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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76E249 it is the complementary color #891DB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76E249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76E249 shade: #7BE244, #8CF457, #9DFF6A, #AEFF7D and #BFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76E249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76E249 shade: #76E249, #65D036, #54BE23, #43AC10 and #329A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76E249 shade: #77E34A, #A0E34A, #C9E34A, #E3D34A and #E3AA4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76E249 shade: #77E34A, #4EE34A, #4AE370, #4AE399 and #4AE3C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76E249 shade matches the following richer shades: #77E34A and #70F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76E249 shade: #77E34A, #7ED25B, #85C16C, #8CB07D and #939F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76E249 shade: #C9E34A, #A1E34A, #78E34A, #4FE34A and #4AE36E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76E249 shade: #4CBD1D, #5CDD26, #77E34A, #92E86E and #ADEE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76E249 shade: #76E249, #4AE3D4 and #E34AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76E249 shade: #76E249, #4A78E3 and #E34A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76E249 shade: #76E249, #4AE3D4, #B54AE3 and #E34A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76E249 shade: #76E249, #4AC4E3, #B54AE3 and #E3694A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 68 / 11

HEX #76E249

RGB 118 226 73

HSL 102.35, 0.73%, 0.59%

LAB 81.14, -57.38, 62.5

 

Complementary color

CMYK 25 / 84 / 0 / 29

HEX #891DB6

RGB 137 29 182

HSL 282.35, 0.73%, 0.41%

LAB 37.07, 64.63, -57.58

 

CMYK 46 / 0 / 70 / 11

HEX #7BE244

RGB 123 226 68

HSL 99.11, 0.73%, 0.58%

LAB 81.3, -56.28, 64.6

 

CMYK 43 / 0 / 64 / 4

HEX #8CF457

RGB 140 244 87

HSL 99.75, 0.88%, 0.65%

LAB 87.47, -56.61, 64.05

 

CMYK 38 / 0 / 58 / 0

HEX #9DFF6A

RGB 157 255 106

HSL 99.46, 1%, 0.71%

LAB 91.56, -54, 60.95

 

CMYK 32 / 0 / 51 / 0

HEX #AEFF7D

RGB 174 255 125

HSL 97.38, 1%, 0.75%

LAB 92.57, -46.55, 53.91

 

CMYK 25 / 0 / 44 / 0

HEX #BFFF90

RGB 191 255 144

HSL 94.59, 1%, 0.78%

LAB 93.71, -38.63, 46.6

 

CMYK 48 / 0 / 68 / 11

HEX #76E249

RGB 118 226 73

HSL 102.35, 0.73%, 0.59%

LAB 81.14, -57.38, 62.5

 

CMYK 51 / 0 / 74 / 18

HEX #65D036

RGB 101 208 54

HSL 101.69, 0.62%, 0.51%

LAB 74.92, -56.87, 62.83

 

CMYK 56 / 0 / 82 / 25

HEX #54BE23

RGB 84 190 35

HSL 101.03, 0.69%, 0.44%

LAB 68.63, -56.06, 62.47

 

CMYK 61 / 0 / 91 / 33

HEX #43AC10

RGB 67 172 16

HSL 100.38, 0.83%, 0.37%

LAB 62.28, -54.83, 60.96

 

CMYK 68 / 0 / 100 / 40

HEX #329A00

RGB 50 154 0

HSL 100.52, 1%, 0.3%

LAB 55.88, -53.05, 57.92

 

CMYK 48 / 0 / 67 / 11

HEX #77E34A

RGB 119 227 74

HSL 102.35, 0.73%, 0.59%

LAB 81.49, -57.39, 62.49

 

CMYK 30 / 0 / 67 / 11

HEX #A0E34A

RGB 160 227 74

HSL 86.27, 0.73%, 0.59%

LAB 83.39, -43.98, 65.08

 

