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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E92C it is the complementary color #8916D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E92C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76E92C shade: #7BE927, #8CFB3A, #9DFF4D, #AEFF60 and #BFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E92C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76E92C shade: #76E92C, #65D719, #54C506, #43B300 and #32A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76E92C shade: #75E92B, #A8E92B, #DCE92B, #E9C32B and #E98F2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76E92C shade: #75E92B, #42E92B, #2BE947, #2BE97A and #2BE9AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76E92C shade matches the following richer shades: #75E92B and #71FC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76E92C shade: #75E92B, #79D63E, #7DC351, #81B064 and #869D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76E92C shade: #DCE92B, #A9E92B, #77E92B, #44E92B and #2BE944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76E92C shade: #4FAF12, #60D416, #75E92B, #8DED50 and #A6F175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76E92C shade: #76E92C, #2BE9C3 and #E92BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76E92C shade: #76E92C, #2B77E9 and #E92B77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76E92C shade: #76E92C, #2BE9C3, #9D2BE9 and #E92B51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76E92C shade: #76E92C, #2BD6E9, #9D2BE9 and #E93E2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 81 / 9

HEX #76E92C

RGB 118 233 44

HSL 96.51, 0.81%, 0.54%

LAB 83.08, -61.77, 73.73

 

Complementary color

CMYK 35 / 90 / 0 / 17

HEX #8916D3

RGB 137 22 211

HSL 276.51, 0.81%, 0.46%

LAB 38.89, 72.07, -71.57

 

CMYK 47 / 0 / 83 / 9

HEX #7BE927

RGB 123 233 39

HSL 94.02, 0.82%, 0.53%

LAB 83.25, -60.52, 75.17

 

CMYK 44 / 0 / 77 / 2

HEX #8CFB3A

RGB 140 251 58

HSL 94.51, 0.96%, 0.61%

LAB 89.33, -61.25, 76.01

 

CMYK 38 / 0 / 70 / 0

HEX #9DFF4D

RGB 157 255 77

HSL 93.03, 1%, 0.65%

LAB 91.34, -56.34, 72.09

 

CMYK 32 / 0 / 62 / 0

HEX #AEFF60

RGB 174 255 96

HSL 90.57, 1%, 0.69%

LAB 92.29, -49.3, 66.14

 

CMYK 25 / 0 / 55 / 0

HEX #BFFF73

RGB 191 255 115

HSL 87.43, 1%, 0.73%

LAB 93.38, -41.73, 59.58

 

CMYK 49 / 0 / 81 / 9

HEX #76E92C

RGB 118 233 44

HSL 96.51, 0.81%, 0.54%

LAB 83.08, -61.77, 73.73

 

CMYK 53 / 0 / 88 / 16

HEX #65D719

RGB 101 215 25

HSL 96, 0.79%, 0.47%

LAB 76.94, -60.78, 72.25

 

CMYK 57 / 0 / 97 / 23

HEX #54C506

RGB 84 197 6

HSL 95.5, 0.94%, 0.4%

LAB 70.75, -59.43, 69.46

 

CMYK 63 / 0 / 100 / 30

HEX #43B300

RGB 67 179 0

HSL 97.54, 1%, 0.35%

LAB 64.51, -57.6, 64.96

 

CMYK 69 / 0 / 100 / 37

HEX #32A100

RGB 50 161 0

HSL 101.37, 1%, 0.32%

LAB 58.2, -55.37, 59.76

 

CMYK 50 / 0 / 82 / 9

HEX #75E92B

RGB 117 233 43

HSL 96.63, 0.81%, 0.54%

LAB 83.04, -62.1, 73.94

 

CMYK 28 / 0 / 82 / 9

HEX #A8E92B

RGB 168 233 43

HSL 80.53, 0.81%, 0.54%

LAB 85.39, -45.26, 76.93

 

CMYK 6 / 0 / 82 / 9

HEX #DCE92B

RGB 220 233 43

HSL 64.11, 0.81%, 0.54%

LAB 88.77, -24.84, 81.17

 

CMYK 0 / 16 / 82 / 9

HEX #E9C32B

RGB 233 195 43

HSL 48, 0.81%, 0.54%

LAB 79.91, -0.44, 74.02

 

CMYK 0 / 39 / 82 / 9

HEX #E98F2B

RGB 233 143 43

HSL 31.58, 0.81%, 0.54%

LAB 67.38, 26.97, 63.1

 

CMYK 50 / 0 / 82 / 9

HEX #75E92B

RGB 117 233 43

HSL 96.63, 0.81%, 0.54%

LAB 83.04, -62.1, 73.94

 

CMYK 72 / 0 / 82 / 9

HEX #42E92B

RGB 66 233 43

HSL 112.74, 0.81%, 0.54%

LAB 81.63, -73.61, 72.13

 

CMYK 82 / 0 / 70 / 9

HEX #2BE947

RGB 43 233 71

HSL 128.84, 0.81%, 0.54%

LAB 81.43, -74.76, 62.99

 

CMYK 82 / 0 / 48 / 9

HEX #2BE97A

RGB 43 233 122

HSL 144.95, 0.81%, 0.54%

LAB 81.94, -68.47, 41.3

 

CMYK 82 / 0 / 26 / 9

HEX #2BE9AD

RGB 43 233 173

HSL 161.05, 0.81%, 0.54%

LAB 82.81, -58.61, 16.6

 

CMYK 50 / 0 / 82 / 9

HEX #75E92B

RGB 117 233 43

HSL 96.63, 0.81%, 0.54%

LAB 83.04, -62.1, 73.94

 

CMYK 55 / 0 / 90 / 1

HEX #71FC18

RGB 113 252 24

HSL 96.58, 0.97%, 0.54%

LAB 88.54, -70.42, 82.29

 

