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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E92F it is the complementary color #8916D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E92F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76E92F shade: #7BE92A, #8CFB3D, #9DFF50, #AEFF63 and #BFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E92F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76E92F shade: #76E92F, #65D71C, #54C509, #43B300 and #32A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76E92F shade: #76E92F, #A8E92F, #DBE92F, #E9C62F and #E9942F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76E92F shade: #76E92F, #44E92F, #2FE94D, #2FE97F and #2FE9B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76E92F shade matches the following richer shades: #76E92F and #72FC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76E92F shade: #76E92F, #7BD742, #7FC454, #83B167 and #889F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76E92F shade: #DAE92F, #A8E92F, #77E92F, #45E92F and #2FE94B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76E92F shade: #50B313, #61D917, #76E92F, #8FED55 and #A7F17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76E92F shade: #76E92F, #2FE9C7 and #E92FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76E92F shade: #76E92F, #2F77E9 and #E92F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76E92F shade: #76E92F, #2FE9C7, #A22FE9 and #E92F51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76E92F shade: #76E92F, #2FD4E9, #A22FE9 and #E9452F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

Complementary color

CMYK 34 / 89 / 0 / 18

HEX #8916D0

RGB 137 22 208

HSL 277.1, 0.81%, 0.45%

LAB 38.63, 71.46, -70.26

 

CMYK 47 / 0 / 82 / 9

HEX #7BE92A

RGB 123 233 42

HSL 94.55, 0.81%, 0.54%

LAB 83.26, -60.4, 74.47

 

CMYK 44 / 0 / 76 / 2

HEX #8CFB3D

RGB 140 251 61

HSL 95.05, 0.96%, 0.61%

LAB 89.35, -61.09, 75.14

 

CMYK 38 / 0 / 69 / 0

HEX #9DFF50

RGB 157 255 80

HSL 93.6, 1%, 0.66%

LAB 91.36, -56.14, 71.04

 

CMYK 32 / 0 / 61 / 0

HEX #AEFF63

RGB 174 255 99

HSL 91.15, 1%, 0.69%

LAB 92.32, -49.05, 64.95

 

CMYK 25 / 0 / 54 / 0

HEX #BFFF76

RGB 191 255 118

HSL 88.03, 1%, 0.73%

LAB 93.41, -41.45, 58.28

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 53 / 0 / 87 / 16

HEX #65D71C

RGB 101 215 28

HSL 96.58, 0.77%, 0.48%

LAB 76.95, -60.69, 71.7

 

CMYK 57 / 0 / 95 / 23

HEX #54C509

RGB 84 197 9

HSL 96.06, 0.91%, 0.4%

LAB 70.76, -59.38, 69.14

 

CMYK 63 / 0 / 100 / 30

HEX #43B300

RGB 67 179 0

HSL 97.54, 1%, 0.35%

LAB 64.51, -57.6, 64.96

 

CMYK 69 / 0 / 100 / 37

HEX #32A100

RGB 50 161 0

HSL 101.37, 1%, 0.32%

LAB 58.2, -55.37, 59.76

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 28 / 0 / 80 / 9

HEX #A8E92F

RGB 168 233 47

HSL 80.97, 0.81%, 0.55%

LAB 85.41, -45.1, 75.93

 

CMYK 6 / 0 / 80 / 9

HEX #DBE92F

RGB 219 233 47

HSL 64.52, 0.81%, 0.55%

LAB 88.71, -25.12, 80.11

 

CMYK 0 / 15 / 80 / 9

HEX #E9C62F

RGB 233 198 47

HSL 48.71, 0.81%, 0.55%

LAB 80.69, -1.87, 73.55

 

CMYK 0 / 36 / 80 / 9

HEX #E9942F

RGB 233 148 47

HSL 32.58, 0.81%, 0.55%

LAB 68.54, 24.46, 62.68

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 71 / 0 / 80 / 9

HEX #44E92F

RGB 68 233 47

HSL 113.23, 0.81%, 0.55%

LAB 81.68, -73.08, 71.14

 

CMYK 80 / 0 / 67 / 9

HEX #2FE94D

RGB 47 233 77

HSL 129.68, 0.81%, 0.55%

LAB 81.52, -73.78, 60.82

 

CMYK 80 / 0 / 45 / 9

HEX #2FE97F

RGB 47 233 127

HSL 145.81, 0.81%, 0.55%

LAB 82.06, -67.26, 39.02

 

CMYK 80 / 0 / 24 / 9

HEX #2FE9B1

RGB 47 233 177

HSL 161.94, 0.81%, 0.55%

LAB 82.94, -57.34, 14.71

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 55 / 0 / 88 / 1

HEX #72FC1D

RGB 114 252 29

HSL 97.13, 0.97%, 0.55%

LAB 88.58, -70.04, 81.59

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 43 / 0 / 69 / 16

HEX #7BD742

RGB 123 215 66

HSL 97.05, 0.65%, 0.55%

LAB 78, -52.14, 61.94

 

