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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7750B6 it is the complementary color #88AF49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7750B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7750B6 shade: #7C50B1, #8D62C4, #9E74D7, #AF86EA and #C098FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7750B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7750B6 shade: #7750B6, #663EA3, #552C90, #441A7D and #33086A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7750B6 shade: #764FB5, #924FB5, #AD4FB5, #B54FA2 and #B54F86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7750B6 shade: #764FB5, #5A4FB5 and #4F4FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7750B6 shade matches the following richer shades: #764FB5, #713BC9, #6C26DE and #6812F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7750B6 shade: #764FB5, #7B63A1, #80778D, #848B79 and #89A064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7750B6 shade: #4F60B5, #594FB5, #744FB5, #904FB5 and #AB4FB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7750B6 shade: #50347D, #63419A, #764FB5, #8D6CC1 and #A389CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7750B6 shade: #7750B6, #B54F7B and #52B54F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7750B6 shade: #7750B6, #B5744F and #4FB574

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7750B6 shade: #7750B6, #B54F7B, #90B54F and #4FB589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7750B6 shade: #7750B6, #B54F5C, #90B54F and #4FB5A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 56 / 0 / 29

HEX #7750B6

RGB 119 80 182

HSL 262.94, 0.41%, 0.51%

LAB 42.82, 38.41, -48.41

 

Complementary color

CMYK 22 / 0 / 58 / 31

HEX #88AF49

RGB 136 175 73

HSL 82.94, 0.41%, 0.49%

LAB 66.81, -29.52, 47.1

 

CMYK 30 / 55 / 0 / 31

HEX #7C50B1

RGB 124 80 177

HSL 267.22, 0.38%, 0.5%

LAB 43.06, 38.39, -45.06

 

CMYK 28 / 50 / 0 / 23

HEX #8D62C4

RGB 141 98 196

HSL 266.33, 0.45%, 0.58%

LAB 49.96, 37.4, -45.02

 

CMYK 27 / 46 / 0 / 16

HEX #9E74D7

RGB 158 116 215

HSL 265.45, 0.55%, 0.65%

LAB 56.75, 36.47, -44.96

 

CMYK 25 / 43 / 0 / 8

HEX #AF86EA

RGB 175 134 234

HSL 264.6, 0.7%, 0.72%

LAB 63.43, 35.59, -44.92

 

CMYK 24 / 40 / 0 / 1

HEX #C098FD

RGB 192 152 253

HSL 263.76, 0.96%, 0.79%

LAB 70, 34.79, -44.9

 

CMYK 35 / 56 / 0 / 29

HEX #7750B6

RGB 119 80 182

HSL 262.94, 0.41%, 0.51%

LAB 42.82, 38.41, -48.41

 

CMYK 37 / 62 / 0 / 36

HEX #663EA3

RGB 102 62 163

HSL 263.76, 0.45%, 0.44%

LAB 35.82, 39.52, -48.49

 

CMYK 41 / 69 / 0 / 44

HEX #552C90

RGB 85 44 144

HSL 264.6, 0.53%, 0.37%

LAB 28.76, 40.56, -48.45

 

CMYK 46 / 79 / 0 / 51

HEX #441A7D

RGB 68 26 125

HSL 265.45, 0.66%, 0.3%

LAB 21.76, 41.25, -48.07

 

CMYK 52 / 92 / 0 / 58

HEX #33086A

RGB 51 8 106

HSL 266.33, 0.86%, 0.22%

LAB 15.05, 40.85, -46.91

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 19 / 56 / 0 / 29

HEX #924FB5

RGB 146 79 181

HSL 279.41, 0.41%, 0.51%

LAB 45.69, 45.64, -43.06

 

CMYK 4 / 56 / 0 / 29

HEX #AD4FB5

RGB 173 79 181

HSL 295.29, 0.41%, 0.51%

LAB 49.27, 52.83, -37.17

 

CMYK 0 / 56 / 10 / 29

HEX #B54FA2

RGB 181 79 162

HSL 311.18, 0.41%, 0.51%

LAB 49.53, 51.73, -25.53

 

CMYK 0 / 56 / 26 / 29

HEX #B54F86

RGB 181 79 134

HSL 327.65, 0.41%, 0.51%

LAB 48.43, 47.49, -10.53

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 50 / 56 / 0 / 29

HEX #5A4FB5

RGB 90 79 181

HSL 246.47, 0.41%, 0.51%

LAB 39.75, 32, -52.91

 

CMYK 56 / 56 / 0 / 29

HEX #4F4FB5

RGB 79 79 181

HSL 240, 0.41%, 0.51%

LAB 38.88, 29.75, -54.35

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 44 / 71 / 0 / 21

HEX #713BC9

RGB 113 59 201

HSL 262.82, 0.57%, 0.51%

LAB 39.34, 53.41, -65.17

 

CMYK 51 / 83 / 0 / 13

HEX #6C26DE

RGB 108 38 222

HSL 262.83, 0.74%, 0.51%

LAB 37.57, 66.8, -80.21

 

