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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7790EB3F it is the complementary color #886F143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7790EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7790EB3F shade: #7C90E63F, #8DA2F93F, #9EB4FF3F, #AFC6FF3F and #C0D8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7790EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7790EB3F shade: #7790EB3F, #667ED83F, #556CC53F, #445AB23F and #33489F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7790EB3F shade: #758FEA, #7C75EA, #9B75EA, #BB75EA and #DA75EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7790EB3F shade: #758FEA and #7575EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7790EB3F shade matches the following richer shades: #758FEA and #6987F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7790EB3F shade: #758FEA, #8296DE, #8F9DD1, #9CA4C4 and #A9ACB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7790EB3F shade: #75CDEA, #75AEEA, #758FEA, #7B75EA and #9B75EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7790EB3F shade: #2E54E0, #5271E5, #758FEA, #99ACF0 and #BDC9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7790EB3F shade: #7790EB, #E875EA and #BEEA75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7790EB3F shade: #7790EB, #EA758F and #8FEA75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7790EB3F shade: #7790EB, #E875EA, #EAD175 and #77EA75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7790EB3F shade: #7790EB, #EA75C9, #EAD175 and #75EA97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 10 / 0 / 2

HEX #7790EB3F

RGBA 119 144 235 0.25

HSLA 227.07, 0.74%, 0.69%, 0.25

LABA 61.54, 15.69, -48.75, 0.25

 

Complementary color

CMYK 0 / 5 / 21 / 12

HEX #886F143F

RGBA 136 111 20 0.25

HSLA 47.07, 0.74%, 0.31%, 0.25

LABA 47.82, 0.78, 49.4, 0.25

 

CMYK 12 / 9 / 0 / 2

HEX #7C90E63F

RGBA 124 144 230 0.25

HSLA 228.68, 0.68%, 0.69%, 0.25

LABA 61.61, 15.37, -45.86, 0.25

 

CMYK 11 / 9 / 0 / 1

HEX #8DA2F93F

RGBA 141 162 249 0.25

HSLA 228.33, 0.9%, 0.76%, 0.25

LABA 68.27, 14.56, -45.72, 0.25

 

CMYK 10 / 7 / 0 / 0

HEX #9EB4FF3F

RGBA 158 180 255 0.25

HSLA 226.39, 1%, 0.81%, 0.25

LABA 74.27, 10.36, -39.5, 0.25

 

CMYK 8 / 6 / 0 / 0

HEX #AFC6FF3F

RGBA 175 198 255 0.25

HSLA 222.75, 1%, 0.84%, 0.25

LABA 80.02, 5.08, -30.53, 0.25

 

CMYK 6 / 4 / 0 / 0

HEX #C0D8FF3F

RGBA 192 216 255 0.25

HSLA 217.14, 1%, 0.88%, 0.25

LABA 85.78, 0.34, -21.65, 0.25

 

CMYK 12 / 10 / 0 / 2

HEX #7790EB3F

RGBA 119 144 235 0.25

HSLA 227.07, 0.74%, 0.69%, 0.25

LABA 61.54, 15.69, -48.75, 0.25

 

CMYK 13 / 10 / 0 / 4

HEX #667ED83F

RGBA 102 126 216 0.25

HSLA 227.37, 0.59%, 0.62%, 0.25

LABA 54.77, 16.76, -48.95, 0.25

 

CMYK 14 / 11 / 0 / 6

HEX #556CC53F

RGBA 85 108 197 0.25

HSLA 227.68, 0.49%, 0.55%, 0.25

LABA 47.86, 18.03, -49.2, 0.25

 

CMYK 15 / 12 / 0 / 8

HEX #445AB23F

RGBA 68 90 178 0.25

HSLA 228, 0.45%, 0.48%, 0.25

LABA 40.83, 19.6, -49.49, 0.25

 

