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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76FB6C it is the complementary color #890493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76FB6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76FB6C shade: #7BFB67, #8CFF7A, #9DFF8D, #AEFFA0 and #BFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76FB6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76FB6C shade: #76FB6C, #65E959, #54D746, #43C533 and #32B320

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76FB6C shade: #74FB6A, #9BFB6A, #C2FB6A, #EAFB6A and #FBE66A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76FB6C shade: #74FB6A, #6AFB87, #6AFBAE, #6AFBD5 and #6AFAFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76FB6C shade matches the following richer shades: #74FB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76FB6C shade: #74FB6A, #7FEF76, #89E283, #94D68F and #9FCA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76FB6C shade: #C3FB6A, #9DFB6A, #76FB6A, #6AFB84 and #6AFBAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76FB6C shade: #29F919, #4FFA42, #74FB6A, #99FC92 and #BFFDBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76FB6C shade: #76FB6C, #6AEAFB and #FB6AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76FB6C shade: #76FB6C, #6A76FB and #FB6A76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76FB6C shade: #76FB6C, #6AEAFB, #EF6AFB and #FB7B6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76FB6C shade: #76FB6C, #6ABFFB, #EF6AFB and #FBA66A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 57 / 2

HEX #76FB6C

RGB 118 251 108

HSL 115.8, 0.95%, 0.7%

LAB 88.89, -63.35, 56.6

 

Complementary color

CMYK 7 / 97 / 0 / 42

HEX #890493

RGB 137 4 147

HSL 295.8, 0.95%, 0.3%

LAB 32.94, 62.94, -43.14

 

CMYK 51 / 0 / 59 / 2

HEX #7BFB67

RGB 123 251 103

HSL 111.89, 0.95%, 0.69%

LAB 89.01, -62.6, 58.95

 

CMYK 45 / 0 / 52 / 0

HEX #8CFF7A

RGB 140 255 122

HSL 111.88, 1%, 0.74%

LAB 91.01, -57.38, 53.03

 

CMYK 38 / 0 / 45 / 0

HEX #9DFF8D

RGB 157 255 141

HSL 111.58, 1%, 0.78%

LAB 91.96, -50.02, 45.46

 

CMYK 32 / 0 / 37 / 0

HEX #AEFFA0

RGB 174 255 160

HSL 111.16, 1%, 0.81%

LAB 93.04, -42.13, 37.77

 

CMYK 25 / 0 / 30 / 0

HEX #BFFFB3

RGB 191 255 179

HSL 110.53, 1%, 0.85%

LAB 94.25, -33.83, 30.06

 

CMYK 53 / 0 / 57 / 2

HEX #76FB6C

RGB 118 251 108

HSL 115.8, 0.95%, 0.7%

LAB 88.89, -63.35, 56.6

 

CMYK 57 / 0 / 62 / 9

HEX #65E959

RGB 101 233 89

HSL 115, 0.77%, 0.63%

LAB 82.79, -63.02, 57.67

 

CMYK 61 / 0 / 67 / 16

HEX #54D746

RGB 84 215 70

HSL 114.21, 0.64%, 0.56%

LAB 76.64, -62.44, 58.55

 

CMYK 66 / 0 / 74 / 23

HEX #43C533

RGB 67 197 51

HSL 113.42, 0.59%, 0.49%

LAB 70.43, -61.52, 59.05

 

CMYK 72 / 0 / 82 / 30

HEX #32B320

RGB 50 179 32

HSL 112.65, 0.7%, 0.41%

LAB 64.18, -60.09, 58.86

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 38 / 0 / 58 / 2

HEX #9BFB6A

RGB 155 251 106

HSL 99.72, 0.95%, 0.7%

LAB 90.32, -53.01, 59.51

 

CMYK 23 / 0 / 58 / 2

HEX #C2FB6A

RGB 194 251 106

HSL 83.59, 0.95%, 0.7%

LAB 92.36, -39.69, 62.36

 

CMYK 7 / 0 / 58 / 2

HEX #EAFB6A

RGB 234 251 106

HSL 67.03, 0.95%, 0.7%

LAB 94.96, -24.54, 65.99

 

CMYK 0 / 8 / 58 / 2

HEX #FBE66A

RGB 251 230 106

HSL 51.31, 0.95%, 0.7%

LAB 90.85, -7.55, 61.76

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 58 / 0 / 46 / 2

HEX #6AFB87

RGB 106 251 135

HSL 132, 0.95%, 0.7%

LAB 88.83, -62.7, 43.99

 

CMYK 58 / 0 / 31 / 2

HEX #6AFBAE

RGB 106 251 174

HSL 148.14, 0.95%, 0.7%

LAB 89.45, -56.12, 25.46

 

CMYK 58 / 0 / 15 / 2

HEX #6AFBD5

RGB 106 251 213

HSL 164.28, 0.95%, 0.7%

LAB 90.26, -47.89, 6.56

 

CMYK 58 / 0 / 0 / 2

HEX #6AFAFB

RGB 106 250 251

HSL 180.41, 0.95%, 0.7%

LAB 90.96, -38.07, -12.15

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 47 / 0 / 51 / 6

HEX #7FEF76

RGB 127 239 118

HSL 115.54, 0.79%, 0.7%

LAB 85.78, -55.21, 48.43

 