CMYK 50 / 0 / 82 / 9

HEX #75E92B

RGB 117 233 43

HSL 96.63, 0.81%, 0.54%

LAB 83.04, -62.1, 73.94

 

CMYK 43 / 0 / 71 / 16

HEX #79D63E

RGB 121 214 62

HSL 96.71, 0.65%, 0.54%

LAB 77.58, -52.66, 62.96

 

CMYK 36 / 0 / 58 / 24

HEX #7DC351

RGB 125 195 81

HSL 96.84, 0.49%, 0.54%

LAB 72.22, -41.88, 49.45

 

CMYK 27 / 0 / 43 / 31

HEX #81B064

RGB 129 176 100

HSL 97.11, 0.32%, 0.54%

LAB 67, -29.59, 33.93

 

CMYK 15 / 0 / 24 / 38

HEX #869D77

RGB 134 157 119

HSL 96.32, 0.16%, 0.54%

LAB 62.1, -15.33, 17.26

 

CMYK 6 / 0 / 82 / 9

HEX #DCE92B

RGB 220 233 43

HSL 64.11, 0.81%, 0.54%

LAB 88.77, -24.84, 81.17

 

CMYK 27 / 0 / 82 / 9

HEX #A9E92B

RGB 169 233 43

HSL 80.21, 0.81%, 0.54%

LAB 85.45, -44.89, 77

 

CMYK 49 / 0 / 82 / 9

HEX #77E92B

RGB 119 233 43

HSL 96, 0.81%, 0.54%

LAB 83.11, -61.52, 74.03

 

CMYK 71 / 0 / 82 / 9

HEX #44E92B

RGB 68 233 43

HSL 112.11, 0.81%, 0.54%

LAB 81.66, -73.28, 72.18

 

CMYK 82 / 0 / 71 / 9

HEX #2BE944

RGB 43 233 68

HSL 127.89, 0.81%, 0.54%

LAB 81.41, -75.02, 64.07

 

CMYK 55 / 0 / 90 / 31

HEX #4FAF12

RGB 79 175 18

HSL 96.69, 0.81%, 0.38%

LAB 63.64, -52.68, 61.91

 

CMYK 55 / 0 / 90 / 17

HEX #60D416

RGB 96 212 22

HSL 96.63, 0.81%, 0.46%

LAB 75.84, -61.16, 71.76

 

CMYK 50 / 0 / 82 / 9

HEX #75E92B

RGB 117 233 43

HSL 96.63, 0.81%, 0.54%

LAB 83.04, -62.1, 73.94

 

CMYK 41 / 0 / 66 / 7

HEX #8DED50

RGB 141 237 80

HSL 96.69, 0.81%, 0.62%

LAB 85.41, -54.11, 64.6

 

CMYK 31 / 0 / 51 / 5

HEX #A6F175

RGB 166 241 117

HSL 96.29, 0.82%, 0.7%

LAB 88.11, -44.09, 52.13

 

CMYK 49 / 0 / 81 / 9

HEX #76E92C

RGB 118 233 44

HSL 96.51, 0.81%, 0.54%

LAB 83.08, -61.77, 73.73

 

CMYK 82 / 0 / 16 / 9

HEX #2BE9C3

RGB 43 233 195

HSL 168, 0.81%, 0.54%

LAB 83.3, -53.37, 5.77

 

CMYK 0 / 82 / 16 / 9

HEX #E92BC3

RGB 233 43 195

HSL 312, 0.81%, 0.54%

LAB 55.06, 81.41, -35.52

 

CMYK 49 / 0 / 81 / 9

HEX #76E92C

RGB 118 233 44

HSL 96.51, 0.81%, 0.54%

LAB 83.08, -61.77, 73.73

 

CMYK 82 / 49 / 0 / 9

HEX #2B77E9

RGB 43 119 233

HSL 216, 0.81%, 0.54%

LAB 51.37, 18, -64.09

 

CMYK 0 / 82 / 49 / 9

HEX #E92B77

RGB 233 43 119

HSL 336, 0.81%, 0.54%

LAB 52.27, 73.43, 5.17

 

CMYK 49 / 0 / 81 / 9

HEX #76E92C

RGB 118 233 44

HSL 96.51, 0.81%, 0.54%

LAB 83.08, -61.77, 73.73

 

CMYK 82 / 0 / 16 / 9

HEX #2BE9C3

RGB 43 233 195

HSL 168, 0.81%, 0.54%

LAB 83.3, -53.37, 5.77

 

CMYK 33 / 82 / 0 / 9

HEX #9D2BE9

RGB 157 43 233

HSL 276, 0.81%, 0.54%

LAB 45.33, 74.09, -73.51

 

CMYK 0 / 82 / 65 / 9

HEX #E92B51

RGB 233 43 81

HSL 348, 0.81%, 0.54%

LAB 51.43, 70.94, 27

 

CMYK 49 / 0 / 81 / 9

HEX #76E92C

RGB 118 233 44

HSL 96.51, 0.81%, 0.54%

LAB 83.08, -61.77, 73.73

 

CMYK 82 / 8 / 0 / 9

HEX #2BD6E9

RGB 43 214 233

HSL 186, 0.81%, 0.54%

LAB 78.75, -34.48, -21.17

 

CMYK 33 / 82 / 0 / 9

HEX #9D2BE9

RGB 157 43 233

HSL 276, 0.81%, 0.54%

LAB 45.33, 74.09, -73.51

 

CMYK 0 / 73 / 82 / 9

HEX #E93E2B

RGB 233 62 43

HSL 6, 0.81%, 0.54%

LAB 52.89, 64.04, 49.92

 

Description

Color code: HEX #76E92C | qconv.com Color code: HEX #76E92C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 233 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 233 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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