CMYK 17 / 14 / 0 / 9

HEX #33489F3F

RGBA 51 72 159 0.25

HSLA 228.33, 0.51%, 0.41%, 0.25

LABA 33.65, 21.56, -49.8, 0.25

 

CMYK 50 / 39 / 0 / 8

HEX #758FEA

RGB 117 143 234

HSL 226.67, 0.74%, 0.69%

LAB 61.1, 15.52, -48.89

 

CMYK 47 / 50 / 0 / 8

HEX #7C75EA

RGB 124 117 234

HSL 243.59, 0.74%, 0.69%

LAB 55.02, 32.51, -58.56

 

CMYK 34 / 50 / 0 / 8

HEX #9B75EA

RGB 155 117 234

HSL 259.49, 0.74%, 0.69%

LAB 57.69, 39.85, -54.14

 

CMYK 20 / 50 / 0 / 8

HEX #BB75EA

RGB 187 117 234

HSL 275.9, 0.74%, 0.69%

LAB 60.98, 48.13, -48.7

 

CMYK 7 / 50 / 0 / 8

HEX #DA75EA

RGB 218 117 234

HSL 291.79, 0.74%, 0.69%

LAB 64.62, 56.47, -42.73

 

CMYK 50 / 39 / 0 / 8

HEX #758FEA

RGB 117 143 234

HSL 226.67, 0.74%, 0.69%

LAB 61.1, 15.52, -48.89

 

CMYK 50 / 50 / 0 / 8

HEX #7575EA

RGB 117 117 234

HSL 240, 0.74%, 0.69%

LAB 54.5, 30.99, -59.43

 

CMYK 50 / 39 / 0 / 8

HEX #758FEA

RGB 117 143 234

HSL 226.67, 0.74%, 0.69%

LAB 61.1, 15.52, -48.89

 

CMYK 57 / 45 / 0 / 3

HEX #6987F7

RGB 105 135 247

HSL 227.32, 0.9%, 0.69%

LAB 59.02, 21.85, -59.44

 

CMYK 50 / 39 / 0 / 8

HEX #758FEA

RGB 117 143 234

HSL 226.67, 0.74%, 0.69%

LAB 61.1, 15.52, -48.89

 

CMYK 41 / 32 / 0 / 13

HEX #8296DE

RGB 130 150 222

HSL 226.96, 0.58%, 0.69%

LAB 63.2, 11.08, -38.88

 

CMYK 32 / 25 / 0 / 18

HEX #8F9DD1

RGB 143 157 209

HSL 227.27, 0.42%, 0.69%

LAB 65.4, 7.15, -28.19

 

CMYK 20 / 16 / 0 / 23

HEX #9CA4C4

RGB 156 164 196

HSL 228, 0.25%, 0.69%

LAB 67.73, 4.02, -17.33

 

CMYK 8 / 6 / 0 / 28

HEX #A9ACB7

RGB 169 172 183

HSL 227.14, 0.09%, 0.69%

LAB 70.43, 1.11, -6

 

CMYK 50 / 12 / 0 / 8

HEX #75CDEA

RGB 117 205 234

HSL 194.87, 0.74%, 0.69%

LAB 78.1, -18.77, -22.51

 

CMYK 50 / 26 / 0 / 8

HEX #75AEEA

RGB 117 174 234

HSL 210.77, 0.74%, 0.69%

LAB 69.47, -2.24, -35.78

 

CMYK 50 / 39 / 0 / 8

HEX #758FEA

RGB 117 143 234

HSL 226.67, 0.74%, 0.69%

LAB 61.1, 15.52, -48.89

 

CMYK 47 / 50 / 0 / 8

HEX #7B75EA

RGB 123 117 234

HSL 243.08, 0.74%, 0.69%

LAB 54.94, 32.29, -58.69

 

CMYK 34 / 50 / 0 / 8

HEX #9B75EA

RGB 155 117 234

HSL 259.49, 0.74%, 0.69%

LAB 57.69, 39.85, -54.14

 

