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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76D2E5 it is the complementary color #892D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76D2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76D2E5 shade: #7BD2E0, #8CE4F3, #9DF6FF, #AEFFFF and #BFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76D2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76D2E5 shade: #76D2E5, #65C0D2, #54AEBF, #439CAC and #328A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76D2E5 shade: #76D2E5, #76B4E5, #7696E5, #7678E5 and #9276E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76D2E5 shade: #76D2E5, #76B4E5, #7696E5, #7678E5 and #7676E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76D2E5 shade matches the following richer shades: #76D2E5 and #69DBF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76D2E5 shade: #76D2E5, #83C9D8, #90C1CA, #9EB8BD and #ABAFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76D2E5 shade: #76E5BC, #76E5DA, #76D2E5, #76B5E5 and #7697E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76D2E5 shade: #31BBD8, #53C6DE, #76D2E5, #99DDEB and #BBE9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76D2E5 shade: #76D2E5, #9F76E5 and #E5CB76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76D2E5 shade: #76D2E5, #E576D2 and #D2E576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76D2E5 shade: #76D2E5, #9F76E5, #E58876 and #BCE576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76D2E5 shade: #76D2E5, #C076E5, #E58876 and #9BE576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

Complementary color

CMYK 0 / 67 / 81 / 46

HEX #892D1A

RGB 137 45 26

HSL 10.27, 0.68%, 0.32%

LAB 32.41, 38.2, 32.74

 

CMYK 45 / 6 / 0 / 12

HEX #7BD2E0

RGB 123 210 224

HSL 188.32, 0.62%, 0.68%

LAB 79.43, -22.62, -15.11

 

CMYK 42 / 6 / 0 / 5

HEX #8CE4F3

RGB 140 228 243

HSL 188.74, 0.81%, 0.75%

LAB 85.77, -22.69, -15.6

 

CMYK 38 / 4 / 0 / 0

HEX #9DF6FF

RGB 157 246 255

HSL 185.51, 1%, 0.81%

LAB 91.82, -24.42, -12.75

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 52 / 9 / 0 / 18

HEX #65C0D2

RGB 101 192 210

HSL 189.91, 0.55%, 0.61%

LAB 72.97, -22.23, -17.38

 

CMYK 56 / 9 / 0 / 25

HEX #54AEBF

RGB 84 174 191

HSL 189.53, 0.46%, 0.54%

LAB 66.46, -21.95, -16.86

 

CMYK 61 / 9 / 0 / 33

HEX #439CAC

RGB 67 156 172

HSL 189.14, 0.44%, 0.47%

LAB 59.84, -21.55, -16.29

 

CMYK 67 / 10 / 0 / 40

HEX #328A99

RGB 50 138 153

HSL 188.74, 0.51%, 0.4%

LAB 53.12, -20.97, -15.67

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 48 / 21 / 0 / 10

HEX #76B4E5

RGB 118 180 229

HSL 206.49, 0.68%, 0.68%

LAB 70.98, -6.76, -30.71

 

CMYK 48 / 34 / 0 / 10

HEX #7696E5

RGB 118 150 229

HSL 222.7, 0.68%, 0.68%

LAB 62.78, 10.15, -43.48

 

CMYK 48 / 48 / 0 / 10

HEX #7678E5

RGB 118 120 229

HSL 238.92, 0.68%, 0.68%

LAB 55.01, 27.91, -55.8

 

CMYK 36 / 48 / 0 / 10

HEX #9276E5

RGB 146 118 229

HSL 255.14, 0.68%, 0.68%

LAB 56.81, 35.73, -52.8

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 48 / 21 / 0 / 10

HEX #76B4E5

RGB 118 180 229

HSL 206.49, 0.68%, 0.68%

LAB 70.98, -6.76, -30.71

 

CMYK 48 / 34 / 0 / 10

HEX #7696E5

RGB 118 150 229

HSL 222.7, 0.68%, 0.68%

LAB 62.78, 10.15, -43.48

 

CMYK 48 / 48 / 0 / 10

HEX #7678E5

RGB 118 120 229

HSL 238.92, 0.68%, 0.68%

LAB 55.01, 27.91, -55.8

 

CMYK 48 / 48 / 0 / 10

HEX #7676E5

RGB 118 118 229

HSL 240, 0.68%, 0.68%

LAB 54.52, 29.1, -56.59

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 57 / 10 / 0 / 5

HEX #69DBF2

RGB 105 219 242

HSL 190.07, 0.84%, 0.68%

LAB 81.88, -25.99, -21.08

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 39 / 7 / 0 / 15

HEX #83C9D8

RGB 131 201 216

HSL 190.59, 0.52%, 0.68%

LAB 77.01, -18.16, -14.41

 

