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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76F91D it is the complementary color #8906E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76F91D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76F91D shade: #7BF918, #8CFF2B, #9DFF3E, #AEFF51 and #BFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76F91D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76F91D shade: #76F91D, #65E70A, #54D500, #43C300 and #32B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76F91D shade: #77F91F, #B2F91F, #EDF91F, #F9CB1F and #F9901F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76F91D shade: #77F91F, #3DF91F, #1FF93D, #1FF977 and #1FF9B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76F91D shade matches the following richer shades: #77F91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76F91D shade: #77F91F, #7BE732, #7FD444, #82C257 and #86AF6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76F91D shade: #EEF91F, #B4F91F, #7AF91F, #40F91F and #1FF939

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76F91D shade: #51C105, #62E906, #77F91F, #90FA47 and #A8FB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76F91D shade: #76F91D, #1FF9CA and #F91FD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76F91D shade: #76F91D, #1F7AF9 and #F91F7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76F91D shade: #76F91D, #1FF9CA, #9E1FF9 and #F91F4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76F91D shade: #76F91D, #1FE7F9, #9E1FF9 and #F9311F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 88 / 2

HEX #76F91D

RGB 118 249 29

HSL 95.73, 0.95%, 0.55%

LAB 87.82, -67.97, 81

 

Complementary color

CMYK 39 / 97 / 0 / 11

HEX #8906E2

RGB 137 6 226

HSL 275.73, 0.95%, 0.45%

LAB 39.48, 77.38, -79.23

 

CMYK 51 / 0 / 90 / 2

HEX #7BF918

RGB 123 249 24

HSL 93.6, 0.95%, 0.54%

LAB 87.98, -66.73, 81.97

 

CMYK 45 / 0 / 83 / 0

HEX #8CFF2B

RGB 140 255 43

HSL 92.55, 1%, 0.58%

LAB 90.45, -63.4, 80.87

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3E

RGB 157 255 62

HSL 90.47, 1%, 0.62%

LAB 91.25, -57.23, 76.91

 

CMYK 32 / 0 / 68 / 0

HEX #AEFF51

RGB 174 255 81

HSL 87.93, 1%, 0.66%

LAB 92.18, -50.4, 71.78

 

CMYK 25 / 0 / 61 / 0

HEX #BFFF64

RGB 191 255 100

HSL 84.77, 1%, 0.7%

LAB 93.24, -43.03, 65.81

 

CMYK 53 / 0 / 88 / 2

HEX #76F91D

RGB 118 249 29

HSL 95.73, 0.95%, 0.55%

LAB 87.82, -67.97, 81

 

CMYK 56 / 0 / 96 / 9

HEX #65E70A

RGB 101 231 10

HSL 95.29, 0.92%, 0.47%

LAB 81.81, -66.65, 78.2

 

CMYK 61 / 0 / 100 / 16

HEX #54D500

RGB 84 213 0

HSL 96.34, 1%, 0.42%

LAB 75.74, -64.95, 74.06

 

CMYK 66 / 0 / 100 / 24

HEX #43C300

RGB 67 195 0

HSL 99.38, 1%, 0.38%

LAB 69.63, -62.89, 69.02

 

CMYK 72 / 0 / 100 / 31

HEX #32B100

RGB 50 177 0

HSL 103.05, 1%, 0.35%

LAB 63.44, -60.51, 63.94

 

CMYK 52 / 0 / 88 / 2

HEX #77F91F

RGB 119 249 31

HSL 95.78, 0.95%, 0.55%

LAB 87.86, -67.64, 80.71

 

CMYK 29 / 0 / 88 / 2

HEX #B2F91F

RGB 178 249 31

HSL 79.54, 0.95%, 0.55%

LAB 90.47, -48.71, 83.95

 

CMYK 5 / 0 / 88 / 2

HEX #EDF91F

RGB 237 249 31

HSL 63.3, 0.95%, 0.55%

LAB 94.25, -25.74, 88.59

 

CMYK 0 / 18 / 88 / 2

HEX #F9CB1F

RGB 249 203 31

HSL 47.34, 0.95%, 0.55%

LAB 83.42, 1.99, 80.43

 

CMYK 0 / 42 / 88 / 2

HEX #F9901F

RGB 249 144 31

HSL 31.1, 0.95%, 0.55%

LAB 69.6, 32.73, 69.6

 

CMYK 52 / 0 / 88 / 2

HEX #77F91F

RGB 119 249 31

HSL 95.78, 0.95%, 0.55%

LAB 87.86, -67.64, 80.71

 

CMYK 76 / 0 / 88 / 2

HEX #3DF91F

RGB 61 249 31

HSL 111.74, 0.95%, 0.55%

LAB 86.43, -79.57, 78.92

 

CMYK 88 / 0 / 76 / 2

HEX #1FF93D

RGB 31 249 61

HSL 128.26, 0.95%, 0.55%

LAB 86.2, -81.15, 71.2

 

CMYK 88 / 0 / 52 / 2

HEX #1FF977

RGB 31 249 119

HSL 144.22, 0.95%, 0.55%

LAB 86.69, -75.03, 48.59

 

CMYK 88 / 0 / 29 / 2

HEX #1FF9B2

RGB 31 249 178

HSL 160.46, 0.95%, 0.55%

LAB 87.61, -64.32, 20.69

 

CMYK 52 / 0 / 88 / 2

HEX #77F91F

RGB 119 249 31

HSL 95.78, 0.95%, 0.55%

LAB 87.86, -67.64, 80.71

 

CMYK 52 / 0 / 88 / 2

HEX #77F91F

RGB 119 249 31

HSL 95.78, 0.95%, 0.55%

LAB 87.86, -67.64, 80.71

 

