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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #770BEC it is the complementary color #88F413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #770BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #770BEC shade: #7C0BE7, #8D1DFA, #9E2FFF, #AF41FF and #C053FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #770BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #770BEC shade: #770BEC, #6600D9, #5500C6, #4400B3 and #3300A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #770BEC shade: #760BEA, #B20BEA, #EA0BE5, #EA0BA9 and #EA0B6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #770BEC shade: #760BEA, #3A0BEA and #0B0BEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #770BEC shade matches the following richer shades: #760BEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #770BEC shade: #760BEA, #771FD6, #7833C2, #7846AE and #795A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #770BEC shade: #0B1AEA, #380BEA, #730BEA, #AE0BEA and #EA0BEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #770BEC shade: #4E079B, #6209C2, #760BEA, #8B29F5 and #A051F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #770BEC shade: #770BEC, #EA0B55 and #0BEA1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #770BEC shade: #770BEC, #EA730B and #0BEA73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #770BEC shade: #770BEC, #EA0B55, #82EA0B and #0BEAA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #770BEC shade: #770BEC, #EA0B12, #82EA0B and #0BEAE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 95 / 0 / 7

HEX #770BEC

RGB 119 11 236

HSL 268.8, 0.91%, 0.48%

LAB 38.23, 77.23, -87.06

 

Complementary color

CMYK 44 / 0 / 92 / 4

HEX #88F413

RGB 136 244 19

HSL 88.8, 0.91%, 0.52%

LAB 86.99, -61.21, 82

 

CMYK 46 / 95 / 0 / 9

HEX #7C0BE7

RGB 124 11 231

HSL 270.82, 0.91%, 0.47%

LAB 38.36, 76.59, -83.98

 

CMYK 44 / 88 / 0 / 2

HEX #8D1DFA

RGB 141 29 250

HSL 270.41, 0.96%, 0.55%

LAB 43.42, 79.22, -86.3

 

CMYK 38 / 82 / 0 / 0

HEX #9E2FFF

RGB 158 47 255

HSL 272.02, 1%, 0.59%

LAB 47.65, 77.65, -82.07

 

CMYK 31 / 75 / 0 / 0

HEX #AF41FF

RGB 175 65 255

HSL 274.74, 1%, 0.63%

LAB 51.97, 74.15, -74.93

 

CMYK 25 / 67 / 0 / 0

HEX #C053FF

RGB 192 83 255

HSL 278.02, 1%, 0.66%

LAB 56.7, 70.14, -67.17

 

CMYK 50 / 95 / 0 / 7

HEX #770BEC

RGB 119 11 236

HSL 268.8, 0.91%, 0.48%

LAB 38.23, 77.23, -87.06

 

CMYK 53 / 100 / 0 / 15

HEX #6600D9

RGB 102 0 217

HSL 268.2, 1%, 0.43%

LAB 33.64, 73.2, -83.86

 

CMYK 57 / 100 / 0 / 22

HEX #5500C6

RGB 85 0 198

HSL 265.76, 1%, 0.39%

LAB 29.43, 67.84, -79.83

 

CMYK 62 / 100 / 0 / 30

HEX #4400B3

RGB 68 0 179

HSL 262.79, 1%, 0.35%

LAB 25.21, 62.44, -75.64

 

CMYK 68 / 100 / 0 / 37

HEX #3300A0

RGB 51 0 160

HSL 259.13, 1%, 0.31%

LAB 20.99, 57.02, -71.22

 

CMYK 50 / 95 / 0 / 8

HEX #760BEA

RGB 118 11 234

HSL 268.79, 0.91%, 0.48%

LAB 37.9, 76.72, -86.48

 

CMYK 24 / 95 / 0 / 8

HEX #B20BEA

RGB 178 11 234

HSL 284.93, 0.91%, 0.48%

LAB 46.51, 83.17, -72.03

 

CMYK 0 / 95 / 2 / 8

HEX #EA0BE5

RGB 234 11 229

HSL 301.35, 0.91%, 0.48%

LAB 55.47, 90.65, -54.27

 

CMYK 0 / 95 / 28 / 8

HEX #EA0BA9

RGB 234 11 169

HSL 317.49, 0.91%, 0.48%

LAB 52.5, 83.16, -24.33

 

CMYK 0 / 95 / 53 / 8

HEX #EA0B6D

RGB 234 11 109

HSL 333.63, 0.91%, 0.48%

LAB 50.49, 77.85, 8.75

 

CMYK 50 / 95 / 0 / 8

HEX #760BEA

RGB 118 11 234

HSL 268.79, 0.91%, 0.48%

LAB 37.9, 76.72, -86.48

 

CMYK 75 / 95 / 0 / 8

HEX #3A0BEA

RGB 58 11 234

HSL 252.65, 0.91%, 0.48%

LAB 31.99, 73.29, -96.47

 

CMYK 95 / 95 / 0 / 8

HEX #0B0BEA

RGB 11 11 234

HSL 240, 0.91%, 0.48%

LAB 30.04, 72.42, -99.77

 

CMYK 50 / 95 / 0 / 8

HEX #760BEA

RGB 118 11 234

HSL 268.79, 0.91%, 0.48%

LAB 37.9, 76.72, -86.48

 

CMYK 50 / 95 / 0 / 8

HEX #760BEA

RGB 118 11 234

HSL 268.79, 0.91%, 0.48%

LAB 37.9, 76.72, -86.48

 

CMYK 44 / 86 / 0 / 16

HEX #771FD6

RGB 119 31 214

HSL 268.85, 0.75%, 0.48%

LAB 37.4, 68.37, -75.84

 

