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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772FAB it is the complementary color #88D054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772FAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772FAB shade: #7C2FA6, #8D41B9, #9E53CC, #AF65DF and #C077F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772FAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772FAB shade: #772FAB, #661D98, #550B85, #440072 and #33005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772FAB shade: #782FAC, #992FAC, #AC2F9D, #AC2F7B and #AC2F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772FAB shade: #782FAC, #562FAC, #342FAC and #2F2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772FAB shade matches the following richer shades: #782FAC, #7B1DBE and #7D0CD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772FAB shade: #782FAC, #75419A, #725389, #6F6477 and #6C7665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772FAB shade: #332FAC, #552FAC, #762FAC, #972FAC and #AC2FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772FAB shade: #4B1D6B, #61268C, #782FAC, #8E3BC9 and #A05CD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772FAB shade: #772FAB, #AC2F4C and #2FAC44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772FAB shade: #772FAB, #AC762F and #2FAC76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772FAB shade: #772FAB, #AC2F4C, #65AC2F and #2FAC8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772FAB shade: #772FAB, #AC372F, #65AC2F and #2FA4AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 73 / 0 / 33

HEX #772FAB

RGB 119 47 171

HSL 274.84, 0.57%, 0.43%

LAB 35.78, 52.74, -53.24

 

Complementary color

CMYK 35 / 0 / 60 / 18

HEX #88D054

RGB 136 208 84

HSL 94.84, 0.57%, 0.57%

LAB 76.67, -43.43, 53.32

 

CMYK 25 / 72 / 0 / 35

HEX #7C2FA6

RGB 124 47 166

HSL 278.82, 0.56%, 0.42%

LAB 36.12, 52.63, -49.67

 

CMYK 24 / 65 / 0 / 27

HEX #8D41B9

RGB 141 65 185

HSL 278, 0.48%, 0.49%

LAB 42.68, 52.33, -50.25

 

CMYK 23 / 59 / 0 / 20

HEX #9E53CC

RGB 158 83 204

HSL 277.19, 0.54%, 0.56%

LAB 49.27, 51.72, -50.59

 

CMYK 22 / 55 / 0 / 13

HEX #AF65DF

RGB 175 101 223

HSL 276.39, 0.66%, 0.64%

LAB 55.84, 50.96, -50.8

 

CMYK 21 / 51 / 0 / 5

HEX #C077F2

RGB 192 119 242

HSL 275.61, 0.83%, 0.71%

LAB 62.35, 50.14, -50.94

 

CMYK 30 / 73 / 0 / 33

HEX #772FAB

RGB 119 47 171

HSL 274.84, 0.57%, 0.43%

LAB 35.78, 52.74, -53.24

 

CMYK 33 / 81 / 0 / 40

HEX #661D98

RGB 102 29 152

HSL 275.61, 0.68%, 0.35%

LAB 29.34, 52.49, -52.33

 

CMYK 36 / 92 / 0 / 48

HEX #550B85

RGB 85 11 133

HSL 276.39, 0.85%, 0.28%

LAB 23.22, 50.99, -50.64

 

CMYK 40 / 100 / 0 / 55

HEX #440072

RGB 68 0 114

HSL 275.79, 1%, 0.22%

LAB 17.66, 47.37, -47.73

 

CMYK 46 / 100 / 0 / 63

HEX #33005F

RGB 51 0 95

HSL 272.21, 1%, 0.19%

LAB 12.8, 41.11, -43.33

 

CMYK 30 / 73 / 0 / 33

HEX #782FAC

RGB 120 47 172

HSL 275.04, 0.57%, 0.43%

LAB 35.99, 53.16, -53.49

 

CMYK 11 / 73 / 0 / 33

HEX #992FAC

RGB 153 47 172

HSL 290.88, 0.57%, 0.43%

LAB 40.87, 59.99, -45.38

 

