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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7715F7 it is the complementary color #88EA08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7715F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7715F7 shade: #7C15F2, #8D27FF, #9E39FF, #AF4BFF and #C05DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7715F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7715F7 shade: #7715F7, #6603E4, #5500D1, #4400BE and #3300AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7715F7 shade: #7818F7, #B418F7, #F118F7, #F718C1 and #F71884

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7715F7 shade: #7818F7, #3C18F7 and #1818F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7715F7 shade matches the following richer shades: #7818F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7715F7 shade: #7818F7, #7B2BE3, #7E3ED0, #8052BC and #8365A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7715F7 shade: #182EF7, #3D18F7, #7818F7, #B418F7 and #EF18F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7715F7 shade: #5207B5, #6408DD, #7818F7, #9040F8 and #A767F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7715F7 shade: #7715F7, #F71869 and #18F71F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7715F7 shade: #7715F7, #F77818 and #18F778

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7715F7 shade: #7715F7, #F71869, #96F718 and #18F7A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7715F7 shade: #7715F7, #F71827, #96F718 and #18F7E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 91 / 0 / 3

HEX #7715F7

RGB 119 21 247

HSL 266.02, 0.93%, 0.53%

LAB 39.87, 78.09, -90.57

 

Complementary color

CMYK 42 / 0 / 97 / 8

HEX #88EA08

RGB 136 234 8

HSL 86.02, 0.93%, 0.47%

LAB 84.02, -57.6, 80.69

 

CMYK 49 / 91 / 0 / 5

HEX #7C15F2

RGB 124 21 242

HSL 267.96, 0.89%, 0.52%

LAB 39.97, 77.43, -87.57

 

CMYK 45 / 85 / 0 / 0

HEX #8D27FF

RGB 141 39 255

HSL 268.33, 1%, 0.58%

LAB 44.71, 77.85, -86.98

 

CMYK 38 / 78 / 0 / 0

HEX #9E39FF

RGB 158 57 255

HSL 270.61, 1%, 0.61%

LAB 48.78, 74.37, -80.22

 

CMYK 31 / 71 / 0 / 0

HEX #AF4BFF

RGB 175 75 255

HSL 273.33, 1%, 0.65%

LAB 53.35, 70.22, -72.69

 

CMYK 25 / 64 / 0 / 0

HEX #C05DFF

RGB 192 93 255

HSL 276.67, 1%, 0.68%

LAB 58.28, 65.75, -64.62

 

CMYK 52 / 91 / 0 / 3

HEX #7715F7

RGB 119 21 247

HSL 266.02, 0.93%, 0.53%

LAB 39.87, 78.09, -90.57

 

CMYK 55 / 99 / 0 / 11

HEX #6603E4

RGB 102 3 228

HSL 266.4, 0.97%, 0.45%

LAB 34.99, 75.21, -87.94

 

CMYK 59 / 100 / 0 / 18

HEX #5500D1

RGB 85 0 209

HSL 264.4, 1%, 0.41%

LAB 30.72, 70.33, -84.12

 

CMYK 64 / 100 / 0 / 25

HEX #4400BE

RGB 68 0 190

HSL 261.47, 1%, 0.37%

LAB 26.58, 65.03, -79.9

 

CMYK 70 / 100 / 0 / 33

HEX #3300AB

RGB 51 0 171

HSL 257.89, 1%, 0.34%

LAB 22.46, 59.71, -75.45

 

CMYK 51 / 90 / 0 / 3

HEX #7818F7

RGB 120 24 247

HSL 265.83, 0.93%, 0.53%

LAB 40.18, 77.59, -90.05

 

CMYK 27 / 90 / 0 / 3

HEX #B418F7

RGB 180 24 247

HSL 281.97, 0.93%, 0.53%

LAB 48.35, 84.18, -76.33

 

CMYK 2 / 90 / 0 / 3

HEX #F118F7

RGB 241 24 247

HSL 298.39, 0.93%, 0.53%

LAB 58.1, 93.14, -60.08

 

CMYK 0 / 90 / 22 / 3

HEX #F718C1

RGB 247 24 193

HSL 314.53, 0.93%, 0.53%

LAB 56.36, 87.11, -32.15

 

CMYK 0 / 90 / 47 / 3

HEX #F71884

RGB 247 24 132

HSL 330.94, 0.93%, 0.53%

LAB 54.13, 81.12, 0.37

 

CMYK 51 / 90 / 0 / 3

HEX #7818F7

RGB 120 24 247

HSL 265.83, 0.93%, 0.53%

LAB 40.18, 77.59, -90.05

 

CMYK 76 / 90 / 0 / 3

HEX #3C18F7

RGB 60 24 247

HSL 249.69, 0.93%, 0.53%

LAB 34.66, 73.88, -99.38

 

CMYK 90 / 90 / 0 / 3

HEX #1818F7

RGB 24 24 247

HSL 240, 0.93%, 0.53%

LAB 33.06, 72.96, -102.09

 

CMYK 51 / 90 / 0 / 3

HEX #7818F7

RGB 120 24 247

HSL 265.83, 0.93%, 0.53%

LAB 40.18, 77.59, -90.05

 

CMYK 51 / 90 / 0 / 3

HEX #7818F7

RGB 120 24 247

HSL 265.83, 0.93%, 0.53%

LAB 40.18, 77.59, -90.05

 

CMYK 46 / 81 / 0 / 11

HEX #7B2BE3

RGB 123 43 227

HSL 266.09, 0.77%, 0.53%

LAB 40.39, 68.07, -78.37

 

