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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77AF0F it is the complementary color #8850F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77AF0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77AF0F shade: #7CAF0A, #8DC11D, #9ED330, #AFE543 and #C0F756

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77AF0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77AF0F shade: #77AF0F, #669D00, #558B00, #447900 and #336700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77AF0F shade: #76AE0F, #A1AE0F, #AE900F, #AE650F and #AE3A0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77AF0F shade: #76AE0F, #4BAE0F, #21AE0F, #0FAE28 and #0FAE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77AF0F shade matches the following richer shades: #76AE0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77AF0F shade: #76AE0F, #729E1E, #6D8F2E, #68803D and #64714C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77AF0F shade: #AE910F, #A0AE0F, #76AE0F, #4CAE0F and #22AE0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77AF0F shade: #426208, #5C880C, #76AE0F, #90D412 and #A6EC23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77AF0F shade: #77AF0F, #0FAE66 and #A60FAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77AF0F shade: #77AF0F, #0F76AE and #AE0F76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77AF0F shade: #77AF0F, #0FAE66, #470FAE and #AE0F56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77AF0F shade: #77AF0F, #0FAE96, #470FAE and #AE0F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 91 / 31

HEX #77AF0F

RGB 119 175 15

HSL 81, 0.84%, 0.37%

LAB 65.45, -39.39, 64.66

 

Complementary color

CMYK 43 / 67 / 0 / 6

HEX #8850F0

RGB 136 80 240

HSL 261, 0.84%, 0.63%

LAB 48.59, 57.23, -72.25

 

CMYK 29 / 0 / 94 / 31

HEX #7CAF0A

RGB 124 175 10

HSL 78.55, 0.89%, 0.36%

LAB 65.72, -37.56, 65.7

 

CMYK 27 / 0 / 85 / 24

HEX #8DC11D

RGB 141 193 29

HSL 79.02, 0.74%, 0.44%

LAB 72.16, -38.51, 68.09

 

CMYK 25 / 0 / 77 / 17

HEX #9ED330

RGB 158 211 48

HSL 79.51, 0.65%, 0.51%

LAB 78.5, -39.23, 69.13

 

CMYK 24 / 0 / 71 / 10

HEX #AFE543

RGB 175 229 67

HSL 80, 0.76%, 0.58%

LAB 84.77, -39.78, 69.31

 

CMYK 22 / 0 / 65 / 3

HEX #C0F756

RGB 192 247 86

HSL 80.5, 0.91%, 0.65%

LAB 90.96, -40.19, 68.96

 

CMYK 32 / 0 / 91 / 31

HEX #77AF0F

RGB 119 175 15

HSL 81, 0.84%, 0.37%

LAB 65.45, -39.39, 64.66

 

CMYK 35 / 0 / 100 / 38

HEX #669D00

RGB 102 157 0

HSL 81.02, 1%, 0.31%

LAB 58.92, -38.27, 61.19

 

CMYK 39 / 0 / 100 / 45

HEX #558B00

RGB 85 139 0

HSL 83.31, 1%, 0.27%

LAB 52.28, -36.85, 55.67

 

CMYK 44 / 0 / 100 / 53

HEX #447900

RGB 68 121 0

HSL 86.28, 1%, 0.24%

LAB 45.5, -35.35, 50.03

 

CMYK 50 / 0 / 100 / 60

HEX #336700

RGB 51 103 0

HSL 90.29, 1%, 0.2%

LAB 38.56, -33.72, 44.27

 

CMYK 32 / 0 / 91 / 32

HEX #76AE0F

RGB 118 174 15

HSL 81.13, 0.84%, 0.37%

LAB 65.09, -39.33, 64.34

 

CMYK 7 / 0 / 91 / 32

HEX #A1AE0F

RGB 161 174 15

HSL 64.91, 0.84%, 0.37%

LAB 67.93, -21.66, 67.82

 

CMYK 0 / 17 / 91 / 32

HEX #AE900F

RGB 174 144 15

HSL 48.68, 0.84%, 0.37%

LAB 60.76, -0.12, 62.72

 

CMYK 0 / 42 / 91 / 32

HEX #AE650F

RGB 174 101 15

HSL 32.45, 0.84%, 0.37%

LAB 49.91, 23.82, 54.44

 

CMYK 0 / 67 / 91 / 32

HEX #AE3A0F

RGB 174 58 15

HSL 16.23, 0.84%, 0.37%

LAB 41.31, 45.61, 48.1

 

CMYK 32 / 0 / 91 / 32

HEX #76AE0F

RGB 118 174 15

HSL 81.13, 0.84%, 0.37%

LAB 65.09, -39.33, 64.34

 

CMYK 57 / 0 / 91 / 32

HEX #4BAE0F

RGB 75 174 15

HSL 97.36, 0.84%, 0.37%

LAB 63.18, -53.5, 61.98

 

CMYK 81 / 0 / 91 / 32

HEX #21AE0F

RGB 33 174 15

HSL 113.21, 0.84%, 0.37%

LAB 62.19, -61.83, 60.76

 

CMYK 91 / 0 / 77 / 32

HEX #0FAE28

RGB 15 174 40

HSL 129.43, 0.84%, 0.37%

LAB 62.11, -62.23, 54.27

 

CMYK 91 / 0 / 52 / 32

HEX #0FAE53

RGB 15 174 83

HSL 145.66, 0.84%, 0.37%

LAB 62.51, -57.26, 36.18

 

CMYK 32 / 0 / 91 / 32

HEX #76AE0F

RGB 118 174 15

HSL 81.13, 0.84%, 0.37%

LAB 65.09, -39.33, 64.34

 

