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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #775FA9 it is the complementary color #88A056. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #775FA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #775FA9 shade: #7C5FA4, #8D71B7, #9E83CA, #AF95DD and #C0A7F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #775FA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #775FA9 shade: #775FA9, #664D96, #553B83, #442970 and #33175D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #775FA9 shade: #7860A9, #8C60A9, #9F60A9, #A960A0 and #A9608C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #775FA9 shade: #7860A9, #6460A9 and #6060A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #775FA9 shade matches the following richer shades: #7860A9, #714CBD, #6A38D1, #6324E5 and #5C11F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #775FA9 shade: #7860A9, #7F7496, #868782, #8D9B6E and #94AF5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #775FA9 shade: #6070A9, #6460A9, #7760A9, #8B60A9 and #9E60A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #775FA9 shade: #524077, #644E92, #7860A9, #8F7BB8 and #A596C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #775FA9 shade: #775FA9, #A96083 and #66A960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #775FA9 shade: #775FA9, #A97760 and #60A977

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #775FA9 shade: #775FA9, #A96083, #92A960 and #60A986

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #775FA9 shade: #775FA9, #A9606D, #92A960 and #60A99C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

Complementary color

CMYK 15 / 0 / 46 / 37

HEX #88A056

RGB 136 160 86

HSL 79.46, 0.3%, 0.48%

LAB 62.55, -20.78, 35.67

 

CMYK 24 / 42 / 0 / 36

HEX #7C5FA4

RGB 124 95 164

HSL 265.22, 0.27%, 0.51%

LAB 45.84, 26.35, -33

 

CMYK 23 / 38 / 0 / 28

HEX #8D71B7

RGB 141 113 183

HSL 264, 0.33%, 0.58%

LAB 52.83, 25.53, -33

 

CMYK 22 / 35 / 0 / 21

HEX #9E83CA

RGB 158 131 202

HSL 262.82, 0.4%, 0.65%

LAB 59.68, 24.79, -33.04

 

CMYK 21 / 33 / 0 / 13

HEX #AF95DD

RGB 175 149 221

HSL 261.67, 0.51%, 0.73%

LAB 66.39, 24.13, -33.1

 

CMYK 20 / 30 / 0 / 6

HEX #C0A7F0

RGB 192 167 240

HSL 260.55, 0.71%, 0.8%

LAB 72.98, 23.52, -33.2

 

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

CMYK 32 / 49 / 0 / 41

HEX #664D96

RGB 102 77 150

HSL 260.55, 0.32%, 0.45%

LAB 38.44, 27.13, -36.47

 

CMYK 35 / 55 / 0 / 49

HEX #553B83

RGB 85 59 131

HSL 261.67, 0.38%, 0.37%

LAB 31.11, 28.23, -36.61

 

CMYK 39 / 63 / 0 / 56

HEX #442970

RGB 68 41 112

HSL 262.82, 0.46%, 0.3%

LAB 23.62, 29.42, -36.74

 

CMYK 45 / 75 / 0 / 64

HEX #33175D

RGB 51 23 93

HSL 264, 0.6%, 0.23%

LAB 16.04, 30.55, -36.68

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 17 / 43 / 0 / 34

HEX #8C60A9

RGB 140 96 169

HSL 276.16, 0.3%, 0.52%

LAB 48.01, 31.81, -32.41

 

CMYK 6 / 43 / 0 / 34

HEX #9F60A9

RGB 159 96 169

HSL 291.78, 0.3%, 0.52%

LAB 50.22, 37.66, -28.8

 

CMYK 0 / 43 / 5 / 34

HEX #A960A0

RGB 169 96 160

HSL 307.4, 0.3%, 0.52%

LAB 51.08, 39.09, -22.09

 

CMYK 0 / 43 / 17 / 34

HEX #A9608C

RGB 169 96 140

HSL 323.84, 0.3%, 0.52%

LAB 50.33, 35.65, -11.43

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 41 / 43 / 0 / 34

HEX #6460A9

RGB 100 96 169

HSL 243.29, 0.3%, 0.52%

LAB 44.15, 20.23, -38.76

 

CMYK 43 / 43 / 0 / 34

HEX #6060A9

RGB 96 96 169

HSL 240, 0.3%, 0.52%

LAB 43.82, 19.18, -39.29

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 40 / 60 / 0 / 26

HEX #714CBD

RGB 113 76 189

HSL 259.65, 0.46%, 0.52%

LAB 41.77, 41.16, -54.23

 

CMYK 49 / 73 / 0 / 18

HEX #6A38D1

RGB 106 56 209

HSL 259.61, 0.62%, 0.52%

LAB 38.72, 55.81, -70.85

 

CMYK 57 / 84 / 0 / 10

HEX #6324E5

RGB 99 36 229

HSL 259.59, 0.79%, 0.52%

LAB 37.06, 68.28, -85.09

 