CMYK 39 / 70 / 0 / 18

HEX #7E3ED0

RGB 126 62 208

HSL 266.3, 0.61%, 0.53%

LAB 41.9, 56.08, -64.99

 

CMYK 32 / 56 / 0 / 26

HEX #8052BC

RGB 128 82 188

HSL 266.04, 0.44%, 0.53%

LAB 44.6, 41.07, -49.02

 

CMYK 22 / 40 / 0 / 34

HEX #8365A9

RGB 131 101 169

HSL 266.47, 0.28%, 0.53%

LAB 48.26, 26.14, -32.09

 

CMYK 90 / 81 / 0 / 3

HEX #182EF7

RGB 24 46 247

HSL 234.08, 0.93%, 0.53%

LAB 35.72, 64.95, -97.65

 

CMYK 75 / 90 / 0 / 3

HEX #3D18F7

RGB 61 24 247

HSL 249.96, 0.93%, 0.53%

LAB 34.72, 73.92, -99.27

 

CMYK 51 / 90 / 0 / 3

HEX #7818F7

RGB 120 24 247

HSL 265.83, 0.93%, 0.53%

LAB 40.18, 77.59, -90.05

 

CMYK 27 / 90 / 0 / 3

HEX #B418F7

RGB 180 24 247

HSL 281.97, 0.93%, 0.53%

LAB 48.35, 84.18, -76.33

 

CMYK 3 / 90 / 0 / 3

HEX #EF18F7

RGB 239 24 247

HSL 297.85, 0.93%, 0.53%

LAB 57.77, 92.82, -60.63

 

CMYK 55 / 96 / 0 / 29

HEX #5207B5

RGB 82 7 181

HSL 265.86, 0.93%, 0.37%

LAB 27.52, 62.51, -72.94

 

CMYK 55 / 96 / 0 / 13

HEX #6408DD

RGB 100 8 221

HSL 265.92, 0.93%, 0.45%

LAB 34.2, 72.84, -85.24

 

CMYK 51 / 90 / 0 / 3

HEX #7818F7

RGB 120 24 247

HSL 265.83, 0.93%, 0.53%

LAB 40.18, 77.59, -90.05

 

CMYK 42 / 74 / 0 / 3

HEX #9040F8

RGB 144 64 248

HSL 266.09, 0.93%, 0.61%

LAB 47.46, 67.94, -78.54

 

CMYK 33 / 59 / 0 / 2

HEX #A767F9

RGB 167 103 249

HSL 266.3, 0.92%, 0.69%

LAB 56.84, 54.02, -63.77

 

CMYK 52 / 91 / 0 / 3

HEX #7715F7

RGB 119 21 247

HSL 266.02, 0.93%, 0.53%

LAB 39.87, 78.09, -90.57

 

CMYK 0 / 90 / 57 / 3

HEX #F71869

RGB 247 24 105

HSL 338.21, 0.93%, 0.53%

LAB 53.44, 79.22, 15.67

 

CMYK 90 / 0 / 87 / 3

HEX #18F71F

RGB 24 247 31

HSL 121.88, 0.93%, 0.53%

LAB 85.41, -82.58, 77.88

 

CMYK 52 / 91 / 0 / 3

HEX #7715F7

RGB 119 21 247

HSL 266.02, 0.93%, 0.53%

LAB 39.87, 78.09, -90.57

 

CMYK 0 / 51 / 90 / 3

HEX #F77818

RGB 247 120 24

HSL 25.83, 0.93%, 0.53%

LAB 64.38, 43.92, 67.44

 

CMYK 90 / 0 / 51 / 3

HEX #18F778

RGB 24 247 120

HSL 145.83, 0.93%, 0.53%

LAB 86.04, -74.66, 47.32

 

CMYK 52 / 91 / 0 / 3

HEX #7715F7

RGB 119 21 247

HSL 266.02, 0.93%, 0.53%

LAB 39.87, 78.09, -90.57

 

CMYK 0 / 90 / 57 / 3

HEX #F71869

RGB 247 24 105

HSL 338.21, 0.93%, 0.53%

LAB 53.44, 79.22, 15.67

 

CMYK 39 / 0 / 90 / 3

HEX #96F718

RGB 150 247 24

HSL 86.1, 0.93%, 0.53%

LAB 88.48, -57.78, 82.82

 

CMYK 90 / 0 / 33 / 3

HEX #18F7A5

RGB 24 247 165

HSL 157.94, 0.93%, 0.53%

LAB 86.72, -66.72, 26.09

 

CMYK 52 / 91 / 0 / 3

HEX #7715F7

RGB 119 21 247

HSL 266.02, 0.93%, 0.53%

LAB 39.87, 78.09, -90.57

 

CMYK 0 / 90 / 84 / 3

HEX #F71827

RGB 247 24 39

HSL 355.96, 0.93%, 0.53%

LAB 52.48, 76.53, 52.52

 

CMYK 39 / 0 / 90 / 3

HEX #96F718

RGB 150 247 24

HSL 86.1, 0.93%, 0.53%

LAB 88.48, -57.78, 82.82

 

CMYK 90 / 0 / 6 / 3

HEX #18F7E8

RGB 24 247 232

HSL 175.96, 0.93%, 0.53%

LAB 88.23, -50.53, -6.45

 

Description

Color code: HEX #7715F7 | qconv.com Color code: HEX #7715F7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 21 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 21 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 91 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 91% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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