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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #775360 it is the complementary color #88AC9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #775360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #775360 shade: #7C535B, #8D656E, #9E7781, #AF8994 and #C09BA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #775360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #775360 shade: #775360, #66414D, #552F3A, #441D27 and #330B14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #775360 shade: #785461, #785457 and #785454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #775360 shade: #785461, #78546B, #785475, #725478 and #685478

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #775360 shade matches the following richer shades: #785461, #89435C, #993358, #AA2253 and #BA124F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #775360 shade: #785461, #686465, #57756A, #47856F and #369673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #775360 shade: #785475, #78546B, #785461, #785457 and #785A54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #775360 shade: #48323A, #60434D, #785461, #916575 and #A37B8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #775360 shade: #775360, #787254 and #547078

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #775360 shade: #775360, #617854 and #546178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #775360 shade: #775360, #787254, #54786B and #545A78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #775360 shade: #775360, #737854, #54786B and #595478

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 19 / 53

HEX #775360

RGB 119 83 96

HSL 338.33, 0.18%, 0.4%

LAB 39.5, 17.14, -1.52

 

Complementary color

CMYK 21 / 0 / 8 / 33

HEX #88AC9F

RGB 136 172 159

HSL 158.33, 0.18%, 0.6%

LAB 67.46, -14.96, 2.66

 

CMYK 0 / 33 / 27 / 51

HEX #7C535B

RGB 124 83 91

HSL 348.29, 0.2%, 0.41%

LAB 39.96, 18.33, 2.32

 

CMYK 0 / 28 / 22 / 45

HEX #8D656E

RGB 141 101 110

HSL 346.5, 0.17%, 0.47%

LAB 47.1, 17.54, 1.34

 

CMYK 0 / 25 / 18 / 38

HEX #9E7781

RGB 158 119 129

HSL 344.62, 0.17%, 0.54%

LAB 54.08, 16.84, 0.47

 

CMYK 0 / 22 / 15 / 31

HEX #AF8994

RGB 175 137 148

HSL 342.63, 0.19%, 0.61%

LAB 60.91, 16.23, -0.31

 

CMYK 0 / 19 / 13 / 25

HEX #C09BA7

RGB 192 155 167

HSL 340.54, 0.23%, 0.68%

LAB 67.61, 15.68, -1.04

 

CMYK 0 / 30 / 19 / 53

HEX #775360

RGB 119 83 96

HSL 338.33, 0.18%, 0.4%

LAB 39.5, 17.14, -1.52

 

CMYK 0 / 36 / 25 / 60

HEX #66414D

RGB 102 65 77

HSL 340.54, 0.22%, 0.33%

LAB 32.13, 17.98, -0.58

 

CMYK 0 / 45 / 32 / 67

HEX #552F3A

RGB 85 47 58

HSL 342.63, 0.29%, 0.26%

LAB 24.54, 18.95, 0.57

 

CMYK 0 / 57 / 43 / 73

HEX #441D27

RGB 68 29 39

HSL 344.62, 0.4%, 0.19%

LAB 16.77, 20.03, 2.14

 

CMYK 0 / 78 / 61 / 80

HEX #330B14

RGB 51 11 20

HSL 346.5, 0.65%, 0.12%

LAB 8.94, 20.95, 4.42

 

CMYK 0 / 30 / 19 / 53

HEX #785461

RGB 120 84 97

HSL 338.33, 0.18%, 0.4%

LAB 39.91, 17.11, -1.53

 

CMYK 0 / 30 / 28 / 53

HEX #785457

RGB 120 84 87

HSL 355, 0.18%, 0.4%

LAB 39.62, 15.46, 4.24

 

CMYK 0 / 30 / 30 / 53

HEX #785454

RGB 120 84 84

HSL 0, 0.18%, 0.4%

LAB 39.54, 15, 5.98

 

CMYK 0 / 30 / 19 / 53

HEX #785461

RGB 120 84 97

HSL 338.33, 0.18%, 0.4%

LAB 39.91, 17.11, -1.53

 

CMYK 0 / 30 / 11 / 53

HEX #78546B

RGB 120 84 107

HSL 321.67, 0.18%, 0.4%

LAB 40.24, 18.92, -7.23

 

CMYK 0 / 30 / 3 / 53

HEX #785475

RGB 120 84 117

HSL 305, 0.18%, 0.4%

LAB 40.6, 20.88, -12.84

 

CMYK 5 / 30 / 0 / 53

HEX #725478

RGB 114 84 120

HSL 290, 0.18%, 0.4%

LAB 40.04, 19.33, -15.6

 

CMYK 13 / 30 / 0 / 53

HEX #685478

RGB 104 84 120

HSL 273.33, 0.18%, 0.4%

LAB 38.97, 15.77, -17.34

 

CMYK 0 / 30 / 19 / 53

HEX #785461

RGB 120 84 97

HSL 338.33, 0.18%, 0.4%

LAB 39.91, 17.11, -1.53

 

CMYK 0 / 51 / 33 / 46

HEX #89435C

RGB 137 67 92

HSL 338.57, 0.34%, 0.4%

LAB 38.03, 32.76, -0.9

 

CMYK 0 / 67 / 42 / 40

HEX #993358

RGB 153 51 88

HSL 338.24, 0.5%, 0.4%

LAB 37.56, 45.68, 1.26

 

CMYK 0 / 80 / 51 / 33

HEX #AA2253

RGB 170 34 83

HSL 338.38, 0.67%, 0.4%

LAB 38.4, 56.37, 6.07

 

CMYK 0 / 90 / 58 / 27

HEX #BA124F

RGB 186 18 79

HSL 338.21, 0.82%, 0.4%

LAB 40.31, 63.73, 11.76

 

