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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7772B8 it is the complementary color #888D47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7772B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7772B8 shade: #7C72B3, #8D84C6, #9E96D9, #AFA8EC and #C0BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7772B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7772B8 shade: #7772B8, #6660A5, #554E92, #443C7F and #332A6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7772B8 shade: #7671B7, #8971B7, #9C71B7, #AF71B7 and #B771AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7772B8 shade: #7671B7 and #7171B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7772B8 shade matches the following richer shades: #7671B7, #675FC9, #584EDA, #493DEB and #3A2BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7772B8 shade: #7671B7, #8482A6, #939395, #A2A583 and #B1B672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7772B8 shade: #7192B7, #717FB7, #7571B7, #8871B7 and #9B71B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7772B8 shade: #4C478E, #5B55A9, #7671B7, #908CC5 and #ABA7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7772B8 shade: #7772B8, #B771A4 and #88B771

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7772B8 shade: #7772B8, #B77571 and #71B775

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7772B8 shade: #7772B8, #B771A4, #B3B771 and #71B783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7772B8 shade: #7772B8, #B7718F, #B3B771 and #71B799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 38 / 0 / 28

HEX #7772B8

RGB 119 114 184

HSL 244.29, 0.33%, 0.58%

LAB 51.17, 18.74, -36.32

 

Complementary color

CMYK 4 / 0 / 50 / 45

HEX #888D47

RGB 136 141 71

HSL 64.29, 0.33%, 0.42%

LAB 56.82, -12.5, 36.42

 

CMYK 31 / 36 / 0 / 30

HEX #7C72B3

RGB 124 114 179

HSL 249.23, 0.3%, 0.57%

LAB 51.35, 18.84, -33.12

 

CMYK 29 / 33 / 0 / 22

HEX #8D84C6

RGB 141 132 198

HSL 248.18, 0.37%, 0.65%

LAB 58.27, 18.14, -33.09

 

CMYK 27 / 31 / 0 / 15

HEX #9E96D9

RGB 158 150 217

HSL 247.16, 0.47%, 0.72%

LAB 65.04, 17.53, -33.1

 

CMYK 26 / 29 / 0 / 7

HEX #AFA8EC

RGB 175 168 236

HSL 246.18, 0.64%, 0.79%

LAB 71.67, 16.98, -33.15

 

CMYK 25 / 27 / 0 / 0

HEX #C0BAFF

RGB 192 186 255

HSL 245.22, 1%, 0.86%

LAB 78.2, 16.49, -33.24

 

CMYK 35 / 38 / 0 / 28

HEX #7772B8

RGB 119 114 184

HSL 244.29, 0.33%, 0.58%

LAB 51.17, 18.74, -36.32

 

CMYK 38 / 42 / 0 / 35

HEX #6660A5

RGB 102 96 165

HSL 245.22, 0.28%, 0.51%

LAB 44.1, 19.61, -36.46

 

CMYK 42 / 47 / 0 / 43

HEX #554E92

RGB 85 78 146

HSL 246.18, 0.3%, 0.44%

LAB 36.85, 20.65, -36.68

 

CMYK 46 / 53 / 0 / 50

HEX #443C7F

RGB 68 60 127

HSL 247.16, 0.36%, 0.37%

LAB 29.39, 21.9, -36.96

 

CMYK 53 / 61 / 0 / 58

HEX #332A6C

RGB 51 42 108

HSL 248.18, 0.44%, 0.29%

LAB 21.74, 23.44, -37.29

 

CMYK 36 / 38 / 0 / 28

HEX #7671B7

RGB 118 113 183

HSL 244.29, 0.33%, 0.58%

LAB 50.78, 18.79, -36.36

 

CMYK 25 / 38 / 0 / 28

HEX #8971B7

RGB 137 113 183

HSL 260.57, 0.33%, 0.58%

LAB 52.45, 24.32, -33.62

 