CMYK 11 / 0 / 67 / 11

HEX #C9E34A

RGB 201 227 74

HSL 70.2, 0.73%, 0.59%

LAB 85.93, -28.35, 68.49

 

CMYK 0 / 7 / 67 / 11

HEX #E3D34A

RGB 227 211 74

HSL 53.73, 0.73%, 0.59%

LAB 83.66, -9.88, 66.83

 

CMYK 0 / 25 / 67 / 11

HEX #E3AA4A

RGB 227 170 74

HSL 37.65, 0.73%, 0.59%

LAB 73.27, 11.42, 55.98

 

CMYK 48 / 0 / 67 / 11

HEX #77E34A

RGB 119 227 74

HSL 102.35, 0.73%, 0.59%

LAB 81.49, -57.39, 62.49

 

CMYK 66 / 0 / 67 / 11

HEX #4EE34A

RGB 78 227 74

HSL 118.43, 0.73%, 0.59%

LAB 80.21, -67.41, 60.75

 

CMYK 67 / 0 / 51 / 11

HEX #4AE370

RGB 74 227 112

HSL 134.9, 0.73%, 0.59%

LAB 80.5, -63.74, 44.41

 

CMYK 67 / 0 / 33 / 11

HEX #4AE399

RGB 74 227 153

HSL 150.98, 0.73%, 0.59%

LAB 81.12, -56.73, 24.73

 

CMYK 67 / 0 / 15 / 11

HEX #4AE3C2

RGB 74 227 194

HSL 167.06, 0.73%, 0.59%

LAB 82, -47.6, 4.47

 

CMYK 48 / 0 / 67 / 11

HEX #77E34A

RGB 119 227 74

HSL 102.35, 0.73%, 0.59%

LAB 81.49, -57.39, 62.49

 

CMYK 54 / 0 / 77 / 4

HEX #70F439

RGB 112 244 57

HSL 102.35, 0.89%, 0.59%

LAB 86.23, -66.65, 72.99

 

CMYK 48 / 0 / 67 / 11

HEX #77E34A

RGB 119 227 74

HSL 102.35, 0.73%, 0.59%

LAB 81.49, -57.39, 62.49

 

CMYK 40 / 0 / 57 / 18

HEX #7ED25B

RGB 126 210 91

HSL 102.35, 0.57%, 0.59%

LAB 76.85, -46.89, 50.26

 

CMYK 31 / 0 / 44 / 24

HEX #85C16C

RGB 133 193 108

HSL 102.35, 0.41%, 0.59%

LAB 72.37, -35.07, 36.69

 

CMYK 20 / 0 / 29 / 31

HEX #8CB07D

RGB 140 176 125

HSL 102.35, 0.24%, 0.59%

LAB 68.1, -21.9, 22.25

 

CMYK 8 / 0 / 11 / 38

HEX #939F8E

RGB 147 159 142

HSL 102.35, 0.08%, 0.59%

LAB 64.12, -7.54, 7.41

 

CMYK 11 / 0 / 67 / 11

HEX #C9E34A

RGB 201 227 74

HSL 70.2, 0.73%, 0.59%

LAB 85.93, -28.35, 68.49

 

CMYK 29 / 0 / 67 / 11

HEX #A1E34A

RGB 161 227 74

HSL 85.88, 0.73%, 0.59%

LAB 83.45, -43.62, 65.15

 

CMYK 47 / 0 / 67 / 11

HEX #78E34A

RGB 120 227 74

HSL 101.96, 0.73%, 0.59%

LAB 81.53, -57.1, 62.55

 

CMYK 65 / 0 / 67 / 11

HEX #4FE34A

RGB 79 227 74

HSL 118.04, 0.73%, 0.59%

LAB 80.23, -67.22, 60.78

 

CMYK 67 / 0 / 52 / 11

HEX #4AE36E

RGB 74 227 110

HSL 134.12, 0.73%, 0.59%

LAB 80.47, -64.02, 45.33

 

