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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #774F8A it is the complementary color #88B075. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #774F8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #774F8A shade: #7C4F85, #8D6198, #9E73AB, #AF85BE and #C097D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #774F8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #774F8A shade: #774F8A, #663D77, #552B64, #441951 and #33073E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #774F8A shade: #78508B, #88508B, #8B507E, #8B506E and #8B505E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #774F8A shade: #78508B, #68508B, #58508B and #50508B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #774F8A shade matches the following richer shades: #78508B, #7F3E9D, #852DAF, #8B1BC0 and #9109D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #774F8A shade: #78508B, #72627A, #6C7468, #658556 and #5F9744

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #774F8A shade: #58508B, #68508B, #78508B, #87508B and #8B507F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #774F8A shade: #4B3257, #624171, #78508B, #8E61A4 and #A17BB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #774F8A shade: #774F8A, #8B5058 and #508B60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #774F8A shade: #774F8A, #8B7850 and #508B78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #774F8A shade: #774F8A, #8B5058, #648B50 and #508B83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #774F8A shade: #774F8A, #8B5A50, #648B50 and #50818B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 43 / 0 / 46

HEX #774F8A

RGB 119 79 138

HSL 280.68, 0.27%, 0.43%

LAB 40.16, 28.07, -26.36

 

Complementary color

CMYK 23 / 0 / 34 / 31

HEX #88B075

RGB 136 176 117

HSL 100.68, 0.27%, 0.57%

LAB 67.7, -24.61, 25.97

 

CMYK 7 / 41 / 0 / 48

HEX #7C4F85

RGB 124 79 133

HSL 290, 0.25%, 0.42%

LAB 40.53, 28.6, -22.71

 

CMYK 7 / 36 / 0 / 40

HEX #8D6198

RGB 141 97 152

HSL 288, 0.22%, 0.49%

LAB 47.6, 27.79, -23.02

 

CMYK 8 / 33 / 0 / 33

HEX #9E73AB

RGB 158 115 171

HSL 286.07, 0.25%, 0.56%

LAB 54.52, 27.05, -23.31

 

CMYK 8 / 30 / 0 / 25

HEX #AF85BE

RGB 175 133 190

HSL 284.21, 0.3%, 0.63%

LAB 61.31, 26.36, -23.6

 

CMYK 8 / 28 / 0 / 18

HEX #C097D1

RGB 192 151 209

HSL 282.41, 0.39%, 0.71%

LAB 67.98, 25.73, -23.88

 

CMYK 14 / 43 / 0 / 46

HEX #774F8A

RGB 119 79 138

HSL 280.68, 0.27%, 0.43%

LAB 40.16, 28.07, -26.36

 

CMYK 14 / 49 / 0 / 53

HEX #663D77

RGB 102 61 119

HSL 282.41, 0.32%, 0.35%

LAB 32.91, 28.94, -26.15

 

CMYK 15 / 57 / 0 / 61

HEX #552B64

RGB 85 43 100

HSL 284.21, 0.4%, 0.28%

LAB 25.5, 29.8, -25.85

 

CMYK 16 / 69 / 0 / 68

HEX #441951

RGB 68 25 81

HSL 286.07, 0.53%, 0.21%

LAB 18, 30.45, -25.31

 

CMYK 18 / 89 / 0 / 76

HEX #33073E

RGB 51 7 62

HSL 288, 0.8%, 0.14%

LAB 10.58, 30.26, -24.16

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 2 / 42 / 0 / 45

HEX #88508B

RGB 136 80 139

HSL 296.95, 0.27%, 0.43%

LAB 42.51, 33.21, -23.15

 

CMYK 0 / 42 / 9 / 45

HEX #8B507E

RGB 139 80 126

HSL 313.22, 0.27%, 0.43%

LAB 42.36, 31.72, -15.46

 

CMYK 0 / 42 / 21 / 45

HEX #8B506E

RGB 139 80 110

HSL 329.49, 0.27%, 0.43%

LAB 41.77, 28.96, -6.54

 

CMYK 0 / 42 / 32 / 45

HEX #8B505E

RGB 139 80 94

HSL 345.76, 0.27%, 0.43%

LAB 41.27, 26.53, 2.6

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 25 / 42 / 0 / 45

HEX #68508B

RGB 104 80 139

HSL 264.41, 0.27%, 0.43%

LAB 38.8, 22.96, -29.22

 

CMYK 37 / 42 / 0 / 45

HEX #58508B

RGB 88 80 139

HSL 248.14, 0.27%, 0.43%

LAB 37.25, 18.14, -31.76

 

CMYK 42 / 42 / 0 / 45

HEX #50508B

RGB 80 80 139

HSL 240, 0.27%, 0.43%

LAB 36.57, 15.87, -32.89

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 19 / 61 / 0 / 38

HEX #7F3E9D

RGB 127 62 157

HSL 281.05, 0.43%, 0.43%

LAB 38.54, 44.2, -40.36

 

CMYK 24 / 74 / 0 / 31

HEX #852DAF

RGB 133 45 175

HSL 280.62, 0.59%, 0.43%

LAB 37.77, 57.22, -52.32

 

CMYK 28 / 86 / 0 / 25

HEX #8B1BC0

RGB 139 27 192

HSL 280.73, 0.75%, 0.43%

LAB 37.98, 67.43, -61.97

 

