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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76D739 it is the complementary color #8928C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76D739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76D739 shade: #7BD734, #8CE947, #9DFB5A, #AEFF6D and #BFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76D739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76D739 shade: #76D739, #65C526, #54B313, #43A100 and #328F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76D739 shade: #75D638, #A0D638, #CAD638, #D6B738 and #D68D38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76D739 shade: #75D638, #4AD638, #38D650, #38D67B and #38D6A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76D739 shade matches the following richer shades: #75D638, #71EA25 and #6CFD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76D739 shade: #75D638, #7AC34B, #7EAF5F, #829C72 and #878986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76D739 shade: #CCD638, #A2D638, #77D638, #4DD638 and #38D64D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76D739 shade: #509C20, #61BE27, #75D638, #8DDD5A and #A5E47D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76D739 shade: #76D739, #38D6B7 and #D638B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76D739 shade: #76D739, #3877D6 and #D63877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76D739 shade: #76D739, #38D6B7, #9738D6 and #D63858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76D739 shade: #76D739, #38C6D6, #9738D6 and #D64838

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 73 / 16

HEX #76D739

RGB 118 215 57

HSL 96.84, 0.66%, 0.53%

LAB 77.73, -54.32, 64.81

 

Complementary color

CMYK 31 / 80 / 0 / 22

HEX #8928C6

RGB 137 40 198

HSL 276.84, 0.66%, 0.47%

LAB 39.43, 64.61, -63.14

 

CMYK 43 / 0 / 76 / 16

HEX #7BD734

RGB 123 215 52

HSL 93.87, 0.67%, 0.52%

LAB 77.91, -53.05, 66.71

 

CMYK 40 / 0 / 70 / 9

HEX #8CE947

RGB 140 233 71

HSL 94.44, 0.79%, 0.6%

LAB 84.13, -53.51, 66.64

 

CMYK 37 / 0 / 64 / 2

HEX #9DFB5A

RGB 157 251 90

HSL 95.03, 0.95%, 0.67%

LAB 90.28, -53.79, 66.11

 

CMYK 32 / 0 / 57 / 0

HEX #AEFF6D

RGB 174 255 109

HSL 93.29, 1%, 0.71%

LAB 92.41, -48.17, 60.84

 

CMYK 25 / 0 / 50 / 0

HEX #BFFF80

RGB 191 255 128

HSL 90.24, 1%, 0.75%

LAB 93.52, -40.44, 53.88

 

CMYK 45 / 0 / 73 / 16

HEX #76D739

RGB 118 215 57

HSL 96.84, 0.66%, 0.53%

LAB 77.73, -54.32, 64.81

 

CMYK 49 / 0 / 81 / 23

HEX #65C526

RGB 101 197 38

HSL 96.23, 0.68%, 0.46%

LAB 71.45, -53.67, 64.47

 

CMYK 53 / 0 / 89 / 30

HEX #54B313

RGB 84 179 19

HSL 95.63, 0.81%, 0.39%

LAB 65.1, -52.7, 63.03

 

CMYK 58 / 0 / 100 / 37

HEX #43A100

RGB 67 161 0

HSL 95.03, 1%, 0.32%

LAB 58.68, -51.34, 60.35

 

CMYK 65 / 0 / 100 / 44

HEX #328F00

RGB 50 143 0

HSL 99.02, 1%, 0.28%

LAB 52.2, -49.29, 55.01

 

CMYK 45 / 0 / 74 / 16

HEX #75D638

RGB 117 214 56

HSL 96.84, 0.66%, 0.53%

LAB 77.38, -54.3, 64.79

 

CMYK 25 / 0 / 74 / 16

HEX #A0D638

RGB 160 214 56

HSL 80.51, 0.66%, 0.53%

LAB 79.53, -39.4, 67.63

 

CMYK 6 / 0 / 74 / 16

HEX #CAD638

RGB 202 214 56

HSL 64.56, 0.66%, 0.53%

LAB 82.34, -22.66, 71.29

 

