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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76D9F0 it is the complementary color #89260F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76D9F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76D9F0 shade: #7BD9EB, #8CEBFE, #9DFDFF, #AEFFFF and #BFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76D9F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76D9F0 shade: #76D9F0, #65C7DD, #54B5CA, #43A3B7 and #3291A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76D9F0 shade: #75D9F0, #75B8F0, #7597F0, #7576F0 and #9675F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76D9F0 shade: #75D9F0, #75B8F0, #7597F0, #7576F0 and #7575F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76D9F0 shade matches the following richer shades: #75D9F0 and #69E0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76D9F0 shade: #75D9F0, #82D1E3, #8EC9D7, #9AC1CB and #A7BABE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76D9F0 shade: #75F0C5, #75F0E6, #75D9F0, #75B9F0 and #7598F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76D9F0 shade: #2BC4E7, #50CEEC, #75D9F0, #9AE3F4 and #C0EDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76D9F0 shade: #76D9F0, #A475F0 and #F0D575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76D9F0 shade: #76D9F0, #F075D9 and #D9F075

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76D9F0 shade: #76D9F0, #A475F0, #F08C75 and #C1F075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76D9F0 shade: #76D9F0, #C975F0, #F08C75 and #9CF075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 10 / 0 / 6

HEX #76D9F0

RGB 118 217 240

HSL 191.31, 0.8%, 0.7%

LAB 81.71, -22.97, -20.23

 

Complementary color

CMYK 0 / 72 / 89 / 46

HEX #89260F

RGB 137 38 15

HSL 11.31, 0.8%, 0.3%

LAB 31.21, 40.9, 37.28

 

CMYK 48 / 8 / 0 / 8

HEX #7BD9EB

RGB 123 217 235

HSL 189.64, 0.74%, 0.7%

LAB 81.75, -23.22, -17.49

 

CMYK 45 / 7 / 0 / 0

HEX #8CEBFE

RGB 140 235 254

HSL 190, 0.98%, 0.77%

LAB 88.04, -23.34, -17.97

 

CMYK 38 / 1 / 0 / 0

HEX #9DFDFF

RGB 157 253 255

HSL 181.22, 1%, 0.81%

LAB 93.73, -27.8, -9.91

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 51 / 10 / 0 / 6

HEX #76D9F0

RGB 118 217 240

HSL 191.31, 0.8%, 0.7%

LAB 81.71, -22.97, -20.23

 

CMYK 54 / 10 / 0 / 13

HEX #65C7DD

RGB 101 199 221

HSL 191, 0.64%, 0.63%

LAB 75.35, -22.7, -19.75

 

CMYK 58 / 10 / 0 / 21

HEX #54B5CA

RGB 84 181 202

HSL 190.68, 0.53%, 0.56%

LAB 68.89, -22.34, -19.24

 

CMYK 63 / 11 / 0 / 28

HEX #43A3B7

RGB 67 163 183

HSL 190.34, 0.46%, 0.49%

LAB 62.34, -21.84, -18.69

 

CMYK 70 / 12 / 0 / 36

HEX #3291A4

RGB 50 145 164

HSL 190, 0.53%, 0.42%

LAB 55.69, -21.14, -18.09

 

CMYK 51 / 10 / 0 / 6

HEX #75D9F0

RGB 117 217 240

HSL 191.22, 0.8%, 0.7%

LAB 81.67, -23.18, -20.29

 

CMYK 51 / 23 / 0 / 6

HEX #75B8F0

RGB 117 184 240

HSL 207.32, 0.8%, 0.7%

LAB 72.46, -5.98, -34.39

 

CMYK 51 / 37 / 0 / 6

HEX #7597F0

RGB 117 151 240

HSL 223.41, 0.8%, 0.7%

LAB 63.51, 12.66, -48.39

 

CMYK 51 / 51 / 0 / 6

HEX #7576F0

RGB 117 118 240

HSL 239.51, 0.8%, 0.7%

LAB 55.1, 32.21, -61.8

 

CMYK 38 / 51 / 0 / 6

HEX #9675F0

RGB 150 117 240

HSL 256.1, 0.8%, 0.7%

LAB 57.56, 40.19, -57.72

 

CMYK 51 / 10 / 0 / 6

HEX #75D9F0

RGB 117 217 240

HSL 191.22, 0.8%, 0.7%

LAB 81.67, -23.18, -20.29

 

CMYK 51 / 23 / 0 / 6

HEX #75B8F0

RGB 117 184 240

HSL 207.32, 0.8%, 0.7%

LAB 72.46, -5.98, -34.39

 

CMYK 51 / 37 / 0 / 6

HEX #7597F0

RGB 117 151 240

HSL 223.41, 0.8%, 0.7%

LAB 63.51, 12.66, -48.39

 

CMYK 51 / 51 / 0 / 6

HEX #7576F0

RGB 117 118 240

HSL 239.51, 0.8%, 0.7%

LAB 55.1, 32.21, -61.8

 

CMYK 51 / 51 / 0 / 6

HEX #7575F0

RGB 117 117 240

HSL 240, 0.8%, 0.7%

LAB 54.86, 32.81, -62.19

 

CMYK 51 / 10 / 0 / 6

HEX #75D9F0

RGB 117 217 240

HSL 191.22, 0.8%, 0.7%

LAB 81.67, -23.18, -20.29

 

CMYK 58 / 11 / 0 / 1

HEX #69E0FC

RGB 105 224 252

HSL 191.43, 0.96%, 0.7%

LAB 83.62, -25.64, -23.73

 

CMYK 51 / 10 / 0 / 6

HEX #75D9F0

RGB 117 217 240

HSL 191.22, 0.8%, 0.7%

LAB 81.67, -23.18, -20.29

 

