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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77412F it is the complementary color #88BED0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77412F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77412F shade: #7C412A, #8D533D, #9E6550, #AF7763 and #C08976

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77412F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77412F shade: #77412F, #662F1C, #551D09, #440B00 and #330000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77412F shade: #784230 and #783030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77412F shade: #784230, #785630, #786930, #747830 and #617830

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77412F shade matches the following richer shades: #784230, #863B22, #943415 and #A12E07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77412F shade: #784230, #6B493E, #5D504B, #4F5659 and #425D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77412F shade: #783044, #783031, #784230, #785530 and #786930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77412F shade: #3D2218, #5B3224, #784230, #96523C and #B36247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77412F shade: #77412F, #587830 and #303B78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77412F shade: #77412F, #307842 and #423078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77412F shade: #77412F, #587830, #306678 and #513078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77412F shade: #77412F, #427830, #306678 and #663078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 61 / 53

HEX #77412F

RGB 119 65 47

HSL 15, 0.43%, 0.33%

LAB 33.79, 21.52, 21.13

 

Complementary color

CMYK 35 / 9 / 0 / 18

HEX #88BED0

RGB 136 190 208

HSL 195, 0.43%, 0.67%

LAB 73.94, -13.14, -14.67

 

CMYK 0 / 48 / 66 / 51

HEX #7C412A

RGB 124 65 42

HSL 16.83, 0.49%, 0.33%

LAB 34.46, 23.31, 25.16

 

CMYK 0 / 41 / 57 / 45

HEX #8D533D

RGB 141 83 61

HSL 16.5, 0.4%, 0.4%

LAB 41.51, 21.83, 23.13

 

CMYK 0 / 36 / 49 / 38

HEX #9E6550

RGB 158 101 80

HSL 16.15, 0.33%, 0.47%

LAB 48.46, 20.57, 21.39

 

CMYK 0 / 32 / 43 / 31

HEX #AF7763

RGB 175 119 99

HSL 15.79, 0.32%, 0.54%

LAB 55.29, 19.49, 19.88

 

CMYK 0 / 29 / 39 / 25

HEX #C08976

RGB 192 137 118

HSL 15.41, 0.37%, 0.61%

LAB 62, 18.56, 18.53

 

CMYK 0 / 45 / 61 / 53

HEX #77412F

RGB 119 65 47

HSL 15, 0.43%, 0.33%

LAB 33.79, 21.52, 21.13

 

CMYK 0 / 54 / 73 / 60

HEX #662F1C

RGB 102 47 28

HSL 15.41, 0.57%, 0.25%

LAB 26.57, 23.12, 23.42

 

CMYK 0 / 66 / 89 / 67

HEX #551D09

RGB 85 29 9

HSL 15.79, 0.81%, 0.18%

LAB 19.35, 24.89, 25.04

 

CMYK 0 / 84 / 100 / 73

HEX #440B00

RGB 68 11 0

HSL 9.71, 1%, 0.13%

LAB 12.41, 26.33, 19.22

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 45 / 60 / 53

HEX #784230

RGB 120 66 48

HSL 15, 0.43%, 0.33%

LAB 34.2, 21.46, 21.06

 

CMYK 0 / 60 / 60 / 53

HEX #783030

RGB 120 48 48

HSL 0, 0.43%, 0.33%

LAB 30.21, 31.53, 15.93

 

CMYK 0 / 45 / 60 / 53

HEX #784230

RGB 120 66 48

HSL 15, 0.43%, 0.33%

LAB 34.2, 21.46, 21.06

 

CMYK 0 / 28 / 60 / 53

HEX #785630

RGB 120 86 48

HSL 31.67, 0.43%, 0.33%

LAB 39.35, 9.5, 27.42

 

CMYK 0 / 13 / 60 / 53

HEX #786930

RGB 120 105 48

HSL 47.5, 0.43%, 0.33%

LAB 44.67, -1.74, 33.69

 

CMYK 3 / 0 / 60 / 53

HEX #747830

RGB 116 120 48

HSL 63.33, 0.43%, 0.33%

LAB 48.71, -12.05, 38.15

 

CMYK 19 / 0 / 60 / 53

HEX #617830

RGB 97 120 48

HSL 79.17, 0.43%, 0.33%

LAB 47.22, -20.42, 36.07

 

CMYK 0 / 45 / 60 / 53

HEX #784230

RGB 120 66 48

HSL 15, 0.43%, 0.33%

LAB 34.2, 21.46, 21.06

 

CMYK 0 / 56 / 75 / 47

HEX #863B22

RGB 134 59 34

HSL 15, 0.6%, 0.33%

LAB 34.62, 30.41, 30.42

 

CMYK 0 / 65 / 86 / 42

HEX #943415

RGB 148 52 21

HSL 14.65, 0.75%, 0.33%

LAB 35.61, 38.92, 39.05

 

CMYK 0 / 71 / 96 / 37

HEX #A12E07

RGB 161 46 7

HSL 15.19, 0.92%, 0.33%

LAB 37.02, 45.9, 46.71

 

CMYK 0 / 45 / 60 / 53

HEX #784230

RGB 120 66 48

HSL 15, 0.43%, 0.33%

LAB 34.2, 21.46, 21.06

 

CMYK 0 / 32 / 42 / 58

HEX #6B493E

RGB 107 73 62

HSL 14.67, 0.27%, 0.33%

LAB 34.48, 12.96, 12.4

 