CMYK 0 / 73 / 9 / 33

HEX #AC2F9D

RGB 172 47 157

HSL 307.2, 0.57%, 0.43%

LAB 43.12, 61.71, -32.66

 

CMYK 0 / 73 / 28 / 33

HEX #AC2F7B

RGB 172 47 123

HSL 323.52, 0.57%, 0.43%

LAB 41.59, 56.93, -14.33

 

CMYK 0 / 73 / 48 / 33

HEX #AC2F5A

RGB 172 47 90

HSL 339.36, 0.57%, 0.43%

LAB 40.48, 53.33, 4.65

 

CMYK 30 / 73 / 0 / 33

HEX #782FAC

RGB 120 47 172

HSL 275.04, 0.57%, 0.43%

LAB 35.99, 53.16, -53.49

 

CMYK 50 / 73 / 0 / 33

HEX #562FAC

RGB 86 47 172

HSL 258.72, 0.57%, 0.43%

LAB 31.78, 46.94, -60.53

 

CMYK 70 / 73 / 0 / 33

HEX #342FAC

RGB 52 47 172

HSL 242.4, 0.57%, 0.43%

LAB 28.75, 42.19, -65.62

 

CMYK 73 / 73 / 0 / 33

HEX #2F2FAC

RGB 47 47 172

HSL 240, 0.57%, 0.43%

LAB 28.42, 41.66, -66.18

 

CMYK 30 / 73 / 0 / 33

HEX #782FAC

RGB 120 47 172

HSL 275.04, 0.57%, 0.43%

LAB 35.99, 53.16, -53.49

 

CMYK 35 / 85 / 0 / 25

HEX #7B1DBE

RGB 123 29 190

HSL 275.03, 0.74%, 0.43%

LAB 35.61, 64.15, -64.77

 

CMYK 40 / 94 / 0 / 18

HEX #7D0CD0

RGB 125 12 208

HSL 274.59, 0.89%, 0.43%

LAB 36.32, 71.74, -74.11

 

CMYK 30 / 73 / 0 / 33

HEX #782FAC

RGB 120 47 172

HSL 275.04, 0.57%, 0.43%

LAB 35.99, 53.16, -53.49

 

CMYK 24 / 58 / 0 / 40

HEX #75419A

RGB 117 65 154

HSL 275.06, 0.41%, 0.43%

LAB 37.65, 39.29, -40.03

 

CMYK 17 / 39 / 0 / 46

HEX #725389

RGB 114 83 137

HSL 274.44, 0.25%, 0.43%

LAB 40.52, 23.82, -25.23

 

CMYK 7 / 16 / 0 / 53

HEX #6F6477

RGB 111 100 119

HSL 274.74, 0.09%, 0.43%

LAB 43.98, 8.27, -9.05

 

CMYK 8 / 0 / 14 / 54

HEX #6C7665

RGB 108 118 101

HSL 95.29, 0.08%, 0.43%

LAB 48.37, -7.17, 8.1

 

CMYK 70 / 73 / 0 / 33

HEX #332FAC

RGB 51 47 172

HSL 241.92, 0.57%, 0.43%

LAB 28.68, 42.08, -65.74

 

CMYK 51 / 73 / 0 / 33

HEX #552FAC

RGB 85 47 172

HSL 258.24, 0.57%, 0.43%

LAB 31.68, 46.78, -60.71

 

CMYK 31 / 73 / 0 / 33

HEX #762FAC

RGB 118 47 172

HSL 274.08, 0.57%, 0.43%

LAB 35.72, 52.77, -53.95

 

CMYK 12 / 73 / 0 / 33

HEX #972FAC

RGB 151 47 172

HSL 289.92, 0.57%, 0.43%

LAB 40.56, 59.56, -45.9

 

CMYK 0 / 73 / 7 / 33

HEX #AC2FA0

RGB 172 47 160

HSL 305.76, 0.57%, 0.43%

LAB 43.27, 62.18, -34.22

 