CMYK 47 / 0 / 78 / 9

HEX #7BE732

RGB 123 231 50

HSL 95.8, 0.79%, 0.55%

LAB 82.7, -59.28, 71.84

 

CMYK 40 / 0 / 68 / 17

HEX #7FD444

RGB 127 212 68

HSL 95.42, 0.63%, 0.55%

LAB 77.29, -49.49, 60.5

 

CMYK 33 / 0 / 55 / 24

HEX #82C257

RGB 130 194 87

HSL 95.89, 0.47%, 0.55%

LAB 72.24, -39.09, 46.77

 

CMYK 23 / 0 / 39 / 31

HEX #86AF6A

RGB 134 175 106

HSL 95.65, 0.3%, 0.55%

LAB 67.1, -26.45, 30.99

 

CMYK 4 / 0 / 88 / 2

HEX #EEF91F

RGB 238 249 31

HSL 63.03, 0.95%, 0.55%

LAB 94.32, -25.33, 88.68

 

CMYK 28 / 0 / 88 / 2

HEX #B4F91F

RGB 180 249 31

HSL 78.99, 0.95%, 0.55%

LAB 90.58, -47.98, 84.08

 

CMYK 51 / 0 / 88 / 2

HEX #7AF91F

RGB 122 249 31

HSL 94.95, 0.95%, 0.55%

LAB 87.96, -66.83, 80.84

 

CMYK 74 / 0 / 88 / 2

HEX #40F91F

RGB 64 249 31

HSL 110.92, 0.95%, 0.55%

LAB 86.47, -79.14, 78.98

 

CMYK 88 / 0 / 77 / 2

HEX #1FF939

RGB 31 249 57

HSL 127.16, 0.95%, 0.55%

LAB 86.18, -81.42, 72.4

 

CMYK 58 / 0 / 97 / 24

HEX #51C105

RGB 81 193 5

HSL 95.74, 0.95%, 0.39%

LAB 69.4, -58.84, 68.44

 

CMYK 58 / 0 / 97 / 9

HEX #62E906

RGB 98 233 6

HSL 95.68, 0.95%, 0.47%

LAB 82.32, -68.12, 78.91

 

CMYK 52 / 0 / 88 / 2

HEX #77F91F

RGB 119 249 31

HSL 95.78, 0.95%, 0.55%

LAB 87.86, -67.64, 80.71

 

CMYK 42 / 0 / 72 / 2

HEX #90FA47

RGB 144 250 71

HSL 95.53, 0.95%, 0.63%

LAB 89.28, -58.89, 71.91

 

CMYK 33 / 0 / 55 / 2

HEX #A8FB70

RGB 168 251 112

HSL 95.83, 0.95%, 0.71%

LAB 91, -48.2, 57.83

 

CMYK 53 / 0 / 88 / 2

HEX #76F91D

RGB 118 249 29

HSL 95.73, 0.95%, 0.55%

LAB 87.82, -67.97, 81

 

CMYK 88 / 0 / 19 / 2

HEX #1FF9CA

RGB 31 249 202

HSL 167.06, 0.95%, 0.55%

LAB 88.12, -58.79, 9.01

 

CMYK 0 / 88 / 16 / 2

HEX #F91FD1

RGB 249 31 209

HSL 311.01, 0.95%, 0.55%

LAB 57.77, 88.49, -39.1

 

CMYK 53 / 0 / 88 / 2

HEX #76F91D

RGB 118 249 29

HSL 95.73, 0.95%, 0.55%

LAB 87.82, -67.97, 81

 

CMYK 88 / 51 / 0 / 2

HEX #1F7AF9

RGB 31 122 249

HSL 214.95, 0.95%, 0.55%

LAB 53, 21.31, -70.37

 

CMYK 0 / 88 / 51 / 2

HEX #F91F7A

RGB 249 31 122

HSL 334.95, 0.95%, 0.55%

LAB 54.58, 79.82, 7.08

 

CMYK 53 / 0 / 88 / 2

HEX #76F91D

RGB 118 249 29

HSL 95.73, 0.95%, 0.55%

LAB 87.82, -67.97, 81

 

CMYK 88 / 0 / 19 / 2

HEX #1FF9CA

RGB 31 249 202

HSL 167.06, 0.95%, 0.55%

LAB 88.12, -58.79, 9.01

 

CMYK 37 / 88 / 0 / 2

HEX #9E1FF9

RGB 158 31 249

HSL 274.95, 0.95%, 0.55%

LAB 45.76, 80.52, -81.82

 

CMYK 0 / 88 / 69 / 2

HEX #F91F4E

RGB 249 31 78

HSL 347.06, 0.95%, 0.55%

LAB 53.67, 77.26, 32.26

 

CMYK 53 / 0 / 88 / 2

HEX #76F91D

RGB 118 249 29

HSL 95.73, 0.95%, 0.55%

LAB 87.82, -67.97, 81

 

CMYK 88 / 7 / 0 / 2

HEX #1FE7F9

RGB 31 231 249

HSL 184.95, 0.95%, 0.55%

LAB 84.11, -38.28, -21.53

 

CMYK 37 / 88 / 0 / 2

HEX #9E1FF9

RGB 158 31 249

HSL 274.95, 0.95%, 0.55%

LAB 45.76, 80.52, -81.82

 

CMYK 0 / 80 / 88 / 2

HEX #F9311F

RGB 249 49 31

HSL 4.95, 0.95%, 0.55%

LAB 54.49, 72.16, 57.96

 

Description

Color code: HEX #76F91D | qconv.com Color code: HEX #76F91D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 249 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 249 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 88 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 88% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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