CMYK 38 / 74 / 0 / 24

HEX #7833C2

RGB 120 51 194

HSL 268.95, 0.58%, 0.48%

LAB 38.3, 56.59, -62.75

 

CMYK 31 / 60 / 0 / 32

HEX #7846AE

RGB 120 70 174

HSL 268.85, 0.43%, 0.48%

LAB 40.29, 42.21, -47.74

 

CMYK 22 / 42 / 0 / 39

HEX #795A9B

RGB 121 90 155

HSL 268.62, 0.27%, 0.48%

LAB 43.86, 26.19, -30.78

 

CMYK 95 / 89 / 0 / 8

HEX #0B1AEA

RGB 11 26 234

HSL 235.96, 0.91%, 0.48%

LAB 31.23, 68.75, -97.78

 

CMYK 76 / 95 / 0 / 8

HEX #380BEA

RGB 56 11 234

HSL 252.11, 0.91%, 0.48%

LAB 31.85, 73.23, -96.69

 

CMYK 51 / 95 / 0 / 8

HEX #730BEA

RGB 115 11 234

HSL 267.98, 0.91%, 0.48%

LAB 37.53, 76.47, -87.11

 

CMYK 26 / 95 / 0 / 8

HEX #AE0BEA

RGB 174 11 234

HSL 283.86, 0.91%, 0.48%

LAB 45.88, 82.66, -73.08

 

CMYK 0 / 95 / 0 / 8

HEX #EA0BEA

RGB 234 11 234

HSL 300, 0.91%, 0.48%

LAB 55.76, 91.35, -56.62

 

CMYK 50 / 95 / 0 / 39

HEX #4E079B

RGB 78 7 155

HSL 268.78, 0.91%, 0.32%

LAB 24.12, 56.08, -62.86

 

CMYK 49 / 95 / 0 / 24

HEX #6209C2

RGB 98 9 194

HSL 268.86, 0.91%, 0.4%

LAB 31.08, 66.49, -74.7

 

CMYK 50 / 95 / 0 / 8

HEX #760BEA

RGB 118 11 234

HSL 268.79, 0.91%, 0.48%

LAB 37.9, 76.72, -86.48

 

CMYK 43 / 83 / 0 / 4

HEX #8B29F5

RGB 139 41 245

HSL 268.82, 0.91%, 0.56%

LAB 43.75, 74.83, -82.96

 

CMYK 35 / 67 / 0 / 3

HEX #A051F7

RGB 160 81 247

HSL 268.55, 0.91%, 0.64%

LAB 51.92, 62.97, -70.64

 

CMYK 50 / 95 / 0 / 7

HEX #770BEC

RGB 119 11 236

HSL 268.8, 0.91%, 0.48%

LAB 38.23, 77.23, -87.06

 

CMYK 0 / 95 / 64 / 8

HEX #EA0B55

RGB 234 11 85

HSL 340.09, 0.91%, 0.48%

LAB 49.96, 76.4, 22.71

 

CMYK 95 / 0 / 89 / 8

HEX #0BEA1A

RGB 11 234 26

HSL 124.04, 0.91%, 0.48%

LAB 81.29, -79.87, 75.17

 

CMYK 50 / 95 / 0 / 7

HEX #770BEC

RGB 119 11 236

HSL 268.8, 0.91%, 0.48%

LAB 38.23, 77.23, -87.06

 

CMYK 0 / 51 / 95 / 8

HEX #EA730B

RGB 234 115 11

HSL 27.98, 0.91%, 0.48%

LAB 61.46, 41.19, 67.35

 

CMYK 95 / 0 / 51 / 8

HEX #0BEA73

RGB 11 234 115

HSL 147.98, 0.91%, 0.48%

LAB 81.92, -71.88, 44.58

 

CMYK 50 / 95 / 0 / 7

HEX #770BEC

RGB 119 11 236

HSL 268.8, 0.91%, 0.48%

LAB 38.23, 77.23, -87.06

 

CMYK 0 / 95 / 64 / 8

HEX #EA0B55

RGB 234 11 85

HSL 340.09, 0.91%, 0.48%

LAB 49.96, 76.4, 22.71

 

CMYK 44 / 0 / 95 / 8

HEX #82EA0B

RGB 130 234 11

HSL 87.98, 0.91%, 0.48%

LAB 83.77, -59.47, 80.13

 

CMYK 95 / 0 / 32 / 8

HEX #0BEAA0

RGB 11 234 160

HSL 160.09, 0.91%, 0.48%

LAB 82.62, -63.65, 23.05

 

CMYK 50 / 95 / 0 / 7

HEX #770BEC

RGB 119 11 236

HSL 268.8, 0.91%, 0.48%

LAB 38.23, 77.23, -87.06

 

CMYK 0 / 95 / 92 / 8

HEX #EA0B12

RGB 234 11 18

HSL 358.12, 0.91%, 0.48%

LAB 49.22, 74.36, 57.96

 

CMYK 44 / 0 / 95 / 8

HEX #82EA0B

RGB 130 234 11

HSL 87.98, 0.91%, 0.48%

LAB 83.77, -59.47, 80.13

 

CMYK 95 / 0 / 3 / 8

HEX #0BEAE2

RGB 11 234 226

HSL 177.85, 0.91%, 0.48%

LAB 84.18, -47.11, -9.32

 

Description

Color code: HEX #770BEC | qconv.com Color code: HEX #770BEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 11 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 11 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 95 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 95% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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