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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76FB78 it is the complementary color #890487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76FB78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76FB78 shade: #7BFB73, #8CFF86, #9DFF99, #AEFFAC and #BFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76FB78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76FB78 shade: #76FB78, #65E965, #54D752, #43C53F and #32B32C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76FB78 shade: #74FB76, #97FB74, #BBFB74, #DFFB74 and #FBF274

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76FB78 shade: #74FB76, #74FB9B, #74FBBF, #74FBE3 and #74EEFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76FB78 shade matches the following richer shades: #74FB76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76FB78 shade: #74FB76, #80EF82, #8CE48D, #97D898 and #A3CDA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76FB78 shade: #BCFB74, #98FB74, #74FB74, #74FB98 and #74FBBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76FB78 shade: #24F828, #4CF94F, #74FB76, #9DFC9E and #C5FDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76FB78 shade: #76FB78, #74E0FB and #FB74AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76FB78 shade: #76FB78, #7474FB and #FB7474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76FB78 shade: #76FB78, #74E0FB, #FB74FB and #FB8F74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76FB78 shade: #76FB78, #74B8FB, #FB74FB and #FBB874

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 52 / 2

HEX #76FB78

RGB 118 251 120

HSL 120.9, 0.94%, 0.72%

LAB 89.02, -61.93, 51.36

 

Complementary color

CMYK 0 / 97 / 1 / 46

HEX #890487

RGB 137 4 135

HSL 300.9, 0.94%, 0.28%

LAB 32.16, 61.02, -36.98

 

CMYK 51 / 0 / 54 / 2

HEX #7BFB73

RGB 123 251 115

HSL 116.47, 0.94%, 0.72%

LAB 89.13, -61.27, 53.81

 

CMYK 45 / 0 / 47 / 0

HEX #8CFF86

RGB 140 255 134

HSL 117.02, 1%, 0.76%

LAB 91.15, -55.88, 47.63

 

CMYK 38 / 0 / 40 / 0

HEX #9DFF99

RGB 157 255 153

HSL 117.65, 1%, 0.8%

LAB 92.13, -48.36, 39.86

 

CMYK 32 / 0 / 33 / 0

HEX #AEFFAC

RGB 174 255 172

HSL 118.55, 1%, 0.84%

LAB 93.23, -40.34, 32.05

 

CMYK 25 / 0 / 25 / 0

HEX #BFFFBF

RGB 191 255 191

HSL 120, 1%, 0.87%

LAB 94.47, -31.93, 24.29

 

CMYK 53 / 0 / 52 / 2

HEX #76FB78

RGB 118 251 120

HSL 120.9, 0.94%, 0.72%

LAB 89.02, -61.93, 51.36

 

CMYK 57 / 0 / 57 / 9

HEX #65E965

RGB 101 233 101

HSL 120, 0.75%, 0.65%

LAB 82.9, -61.71, 52.58

 

CMYK 61 / 0 / 62 / 16

HEX #54D752

RGB 84 215 82

HSL 119.1, 0.62%, 0.58%

LAB 76.74, -61.27, 53.71

 

CMYK 66 / 0 / 68 / 23

HEX #43C53F

RGB 67 197 63

HSL 118.21, 0.54%, 0.51%

LAB 70.51, -60.53, 54.66

 

CMYK 72 / 0 / 75 / 30

HEX #32B32C

RGB 50 179 44

HSL 117.33, 0.61%, 0.44%

LAB 64.24, -59.32, 55.18

 

CMYK 54 / 0 / 53 / 2

HEX #74FB76

RGB 116 251 118

HSL 120.89, 0.94%, 0.72%

LAB 88.93, -62.67, 52.15

 

CMYK 40 / 0 / 54 / 2

HEX #97FB74

RGB 151 251 116

HSL 104.44, 0.94%, 0.72%

LAB 90.25, -53.22, 54.95

 

CMYK 25 / 0 / 54 / 2

HEX #BBFB74

RGB 187 251 116

HSL 88.44, 0.94%, 0.72%

LAB 92.05, -41.29, 57.53

 

CMYK 11 / 0 / 54 / 2

HEX #DFFB74

RGB 223 251 116

HSL 72.44, 0.94%, 0.72%

LAB 94.29, -28.01, 60.7

 

CMYK 0 / 4 / 54 / 2

HEX #FBF274

RGB 251 242 116

HSL 56, 0.94%, 0.72%

LAB 94, -12.75, 60.91

 

CMYK 54 / 0 / 53 / 2

HEX #74FB76

RGB 116 251 118

HSL 120.89, 0.94%, 0.72%

LAB 88.93, -62.67, 52.15

 

CMYK 54 / 0 / 38 / 2

HEX #74FB9B

RGB 116 251 155

HSL 137.33, 0.94%, 0.72%

LAB 89.43, -57.32, 35.05

 

CMYK 54 / 0 / 24 / 2

HEX #74FBBF

RGB 116 251 191

HSL 153.33, 0.94%, 0.72%

LAB 90.08, -50.65, 17.7

 

CMYK 54 / 0 / 10 / 2

HEX #74FBE3

RGB 116 251 227

HSL 169.33, 0.94%, 0.72%

LAB 90.9, -42.68, 0.26

 

CMYK 54 / 5 / 0 / 2

HEX #74EEFB

RGB 116 238 251

HSL 185.78, 0.94%, 0.72%

LAB 87.89, -30.65, -16.72

 

CMYK 54 / 0 / 53 / 2

HEX #74FB76

RGB 116 251 118

HSL 120.89, 0.94%, 0.72%

LAB 88.93, -62.67, 52.15

 

