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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E61F it is the complementary color #8919E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E61F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76E61F shade: #7BE61A, #8CF82D, #9DFF40, #AEFF53 and #BFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E61F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76E61F shade: #76E61F, #65D40C, #54C200, #43B000 and #329E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76E61F shade: #75E61E, #ABE61E, #E1E61E, #E6B51E and #E67F1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76E61F shade: #75E61E, #40E61E, #1EE633, #1EE668 and #1EE69E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76E61F shade matches the following richer shades: #75E61E and #73FA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76E61F shade: #75E61E, #78D232, #7BBE47, #7DA95B and #80956F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76E61F shade: #E3E61E, #ADE61E, #78E61E, #43E61E and #1EE62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76E61F shade: #50A012, #62C516, #75E61E, #8CEA43 and #A3EE68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76E61F shade: #76E61F, #1EE6B4 and #E61EC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76E61F shade: #76E61F, #1E78E6 and #E61E78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76E61F shade: #76E61F, #1EE6B4, #8C1EE6 and #E61E50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76E61F shade: #76E61F, #1EDCE6, #8C1EE6 and #E6281E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 87 / 10

HEX #76E61F

RGB 118 230 31

HSL 93.77, 0.8%, 0.51%

LAB 82.13, -61.17, 75.81

 

Complementary color

CMYK 39 / 89 / 0 / 12

HEX #8919E0

RGB 137 25 224

HSL 273.77, 0.8%, 0.49%

LAB 40.24, 74.14, -76.83

 

CMYK 47 / 0 / 89 / 10

HEX #7BE61A

RGB 123 230 26

HSL 91.47, 0.8%, 0.5%

LAB 82.31, -59.83, 76.94

 

CMYK 44 / 0 / 82 / 3

HEX #8CF82D

RGB 140 248 45

HSL 91.92, 0.94%, 0.57%

LAB 88.4, -60.72, 78.6

 

CMYK 38 / 0 / 75 / 0

HEX #9DFF40

RGB 157 255 64

HSL 90.79, 1%, 0.63%

LAB 91.26, -57.12, 76.31

 

CMYK 32 / 0 / 67 / 0

HEX #AEFF53

RGB 174 255 83

HSL 88.26, 1%, 0.66%

LAB 92.2, -50.27, 71.07

 

CMYK 25 / 0 / 60 / 0

HEX #BFFF66

RGB 191 255 102

HSL 85.1, 1%, 0.7%

LAB 93.26, -42.87, 65.01

 

CMYK 49 / 0 / 87 / 10

HEX #76E61F

RGB 118 230 31

HSL 93.77, 0.8%, 0.51%

LAB 82.13, -61.17, 75.81

 

CMYK 52 / 0 / 94 / 17

HEX #65D40C

RGB 101 212 12

HSL 93.3, 0.89%, 0.44%

LAB 76, -60.02, 73.31

 

CMYK 57 / 0 / 100 / 24

HEX #54C200

RGB 84 194 0

HSL 94.02, 1%, 0.38%

LAB 69.8, -58.49, 69.36

 

CMYK 62 / 0 / 100 / 31

HEX #43B000

RGB 67 176 0

HSL 97.16, 1%, 0.35%

LAB 63.54, -56.58, 64.2

 

CMYK 68 / 0 / 100 / 38

HEX #329E00

RGB 50 158 0

HSL 101.01, 1%, 0.31%

LAB 57.2, -54.38, 58.98

 

CMYK 49 / 0 / 87 / 10

HEX #75E61E

RGB 117 230 30

HSL 93.9, 0.8%, 0.51%

LAB 82.09, -61.49, 75.95

 

CMYK 26 / 0 / 87 / 10

HEX #ABE61E

RGB 171 230 30

HSL 77.7, 0.8%, 0.51%

LAB 84.66, -43.25, 79.15

 