CMYK 0 / 14 / 74 / 16

HEX #D6B738

RGB 214 183 56

HSL 48.23, 0.66%, 0.53%

LAB 75.11, -1.91, 64.78

 

CMYK 0 / 34 / 74 / 16

HEX #D68D38

RGB 214 141 56

HSL 32.28, 0.66%, 0.53%

LAB 64.67, 20.54, 54.52

 

CMYK 45 / 0 / 74 / 16

HEX #75D638

RGB 117 214 56

HSL 96.84, 0.66%, 0.53%

LAB 77.38, -54.3, 64.79

 

CMYK 65 / 0 / 74 / 16

HEX #4AD638

RGB 74 214 56

HSL 113.16, 0.66%, 0.53%

LAB 75.97, -65.37, 62.92

 

CMYK 74 / 0 / 63 / 16

HEX #38D650

RGB 56 214 80

HSL 129.11, 0.66%, 0.53%

LAB 75.77, -66.37, 53.31

 

CMYK 74 / 0 / 43 / 16

HEX #38D67B

RGB 56 214 123

HSL 145.44, 0.66%, 0.53%

LAB 76.29, -60.23, 33.6

 

CMYK 74 / 0 / 22 / 16

HEX #38D6A6

RGB 56 214 166

HSL 161.77, 0.66%, 0.53%

LAB 77.09, -51.41, 12.27

 

CMYK 45 / 0 / 74 / 16

HEX #75D638

RGB 117 214 56

HSL 96.84, 0.66%, 0.53%

LAB 77.38, -54.3, 64.79

 

CMYK 52 / 0 / 84 / 8

HEX #71EA25

RGB 113 234 37

HSL 96.85, 0.82%, 0.53%

LAB 83.17, -63.82, 75.41

 

CMYK 57 / 0 / 93 / 1

HEX #6CFD11

RGB 108 253 17

HSL 96.86, 0.98%, 0.53%

LAB 88.68, -72.14, 83.19

 

CMYK 45 / 0 / 74 / 16

HEX #75D638

RGB 117 214 56

HSL 96.84, 0.66%, 0.53%

LAB 77.38, -54.3, 64.79

 

CMYK 37 / 0 / 62 / 24

HEX #7AC34B

RGB 122 195 75

HSL 96.5, 0.5%, 0.53%

LAB 72.01, -43.48, 51.85

 

CMYK 28 / 0 / 46 / 31

HEX #7EAF5F

RGB 126 175 95

HSL 96.75, 0.33%, 0.53%

LAB 66.46, -30.86, 35.78

 

CMYK 17 / 0 / 27 / 39

HEX #829C72

RGB 130 156 114

HSL 97.14, 0.18%, 0.53%

LAB 61.43, -17.13, 19.08

 

CMYK 1 / 0 / 2 / 46

HEX #878986

RGB 135 137 134

HSL 100, 0.01%, 0.53%

LAB 56.84, -1.32, 1.34

 

CMYK 5 / 0 / 74 / 16

HEX #CCD638

RGB 204 214 56

HSL 63.8, 0.66%, 0.53%

LAB 82.49, -21.83, 71.49

 

CMYK 24 / 0 / 74 / 16

HEX #A2D638

RGB 162 214 56

HSL 79.75, 0.66%, 0.53%

LAB 79.65, -38.64, 67.78

 

CMYK 44 / 0 / 74 / 16

HEX #77D638

RGB 119 214 56

HSL 96.08, 0.66%, 0.53%

LAB 77.46, -53.68, 64.9

 

CMYK 64 / 0 / 74 / 16

HEX #4DD638

RGB 77 214 56

HSL 112.03, 0.66%, 0.53%

LAB 76.04, -64.75, 63.02

 

CMYK 74 / 0 / 64 / 16

HEX #38D64D

RGB 56 214 77

HSL 127.97, 0.66%, 0.53%

LAB 75.74, -66.69, 54.55

 