CMYK 35 / 0 / 57 / 23

HEX #7FC454

RGB 127 196 84

HSL 96.96, 0.49%, 0.55%

LAB 72.65, -41.33, 48.6

 

CMYK 26 / 0 / 42 / 31

HEX #83B167

RGB 131 177 103

HSL 97.3, 0.32%, 0.55%

LAB 67.46, -28.93, 32.99

 

CMYK 14 / 0 / 23 / 38

HEX #889F7A

RGB 136 159 122

HSL 97.3, 0.16%, 0.55%

LAB 62.87, -15.13, 16.69

 

CMYK 6 / 0 / 80 / 9

HEX #DAE92F

RGB 218 233 47

HSL 64.84, 0.81%, 0.55%

LAB 88.63, -25.53, 80.02

 

CMYK 28 / 0 / 80 / 9

HEX #A8E92F

RGB 168 233 47

HSL 80.97, 0.81%, 0.55%

LAB 85.41, -45.1, 75.93

 

CMYK 49 / 0 / 80 / 9

HEX #77E92F

RGB 119 233 47

HSL 96.77, 0.81%, 0.55%

LAB 83.13, -61.34, 73.01

 

CMYK 70 / 0 / 80 / 9

HEX #45E92F

RGB 69 233 47

HSL 112.9, 0.81%, 0.55%

LAB 81.7, -72.91, 71.17

 

CMYK 80 / 0 / 68 / 9

HEX #2FE94B

RGB 47 233 75

HSL 129.03, 0.81%, 0.55%

LAB 81.51, -73.97, 61.58

 

CMYK 55 / 0 / 89 / 30

HEX #50B313

RGB 80 179 19

HSL 97.13, 0.81%, 0.39%

LAB 64.96, -53.82, 62.86

 

CMYK 55 / 0 / 89 / 15

HEX #61D917

RGB 97 217 23

HSL 97.11, 0.81%, 0.47%

LAB 77.42, -62.62, 72.94

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 40 / 0 / 64 / 7

HEX #8FED55

RGB 143 237 85

HSL 97.11, 0.81%, 0.63%

LAB 85.54, -53.07, 62.79

 

CMYK 31 / 0 / 49 / 5

HEX #A7F17A

RGB 167 241 122

HSL 97.31, 0.81%, 0.71%

LAB 88.22, -43.19, 49.95

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 80 / 0 / 15 / 9

HEX #2FE9C7

RGB 47 233 199

HSL 169.03, 0.81%, 0.55%

LAB 83.45, -52.02, 3.88

 

CMYK 0 / 80 / 17 / 9

HEX #E92FC1

RGB 233 47 193

HSL 312.9, 0.81%, 0.55%

LAB 55.28, 80.25, -34.02

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 80 / 49 / 0 / 9

HEX #2F77E9

RGB 47 119 233

HSL 216.77, 0.81%, 0.55%

LAB 51.47, 18.36, -63.91

 

CMYK 0 / 80 / 49 / 9

HEX #E92F77

RGB 233 47 119

HSL 336.77, 0.81%, 0.55%

LAB 52.61, 72.46, 5.66

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 80 / 0 / 15 / 9

HEX #2FE9C7

RGB 47 233 199

HSL 169.03, 0.81%, 0.55%

LAB 83.45, -52.02, 3.88

 

CMYK 30 / 80 / 0 / 9

HEX #A22FE9

RGB 162 47 233

HSL 277.1, 0.81%, 0.55%

LAB 46.44, 73.63, -71.67

 

CMYK 0 / 80 / 65 / 9

HEX #E92F51

RGB 233 47 81

HSL 349.03, 0.81%, 0.55%

LAB 51.78, 69.96, 27.44

 

CMYK 49 / 0 / 80 / 9

HEX #76E92F

RGB 118 233 47

HSL 97.1, 0.81%, 0.55%

LAB 83.09, -61.63, 72.96

 

CMYK 80 / 9 / 0 / 9

HEX #2FD4E9

RGB 47 212 233

HSL 186.77, 0.81%, 0.55%

LAB 78.21, -33.2, -21.97

 

CMYK 30 / 80 / 0 / 9

HEX #A22FE9

RGB 162 47 233

HSL 277.1, 0.81%, 0.55%

LAB 46.44, 73.63, -71.67

 

CMYK 0 / 70 / 80 / 9

HEX #E9452F

RGB 233 69 47

HSL 7.1, 0.81%, 0.55%

LAB 53.8, 61.73, 48.8

 

Description

Color code: HEX #76E92F | qconv.com Color code: HEX #76E92F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 233 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 233 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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