CMYK 2 / 0 / 87 / 10

HEX #E1E61E

RGB 225 230 30

HSL 61.5, 0.8%, 0.51%

LAB 88.3, -21.66, 83.62

 

CMYK 0 / 21 / 87 / 10

HEX #E6B51E

RGB 230 181 30

HSL 45.3, 0.8%, 0.51%

LAB 76.05, 5.23, 74.01

 

CMYK 0 / 45 / 87 / 10

HEX #E67F1E

RGB 230 127 30

HSL 29.1, 0.8%, 0.51%

LAB 63.42, 33.78, 63.95

 

CMYK 49 / 0 / 87 / 10

HEX #75E61E

RGB 117 230 30

HSL 93.9, 0.8%, 0.51%

LAB 82.09, -61.49, 75.95

 

CMYK 72 / 0 / 87 / 10

HEX #40E61E

RGB 64 230 30

HSL 109.8, 0.8%, 0.51%

LAB 80.61, -73.59, 74.1

 

CMYK 87 / 0 / 78 / 10

HEX #1EE633

RGB 30 230 51

HSL 126.3, 0.8%, 0.51%

LAB 80.24, -76.57, 68.46

 

CMYK 87 / 0 / 55 / 10

HEX #1EE668

RGB 30 230 104

HSL 142.2, 0.8%, 0.51%

LAB 80.67, -71.27, 48.22

 

CMYK 87 / 0 / 31 / 10

HEX #1EE69E

RGB 30 230 158

HSL 158.4, 0.8%, 0.51%

LAB 81.48, -61.77, 22.53

 

CMYK 49 / 0 / 87 / 10

HEX #75E61E

RGB 117 230 30

HSL 93.9, 0.8%, 0.51%

LAB 82.09, -61.49, 75.95

 

CMYK 54 / 0 / 96 / 2

HEX #73FA0A

RGB 115 250 10

HSL 93.75, 0.96%, 0.51%

LAB 87.99, -69.48, 83.36

 

CMYK 49 / 0 / 87 / 10

HEX #75E61E

RGB 117 230 30

HSL 93.9, 0.8%, 0.51%

LAB 82.09, -61.49, 75.95

 

CMYK 43 / 0 / 76 / 18

HEX #78D232

RGB 120 210 50

HSL 93.75, 0.64%, 0.51%

LAB 76.26, -52.16, 65.71

 

CMYK 35 / 0 / 63 / 25

HEX #7BBE47

RGB 123 190 71

HSL 93.78, 0.48%, 0.51%

LAB 70.52, -41.35, 51.95

 

CMYK 26 / 0 / 46 / 34

HEX #7DA95B

RGB 125 169 91

HSL 93.85, 0.31%, 0.51%

LAB 64.56, -28.87, 35.44

 

CMYK 14 / 0 / 26 / 42

HEX #80956F

RGB 128 149 111

HSL 93.16, 0.15%, 0.51%

LAB 59.19, -14.7, 17.66

 

CMYK 1 / 0 / 87 / 10

HEX #E3E61E

RGB 227 230 30

HSL 60.9, 0.8%, 0.51%

LAB 88.46, -20.83, 83.81

 

CMYK 25 / 0 / 87 / 10

HEX #ADE61E

RGB 173 230 30

HSL 77.1, 0.8%, 0.51%

LAB 84.78, -42.49, 79.29

 

CMYK 48 / 0 / 87 / 10

HEX #78E61E

RGB 120 230 30

HSL 93, 0.8%, 0.51%

LAB 82.21, -60.62, 76.09

 

CMYK 71 / 0 / 87 / 10

HEX #43E61E

RGB 67 230 30

HSL 108.9, 0.8%, 0.51%

LAB 80.67, -73.09, 74.17

 

CMYK 87 / 0 / 80 / 10

HEX #1EE62F

RGB 30 230 47

HSL 125.1, 0.8%, 0.51%

LAB 80.22, -76.81, 69.59

 

