

HSL 82.5, 0.87%, 0.38%

LAB 67.22, -42.39, 66.38

 

CMYK 60 / 0 / 93 / 29

HEX #48B50D

RGB 72 181 13

HSL 98.93, 0.87%, 0.38%

LAB 65.32, -56.8, 64.04

 

CMYK 85 / 0 / 93 / 29

HEX #1BB50D

RGB 27 181 13

HSL 115, 0.87%, 0.38%

LAB 64.41, -64.62, 62.91

 

CMYK 93 / 0 / 76 / 29

HEX #0DB52C

RGB 13 181 44

HSL 131.07, 0.87%, 0.38%

LAB 64.42, -64.11, 55.2

 

CMYK 93 / 0 / 51 / 29

HEX #0DB559

RGB 13 181 89

HSL 147.14, 0.87%, 0.38%

LAB 64.85, -58.75, 36.07

 

CMYK 35 / 0 / 93 / 29

HEX #76B50D

RGB 118 181 13

HSL 82.5, 0.87%, 0.38%

LAB 67.22, -42.39, 66.38

 

CMYK 35 / 0 / 93 / 29

HEX #76B50D

RGB 118 181 13

HSL 82.5, 0.87%, 0.38%

LAB 67.22, -42.39, 66.38

 

CMYK 31 / 0 / 83 / 35

HEX #72A61C

RGB 114 166 28

HSL 82.61, 0.71%, 0.38%

LAB 62.45, -36.92, 59.26

 

CMYK 27 / 0 / 71 / 41

HEX #6E962C

RGB 110 150 44

HSL 82.64, 0.55%, 0.38%

LAB 57.38, -30.26, 49.03

 

CMYK 21 / 0 / 55 / 47

HEX #6A863C

RGB 106 134 60

HSL 82.7, 0.38%, 0.38%

LAB 52.33, -22.63, 36.14

 

CMYK 14 / 0 / 36 / 54

HEX #66764B

RGB 102 118 75

HSL 82.33, 0.22%, 0.38%

LAB 47.35, -13.96, 21.77

 

CMYK 0 / 15 / 93 / 29

HEX #B5990D

RGB 181 153 13

HSL 50, 0.87%, 0.38%

LAB 63.86, -1.86, 65.74

 

CMYK 9 / 0 / 93 / 29

HEX #A4B50D

RGB 164 181 13

HSL 66.07, 0.87%, 0.38%

LAB 70.15, -23.86, 69.95

 

CMYK 34 / 0 / 93 / 29

HEX #77B50D

RGB 119 181 13

HSL 82.14, 0.87%, 0.38%

LAB 67.28, -42.03, 66.44

 

CMYK 59 / 0 / 93 / 29

HEX #4AB50D

RGB 74 181 13

HSL 98.21, 0.87%, 0.38%

LAB 65.38, -56.29, 64.11

 

CMYK 84 / 0 / 93 / 29

HEX #1DB50D

RGB 29 181 13

HSL 114.29, 0.87%, 0.38%

LAB 64.43, -64.41, 62.94

 

CMYK 35 / 0 / 93 / 59

HEX #446807

RGB 68 104 7

HSL 82.27, 0.87%, 0.22%

LAB 39.82, -27.38, 43.8

 

CMYK 35 / 0 / 93 / 44

HEX #5D8F0A

RGB 93 143 10

HSL 82.56, 0.87%, 0.3%

LAB 54.02, -35.32, 55.52

 

CMYK 35 / 0 / 93 / 29

HEX #76B50D

RGB 118 181 13

HSL 82.5, 0.87%, 0.38%

LAB 67.22, -42.39, 66.38

 

CMYK 35 / 0 / 93 / 14

HEX #8FDC0F

RGB 143 220 15

HSL 82.54, 0.87%, 0.46%

LAB 80.21, -49.61, 77.13

 

CMYK 32 / 0 / 85 / 6

HEX #A3F025

RGB 163 240 37

HSL 82.76, 0.87%, 0.54%

LAB 87.11, -50.2, 79.68

 

CMYK 35 / 0 / 93 / 28

HEX #77B70D

RGB 119 183 13

HSL 82.59, 0.87%, 0.38%

LAB 67.89, -42.88, 66.94

 

CMYK 93 / 0 / 40 / 29

HEX #0DB56C

RGB 13 181 108

HSL 153.93, 0.87%, 0.38%

LAB 65.13, -55.34, 26.63

 

CMYK 3 / 93 / 0 / 29

HEX #B00DB5

RGB 176 13 181

HSL 298.21, 0.87%, 0.38%

LAB 42.54, 73.85, -47.83

 

CMYK 35 / 0 / 93 / 28

HEX #77B70D

RGB 119 183 13

HSL 82.59, 0.87%, 0.38%

LAB 67.89, -42.88, 66.94

 

CMYK 93 / 34 / 0 / 29

HEX #0D77B5

RGB 13 119 181

HSL 202.14, 0.87%, 0.38%

LAB 47.77, -4.06, -40.26

 

CMYK 0 / 93 / 34 / 29

HEX #B50D77

RGB 181 13 119

HSL 322.14, 0.87%, 0.38%

LAB 40.32, 66.69, -13.62

 

CMYK 35 / 0 / 93 / 28

HEX #77B70D

RGB 119 183 13

HSL 82.59, 0.87%, 0.38%

LAB 67.89, -42.88, 66.94

 

CMYK 93 / 0 / 40 / 29

HEX #0DB56C

RGB 13 181 108

HSL 153.93, 0.87%, 0.38%

LAB 65.13, -55.34, 26.63

 

CMYK 59 / 93 / 0 / 29

HEX #4A0DB5

RGB 74 13 181

HSL 261.79, 0.87%, 0.38%

LAB 26.96, 60.74, -73.91

 

CMYK 0 / 93 / 52 / 29

HEX #B50D56

RGB 181 13 86

HSL 333.93, 0.87%, 0.38%

LAB 39.21, 63.7, 5.61

 

CMYK 35 / 0 / 93 / 28

HEX #77B70D

RGB 119 183 13

HSL 82.59, 0.87%, 0.38%

LAB 67.89, -42.88, 66.94

 

CMYK 93 / 0 / 12 / 29

HEX #0DB59F

RGB 13 181 159

HSL 172.14, 0.87%, 0.38%

LAB 66.24, -43.15, 0.41

 

CMYK 59 / 93 / 0 / 29

HEX #4A0DB5

RGB 74 13 181

HSL 261.79, 0.87%, 0.38%

LAB 26.96, 60.74, -73.91

 

CMYK 0 / 93 / 81 / 29

HEX #B50D23

RGB 181 13 35

HSL 352.14, 0.87%, 0.38%

LAB 38.26, 61.05, 36.42

 

Description

Color code: HEX #77B70D | qconv.com Color code: HEX #77B70D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 183 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 183 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 93 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 93% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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