CMYK 60 / 0 / 85 / 26

HEX #4CBD1D

RGB 76 189 29

HSL 102.38, 0.73%, 0.43%

LAB 68.04, -58.04, 63.37

 

CMYK 58 / 0 / 83 / 13

HEX #5CDD26

RGB 92 221 38

HSL 102.3, 0.73%, 0.51%

LAB 78.54, -64.72, 70.79

 

CMYK 48 / 0 / 67 / 11

HEX #77E34A

RGB 119 227 74

HSL 102.35, 0.73%, 0.59%

LAB 81.49, -57.39, 62.49

 

CMYK 37 / 0 / 53 / 9

HEX #92E86E

RGB 146 232 110

HSL 102.3, 0.73%, 0.67%

LAB 84.46, -47.62, 50.74

 

CMYK 27 / 0 / 39 / 7

HEX #ADEE92

RGB 173 238 146

HSL 102.39, 0.73%, 0.75%

LAB 88.02, -36.83, 38.14

 

CMYK 48 / 0 / 68 / 11

HEX #76E249

RGB 118 226 73

HSL 102.35, 0.73%, 0.59%

LAB 81.14, -57.38, 62.5

 

CMYK 67 / 0 / 7 / 11

HEX #4AE3D4

RGB 74 227 212

HSL 174.12, 0.73%, 0.59%

LAB 82.46, -43.02, -4.38

 

CMYK 0 / 67 / 20 / 11

HEX #E34AB5

RGB 227 74 181

HSL 318.04, 0.73%, 0.59%

LAB 56.65, 69.11, -25.05

 

CMYK 48 / 0 / 68 / 11

HEX #76E249

RGB 118 226 73

HSL 102.35, 0.73%, 0.59%

LAB 81.14, -57.38, 62.5

 

CMYK 67 / 47 / 0 / 11

HEX #4A78E3

RGB 74 120 227

HSL 221.96, 0.73%, 0.59%

LAB 52.33, 18.89, -59.13

 

CMYK 0 / 67 / 47 / 11

HEX #E34A78

RGB 227 74 120

HSL 341.96, 0.73%, 0.59%

LAB 54.64, 62.29, 7.82

 

CMYK 48 / 0 / 68 / 11

HEX #76E249

RGB 118 226 73

HSL 102.35, 0.73%, 0.59%

LAB 81.14, -57.38, 62.5

 

CMYK 67 / 0 / 7 / 11

HEX #4AE3D4

RGB 74 227 212

HSL 174.12, 0.73%, 0.59%

LAB 82.46, -43.02, -4.38

 

CMYK 20 / 67 / 0 / 11

HEX #B54AE3

RGB 181 74 227

HSL 281.96, 0.73%, 0.59%

LAB 52.14, 65.94, -58.93

 

CMYK 0 / 67 / 61 / 11

HEX #E34A59

RGB 227 74 89

HSL 354.12, 0.73%, 0.59%

LAB 53.97, 59.92, 25.31

 

CMYK 48 / 0 / 68 / 11

HEX #76E249

RGB 118 226 73

HSL 102.35, 0.73%, 0.59%

LAB 81.14, -57.38, 62.5

 

CMYK 67 / 14 / 0 / 11

HEX #4AC4E3

RGB 74 196 227

HSL 192.16, 0.73%, 0.59%

LAB 73.86, -24.12, -25.34

 

CMYK 20 / 67 / 0 / 11

HEX #B54AE3

RGB 181 74 227

HSL 281.96, 0.73%, 0.59%

LAB 52.14, 65.94, -58.93

 

CMYK 0 / 54 / 67 / 11

HEX #E3694A

RGB 227 105 74

HSL 12.16, 0.73%, 0.59%

LAB 58.91, 45.35, 39.9

 

Description

Color code: HEX #76E249 | qconv.com Color code: HEX #76E249 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 226 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 226 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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