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Color name
HEX #775C28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #775C28 it is the complementary color #88A3D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #775C28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #775C28 shade: #7C5C23, #8D6E36, #9E8049, #AF925C and #C0A46F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #775C28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #775C28 shade: #775C28, #664A15, #553802, #442600 and #331400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #775C28 shade: #775C28, #774628, #773128 and #772828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #775C28 shade: #775C28, #777128, #677728, #527728 and #3C7728

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #775C28 shade matches the following richer shades: #775C28, #83601B, #90640E and #9D6801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #775C28 shade: #775C28, #6A5834, #5D5341, #504F4E and #434B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #775C28 shade: #773128, #774628, #775B28, #777028 and #687728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #775C28 shade: #392C13, #58441D, #775C28, #967332 and #B48B3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #775C28 shade: #775C28, #337728 and #3B2877

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #775C28 shade: #775C28, #28775B and #5B2877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #775C28 shade: #775C28, #337728, #284377 and #6B2877

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #775C28 shade: #775C28, #287733, #284377 and #77286B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

Complementary color

CMYK 37 / 24 / 0 / 16

HEX #88A3D7

RGB 136 163 215

HSL 219.49, 0.5%, 0.69%

LAB 66.78, 3.35, -29.43

 

CMYK 0 / 26 / 72 / 51

HEX #7C5C23

RGB 124 92 35

HSL 38.43, 0.56%, 0.31%

LAB 41.31, 6.84, 36.7

 

CMYK 0 / 22 / 62 / 45

HEX #8D6E36

RGB 141 110 54

HSL 38.62, 0.45%, 0.38%

LAB 48.36, 5.54, 35.38

 

CMYK 0 / 19 / 54 / 38

HEX #9E8049

RGB 158 128 73

HSL 38.82, 0.37%, 0.45%

LAB 55.27, 4.5, 33.96

 

CMYK 0 / 17 / 47 / 31

HEX #AF925C

RGB 175 146 92

HSL 39.04, 0.34%, 0.52%

LAB 62.04, 3.65, 32.59

 

CMYK 0 / 15 / 42 / 25

HEX #C0A46F

RGB 192 164 111

HSL 39.26, 0.39%, 0.59%

LAB 68.68, 2.95, 31.28

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 0 / 27 / 79 / 60

HEX #664A15

RGB 102 74 21

HSL 39.26, 0.66%, 0.24%

LAB 33.51, 6.28, 34.56

 

CMYK 0 / 34 / 98 / 67

HEX #553802

RGB 85 56 2

HSL 39.04, 0.95%, 0.17%

LAB 26.05, 8.21, 34.84

 

CMYK 0 / 44 / 100 / 73

HEX #442600

RGB 68 38 0

HSL 33.53, 1%, 0.13%

LAB 18.43, 10.94, 26.88

 

CMYK 0 / 61 / 100 / 80

HEX #331400

RGB 51 20 0

HSL 23.53, 1%, 0.1%

LAB 10.59, 13.95, 16.15

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 0 / 41 / 66 / 53

HEX #774628

RGB 119 70 40

HSL 22.78, 0.5%, 0.31%

LAB 34.91, 18, 26.69

 

CMYK 0 / 59 / 66 / 53

HEX #773128

RGB 119 49 40

HSL 6.84, 0.5%, 0.31%

LAB 30.09, 29.99, 20.86

 

CMYK 0 / 66 / 66 / 53

HEX #772828

RGB 119 40 40

HSL 0, 0.5%, 0.31%

LAB 28.36, 34.55, 18.7

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 0 / 5 / 66 / 53

HEX #777128

RGB 119 113 40

HSL 55.44, 0.5%, 0.31%

LAB 46.82, -7.39, 39.99

 

CMYK 13 / 0 / 66 / 53

HEX #677728

RGB 103 119 40

HSL 72.15, 0.5%, 0.31%

LAB 47.28, -17.97, 40.06

 

CMYK 31 / 0 / 66 / 53

HEX #527728

RGB 82 119 40

HSL 88.1, 0.5%, 0.31%

LAB 45.83, -26.89, 38.08

 

CMYK 50 / 0 / 66 / 53

HEX #3C7728

RGB 60 119 40

HSL 104.81, 0.5%, 0.31%

LAB 44.67, -34.95, 36.48

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 0 / 27 / 79 / 49

HEX #83601B

RGB 131 96 27

HSL 39.81, 0.66%, 0.31%

LAB 43.17, 7.39, 42.46

 

CMYK 0 / 31 / 90 / 44

HEX #90640E

RGB 144 100 14

HSL 39.69, 0.82%, 0.31%

LAB 45.74, 10.76, 49.79

 

