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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772A43 it is the complementary color #88D5BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772A43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772A43 shade: #7C2A3E, #8D3C51, #9E4E64, #AF6077 and #C0728A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772A43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772A43 shade: #772A43, #661830, #55061D, #44000A and #330000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772A43 shade: #792A44, #792A2F and #792A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772A43 shade: #792A44, #792A59, #792A6E, #6E2A79 and #592A79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772A43 shade matches the following richer shades: #792A44, #861D3F, #93103B and #A00336

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772A43 shade: #792A44, #6C3848, #5E454D, #515252 and #445F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772A43 shade: #792A6E, #792A59, #792A45, #792A30 and #793A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772A43 shade: #3C1522, #5A2033, #792A44, #973555 and #B64066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772A43 shade: #772A43, #796E2A and #2A6479

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772A43 shade: #772A43, #45792A and #2A4579

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772A43 shade: #772A43, #796E2A, #2A795F and #2A3579

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772A43 shade: #772A43, #6C792A, #2A795F and #372A79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 44 / 53

HEX #772A43

RGB 119 42 67

HSL 340.52, 0.48%, 0.32%

LAB 29.37, 36.06, 2.26

 

Complementary color

CMYK 36 / 0 / 12 / 16

HEX #88D5BC

RGB 136 213 188

HSL 160.52, 0.48%, 0.68%

LAB 79.87, -29.33, 4.86

 

CMYK 0 / 66 / 50 / 51

HEX #7C2A3E

RGB 124 42 62

HSL 345.37, 0.49%, 0.33%

LAB 30.13, 37.28, 6.77

 

CMYK 0 / 57 / 43 / 45

HEX #8D3C51

RGB 141 60 81

HSL 344.44, 0.4%, 0.39%

LAB 36.91, 36.54, 4.51

 

CMYK 0 / 51 / 37 / 38

HEX #9E4E64

RGB 158 78 100

HSL 343.5, 0.34%, 0.46%

LAB 43.71, 35.63, 2.77

 

CMYK 0 / 45 / 32 / 31

HEX #AF6077

RGB 175 96 119

HSL 342.53, 0.33%, 0.53%

LAB 50.47, 34.68, 1.37

 

CMYK 0 / 41 / 28 / 25

HEX #C0728A

RGB 192 114 138

HSL 341.54, 0.38%, 0.6%

LAB 57.15, 33.77, 0.19

 

CMYK 0 / 65 / 44 / 53

HEX #772A43

RGB 119 42 67

HSL 340.52, 0.48%, 0.32%

LAB 29.37, 36.06, 2.26

 

CMYK 0 / 76 / 53 / 60

HEX #661830

RGB 102 24 48

HSL 341.54, 0.62%, 0.25%

LAB 22.62, 36.29, 5.04

 

CMYK 0 / 93 / 66 / 67

HEX #55061D

RGB 85 6 29

HSL 342.53, 0.87%, 0.18%

LAB 16.26, 35.36, 9.16

 

CMYK 0 / 100 / 85 / 73

HEX #44000A

RGB 68 0 10

HSL 351.18, 1%, 0.13%

LAB 10.93, 31.41, 13.12

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 65 / 44 / 53

HEX #792A44

RGB 121 42 68

HSL 340.25, 0.48%, 0.32%

LAB 29.76, 36.88, 2.2

 

CMYK 0 / 65 / 61 / 53

HEX #792A2F

RGB 121 42 47

HSL 356.2, 0.48%, 0.32%

LAB 29.23, 34.85, 15.32

 

CMYK 0 / 65 / 65 / 53

HEX #792A2A

RGB 121 42 42

HSL 0, 0.48%, 0.32%

LAB 29.13, 34.48, 18.45

 

CMYK 0 / 65 / 44 / 53

HEX #792A44

RGB 121 42 68

HSL 340.25, 0.48%, 0.32%

LAB 29.76, 36.88, 2.2

 

CMYK 0 / 65 / 26 / 53

HEX #792A59

RGB 121 42 89

HSL 324.3, 0.48%, 0.32%

LAB 30.5, 39.6, -10.48

 

CMYK 0 / 65 / 9 / 53

HEX #792A6E

RGB 121 42 110

HSL 308.35, 0.48%, 0.32%

LAB 31.46, 42.95, -22.53

 

CMYK 9 / 65 / 0 / 53

HEX #6E2A79

RGB 110 42 121

HSL 291.65, 0.48%, 0.32%

LAB 30.28, 42.01, -31.47

 

CMYK 26 / 65 / 0 / 53

HEX #592A79

RGB 89 42 121

HSL 275.7, 0.48%, 0.32%

LAB 27.19, 36.56, -36.6

 

CMYK 0 / 65 / 44 / 53

HEX #792A44

RGB 121 42 68

HSL 340.25, 0.48%, 0.32%

LAB 29.76, 36.88, 2.2

 

CMYK 0 / 78 / 53 / 47

HEX #861D3F

RGB 134 29 63

HSL 340.57, 0.64%, 0.32%

LAB 30.17, 45.88, 6.44

 

CMYK 0 / 89 / 60 / 42

HEX #93103B

RGB 147 16 59

HSL 340.31, 0.8%, 0.32%

LAB 31.55, 52.69, 11.43

 

CMYK 0 / 98 / 66 / 37

HEX #A00336

RGB 160 3 54

HSL 340.51, 0.96%, 0.32%

LAB 33.57, 57.69, 17.92

 

CMYK 0 / 65 / 44 / 53

HEX #792A44

RGB 121 42 68

HSL 340.25, 0.48%, 0.32%

LAB 29.76, 36.88, 2.2

 