CMYK 49 / 0 / 79 / 39

HEX #509C20

RGB 80 156 32

HSL 96.77, 0.66%, 0.37%

LAB 57.64, -44.5, 53.08

 

CMYK 49 / 0 / 79 / 25

HEX #61BE27

RGB 97 190 39

HSL 96.95, 0.66%, 0.45%

LAB 69.12, -52.16, 61.97

 

CMYK 45 / 0 / 74 / 16

HEX #75D638

RGB 117 214 56

HSL 96.84, 0.66%, 0.53%

LAB 77.38, -54.3, 64.79

 

CMYK 36 / 0 / 59 / 13

HEX #8DDD5A

RGB 141 221 90

HSL 96.64, 0.66%, 0.61%

LAB 80.8, -46.7, 55.43

 

CMYK 28 / 0 / 45 / 11

HEX #A5E47D

RGB 165 228 125

HSL 96.7, 0.66%, 0.69%

LAB 84.47, -37.76, 43.85

 

CMYK 45 / 0 / 73 / 16

HEX #76D739

RGB 118 215 57

HSL 96.84, 0.66%, 0.53%

LAB 77.73, -54.32, 64.81

 

CMYK 74 / 0 / 14 / 16

HEX #38D6B7

RGB 56 214 183

HSL 168.23, 0.66%, 0.53%

LAB 77.49, -47.26, 3.77

 

CMYK 0 / 74 / 14 / 16

HEX #D638B7

RGB 214 56 183

HSL 311.77, 0.66%, 0.53%

LAB 52.45, 72.32, -32.9

 

CMYK 45 / 0 / 73 / 16

HEX #76D739

RGB 118 215 57

HSL 96.84, 0.66%, 0.53%

LAB 77.73, -54.32, 64.81

 

CMYK 74 / 44 / 0 / 16

HEX #3877D6

RGB 56 119 214

HSL 216.08, 0.66%, 0.53%

LAB 50.56, 12.31, -54.67

 

CMYK 0 / 74 / 44 / 16

HEX #D63877

RGB 214 56 119

HSL 336.08, 0.66%, 0.53%

LAB 50.05, 64.87, 1.52

 

CMYK 45 / 0 / 73 / 16

HEX #76D739

RGB 118 215 57

HSL 96.84, 0.66%, 0.53%

LAB 77.73, -54.32, 64.81

 

CMYK 74 / 0 / 14 / 16

HEX #38D6B7

RGB 56 214 183

HSL 168.23, 0.66%, 0.53%

LAB 77.49, -47.26, 3.77

 

CMYK 29 / 74 / 0 / 16

HEX #9738D6

RGB 151 56 214

HSL 276.08, 0.66%, 0.53%

LAB 44.61, 64.64, -63.89

 

CMYK 0 / 74 / 59 / 16

HEX #D63858

RGB 214 56 88

HSL 347.85, 0.66%, 0.53%

LAB 49.29, 62.42, 19.29

 

CMYK 45 / 0 / 73 / 16

HEX #76D739

RGB 118 215 57

HSL 96.84, 0.66%, 0.53%

LAB 77.73, -54.32, 64.81

 

CMYK 74 / 7 / 0 / 16

HEX #38C6D6

RGB 56 198 214

HSL 186.08, 0.66%, 0.53%

LAB 73.6, -31.4, -18.72

 

CMYK 29 / 74 / 0 / 16

HEX #9738D6

RGB 151 56 214

HSL 276.08, 0.66%, 0.53%

LAB 44.61, 64.64, -63.89

 

CMYK 0 / 66 / 74 / 16

HEX #D64838

RGB 214 72 56

HSL 6.08, 0.66%, 0.53%

LAB 50.94, 54.76, 40.03

 

Description

Color code: HEX #76D739 | qconv.com Color code: HEX #76D739 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 215 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 215 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 73 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 73% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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