CMYK 50 / 0 / 89 / 37

HEX #50A012

RGB 80 160 18

HSL 93.8, 0.8%, 0.35%

LAB 58.87, -46.72, 57.86

 

CMYK 50 / 0 / 89 / 23

HEX #62C516

RGB 98 197 22

HSL 93.94, 0.8%, 0.43%

LAB 71.27, -55.19, 67.93

 

CMYK 49 / 0 / 87 / 10

HEX #75E61E

RGB 117 230 30

HSL 93.9, 0.8%, 0.51%

LAB 82.09, -61.49, 75.95

 

CMYK 40 / 0 / 71 / 8

HEX #8CEA43

RGB 140 234 67

HSL 93.77, 0.8%, 0.59%

LAB 84.39, -54.17, 68.33

 

CMYK 32 / 0 / 56 / 7

HEX #A3EE68

RGB 163 238 104

HSL 93.58, 0.8%, 0.67%

LAB 86.97, -45.15, 56.62

 

CMYK 49 / 0 / 87 / 10

HEX #76E61F

RGB 118 230 31

HSL 93.77, 0.8%, 0.51%

LAB 82.13, -61.17, 75.81

 

CMYK 87 / 0 / 22 / 10

HEX #1EE6B4

RGB 30 230 180

HSL 165, 0.8%, 0.51%

LAB 81.93, -56.79, 11.67

 

CMYK 0 / 87 / 13 / 10

HEX #E61EC8

RGB 230 30 200

HSL 309, 0.8%, 0.51%

LAB 53.94, 83.9, -40.2

 

CMYK 49 / 0 / 87 / 10

HEX #76E61F

RGB 118 230 31

HSL 93.77, 0.8%, 0.51%

LAB 82.13, -61.17, 75.81

 

CMYK 87 / 48 / 0 / 10

HEX #1E78E6

RGB 30 120 230

HSL 213, 0.8%, 0.51%

LAB 51.18, 15.26, -62.73

 

CMYK 0 / 87 / 48 / 10

HEX #E61E78

RGB 230 30 120

HSL 333, 0.8%, 0.51%

LAB 50.81, 75.4, 2.39

 

CMYK 49 / 0 / 87 / 10

HEX #76E61F

RGB 118 230 31

HSL 93.77, 0.8%, 0.51%

LAB 82.13, -61.17, 75.81

 

CMYK 87 / 0 / 22 / 10

HEX #1EE6B4

RGB 30 230 180

HSL 165, 0.8%, 0.51%

LAB 81.93, -56.79, 11.67

 

CMYK 39 / 87 / 0 / 10

HEX #8C1EE6

RGB 140 30 230

HSL 273, 0.8%, 0.51%

LAB 41.56, 74.64, -78.07

 

CMYK 0 / 87 / 65 / 10

HEX #E61E50

RGB 230 30 80

HSL 345, 0.8%, 0.51%

LAB 49.89, 72.79, 25.51

 

CMYK 49 / 0 / 87 / 10

HEX #76E61F

RGB 118 230 31

HSL 93.77, 0.8%, 0.51%

LAB 82.13, -61.17, 75.81

 

CMYK 87 / 4 / 0 / 10

HEX #1EDCE6

RGB 30 220 230

HSL 183, 0.8%, 0.51%

LAB 80.28, -39.02, -17.26

 

CMYK 39 / 87 / 0 / 10

HEX #8C1EE6

RGB 140 30 230

HSL 273, 0.8%, 0.51%

LAB 41.56, 74.64, -78.07

 

CMYK 0 / 83 / 87 / 10

HEX #E6281E

RGB 230 40 30

HSL 3, 0.8%, 0.51%

LAB 50.02, 69.07, 53.32

 

Description

Color code: HEX #76E61F | qconv.com Color code: HEX #76E61F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 230 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 230 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 87 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 87% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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