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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #774A8C it is the complementary color #88B573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #774A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #774A8C shade: #7C4A87, #8D5C9A, #9E6EAD, #AF80C0 and #C092D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #774A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #774A8C shade: #774A8C, #663879, #552666, #441453 and #330240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #774A8C shade: #774A8C, #894A8C, #8C4A7E, #8C4A6C and #8C4A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #774A8C shade: #774A8C, #654A8C, #534A8C and #4A4A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #774A8C shade matches the following richer shades: #774A8C, #7D399E, #8427AF, #8A16C0 and #9005D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #774A8C shade: #774A8C, #715B7B, #6B6D6A, #647E58 and #5E8F47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #774A8C shade: #534A8C, #644A8C, #764A8C, #884A8C and #8C4A7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #774A8C shade: #492D56, #603C71, #774A8C, #8E58A7 and #A073B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #774A8C shade: #774A8C, #8C4A53 and #4A8C5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #774A8C shade: #774A8C, #8C764A and #4A8C76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #774A8C shade: #774A8C, #8C4A53, #608C4A and #4A8C83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #774A8C shade: #774A8C, #8C554A, #608C4A and #4A818C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

Complementary color

CMYK 25 / 0 / 36 / 29

HEX #88B573

RGB 136 181 115

HSL 100.91, 0.31%, 0.58%

LAB 69.13, -27.36, 28.92

 

CMYK 8 / 45 / 0 / 47

HEX #7C4A87

RGB 124 74 135

HSL 289.18, 0.29%, 0.41%

LAB 39.47, 31.93, -25.57

 

CMYK 8 / 40 / 0 / 40

HEX #8D5C9A

RGB 141 92 154

HSL 287.42, 0.25%, 0.48%

LAB 46.51, 31.11, -25.89

 

CMYK 9 / 36 / 0 / 32

HEX #9E6EAD

RGB 158 110 173

HSL 285.71, 0.28%, 0.55%

LAB 53.43, 30.32, -26.16

 

CMYK 9 / 33 / 0 / 25

HEX #AF80C0

RGB 175 128 192

HSL 284.06, 0.34%, 0.63%

LAB 60.21, 29.59, -26.42

 

CMYK 9 / 31 / 0 / 17

HEX #C092D3

RGB 192 146 211

HSL 282.46, 0.42%, 0.7%

LAB 66.88, 28.91, -26.68

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 16 / 54 / 0 / 53

HEX #663879

RGB 102 56 121

HSL 282.46, 0.37%, 0.35%

LAB 31.88, 32.33, -29.01

 

CMYK 17 / 63 / 0 / 60

HEX #552666

RGB 85 38 102

HSL 284.06, 0.46%, 0.27%

LAB 24.57, 33.1, -28.63

 

CMYK 18 / 76 / 0 / 67

HEX #441453

RGB 68 20 83

HSL 285.71, 0.61%, 0.2%

LAB 17.24, 33.41, -27.88

 

CMYK 20 / 97 / 0 / 75

HEX #330240

RGB 51 2 64

HSL 287.42, 0.94%, 0.13%

LAB 9.93, 33.1, -26.64

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 2 / 47 / 0 / 45

HEX #894A8C

RGB 137 74 140

HSL 297.27, 0.31%, 0.42%

LAB 41.39, 37.07, -25.49

 

CMYK 0 / 47 / 10 / 45

HEX #8C4A7E

RGB 140 74 126

HSL 312.73, 0.31%, 0.42%

LAB 41.18, 35.4, -17.24

 

CMYK 0 / 47 / 23 / 45

HEX #8C4A6C

RGB 140 74 108

HSL 329.09, 0.31%, 0.42%

LAB 40.5, 32.37, -7.18

 

CMYK 0 / 47 / 36 / 45

HEX #8C4A5A

RGB 140 74 90

HSL 345.45, 0.31%, 0.42%

LAB 39.93, 29.76, 3.18

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 28 / 47 / 0 / 45

HEX #654A8C

RGB 101 74 140

HSL 264.55, 0.31%, 0.42%

LAB 37.04, 26, -32.63

 

CMYK 41 / 47 / 0 / 45

HEX #534A8C

RGB 83 74 140

HSL 248.18, 0.31%, 0.42%

LAB 35.26, 20.84, -35.55

 

CMYK 47 / 47 / 0 / 45

HEX #4A4A8C

RGB 74 74 140

HSL 240, 0.31%, 0.42%

LAB 34.49, 18.46, -36.83

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 21 / 64 / 0 / 38

HEX #7D399E

RGB 125 57 158

HSL 280.4, 0.47%, 0.42%

LAB 37.4, 46.44, -42.79

 

CMYK 25 / 78 / 0 / 31

HEX #8427AF

RGB 132 39 175

HSL 281.03, 0.64%, 0.42%

LAB 36.84, 59.26, -53.83

 

CMYK 28 / 89 / 0 / 25

HEX #8A16C0

RGB 138 22 192

HSL 280.94, 0.79%, 0.42%

LAB 37.45, 68.4, -62.85

 