CMYK 39 / 0 / 42 / 11

HEX #89E283

RGB 137 226 131

HSL 116.21, 0.62%, 0.7%

LAB 82.57, -45.2, 38.2

 

CMYK 31 / 0 / 33 / 16

HEX #94D68F

RGB 148 214 143

HSL 115.77, 0.46%, 0.7%

LAB 79.83, -34.58, 28.61

 

CMYK 21 / 0 / 23 / 21

HEX #9FCA9B

RGB 159 202 155

HSL 114.89, 0.31%, 0.7%

LAB 77.27, -23.2, 18.94

 

CMYK 22 / 0 / 58 / 2

HEX #C3FB6A

RGB 195 251 106

HSL 83.17, 0.95%, 0.7%

LAB 92.41, -39.33, 62.44

 

CMYK 37 / 0 / 58 / 2

HEX #9DFB6A

RGB 157 251 106

HSL 98.9, 0.95%, 0.7%

LAB 90.41, -52.38, 59.63

 

CMYK 53 / 0 / 58 / 2

HEX #76FB6A

RGB 118 251 106

HSL 115.03, 0.95%, 0.7%

LAB 88.87, -63.57, 57.45

 

CMYK 58 / 0 / 47 / 2

HEX #6AFB84

RGB 106 251 132

HSL 130.76, 0.95%, 0.7%

LAB 88.79, -63.13, 45.38

 

CMYK 58 / 0 / 32 / 2

HEX #6AFBAB

RGB 106 251 171

HSL 146.9, 0.95%, 0.7%

LAB 89.39, -56.68, 26.91

 

CMYK 84 / 0 / 90 / 2

HEX #29F919

RGB 41 249 25

HSL 115.71, 0.95%, 0.54%

LAB 86.15, -82.05, 79.55

 

CMYK 68 / 0 / 74 / 2

HEX #4FFA42

RGB 79 250 66

HSL 115.76, 0.95%, 0.62%

LAB 87.21, -75.24, 70.83

 

CMYK 54 / 0 / 58 / 2

HEX #74FB6A

RGB 116 251 106

HSL 115.86, 0.95%, 0.7%

LAB 88.8, -64.07, 57.36

 

CMYK 39 / 0 / 42 / 1

HEX #99FC92

RGB 153 252 146

HSL 116.04, 0.95%, 0.78%

LAB 90.99, -49.28, 41.78

 

CMYK 25 / 0 / 26 / 1

HEX #BFFDBA

RGB 191 253 186

HSL 115.52, 0.94%, 0.86%

LAB 93.83, -31.81, 25.95

 

CMYK 53 / 0 / 57 / 2

HEX #76FB6C

RGB 118 251 108

HSL 115.8, 0.95%, 0.7%

LAB 88.89, -63.35, 56.6

 

CMYK 58 / 7 / 0 / 2

HEX #6AEAFB

RGB 106 234 251

HSL 187.03, 0.95%, 0.7%

LAB 86.44, -30.59, -18.93

 

CMYK 0 / 58 / 30 / 2

HEX #FB6AB0

RGB 251 106 176

HSL 331.03, 0.95%, 0.7%

LAB 64.92, 62.15, -9.28

 

CMYK 53 / 0 / 57 / 2

HEX #76FB6C

RGB 118 251 108

HSL 115.8, 0.95%, 0.7%

LAB 88.89, -63.35, 56.6

 

CMYK 58 / 53 / 0 / 2

HEX #6A76FB

RGB 106 118 251

HSL 235.03, 0.95%, 0.7%

LAB 55.06, 33.52, -68.01

 

CMYK 0 / 58 / 53 / 2

HEX #FB6A76

RGB 251 106 118

HSL 355.03, 0.95%, 0.7%

LAB 63.45, 56.3, 21.79

 

CMYK 53 / 0 / 57 / 2

HEX #76FB6C

RGB 118 251 108

HSL 115.8, 0.95%, 0.7%

LAB 88.89, -63.35, 56.6

 

CMYK 58 / 7 / 0 / 2

HEX #6AEAFB

RGB 106 234 251

HSL 187.03, 0.95%, 0.7%

LAB 86.44, -30.59, -18.93

 

CMYK 5 / 58 / 0 / 2

HEX #EF6AFB

RGB 239 106 251

HSL 295.03, 0.95%, 0.7%

LAB 66.23, 70.05, -49.38

 

CMYK 0 / 51 / 58 / 2

HEX #FB7B6A

RGB 251 123 106

HSL 7.03, 0.95%, 0.7%

LAB 66.3, 47.44, 32.29

 

CMYK 53 / 0 / 57 / 2

HEX #76FB6C

RGB 118 251 108

HSL 115.8, 0.95%, 0.7%

LAB 88.89, -63.35, 56.6

 

CMYK 58 / 24 / 0 / 2

HEX #6ABFFB

RGB 106 191 251

HSL 204.83, 0.95%, 0.7%

LAB 74.38, -8.75, -37.4

 

CMYK 5 / 58 / 0 / 2

HEX #EF6AFB

RGB 239 106 251

HSL 295.03, 0.95%, 0.7%

LAB 66.23, 70.05, -49.38

 

CMYK 0 / 34 / 58 / 2

HEX #FBA66A

RGB 251 166 106

HSL 24.83, 0.95%, 0.7%

LAB 75.34, 25.51, 43.59

 

Description

Color code: HEX #76FB6C | qconv.com Color code: HEX #76FB6C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 251 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 251 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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