CMYK 0 / 34 / 99 / 38

HEX #9D6801

RGB 157 104 1

HSL 39.62, 0.99%, 0.31%

LAB 48.35, 14.27, 55.42

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 11 / 30 / 64

HEX #5D5341

RGB 93 83 65

HSL 38.57, 0.18%, 0.31%

LAB 35.78, 0.94, 12.06

 

CMYK 0 / 1 / 2 / 69

HEX #504F4E

RGB 80 79 78

HSL 30, 0.01%, 0.31%

LAB 33.66, 0.2, 0.73

 

CMYK 26 / 18 / 0 / 64

HEX #434B5B

RGB 67 75 91

HSL 220, 0.15%, 0.31%

LAB 31.76, 0.87, -10.49

 

CMYK 0 / 59 / 66 / 53

HEX #773128

RGB 119 49 40

HSL 6.84, 0.5%, 0.31%

LAB 30.09, 29.99, 20.86

 

CMYK 0 / 41 / 66 / 53

HEX #774628

RGB 119 70 40

HSL 22.78, 0.5%, 0.31%

LAB 34.91, 18, 26.69

 

CMYK 0 / 24 / 66 / 53

HEX #775B28

RGB 119 91 40

HSL 38.73, 0.5%, 0.31%

LAB 40.5, 5.4, 33.11

 

CMYK 0 / 6 / 66 / 53

HEX #777028

RGB 119 112 40

HSL 54.68, 0.5%, 0.31%

LAB 46.53, -6.83, 39.68

 

CMYK 13 / 0 / 66 / 53

HEX #687728

RGB 104 119 40

HSL 71.39, 0.5%, 0.31%

LAB 47.35, -17.53, 40.17

 

CMYK 0 / 23 / 67 / 78

HEX #392C13

RGB 57 44 19

HSL 39.47, 0.5%, 0.15%

LAB 18.88, 2.33, 18.28

 

CMYK 0 / 23 / 67 / 65

HEX #58441D

RGB 88 68 29

HSL 39.66, 0.5%, 0.23%

LAB 30.15, 3.57, 26.41

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 0 / 23 / 67 / 41

HEX #967332

RGB 150 115 50

HSL 39, 0.5%, 0.39%

LAB 50.66, 6.48, 40.27

 

CMYK 0 / 23 / 67 / 29

HEX #B48B3C

RGB 180 139 60

HSL 39.5, 0.5%, 0.47%

LAB 60.33, 7.08, 46.97

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 57 / 0 / 66 / 53

HEX #337728

RGB 51 119 40

HSL 111.65, 0.5%, 0.31%

LAB 44.31, -37.71, 35.97

 

CMYK 50 / 66 / 0 / 53

HEX #3B2877

RGB 59 40 119

HSL 254.43, 0.5%, 0.31%

LAB 22.93, 30.09, -42.39

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 66 / 0 / 24 / 53

HEX #28775B

RGB 40 119 91

HSL 158.73, 0.5%, 0.31%

LAB 44.8, -31.18, 8.45

 

CMYK 24 / 66 / 0 / 53

HEX #5B2877

RGB 91 40 119

HSL 278.73, 0.5%, 0.31%

LAB 26.94, 37.64, -35.7

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 57 / 0 / 66 / 53

HEX #337728

RGB 51 119 40

HSL 111.65, 0.5%, 0.31%

LAB 44.31, -37.71, 35.97

 

CMYK 66 / 44 / 0 / 53

HEX #284377

RGB 40 67 119

HSL 219.49, 0.5%, 0.31%

LAB 28.9, 7.89, -32.85

 

CMYK 10 / 66 / 0 / 53

HEX #6B2877

RGB 107 40 119

HSL 290.89, 0.5%, 0.31%

LAB 29.35, 41.76, -31.72

 

CMYK 0 / 23 / 66 / 53

HEX #775C28

RGB 119 92 40

HSL 39.49, 0.5%, 0.31%

LAB 40.78, 4.8, 33.42

 

CMYK 66 / 0 / 57 / 53

HEX #287733

RGB 40 119 51

HSL 128.35, 0.5%, 0.31%

LAB 44.07, -39.15, 30.14

 

CMYK 66 / 44 / 0 / 53

HEX #284377

RGB 40 67 119

HSL 219.49, 0.5%, 0.31%

LAB 28.9, 7.89, -32.85

 

CMYK 0 / 66 / 10 / 53

HEX #77286B

RGB 119 40 107

HSL 309.11, 0.5%, 0.31%

LAB 30.64, 42.77, -21.91

 

Description

Color code: HEX #775C28 | qconv.com Color code: HEX #775C28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 92 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 92 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 66 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 66% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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