CMYK 79 / 63 / 0 / 12

HEX #2E54E0

RGB 46 84 224

HSL 227.19, 0.74%, 0.53%

LAB 41.69, 37.12, -74.74

 

CMYK 64 / 51 / 0 / 10

HEX #5271E5

RGB 82 113 229

HSL 227.35, 0.74%, 0.61%

LAB 50.99, 25.19, -62.38

 

CMYK 50 / 39 / 0 / 8

HEX #758FEA

RGB 117 143 234

HSL 226.67, 0.74%, 0.69%

LAB 61.1, 15.52, -48.89

 

CMYK 36 / 28 / 0 / 6

HEX #99ACF0

RGB 153 172 240

HSL 226.9, 0.74%, 0.77%

LAB 71.26, 9.54, -36.1

 

CMYK 23 / 18 / 0 / 4

HEX #BDC9F5

RGB 189 201 245

HSL 227.14, 0.74%, 0.85%

LAB 81.39, 5.16, -23.01

 

CMYK 49 / 39 / 0 / 8

HEX #7790EB

RGB 119 144 235

HSL 227.07, 0.74%, 0.69%

LAB 61.54, 15.69, -48.75

 

CMYK 1 / 50 / 0 / 8

HEX #E875EA

RGB 232 117 234

HSL 298.97, 0.74%, 0.69%

LAB 66.38, 60.28, -39.84

 

CMYK 19 / 0 / 50 / 8

HEX #BEEA75

RGB 190 234 117

HSL 82.56, 0.74%, 0.69%

LAB 87.52, -32.44, 51.75

 

CMYK 49 / 39 / 0 / 8

HEX #7790EB

RGB 119 144 235

HSL 227.07, 0.74%, 0.69%

LAB 61.54, 15.69, -48.75

 

CMYK 0 / 50 / 39 / 8

HEX #EA758F

RGB 234 117 143

HSL 346.67, 0.74%, 0.69%

LAB 63.51, 47.72, 7.2

 

CMYK 39 / 0 / 50 / 8

HEX #8FEA75

RGB 143 234 117

HSL 106.67, 0.74%, 0.69%

LAB 84.98, -48.59, 48.07

 

CMYK 49 / 39 / 0 / 8

HEX #7790EB

RGB 119 144 235

HSL 227.07, 0.74%, 0.69%

LAB 61.54, 15.69, -48.75

 

CMYK 1 / 50 / 0 / 8

HEX #E875EA

RGB 232 117 234

HSL 298.97, 0.74%, 0.69%

LAB 66.38, 60.28, -39.84

 

CMYK 0 / 11 / 50 / 8

HEX #EAD175

RGB 234 209 117

HSL 47.18, 0.74%, 0.69%

LAB 84.16, -2.95, 48.46

 

CMYK 49 / 0 / 50 / 8

HEX #77EA75

RGB 119 234 117

HSL 118.97, 0.74%, 0.69%

LAB 83.99, -55.56, 46.64

 

CMYK 49 / 39 / 0 / 8

HEX #7790EB

RGB 119 144 235

HSL 227.07, 0.74%, 0.69%

LAB 61.54, 15.69, -48.75

 

CMYK 0 / 50 / 14 / 8

HEX #EA75C9

RGB 234 117 201

HSL 316.92, 0.74%, 0.69%

LAB 65.3, 55.41, -23.08

 

CMYK 0 / 11 / 50 / 8

HEX #EAD175

RGB 234 209 117

HSL 47.18, 0.74%, 0.69%

LAB 84.16, -2.95, 48.46

 

CMYK 50 / 0 / 35 / 8

HEX #75EA97

RGB 117 234 151

HSL 137.44, 0.74%, 0.69%

LAB 84.41, -50.94, 30.41

 

Description

Color code: HEX #7790EB3F | qconv.com Color code: HEX #7790EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 144 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 144 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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