CMYK 43 / 8 / 0 / 11

HEX #82D1E3

RGB 130 209 227

HSL 191.13, 0.63%, 0.7%

LAB 79.55, -19.67, -16.51

 

CMYK 34 / 7 / 0 / 16

HEX #8EC9D7

RGB 142 201 215

HSL 191.51, 0.48%, 0.7%

LAB 77.54, -15.49, -13.03

 

CMYK 24 / 5 / 0 / 20

HEX #9AC1CB

RGB 154 193 203

HSL 192.24, 0.32%, 0.7%

LAB 75.65, -10.69, -9.29

 

CMYK 12 / 2 / 0 / 25

HEX #A7BABE

RGB 167 186 190

HSL 190.43, 0.15%, 0.7%

LAB 74.22, -5.68, -4.25

 

CMYK 51 / 0 / 18 / 6

HEX #75F0C5

RGB 117 240 197

HSL 159.02, 0.8%, 0.7%

LAB 87.06, -44.48, 10.33

 

CMYK 51 / 0 / 4 / 6

HEX #75F0E6

RGB 117 240 230

HSL 175.12, 0.8%, 0.7%

LAB 87.88, -36.79, -5.73

 

CMYK 51 / 10 / 0 / 6

HEX #75D9F0

RGB 117 217 240

HSL 191.22, 0.8%, 0.7%

LAB 81.67, -23.18, -20.29

 

CMYK 51 / 23 / 0 / 6

HEX #75B9F0

RGB 117 185 240

HSL 206.83, 0.8%, 0.7%

LAB 72.74, -6.52, -33.96

 

CMYK 51 / 37 / 0 / 6

HEX #7598F0

RGB 117 152 240

HSL 222.93, 0.8%, 0.7%

LAB 63.78, 12.08, -47.97

 

CMYK 81 / 15 / 0 / 9

HEX #2BC4E7

RGB 43 196 231

HSL 191.17, 0.8%, 0.54%

LAB 73.39, -26.38, -28.27

 

CMYK 66 / 13 / 0 / 7

HEX #50CEEC

RGB 80 206 236

HSL 191.54, 0.8%, 0.62%

LAB 77.22, -25.51, -25.03

 

CMYK 51 / 10 / 0 / 6

HEX #75D9F0

RGB 117 217 240

HSL 191.22, 0.8%, 0.7%

LAB 81.67, -23.18, -20.29

 

CMYK 37 / 7 / 0 / 4

HEX #9AE3F4

RGB 154 227 244

HSL 191.33, 0.8%, 0.78%

LAB 86.18, -18.46, -15.46

 

CMYK 23 / 4 / 0 / 3

HEX #C0EDF8

RGB 192 237 248

HSL 191.79, 0.8%, 0.86%

LAB 91.03, -12.04, -10.09

 

CMYK 51 / 10 / 0 / 6

HEX #76D9F0

RGB 118 217 240

HSL 191.31, 0.8%, 0.7%

LAB 81.71, -22.97, -20.23

 

CMYK 32 / 51 / 0 / 6

HEX #A475F0

RGB 164 117 240

HSL 262.93, 0.8%, 0.7%

LAB 58.89, 43.6, -55.51

 

CMYK 0 / 11 / 51 / 6

HEX #F0D575

RGB 240 213 117

HSL 46.83, 0.8%, 0.7%

LAB 85.7, -2.57, 50.45

 

CMYK 51 / 10 / 0 / 6

HEX #76D9F0

RGB 118 217 240

HSL 191.31, 0.8%, 0.7%

LAB 81.71, -22.97, -20.23

 

CMYK 0 / 51 / 10 / 6

HEX #F075D9

RGB 240 117 217

HSL 311.22, 0.8%, 0.7%

LAB 66.72, 59.67, -29.8

 

CMYK 10 / 0 / 51 / 6

HEX #D9F075

RGB 217 240 117

HSL 71.22, 0.8%, 0.7%

LAB 90.94, -25.04, 56.25

 

CMYK 51 / 10 / 0 / 6

HEX #76D9F0

RGB 118 217 240

HSL 191.31, 0.8%, 0.7%

LAB 81.71, -22.97, -20.23

 

CMYK 32 / 51 / 0 / 6

HEX #A475F0

RGB 164 117 240

HSL 262.93, 0.8%, 0.7%

LAB 58.89, 43.6, -55.51

 

CMYK 0 / 42 / 51 / 6

HEX #F08C75

RGB 240 140 117

HSL 11.22, 0.8%, 0.7%

LAB 68.44, 35.67, 28.73

 

CMYK 20 / 0 / 51 / 6

HEX #C1F075

RGB 193 240 117

HSL 82.93, 0.8%, 0.7%

LAB 89.37, -34.09, 53.99

 

CMYK 51 / 10 / 0 / 6

HEX #76D9F0

RGB 118 217 240

HSL 191.31, 0.8%, 0.7%

LAB 81.71, -22.97, -20.23

 

CMYK 16 / 51 / 0 / 6

HEX #C975F0

RGB 201 117 240

HSL 280.98, 0.8%, 0.7%

LAB 62.87, 53.11, -48.94

 

CMYK 0 / 42 / 51 / 6

HEX #F08C75

RGB 240 140 117

HSL 11.22, 0.8%, 0.7%

LAB 68.44, 35.67, 28.73

 

CMYK 35 / 0 / 51 / 6

HEX #9CF075

RGB 156 240 117

HSL 100.98, 0.8%, 0.7%

LAB 87.33, -46.97, 51.06

 

Description

Color code: HEX #76D9F0 | qconv.com Color code: HEX #76D9F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 217 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 217 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 10 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 10% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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