CMYK 57 / 93 / 0 / 5

HEX #6812F2

RGB 104 18 242

HSL 263.04, 0.9%, 0.51%

LAB 37.46, 76.36, -91.8

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 24 / 39 / 0 / 37

HEX #7B63A1

RGB 123 99 161

HSL 263.23, 0.25%, 0.51%

LAB 46.59, 22.9, -30.06

 

CMYK 9 / 16 / 0 / 45

HEX #80778D

RGB 128 119 141

HSL 264.55, 0.09%, 0.51%

LAB 51.5, 7.95, -10.7

 

CMYK 5 / 0 / 13 / 45

HEX #848B79

RGB 132 139 121

HSL 83.33, 0.07%, 0.51%

LAB 56.83, -6.01, 8.76

 

CMYK 14 / 0 / 38 / 37

HEX #89A064

RGB 137 160 100

HSL 83, 0.24%, 0.51%

LAB 62.83, -18.61, 28.67

 

CMYK 56 / 47 / 0 / 29

HEX #4F60B5

RGB 79 96 181

HSL 230, 0.41%, 0.51%

LAB 43.31, 18.99, -47.23

 

CMYK 51 / 56 / 0 / 29

HEX #594FB5

RGB 89 79 181

HSL 245.88, 0.41%, 0.51%

LAB 39.67, 31.78, -53.05

 

CMYK 36 / 56 / 0 / 29

HEX #744FB5

RGB 116 79 181

HSL 261.76, 0.41%, 0.51%

LAB 42.22, 37.99, -48.81

 

CMYK 20 / 56 / 0 / 29

HEX #904FB5

RGB 144 79 181

HSL 278.24, 0.41%, 0.51%

LAB 45.44, 45.11, -43.48

 

CMYK 6 / 56 / 0 / 29

HEX #AB4FB5

RGB 171 79 181

HSL 294.12, 0.41%, 0.51%

LAB 48.99, 52.29, -37.62

 

CMYK 36 / 58 / 0 / 51

HEX #50347D

RGB 80 52 125

HSL 263.01, 0.41%, 0.35%

LAB 28.49, 29.5, -37.09

 

CMYK 36 / 58 / 0 / 40

HEX #63419A

RGB 99 65 154

HSL 262.92, 0.41%, 0.43%

LAB 35.53, 34.63, -43.55

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 27 / 44 / 0 / 24

HEX #8D6CC1

RGB 141 108 193

HSL 263.29, 0.41%, 0.59%

LAB 52.11, 30.9, -39.89

 

CMYK 21 / 33 / 0 / 19

HEX #A389CE

RGB 163 137 206

HSL 262.61, 0.41%, 0.67%

LAB 61.77, 23.82, -32

 

CMYK 35 / 56 / 0 / 29

HEX #7750B6

RGB 119 80 182

HSL 262.94, 0.41%, 0.51%

LAB 42.82, 38.41, -48.41

 

CMYK 0 / 56 / 32 / 29

HEX #B54F7B

RGB 181 79 123

HSL 334.12, 0.41%, 0.51%

LAB 48.07, 46.03, -4.45

 

CMYK 55 / 0 / 56 / 29

HEX #52B54F

RGB 82 181 79

HSL 118.24, 0.41%, 0.51%

LAB 66.06, -49.47, 42.75

 

CMYK 35 / 56 / 0 / 29

HEX #7750B6

RGB 119 80 182

HSL 262.94, 0.41%, 0.51%

LAB 42.82, 38.41, -48.41

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 56 / 0 / 36 / 29

HEX #4FB574

RGB 79 181 116

HSL 141.76, 0.41%, 0.51%

LAB 66.5, -44.46, 24.42

 

CMYK 35 / 56 / 0 / 29

HEX #7750B6

RGB 119 80 182

HSL 262.94, 0.41%, 0.51%

LAB 42.82, 38.41, -48.41

 

CMYK 0 / 56 / 32 / 29

HEX #B54F7B

RGB 181 79 123

HSL 334.12, 0.41%, 0.51%

LAB 48.07, 46.03, -4.45

 

CMYK 20 / 0 / 56 / 29

HEX #90B54F

RGB 144 181 79

HSL 81.76, 0.41%, 0.51%

LAB 69.14, -28.7, 47.12

 

CMYK 56 / 0 / 24 / 29

HEX #4FB589

RGB 79 181 137

HSL 154.12, 0.41%, 0.51%

LAB 66.91, -40.2, 13.63

 

CMYK 35 / 56 / 0 / 29

HEX #7750B6

RGB 119 80 182

HSL 262.94, 0.41%, 0.51%

LAB 42.82, 38.41, -48.41

 

CMYK 0 / 56 / 49 / 29

HEX #B54F5C

RGB 181 79 92

HSL 352.35, 0.41%, 0.51%

LAB 47.22, 42.57, 13.12

 

CMYK 20 / 0 / 56 / 29

HEX #90B54F

RGB 144 181 79

HSL 81.76, 0.41%, 0.51%

LAB 69.14, -28.7, 47.12

 

CMYK 56 / 0 / 7 / 29

HEX #4FB5A8

RGB 79 181 168

HSL 172.35, 0.41%, 0.51%

LAB 67.68, -32.75, -2.32

 

Description

Color code: HEX #7750B6 | qconv.com Color code: HEX #7750B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 80 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 80 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 56 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 56% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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