CMYK 0 / 30 / 19 / 53

HEX #785461

RGB 120 84 97

HSL 338.33, 0.18%, 0.4%

LAB 39.91, 17.11, -1.53

 

CMYK 0 / 4 / 3 / 59

HEX #686465

RGB 104 100 101

HSL 345, 0.02%, 0.4%

LAB 42.76, 1.78, -0.01

 

CMYK 26 / 0 / 9 / 54

HEX #57756A

RGB 87 117 106

HSL 158, 0.15%, 0.4%

LAB 46.7, -13.34, 2.55

 

CMYK 47 / 0 / 17 / 48

HEX #47856F

RGB 71 133 111

HSL 158.71, 0.3%, 0.4%

LAB 50.99, -25.62, 5.68

 

CMYK 64 / 0 / 23 / 41

HEX #369673

RGB 54 150 115

HSL 158.13, 0.47%, 0.4%

LAB 55.92, -36.71, 10.31

 

CMYK 0 / 30 / 3 / 53

HEX #785475

RGB 120 84 117

HSL 305, 0.18%, 0.4%

LAB 40.6, 20.88, -12.84

 

CMYK 0 / 30 / 11 / 53

HEX #78546B

RGB 120 84 107

HSL 321.67, 0.18%, 0.4%

LAB 40.24, 18.92, -7.23

 

CMYK 0 / 30 / 19 / 53

HEX #785461

RGB 120 84 97

HSL 338.33, 0.18%, 0.4%

LAB 39.91, 17.11, -1.53

 

CMYK 0 / 30 / 28 / 53

HEX #785457

RGB 120 84 87

HSL 355, 0.18%, 0.4%

LAB 39.62, 15.46, 4.24

 

CMYK 0 / 25 / 30 / 53

HEX #785A54

RGB 120 90 84

HSL 10, 0.18%, 0.4%

LAB 41.13, 11.38, 8.24

 

CMYK 0 / 31 / 19 / 72

HEX #48323A

RGB 72 50 58

HSL 338.18, 0.18%, 0.24%

LAB 23.55, 11.42, -1.09

 

CMYK 0 / 30 / 20 / 62

HEX #60434D

RGB 96 67 77

HSL 339.31, 0.18%, 0.32%

LAB 31.89, 14.24, -1.02

 

CMYK 0 / 30 / 19 / 53

HEX #785461

RGB 120 84 97

HSL 338.33, 0.18%, 0.4%

LAB 39.91, 17.11, -1.53

 

CMYK 0 / 30 / 19 / 43

HEX #916575

RGB 145 101 117

HSL 338.18, 0.18%, 0.48%

LAB 47.77, 20.25, -1.83

 

CMYK 0 / 25 / 15 / 36

HEX #A37B8A

RGB 163 123 138

HSL 337.5, 0.18%, 0.56%

LAB 55.87, 17.96, -2.08

 

CMYK 0 / 30 / 19 / 53

HEX #775360

RGB 119 83 96

HSL 338.33, 0.18%, 0.4%

LAB 39.5, 17.14, -1.52

 

CMYK 0 / 5 / 30 / 53

HEX #787254

RGB 120 114 84

HSL 50, 0.18%, 0.4%

LAB 47.84, -2.8, 17.5

 

CMYK 30 / 7 / 0 / 53

HEX #547078

RGB 84 112 120

HSL 193.33, 0.18%, 0.4%

LAB 45.4, -8.1, -7.74

 

CMYK 0 / 30 / 19 / 53

HEX #775360

RGB 119 83 96

HSL 338.33, 0.18%, 0.4%

LAB 39.5, 17.14, -1.52

 

CMYK 19 / 0 / 30 / 53

HEX #617854

RGB 97 120 84

HSL 98.33, 0.18%, 0.4%

LAB 47.77, -15.64, 17.09

 

CMYK 30 / 19 / 0 / 53

HEX #546178

RGB 84 97 120

HSL 218.33, 0.18%, 0.4%

LAB 40.88, 0.83, -14.56

 

CMYK 0 / 30 / 19 / 53

HEX #775360

RGB 119 83 96

HSL 338.33, 0.18%, 0.4%

LAB 39.5, 17.14, -1.52

 

CMYK 0 / 5 / 30 / 53

HEX #787254

RGB 120 114 84

HSL 50, 0.18%, 0.4%

LAB 47.84, -2.8, 17.5

 

CMYK 30 / 0 / 11 / 53

HEX #54786B

RGB 84 120 107

HSL 158.33, 0.18%, 0.4%

LAB 47.47, -15.78, 3.05

 

CMYK 30 / 25 / 0 / 53

HEX #545A78

RGB 84 90 120

HSL 230, 0.18%, 0.4%

LAB 38.82, 5.16, -17.72

 

CMYK 0 / 30 / 19 / 53

HEX #775360

RGB 119 83 96

HSL 338.33, 0.18%, 0.4%

LAB 39.5, 17.14, -1.52

 

CMYK 4 / 0 / 30 / 53

HEX #737854

RGB 115 120 84

HSL 68.33, 0.18%, 0.4%

LAB 49.15, -8.32, 19.19

 

CMYK 30 / 0 / 11 / 53

HEX #54786B

RGB 84 120 107

HSL 158.33, 0.18%, 0.4%

LAB 47.47, -15.78, 3.05

 

CMYK 26 / 30 / 0 / 53

HEX #595478

RGB 89 84 120

HSL 248.33, 0.18%, 0.4%

LAB 37.52, 10.6, -19.69

HEX #595478

Description

Color code: HEX #775360 | qconv.com Color code: HEX #775360 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 83 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 83 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 19 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 19% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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