CMYK 15 / 38 / 0 / 28

HEX #9C71B7

RGB 156 113 183

HSL 276.86, 0.33%, 0.58%

LAB 54.34, 30.14, -30.53

 

CMYK 4 / 38 / 0 / 28

HEX #AF71B7

RGB 175 113 183

HSL 293.14, 0.33%, 0.58%

LAB 56.43, 36.11, -27.13

 

CMYK 0 / 38 / 5 / 28

HEX #B771AD

RGB 183 113 173

HSL 308.57, 0.33%, 0.58%

LAB 56.97, 36.8, -20.47

 

CMYK 36 / 38 / 0 / 28

HEX #7671B7

RGB 118 113 183

HSL 244.29, 0.33%, 0.58%

LAB 50.78, 18.79, -36.36

 

CMYK 38 / 38 / 0 / 28

HEX #7171B7

RGB 113 113 183

HSL 240, 0.33%, 0.58%

LAB 50.38, 17.4, -37.02

 

CMYK 36 / 38 / 0 / 28

HEX #7671B7

RGB 118 113 183

HSL 244.29, 0.33%, 0.58%

LAB 50.78, 18.79, -36.36

 

CMYK 49 / 53 / 0 / 21

HEX #675FC9

RGB 103 95 201

HSL 244.53, 0.5%, 0.58%

LAB 46.02, 31.19, -54.39

 

CMYK 60 / 64 / 0 / 15

HEX #584EDA

RGB 88 78 218

HSL 244.29, 0.65%, 0.58%

LAB 42.13, 43.84, -70.51

 

CMYK 69 / 74 / 0 / 8

HEX #493DEB

RGB 73 61 235

HSL 244.14, 0.81%, 0.58%

LAB 39.16, 56.69, -85.1

 

CMYK 77 / 83 / 0 / 1

HEX #3A2BFD

RGB 58 43 253

HSL 244.29, 0.98%, 0.58%

LAB 37.33, 69.18, -98.3

 

CMYK 36 / 38 / 0 / 28

HEX #7671B7

RGB 118 113 183

HSL 244.29, 0.33%, 0.58%

LAB 50.78, 18.79, -36.36

 

CMYK 20 / 22 / 0 / 35

HEX #8482A6

RGB 132 130 166

HSL 243.33, 0.17%, 0.58%

LAB 55.71, 8.6, -18.82

 

CMYK 1 / 1 / 0 / 42

HEX #939395

RGB 147 147 149

HSL 240, 0.01%, 0.58%

LAB 60.99, 0.39, -1.06

 

CMYK 2 / 0 / 21 / 35

HEX #A2A583

RGB 162 165 131

HSL 65.29, 0.16%, 0.58%

LAB 66.7, -6.98, 17.31

 

CMYK 3 / 0 / 37 / 29

HEX #B1B672

RGB 177 182 114

HSL 64.41, 0.32%, 0.58%

LAB 72.24, -12.34, 34.04

 

CMYK 38 / 20 / 0 / 28

HEX #7192B7

RGB 113 146 183

HSL 211.71, 0.33%, 0.58%

LAB 59.42, -2.04, -22.97

 

CMYK 38 / 31 / 0 / 28

HEX #717FB7

RGB 113 127 183

HSL 228, 0.33%, 0.58%

LAB 54.14, 9, -31.13

 

CMYK 36 / 38 / 0 / 28

HEX #7571B7

RGB 117 113 183

HSL 243.43, 0.33%, 0.58%

LAB 50.7, 18.51, -36.49

 

CMYK 26 / 38 / 0 / 28

HEX #8871B7

RGB 136 113 183

HSL 259.71, 0.33%, 0.58%

LAB 52.36, 24.02, -33.78

 

CMYK 15 / 38 / 0 / 28

HEX #9B71B7

RGB 155 113 183

HSL 276, 0.33%, 0.58%

LAB 54.24, 29.83, -30.7

 