CMYK 54 / 0 / 53 / 2

HEX #74FB76

RGB 116 251 118

HSL 120.89, 0.94%, 0.72%

LAB 88.93, -62.67, 52.15

 

CMYK 46 / 0 / 46 / 6

HEX #80EF82

RGB 128 239 130

HSL 121.08, 0.78%, 0.72%

LAB 85.97, -53.34, 42.95

 

CMYK 39 / 0 / 38 / 11

HEX #8CE48D

RGB 140 228 141

HSL 120.68, 0.62%, 0.72%

LAB 83.43, -43.67, 34.34

 

CMYK 30 / 0 / 30 / 15

HEX #97D898

RGB 151 216 152

HSL 120.92, 0.45%, 0.72%

LAB 80.72, -33.08, 25.17

 

CMYK 20 / 0 / 20 / 20

HEX #A3CDA3

RGB 163 205 163

HSL 120, 0.3%, 0.72%

LAB 78.52, -21.94, 16.46

 

CMYK 25 / 0 / 54 / 2

HEX #BCFB74

RGB 188 251 116

HSL 88, 0.94%, 0.72%

LAB 92.11, -40.94, 57.61

 

CMYK 39 / 0 / 54 / 2

HEX #98FB74

RGB 152 251 116

HSL 104, 0.94%, 0.72%

LAB 90.29, -52.91, 55.02

 

CMYK 54 / 0 / 54 / 2

HEX #74FB74

RGB 116 251 116

HSL 120, 0.94%, 0.72%

LAB 88.91, -62.92, 53.03

 

CMYK 54 / 0 / 39 / 2

HEX #74FB98

RGB 116 251 152

HSL 136, 0.94%, 0.72%

LAB 89.38, -57.81, 36.47

 

CMYK 54 / 0 / 25 / 2

HEX #74FBBC

RGB 116 251 188

HSL 152, 0.94%, 0.72%

LAB 90.02, -51.26, 19.15

 

CMYK 85 / 0 / 84 / 3

HEX #24F828

RGB 36 248 40

HSL 121.13, 0.94%, 0.56%

LAB 85.84, -81.68, 76.5

 

CMYK 69 / 0 / 68 / 2

HEX #4CF94F

RGB 76 249 79

HSL 121.04, 0.94%, 0.64%

LAB 86.92, -74.44, 65.96

 

CMYK 54 / 0 / 53 / 2

HEX #74FB76

RGB 116 251 118

HSL 120.89, 0.94%, 0.72%

LAB 88.93, -62.67, 52.15

 

CMYK 38 / 0 / 37 / 1

HEX #9DFC9E

RGB 157 252 158

HSL 120.63, 0.94%, 0.8%

LAB 91.35, -46.35, 36.39

 

CMYK 22 / 0 / 22 / 1

HEX #C5FDC5

RGB 197 253 197

HSL 120, 0.93%, 0.88%

LAB 94.38, -28.07, 21.17

 

CMYK 53 / 0 / 52 / 2

HEX #76FB78

RGB 118 251 120

HSL 120.9, 0.94%, 0.72%

LAB 89.02, -61.93, 51.36

 

CMYK 54 / 11 / 0 / 2

HEX #74E0FB

RGB 116 224 251

HSL 192, 0.94%, 0.72%

LAB 83.96, -23.85, -22.65

 

CMYK 0 / 54 / 32 / 2

HEX #FB74AA

RGB 251 116 170

HSL 336, 0.94%, 0.72%

LAB 66.45, 56.91, -3.62

 

CMYK 53 / 0 / 52 / 2

HEX #76FB78

RGB 118 251 120

HSL 120.9, 0.94%, 0.72%

LAB 89.02, -61.93, 51.36

 

CMYK 54 / 54 / 0 / 2

HEX #7474FB

RGB 116 116 251

HSL 240, 0.94%, 0.72%

LAB 55.25, 36.56, -67.68

 

CMYK 0 / 54 / 54 / 2

HEX #FB7474

RGB 251 116 116

HSL 0, 0.94%, 0.72%

LAB 65.17, 51.55, 25.24

 

CMYK 53 / 0 / 52 / 2

HEX #76FB78

RGB 118 251 120

HSL 120.9, 0.94%, 0.72%

LAB 89.02, -61.93, 51.36

 

CMYK 54 / 11 / 0 / 2

HEX #74E0FB

RGB 116 224 251

HSL 192, 0.94%, 0.72%

LAB 83.96, -23.85, -22.65

 

CMYK 0 / 54 / 0 / 2

HEX #FB74FB

RGB 251 116 251

HSL 300, 0.94%, 0.72%

LAB 69.44, 68.67, -44.22

 

CMYK 0 / 43 / 54 / 2

HEX #FB8F74

RGB 251 143 116

HSL 12, 0.94%, 0.72%

LAB 70.47, 38.22, 32.19

 

CMYK 53 / 0 / 52 / 2

HEX #76FB78

RGB 118 251 120

HSL 120.9, 0.94%, 0.72%

LAB 89.02, -61.93, 51.36

 

CMYK 54 / 27 / 0 / 2

HEX #74B8FB

RGB 116 184 251

HSL 209.78, 0.94%, 0.72%

LAB 72.86, -2.94, -39.72

 

CMYK 0 / 54 / 0 / 2

HEX #FB74FB

RGB 251 116 251

HSL 300, 0.94%, 0.72%

LAB 69.44, 68.67, -44.22

 

CMYK 0 / 27 / 54 / 2

HEX #FBB874

RGB 251 184 116

HSL 30.22, 0.94%, 0.72%

LAB 79.64, 16.85, 43.79

 

Description

Color code: HEX #76FB78 | qconv.com Color code: HEX #76FB78 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 251 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 251 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 52 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 52% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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