CMYK 29 / 4 / 0 / 21

HEX #90C1CA

RGB 144 193 202

HSL 189.31, 0.35%, 0.68%

LAB 75.03, -13.89, -9.73

 

CMYK 16 / 3 / 0 / 26

HEX #9EB8BD

RGB 158 184 189

HSL 189.68, 0.19%, 0.68%

LAB 73.04, -7.77, -5.52

 

CMYK 3 / 1 / 0 / 31

HEX #ABAFB0

RGB 171 175 176

HSL 192, 0.03%, 0.68%

LAB 71.18, -1.21, -1.01

 

CMYK 48 / 0 / 18 / 10

HEX #76E5BC

RGB 118 229 188

HSL 157.84, 0.68%, 0.68%

LAB 83.72, -41.36, 10.28

 

CMYK 48 / 0 / 5 / 10

HEX #76E5DA

RGB 118 229 218

HSL 174.05, 0.68%, 0.68%

LAB 84.46, -34.44, -4.46

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 48 / 21 / 0 / 10

HEX #76B5E5

RGB 118 181 229

HSL 205.95, 0.68%, 0.68%

LAB 71.25, -7.3, -30.28

 

CMYK 48 / 34 / 0 / 10

HEX #7697E5

RGB 118 151 229

HSL 222.16, 0.68%, 0.68%

LAB 63.05, 9.57, -43.06

 

CMYK 77 / 13 / 0 / 15

HEX #31BBD8

RGB 49 187 216

HSL 190.42, 0.68%, 0.52%

LAB 70.28, -26.14, -24.88

 

CMYK 63 / 11 / 0 / 13

HEX #53C6DE

RGB 83 198 222

HSL 190.36, 0.68%, 0.6%

LAB 74.51, -25.22, -21.62

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 35 / 6 / 0 / 8

HEX #99DDEB

RGB 153 221 235

HSL 190.24, 0.67%, 0.76%

LAB 84.22, -17.88, -13.65

 

CMYK 23 / 4 / 0 / 5

HEX #BBE9F2

RGB 187 233 242

HSL 189.82, 0.68%, 0.84%

LAB 89.51, -12.79, -9.24

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 31 / 48 / 0 / 10

HEX #9F76E5

RGB 159 118 229

HSL 262.16, 0.68%, 0.68%

LAB 58.02, 39.04, -50.79

 

CMYK 0 / 11 / 48 / 10

HEX #E5CB76

RGB 229 203 118

HSL 45.95, 0.68%, 0.68%

LAB 82.21, -1.8, 45.48

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 0 / 48 / 8 / 10

HEX #E576D2

RGB 229 118 210

HSL 310.27, 0.68%, 0.68%

LAB 65.17, 54.87, -28.38

 

CMYK 8 / 0 / 48 / 10

HEX #D2E576

RGB 210 229 118

HSL 70.27, 0.68%, 0.68%

LAB 87.51, -22.38, 51.58

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 31 / 48 / 0 / 10

HEX #9F76E5

RGB 159 118 229

HSL 262.16, 0.68%, 0.68%

LAB 58.02, 39.04, -50.79

 

CMYK 0 / 41 / 48 / 10

HEX #E58876

RGB 229 136 118

HSL 9.73, 0.68%, 0.68%

LAB 66.19, 33.64, 24.95

 

CMYK 18 / 0 / 48 / 10

HEX #BCE576

RGB 188 229 118

HSL 82.16, 0.68%, 0.68%

LAB 86.03, -30.75, 49.44

 

CMYK 48 / 8 / 0 / 10

HEX #76D2E5

RGB 118 210 229

HSL 190.27, 0.68%, 0.68%

LAB 79.39, -22.43, -17.88

 

CMYK 16 / 48 / 0 / 10

HEX #C076E5

RGB 192 118 229

HSL 280, 0.68%, 0.68%

LAB 61.5, 47.87, -45.07

 

CMYK 0 / 41 / 48 / 10

HEX #E58876

RGB 229 136 118

HSL 9.73, 0.68%, 0.68%

LAB 66.19, 33.64, 24.95

 

CMYK 32 / 0 / 48 / 10

HEX #9BE576

RGB 155 229 118

HSL 100, 0.68%, 0.68%

LAB 84.13, -42.45, 46.69

 

Description

Color code: HEX #76D2E5 | qconv.com Color code: HEX #76D2E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 210 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 210 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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