CMYK 63 / 93 / 0 / 2

HEX #5C11F9

RGB 92 17 249

HSL 259.4, 0.95%, 0.52%

LAB 36.96, 77.38, -96.61

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 15 / 23 / 0 / 41

HEX #7F7496

RGB 127 116 150

HSL 259.41, 0.14%, 0.52%

LAB 50.93, 11.39, -16.86

 

CMYK 1 / 0 / 4 / 47

HEX #868782

RGB 134 135 130

HSL 72, 0.02%, 0.52%

LAB 56.1, -1.34, 2.55

 

CMYK 9 / 0 / 29 / 39

HEX #8D9B6E

RGB 141 155 110

HSL 78.67, 0.18%, 0.52%

LAB 61.85, -13.01, 22

 

CMYK 15 / 0 / 49 / 31

HEX #94AF5A

RGB 148 175 90

HSL 79.06, 0.35%, 0.52%

LAB 67.79, -23.08, 40.27

 

CMYK 43 / 34 / 0 / 34

HEX #6070A9

RGB 96 112 169

HSL 226.85, 0.3%, 0.52%

LAB 48.18, 9.3, -32.42

 

CMYK 41 / 43 / 0 / 34

HEX #6460A9

RGB 100 96 169

HSL 243.29, 0.3%, 0.52%

LAB 44.15, 20.23, -38.76

 

CMYK 30 / 43 / 0 / 34

HEX #7760A9

RGB 119 96 169

HSL 258.9, 0.3%, 0.52%

LAB 45.84, 25.55, -35.97

 

CMYK 18 / 43 / 0 / 34

HEX #8B60A9

RGB 139 96 169

HSL 275.34, 0.3%, 0.52%

LAB 47.9, 31.51, -32.59

 

CMYK 7 / 43 / 0 / 34

HEX #9E60A9

RGB 158 96 169

HSL 290.96, 0.3%, 0.52%

LAB 50.1, 37.35, -29

 

CMYK 31 / 46 / 0 / 53

HEX #524077

RGB 82 64 119

HSL 259.64, 0.3%, 0.36%

LAB 31.33, 20.83, -28.79

 

CMYK 32 / 47 / 0 / 43

HEX #644E92

RGB 100 78 146

HSL 259.41, 0.3%, 0.44%

LAB 38.26, 24.85, -34.35

 

CMYK 29 / 43 / 0 / 34

HEX #7860A9

RGB 120 96 169

HSL 259.73, 0.3%, 0.52%

LAB 45.94, 25.84, -35.81

 

CMYK 22 / 33 / 0 / 28

HEX #8F7BB8

RGB 143 123 184

HSL 259.67, 0.3%, 0.6%

LAB 55.55, 20.53, -29.33

 

CMYK 17 / 24 / 0 / 22

HEX #A596C6

RGB 165 150 198

HSL 258.75, 0.3%, 0.68%

LAB 64.87, 15.22, -22.72

 

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

CMYK 0 / 43 / 22 / 34

HEX #A96083

RGB 169 96 131

HSL 331.23, 0.3%, 0.52%

LAB 50.02, 34.23, -6.53

 

CMYK 40 / 0 / 43 / 34

HEX #66A960

RGB 102 169 96

HSL 115.07, 0.3%, 0.52%

LAB 63.38, -36.19, 31.09

 

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

CMYK 0 / 30 / 43 / 34

HEX #A97760

RGB 169 119 96

HSL 18.9, 0.3%, 0.52%

LAB 54.53, 16.67, 20.45

 

CMYK 43 / 0 / 30 / 34

HEX #60A977

RGB 96 169 119

HSL 138.9, 0.3%, 0.52%

LAB 63.5, -34.11, 18.85

 

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

CMYK 0 / 43 / 22 / 34

HEX #A96083

RGB 169 96 131

HSL 331.23, 0.3%, 0.52%

LAB 50.02, 34.23, -6.53

 

CMYK 14 / 0 / 43 / 34

HEX #92A960

RGB 146 169 96

HSL 78.9, 0.3%, 0.52%

LAB 66.01, -20.17, 34.97

 

CMYK 43 / 0 / 21 / 34

HEX #60A986

RGB 96 169 134

HSL 151.23, 0.3%, 0.52%

LAB 63.82, -31.07, 11.03

 

CMYK 30 / 44 / 0 / 34

HEX #775FA9

RGB 119 95 169

HSL 259.46, 0.3%, 0.52%

LAB 45.59, 26.15, -36.36

 

CMYK 0 / 43 / 36 / 34

HEX #A9606D

RGB 169 96 109

HSL 349.32, 0.3%, 0.52%

LAB 49.38, 31.14, 5.68

 

CMYK 14 / 0 / 43 / 34

HEX #92A960

RGB 146 169 96

HSL 78.9, 0.3%, 0.52%

LAB 66.01, -20.17, 34.97

 

CMYK 43 / 0 / 8 / 34

HEX #60A99C

RGB 96 169 156

HSL 169.32, 0.3%, 0.52%

LAB 64.37, -26.02, -0.43

 

Description

Color code: HEX #775FA9 | qconv.com Color code: HEX #775FA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 95 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 95 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 44 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 44% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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