CMYK 46 / 50 / 0 / 44

HEX #4C478E

RGB 76 71 142

HSL 244.23, 0.33%, 0.42%

LAB 33.97, 21.55, -38.87

 

CMYK 46 / 50 / 0 / 34

HEX #5B55A9

RGB 91 85 169

HSL 244.29, 0.33%, 0.5%

LAB 40.55, 24.79, -44.53

 

CMYK 36 / 38 / 0 / 28

HEX #7671B7

RGB 118 113 183

HSL 244.29, 0.33%, 0.58%

LAB 50.78, 18.79, -36.36

 

CMYK 27 / 29 / 0 / 23

HEX #908CC5

RGB 144 140 197

HSL 244.21, 0.33%, 0.66%

LAB 60.53, 14.14, -28.99

 

CMYK 19 / 21 / 0 / 17

HEX #ABA7D3

RGB 171 167 211

HSL 245.45, 0.33%, 0.74%

LAB 70.17, 10.51, -21.8

 

CMYK 35 / 38 / 0 / 28

HEX #7772B8

RGB 119 114 184

HSL 244.29, 0.33%, 0.58%

LAB 51.17, 18.74, -36.32

 

CMYK 0 / 38 / 10 / 28

HEX #B771A4

RGB 183 113 164

HSL 316.29, 0.33%, 0.58%

LAB 56.64, 35.21, -15.77

 

CMYK 26 / 0 / 38 / 28

HEX #88B771

RGB 136 183 113

HSL 100.29, 0.33%, 0.58%

LAB 69.68, -28.61, 30.69

 

CMYK 35 / 38 / 0 / 28

HEX #7772B8

RGB 119 114 184

HSL 244.29, 0.33%, 0.58%

LAB 51.17, 18.74, -36.32

 

CMYK 0 / 36 / 38 / 28

HEX #B77571

RGB 183 117 113

HSL 3.43, 0.33%, 0.58%

LAB 56.07, 25.46, 13.03

 

CMYK 38 / 0 / 36 / 28

HEX #71B775

RGB 113 183 117

HSL 123.43, 0.33%, 0.58%

LAB 68.51, -35.75, 26.81

 

CMYK 35 / 38 / 0 / 28

HEX #7772B8

RGB 119 114 184

HSL 244.29, 0.33%, 0.58%

LAB 51.17, 18.74, -36.32

 

CMYK 0 / 38 / 10 / 28

HEX #B771A4

RGB 183 113 164

HSL 316.29, 0.33%, 0.58%

LAB 56.64, 35.21, -15.77

 

CMYK 2 / 0 / 38 / 28

HEX #B3B771

RGB 179 183 113

HSL 63.43, 0.33%, 0.58%

LAB 72.66, -12.17, 35.12

 

CMYK 38 / 0 / 28 / 28

HEX #71B783

RGB 113 183 131

HSL 135.43, 0.33%, 0.58%

LAB 68.76, -33.3, 19.67

 

CMYK 35 / 38 / 0 / 28

HEX #7772B8

RGB 119 114 184

HSL 244.29, 0.33%, 0.58%

LAB 51.17, 18.74, -36.32

 

CMYK 0 / 38 / 22 / 28

HEX #B7718F

RGB 183 113 143

HSL 334.29, 0.33%, 0.58%

LAB 55.95, 31.79, -4.62

 

CMYK 2 / 0 / 38 / 28

HEX #B3B771

RGB 179 183 113

HSL 63.43, 0.33%, 0.58%

LAB 72.66, -12.17, 35.12

 

CMYK 38 / 0 / 16 / 28

HEX #71B799

RGB 113 183 153

HSL 154.29, 0.33%, 0.58%

LAB 69.24, -28.91, 8.36

 

Description

Color code: HEX #7772B8 | qconv.com Color code: HEX #7772B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 114 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 114 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 38 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 38% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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