CMYK 30 / 73 / 0 / 58

HEX #4B1D6B

RGB 75 29 107

HSL 275.38, 0.57%, 0.27%

LAB 21.71, 36.48, -36.54

 

CMYK 31 / 73 / 0 / 45

HEX #61268C

RGB 97 38 140

HSL 274.71, 0.57%, 0.35%

LAB 28.96, 45.04, -45.59

 

CMYK 30 / 73 / 0 / 33

HEX #782FAC

RGB 120 47 172

HSL 275.04, 0.57%, 0.43%

LAB 35.99, 53.16, -53.49

 

CMYK 29 / 71 / 0 / 21

HEX #8E3BC9

RGB 142 59 201

HSL 275.07, 0.57%, 0.51%

LAB 42.91, 58.85, -59.21

 

CMYK 24 / 56 / 0 / 18

HEX #A05CD2

RGB 160 92 210

HSL 274.58, 0.57%, 0.59%

LAB 51.59, 48.94, -50.31

 

CMYK 30 / 73 / 0 / 33

HEX #772FAB

RGB 119 47 171

HSL 274.84, 0.57%, 0.43%

LAB 35.78, 52.74, -53.24

 

CMYK 0 / 73 / 56 / 33

HEX #AC2F4C

RGB 172 47 76

HSL 346.08, 0.57%, 0.43%

LAB 40.12, 52.15, 12.98

 

CMYK 73 / 0 / 60 / 33

HEX #2FAC44

RGB 47 172 68

HSL 130.08, 0.57%, 0.43%

LAB 62.11, -55.13, 43.05

 

CMYK 30 / 73 / 0 / 33

HEX #772FAB

RGB 119 47 171

HSL 274.84, 0.57%, 0.43%

LAB 35.78, 52.74, -53.24

 

CMYK 0 / 31 / 73 / 33

HEX #AC762F

RGB 172 118 47

HSL 34.08, 0.57%, 0.43%

LAB 53.96, 14.52, 45.98

 

CMYK 73 / 0 / 31 / 33

HEX #2FAC76

RGB 47 172 118

HSL 154.08, 0.57%, 0.43%

LAB 62.86, -46.56, 18.26

 

CMYK 30 / 73 / 0 / 33

HEX #772FAB

RGB 119 47 171

HSL 274.84, 0.57%, 0.43%

LAB 35.78, 52.74, -53.24

 

CMYK 0 / 73 / 56 / 33

HEX #AC2F4C

RGB 172 47 76

HSL 346.08, 0.57%, 0.43%

LAB 40.12, 52.15, 12.98

 

CMYK 41 / 0 / 73 / 33

HEX #65AC2F

RGB 101 172 47

HSL 94.08, 0.57%, 0.43%

LAB 63.74, -43.19, 54.16

 

CMYK 73 / 0 / 17 / 33

HEX #2FAC8F

RGB 47 172 143

HSL 166.08, 0.57%, 0.43%

LAB 63.42, -40.62, 5.24

 

CMYK 30 / 73 / 0 / 33

HEX #772FAB

RGB 119 47 171

HSL 274.84, 0.57%, 0.43%

LAB 35.78, 52.74, -53.24

 

CMYK 0 / 68 / 73 / 33

HEX #AC372F

RGB 172 55 47

HSL 3.84, 0.57%, 0.43%

LAB 40.75, 47.2, 31.62

 

CMYK 41 / 0 / 73 / 33

HEX #65AC2F

RGB 101 172 47

HSL 94.08, 0.57%, 0.43%

LAB 63.74, -43.19, 54.16

 

CMYK 73 / 5 / 0 / 33

HEX #2FA4AC

RGB 47 164 172

HSL 183.84, 0.57%, 0.43%

LAB 61.77, -28.71, -13.43

 

Description

Color code: HEX #772FAB | qconv.com Color code: HEX #772FAB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 47 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 47 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 73 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 73% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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