CMYK 0 / 48 / 33 / 58

HEX #6C3848

RGB 108 56 72

HSL 341.54, 0.32%, 0.32%

LAB 30.6, 25.05, 0.53

 

CMYK 0 / 27 / 18 / 63

HEX #5E454D

RGB 94 69 77

HSL 340.8, 0.15%, 0.32%

LAB 32.19, 12.15, -0.6

 

CMYK 1 / 0 / 0 / 68

HEX #515252

RGB 81 82 82

HSL 180, 0.01%, 0.32%

LAB 34.79, -0.4, -0.15

 

CMYK 28 / 0 / 9 / 63

HEX #445F56

RGB 68 95 86

HSL 160, 0.17%, 0.32%

LAB 37.99, -12.2, 1.9

 

CMYK 0 / 65 / 9 / 53

HEX #792A6E

RGB 121 42 110

HSL 308.35, 0.48%, 0.32%

LAB 31.46, 42.95, -22.53

 

CMYK 0 / 65 / 26 / 53

HEX #792A59

RGB 121 42 89

HSL 324.3, 0.48%, 0.32%

LAB 30.5, 39.6, -10.48

 

CMYK 0 / 65 / 43 / 53

HEX #792A45

RGB 121 42 69

HSL 339.49, 0.48%, 0.32%

LAB 29.79, 36.99, 1.59

 

CMYK 0 / 65 / 60 / 53

HEX #792A30

RGB 121 42 48

HSL 355.44, 0.48%, 0.32%

LAB 29.25, 34.93, 14.7

 

CMYK 0 / 52 / 65 / 53

HEX #793A2A

RGB 121 58 42

HSL 12.15, 0.48%, 0.32%

LAB 32.39, 26.02, 22.53

 

CMYK 0 / 65 / 43 / 76

HEX #3C1522

RGB 60 21 34

HSL 340, 0.48%, 0.16%

LAB 13.31, 20.78, 0.57

 

CMYK 0 / 64 / 43 / 65

HEX #5A2033

RGB 90 32 51

HSL 340.34, 0.48%, 0.24%

LAB 21.75, 28.68, 1.39

 

CMYK 0 / 65 / 44 / 53

HEX #792A44

RGB 121 42 68

HSL 340.25, 0.48%, 0.32%

LAB 29.76, 36.88, 2.2

 

CMYK 0 / 65 / 44 / 41

HEX #973555

RGB 151 53 85

HSL 340.41, 0.48%, 0.4%

LAB 37.45, 43.82, 2.96

 

CMYK 0 / 65 / 44 / 29

HEX #B64066

RGB 182 64 102

HSL 340.68, 0.48%, 0.48%

LAB 45.04, 50.81, 3.96

 

CMYK 0 / 65 / 44 / 53

HEX #772A43

RGB 119 42 67

HSL 340.52, 0.48%, 0.32%

LAB 29.37, 36.06, 2.26

 

CMYK 0 / 9 / 65 / 53

HEX #796E2A

RGB 121 110 42

HSL 51.65, 0.48%, 0.32%

LAB 46.16, -4.62, 38.39

 

CMYK 65 / 17 / 0 / 53

HEX #2A6479

RGB 42 100 121

HSL 195.95, 0.48%, 0.32%

LAB 39.56, -11.89, -17.4

 

CMYK 0 / 65 / 44 / 53

HEX #772A43

RGB 119 42 67

HSL 340.52, 0.48%, 0.32%

LAB 29.37, 36.06, 2.26

 

CMYK 43 / 0 / 65 / 53

HEX #45792A

RGB 69 121 42

HSL 99.49, 0.48%, 0.32%

LAB 45.78, -32.56, 36.89

 

CMYK 65 / 43 / 0 / 53

HEX #2A4579

RGB 42 69 121

HSL 219.49, 0.48%, 0.32%

LAB 29.74, 7.69, -32.77

 

CMYK 0 / 65 / 44 / 53

HEX #772A43

RGB 119 42 67

HSL 340.52, 0.48%, 0.32%

LAB 29.37, 36.06, 2.26

 

CMYK 0 / 9 / 65 / 53

HEX #796E2A

RGB 121 110 42

HSL 51.65, 0.48%, 0.32%

LAB 46.16, -4.62, 38.39

 

CMYK 65 / 0 / 21 / 53

HEX #2A795F

RGB 42 121 95

HSL 160.25, 0.48%, 0.32%

LAB 45.62, -30.71, 7.26

 

CMYK 65 / 56 / 0 / 53

HEX #2A3579

RGB 42 53 121

HSL 231.65, 0.48%, 0.32%

LAB 25.01, 18.7, -40.35

 

CMYK 0 / 65 / 44 / 53

HEX #772A43

RGB 119 42 67

HSL 340.52, 0.48%, 0.32%

LAB 29.37, 36.06, 2.26

 

CMYK 11 / 0 / 65 / 53

HEX #6C792A

RGB 108 121 42

HSL 69.87, 0.48%, 0.32%

LAB 48.3, -16.66, 40.36

 

CMYK 65 / 0 / 21 / 53

HEX #2A795F

RGB 42 121 95

HSL 160.25, 0.48%, 0.32%

LAB 45.62, -30.71, 7.26

 

CMYK 55 / 65 / 0 / 53

HEX #372A79

RGB 55 42 121

HSL 249.87, 0.48%, 0.32%

LAB 23.16, 28.65, -43.29

 

Description

Color code: HEX #772A43 | qconv.com Color code: HEX #772A43 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 42 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 42 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 44 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 44% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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