CMYK 32 / 0 / 91 / 32

HEX #76AE0F

RGB 118 174 15

HSL 81.13, 0.84%, 0.37%

LAB 65.09, -39.33, 64.34

 

CMYK 28 / 0 / 81 / 38

HEX #729E1E

RGB 114 158 30

HSL 80.63, 0.68%, 0.37%

LAB 60, -33.2, 56.51

 

CMYK 24 / 0 / 68 / 44

HEX #6D8F2E

RGB 109 143 46

HSL 81.03, 0.51%, 0.37%

LAB 55.17, -27.15, 45.9

 

CMYK 19 / 0 / 52 / 50

HEX #68803D

RGB 104 128 61

HSL 81.49, 0.35%, 0.37%

LAB 50.36, -20.27, 33.25

 

CMYK 12 / 0 / 33 / 56

HEX #64714C

RGB 100 113 76

HSL 81.08, 0.2%, 0.37%

LAB 45.69, -11.88, 18.97

 

CMYK 0 / 17 / 91 / 32

HEX #AE910F

RGB 174 145 15

HSL 49.06, 0.84%, 0.37%

LAB 61.03, -0.66, 62.92

 

CMYK 8 / 0 / 91 / 32

HEX #A0AE0F

RGB 160 174 15

HSL 65.28, 0.84%, 0.37%

LAB 67.86, -22.09, 67.73

 

CMYK 32 / 0 / 91 / 32

HEX #76AE0F

RGB 118 174 15

HSL 81.13, 0.84%, 0.37%

LAB 65.09, -39.33, 64.34

 

CMYK 56 / 0 / 91 / 32

HEX #4CAE0F

RGB 76 174 15

HSL 96.98, 0.84%, 0.37%

LAB 63.21, -53.23, 62.03

 

CMYK 80 / 0 / 91 / 32

HEX #22AE0F

RGB 34 174 15

HSL 112.83, 0.84%, 0.37%

LAB 62.21, -61.71, 60.77

 

CMYK 33 / 0 / 92 / 62

HEX #426208

RGB 66 98 8

HSL 81.33, 0.85%, 0.21%

LAB 37.68, -25.27, 41.68

 

CMYK 32 / 0 / 91 / 47

HEX #5C880C

RGB 92 136 12

HSL 81.29, 0.84%, 0.29%

LAB 51.74, -32.48, 53.25

 

CMYK 32 / 0 / 91 / 32

HEX #76AE0F

RGB 118 174 15

HSL 81.13, 0.84%, 0.37%

LAB 65.09, -39.33, 64.34

 

CMYK 32 / 0 / 92 / 17

HEX #90D412

RGB 144 212 18

HSL 81.03, 0.84%, 0.45%

LAB 77.91, -45.88, 74.92

 

CMYK 30 / 0 / 85 / 7

HEX #A6EC23

RGB 166 236 35

HSL 80.9, 0.84%, 0.53%

LAB 86.12, -47.52, 79.3

 

CMYK 32 / 0 / 91 / 31

HEX #77AF0F

RGB 119 175 15

HSL 81, 0.84%, 0.37%

LAB 65.45, -39.39, 64.66

 

CMYK 91 / 0 / 41 / 32

HEX #0FAE66

RGB 15 174 102

HSL 152.83, 0.84%, 0.37%

LAB 62.79, -53.91, 26.72

 

CMYK 5 / 91 / 0 / 32

HEX #A60FAE

RGB 166 15 174

HSL 296.98, 0.84%, 0.37%

LAB 40.42, 70.8, -47.18

 

CMYK 32 / 0 / 91 / 31

HEX #77AF0F

RGB 119 175 15

HSL 81, 0.84%, 0.37%

LAB 65.45, -39.39, 64.66

 

CMYK 91 / 32 / 0 / 32

HEX #0F76AE

RGB 15 118 174

HSL 201.13, 0.84%, 0.37%

LAB 47.12, -6.06, -37.21

 

CMYK 0 / 91 / 32 / 32

HEX #AE0F76

RGB 174 15 118

HSL 321.13, 0.84%, 0.37%

LAB 38.98, 64.78, -15.16

 

CMYK 32 / 0 / 91 / 31

HEX #77AF0F

RGB 119 175 15

HSL 81, 0.84%, 0.37%

LAB 65.45, -39.39, 64.66

 

CMYK 91 / 0 / 41 / 32

HEX #0FAE66

RGB 15 174 102

HSL 152.83, 0.84%, 0.37%

LAB 62.79, -53.91, 26.72

 

CMYK 59 / 91 / 0 / 32

HEX #470FAE

RGB 71 15 174

HSL 261.13, 0.84%, 0.37%

LAB 25.97, 58.3, -71.36

 

CMYK 0 / 91 / 51 / 32

HEX #AE0F56

RGB 174 15 86

HSL 333.21, 0.84%, 0.37%

LAB 37.86, 61.74, 3.49

 

CMYK 32 / 0 / 91 / 31

HEX #77AF0F

RGB 119 175 15

HSL 81, 0.84%, 0.37%

LAB 65.45, -39.39, 64.66

 

CMYK 91 / 0 / 14 / 32

HEX #0FAE96

RGB 15 174 150

HSL 170.94, 0.84%, 0.37%

LAB 63.82, -42.54, 1.87

 

CMYK 59 / 91 / 0 / 32

HEX #470FAE

RGB 71 15 174

HSL 261.13, 0.84%, 0.37%

LAB 25.97, 58.3, -71.36

 

CMYK 0 / 91 / 78 / 32

HEX #AE0F27

RGB 174 15 39

HSL 350.94, 0.84%, 0.37%

LAB 36.91, 59.05, 32.17

 

Description

Color code: HEX #77AF0F | qconv.com Color code: HEX #77AF0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 175 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 175 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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