CMYK 0 / 14 / 19 / 64

HEX #5D504B

RGB 93 80 75

HSL 16.67, 0.11%, 0.33%

LAB 35.15, 4.46, 4.93

 

CMYK 11 / 3 / 0 / 65

HEX #4F5659

RGB 79 86 89

HSL 198, 0.06%, 0.33%

LAB 36.06, -2.07, -2.7

 

CMYK 35 / 9 / 0 / 60

HEX #425D66

RGB 66 93 102

HSL 195, 0.21%, 0.33%

LAB 37.75, -7.55, -8.37

 

CMYK 0 / 60 / 43 / 53

HEX #783044

RGB 120 48 68

HSL 343.33, 0.43%, 0.33%

LAB 30.7, 33.54, 3.53

 

CMYK 0 / 60 / 59 / 53

HEX #783031

RGB 120 48 49

HSL 359.17, 0.43%, 0.33%

LAB 30.23, 31.62, 15.31

 

CMYK 0 / 45 / 60 / 53

HEX #784230

RGB 120 66 48

HSL 15, 0.43%, 0.33%

LAB 34.2, 21.46, 21.06

 

CMYK 0 / 29 / 60 / 53

HEX #785530

RGB 120 85 48

HSL 30.83, 0.43%, 0.33%

LAB 39.08, 10.1, 27.09

 

CMYK 0 / 13 / 60 / 53

HEX #786930

RGB 120 105 48

HSL 47.5, 0.43%, 0.33%

LAB 44.67, -1.74, 33.69

 

CMYK 0 / 44 / 61 / 76

HEX #3D2218

RGB 61 34 24

HSL 16.22, 0.44%, 0.17%

LAB 16.51, 11.68, 12.19

 

CMYK 0 / 45 / 60 / 64

HEX #5B3224

RGB 91 50 36

HSL 15.27, 0.43%, 0.25%

LAB 25.66, 16.97, 16.87

 

CMYK 0 / 45 / 60 / 53

HEX #784230

RGB 120 66 48

HSL 15, 0.43%, 0.33%

LAB 34.2, 21.46, 21.06

 

CMYK 0 / 45 / 60 / 41

HEX #96523C

RGB 150 82 60

HSL 14.67, 0.43%, 0.41%

LAB 42.53, 26.14, 25.27

 

CMYK 0 / 45 / 60 / 30

HEX #B36247

RGB 179 98 71

HSL 15, 0.43%, 0.49%

LAB 50.42, 30.15, 29.67

 

CMYK 0 / 45 / 61 / 53

HEX #77412F

RGB 119 65 47

HSL 15, 0.43%, 0.33%

LAB 33.79, 21.52, 21.13

 

CMYK 27 / 0 / 60 / 53

HEX #587830

RGB 88 120 48

HSL 86.67, 0.43%, 0.33%

LAB 46.61, -24.18, 35.21

 

CMYK 60 / 51 / 0 / 53

HEX #303B78

RGB 48 59 120

HSL 230.83, 0.43%, 0.33%

LAB 27.05, 15.41, -36.41

 

CMYK 0 / 45 / 61 / 53

HEX #77412F

RGB 119 65 47

HSL 15, 0.43%, 0.33%

LAB 33.79, 21.52, 21.13

 

CMYK 60 / 0 / 45 / 53

HEX #307842

RGB 48 120 66

HSL 135, 0.43%, 0.33%

LAB 44.88, -35.2, 23.07

 

CMYK 45 / 60 / 0 / 53

HEX #423078

RGB 66 48 120

HSL 255, 0.43%, 0.33%

LAB 25.65, 26.96, -38.58

 

CMYK 0 / 45 / 61 / 53

HEX #77412F

RGB 119 65 47

HSL 15, 0.43%, 0.33%

LAB 33.79, 21.52, 21.13

 

CMYK 27 / 0 / 60 / 53

HEX #587830

RGB 88 120 48

HSL 86.67, 0.43%, 0.33%

LAB 46.61, -24.18, 35.21

 

CMYK 60 / 15 / 0 / 53

HEX #306678

RGB 48 102 120

HSL 195, 0.43%, 0.33%

LAB 40.39, -12.16, -15.5

 

CMYK 33 / 60 / 0 / 53

HEX #513078

RGB 81 48 120

HSL 267.5, 0.43%, 0.33%

LAB 27.35, 30.8, -35.76

 

CMYK 0 / 45 / 61 / 53

HEX #77412F

RGB 119 65 47

HSL 15, 0.43%, 0.33%

LAB 33.79, 21.52, 21.13

 

CMYK 45 / 0 / 60 / 53

HEX #427830

RGB 66 120 48

HSL 105, 0.43%, 0.33%

LAB 45.37, -32.49, 33.46

 

CMYK 60 / 15 / 0 / 53

HEX #306678

RGB 48 102 120

HSL 195, 0.43%, 0.33%

LAB 40.39, -12.16, -15.5

 

CMYK 15 / 60 / 0 / 53

HEX #663078

RGB 102 48 120

HSL 285, 0.43%, 0.33%

LAB 30.14, 36.57, -31.14

 

Description

Color code: HEX #77412F | qconv.com Color code: HEX #77412F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 65 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 65 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 61 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 61% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - f0331101_51bc63727ba...
Link: http://pds25.egloos.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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