CMYK 31 / 96 / 0 / 18

HEX #9109D2

RGB 145 9 210

HSL 280.6, 0.92%, 0.43%

LAB 39.36, 74.8, -70.18

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 7 / 20 / 0 / 52

HEX #72627A

RGB 114 98 122

HSL 280, 0.11%, 0.43%

LAB 43.83, 11.25, -11.07

 

CMYK 7 / 0 / 10 / 55

HEX #6C7468

RGB 108 116 104

HSL 100, 0.05%, 0.43%

LAB 47.85, -5.45, 5.6

 

CMYK 24 / 0 / 35 / 48

HEX #658556

RGB 101 133 86

HSL 100.85, 0.21%, 0.43%

LAB 52.08, -20.66, 21.77

 

CMYK 37 / 0 / 55 / 41

HEX #5F9744

RGB 95 151 68

HSL 100.48, 0.38%, 0.43%

LAB 57.06, -34.14, 37.56

 

CMYK 37 / 42 / 0 / 45

HEX #58508B

RGB 88 80 139

HSL 248.14, 0.27%, 0.43%

LAB 37.25, 18.14, -31.76

 

CMYK 25 / 42 / 0 / 45

HEX #68508B

RGB 104 80 139

HSL 264.41, 0.27%, 0.43%

LAB 38.8, 22.96, -29.22

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 3 / 42 / 0 / 45

HEX #87508B

RGB 135 80 139

HSL 295.93, 0.27%, 0.43%

LAB 42.39, 32.89, -23.35

 

CMYK 0 / 42 / 9 / 45

HEX #8B507F

RGB 139 80 127

HSL 312.2, 0.27%, 0.43%

LAB 42.4, 31.9, -16.01

 

CMYK 14 / 43 / 0 / 66

HEX #4B3257

RGB 75 50 87

HSL 280.54, 0.27%, 0.27%

LAB 25.15, 19.04, -17.98

 

CMYK 13 / 42 / 0 / 56

HEX #624171

RGB 98 65 113

HSL 281.25, 0.27%, 0.35%

LAB 33.07, 23.81, -22.16

 

CMYK 14 / 42 / 0 / 45

HEX #78508B

RGB 120 80 139

HSL 280.68, 0.27%, 0.43%

LAB 40.56, 28.03, -26.33

 

CMYK 13 / 41 / 0 / 36

HEX #8E61A4

RGB 142 97 164

HSL 280.3, 0.27%, 0.51%

LAB 48.24, 30.73, -29.11

 

CMYK 10 / 31 / 0 / 30

HEX #A17BB3

RGB 161 123 179

HSL 280.71, 0.27%, 0.59%

LAB 57.07, 25.15, -23.97

 

CMYK 14 / 43 / 0 / 46

HEX #774F8A

RGB 119 79 138

HSL 280.68, 0.27%, 0.43%

LAB 40.16, 28.07, -26.36

 

CMYK 0 / 42 / 37 / 45

HEX #8B5058

RGB 139 80 88

HSL 351.86, 0.27%, 0.43%

LAB 41.11, 25.71, 6.08

 

CMYK 42 / 0 / 31 / 45

HEX #508B60

RGB 80 139 96

HSL 136.27, 0.27%, 0.43%

LAB 52.97, -29.17, 17.13

 

CMYK 14 / 43 / 0 / 46

HEX #774F8A

RGB 119 79 138

HSL 280.68, 0.27%, 0.43%

LAB 40.16, 28.07, -26.36

 

CMYK 0 / 14 / 42 / 45

HEX #8B7850

RGB 139 120 80

HSL 40.68, 0.27%, 0.43%

LAB 51.27, 1.44, 24.67

 

CMYK 42 / 0 / 14 / 45

HEX #508B78

RGB 80 139 120

HSL 160.68, 0.27%, 0.43%

LAB 53.52, -23.98, 4.16

 

CMYK 14 / 43 / 0 / 46

HEX #774F8A

RGB 119 79 138

HSL 280.68, 0.27%, 0.43%

LAB 40.16, 28.07, -26.36

 

CMYK 0 / 42 / 37 / 45

HEX #8B5058

RGB 139 80 88

HSL 351.86, 0.27%, 0.43%

LAB 41.11, 25.71, 6.08

 

CMYK 28 / 0 / 42 / 45

HEX #648B50

RGB 100 139 80

HSL 99.66, 0.27%, 0.43%

LAB 53.76, -25, 27.28

 

CMYK 42 / 0 / 6 / 45

HEX #508B83

RGB 80 139 131

HSL 171.86, 0.27%, 0.43%

LAB 53.82, -21.27, -1.76

 

CMYK 14 / 43 / 0 / 46

HEX #774F8A

RGB 119 79 138

HSL 280.68, 0.27%, 0.43%

LAB 40.16, 28.07, -26.36

 

CMYK 0 / 35 / 42 / 45

HEX #8B5A50

RGB 139 90 80

HSL 10.17, 0.27%, 0.43%

LAB 43.33, 18.9, 14.08

 

CMYK 28 / 0 / 42 / 45

HEX #648B50

RGB 100 139 80

HSL 99.66, 0.27%, 0.43%

LAB 53.76, -25, 27.28

 

CMYK 42 / 7 / 0 / 45

HEX #50818B

RGB 80 129 139

HSL 190.17, 0.27%, 0.43%

LAB 51, -13.77, -10.61

 

Description

Color code: HEX #774F8A | qconv.com Color code: HEX #774F8A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 79 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 79 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 43 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 43% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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