CMYK 31 / 98 / 0 / 18

HEX #9005D2

RGB 144 5 210

HSL 280.68, 0.95%, 0.42%

LAB 39.06, 75.12, -70.68

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 8 / 26 / 0 / 52

HEX #715B7B

RGB 113 91 123

HSL 281.25, 0.15%, 0.42%

LAB 41.88, 15.36, -14.63

 

CMYK 2 / 0 / 3 / 57

HEX #6B6D6A

RGB 107 109 106

HSL 100, 0.01%, 0.42%

LAB 45.78, -1.38, 1.4

 

CMYK 21 / 0 / 30 / 51

HEX #647E58

RGB 100 126 88

HSL 101.05, 0.18%, 0.42%

LAB 49.9, -17.03, 17.71

 

CMYK 34 / 0 / 50 / 44

HEX #5E8F47

RGB 94 143 71

HSL 100.83, 0.34%, 0.42%

LAB 54.53, -30.4, 32.97

 

CMYK 41 / 47 / 0 / 45

HEX #534A8C

RGB 83 74 140

HSL 248.18, 0.31%, 0.42%

LAB 35.26, 20.84, -35.55

 

CMYK 29 / 47 / 0 / 45

HEX #644A8C

RGB 100 74 140

HSL 263.64, 0.31%, 0.42%

LAB 36.93, 25.7, -32.8

 

CMYK 16 / 47 / 0 / 45

HEX #764A8C

RGB 118 74 140

HSL 280, 0.31%, 0.42%

LAB 38.97, 31.16, -29.45

 

CMYK 3 / 47 / 0 / 45

HEX #884A8C

RGB 136 74 140

HSL 296.36, 0.31%, 0.42%

LAB 41.26, 36.76, -25.71

 

CMYK 0 / 47 / 9 / 45

HEX #8C4A7F

RGB 140 74 127

HSL 311.82, 0.31%, 0.42%

LAB 41.22, 35.58, -17.79

 

CMYK 15 / 48 / 0 / 66

HEX #492D56

RGB 73 45 86

HSL 280.98, 0.31%, 0.26%

LAB 23.56, 21.31, -19.84

 

CMYK 15 / 47 / 0 / 56

HEX #603C71

RGB 96 60 113

HSL 280.75, 0.31%, 0.34%

LAB 31.6, 26.21, -24.47

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 15 / 47 / 0 / 35

HEX #8E58A7

RGB 142 88 167

HSL 281.01, 0.31%, 0.5%

LAB 46.34, 36.52, -33.84

 

CMYK 12 / 36 / 0 / 29

HEX #A073B5

RGB 160 115 181

HSL 280.91, 0.31%, 0.58%

LAB 55.15, 29.82, -28.1

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 0 / 47 / 41 / 45

HEX #8C4A53

RGB 140 74 83

HSL 351.82, 0.31%, 0.42%

LAB 39.74, 28.87, 7.27

 

CMYK 47 / 0 / 34 / 45

HEX #4A8C5C

RGB 74 140 92

HSL 136.36, 0.31%, 0.42%

LAB 52.93, -32.23, 19.29

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 0 / 16 / 47 / 45

HEX #8C764A

RGB 140 118 74

HSL 40, 0.31%, 0.42%

LAB 50.72, 2.34, 27.35

 

CMYK 47 / 0 / 16 / 45

HEX #4A8C76

RGB 74 140 118

HSL 160, 0.31%, 0.42%

LAB 53.51, -26.62, 5.26

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 0 / 47 / 41 / 45

HEX #8C4A53

RGB 140 74 83

HSL 351.82, 0.31%, 0.42%

LAB 39.74, 28.87, 7.27

 

CMYK 31 / 0 / 47 / 45

HEX #608C4A

RGB 96 140 74

HSL 100, 0.31%, 0.42%

LAB 53.75, -27.83, 30.44

 

CMYK 47 / 0 / 6 / 45

HEX #4A8C83

RGB 74 140 131

HSL 171.82, 0.31%, 0.42%

LAB 53.87, -23.37, -1.73

 

CMYK 15 / 47 / 0 / 45

HEX #774A8C

RGB 119 74 140

HSL 280.91, 0.31%, 0.42%

LAB 39.09, 31.47, -29.25

 

CMYK 0 / 39 / 47 / 45

HEX #8C554A

RGB 140 85 74

HSL 10, 0.31%, 0.42%

LAB 42.1, 21.54, 16.07

 

CMYK 31 / 0 / 47 / 45

HEX #608C4A

RGB 96 140 74

HSL 100, 0.31%, 0.42%

LAB 53.75, -27.83, 30.44

 

CMYK 47 / 8 / 0 / 45

HEX #4A818C

RGB 74 129 140

HSL 190, 0.31%, 0.42%

LAB 50.75, -15.07, -11.61

 

Description

Color code: HEX #774A8C | qconv.com Color code: HEX #774A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 74 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 74 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 47 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 47% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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