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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76D268 it is the complementary color #892D97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76D268. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76D268 shade: #7BD263, #8CE476, #9DF689, #AEFF9C and #BFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76D268. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76D268 shade: #76D268, #65C055, #54AE42, #439C2F and #328A1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76D268 shade: #78D26A, #94D26A, #B0D26A, #CCD26A and #D2BC6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76D268 shade: #78D26A, #6AD278, #6AD294, #6AD2B1 and #6AD2CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76D268 shade matches the following richer shades: #78D26A, #6CE25A and #61F24A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76D268 shade: #78D26A, #83C379, #8FB389, #9AA399 and #A694A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76D268 shade: #B0D26A, #94D26A, #78D26A, #6AD278 and #6AD294

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76D268 shade: #46B436, #5BC94A, #78D26A, #94DC8A and #B1E5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76D268 shade: #76D268, #6ACBD2 and #D26AA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76D268 shade: #76D268, #6A78D2 and #D26A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76D268 shade: #76D268, #6ACBD2, #C46AD2 and #D2716A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76D268 shade: #76D268, #6AACD2, #C46AD2 and #D2906A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 50 / 18

HEX #76D268

RGB 118 210 104

HSL 112.08, 0.54%, 0.62%

LAB 76.65, -47.85, 43.83

 

Complementary color

CMYK 9 / 70 / 0 / 41

HEX #892D97

RGB 137 45 151

HSL 292.08, 0.54%, 0.38%

LAB 36.8, 53.25, -39.41

 

CMYK 41 / 0 / 53 / 18

HEX #7BD263

RGB 123 210 99

HSL 107.03, 0.55%, 0.61%

LAB 76.8, -46.94, 46.46

 

CMYK 39 / 0 / 48 / 11

HEX #8CE476

RGB 140 228 118

HSL 108, 0.67%, 0.68%

LAB 83.11, -46.88, 45.27

 

CMYK 36 / 0 / 44 / 4

HEX #9DF689

RGB 157 246 137

HSL 108.99, 0.86%, 0.75%

LAB 89.34, -46.75, 44.08

 

CMYK 32 / 0 / 39 / 0

HEX #AEFF9C

RGB 174 255 156

HSL 109.09, 1%, 0.81%

LAB 92.98, -42.69, 39.66

 

CMYK 25 / 0 / 31 / 0

HEX #BFFFAF

RGB 191 255 175

HSL 108, 1%, 0.84%

LAB 94.18, -34.44, 31.98

 

CMYK 44 / 0 / 50 / 18

HEX #76D268

RGB 118 210 104

HSL 112.08, 0.54%, 0.62%

LAB 76.65, -47.85, 43.83

 

CMYK 47 / 0 / 56 / 25

HEX #65C055

RGB 101 192 85

HSL 111.03, 0.46%, 0.54%

LAB 70.26, -47.84, 45.05

 

CMYK 52 / 0 / 62 / 32

HEX #54AE42

RGB 84 174 66

HSL 110, 0.45%, 0.47%

LAB 63.8, -47.67, 46.17

 

CMYK 57 / 0 / 70 / 39

HEX #439C2F

RGB 67 156 47

HSL 108.99, 0.54%, 0.4%

LAB 57.25, -47.23, 47.04

 

CMYK 64 / 0 / 80 / 46

HEX #328A1C

RGB 50 138 28

HSL 108, 0.66%, 0.33%

LAB 50.62, -46.36, 47.31

 

CMYK 43 / 0 / 50 / 18

HEX #78D26A

RGB 120 210 106

HSL 111.92, 0.54%, 0.62%

LAB 76.76, -47, 43.02

 

CMYK 30 / 0 / 50 / 18

HEX #94D26A

RGB 148 210 106

HSL 95.77, 0.54%, 0.62%

LAB 78.13, -37.83, 45.01

 

CMYK 16 / 0 / 50 / 18

HEX #B0D26A

RGB 176 210 106

HSL 79.62, 0.54%, 0.62%

LAB 79.82, -27.55, 47.46

 

CMYK 3 / 0 / 50 / 18

HEX #CCD26A

RGB 204 210 106

HSL 63.46, 0.54%, 0.62%

LAB 81.82, -16.55, 50.34

 

CMYK 0 / 10 / 50 / 18

HEX #D2BC6A

RGB 210 188 106

HSL 47.31, 0.54%, 0.62%

LAB 76.5, -2.87, 44.05

 

CMYK 43 / 0 / 50 / 18

HEX #78D26A

RGB 120 210 106

HSL 111.92, 0.54%, 0.62%

LAB 76.76, -47, 43.02

 

CMYK 50 / 0 / 43 / 18

HEX #6AD278

RGB 106 210 120

HSL 128.08, 0.54%, 0.62%

LAB 76.38, -48.99, 35.5

 

CMYK 50 / 0 / 30 / 18

HEX #6AD294

RGB 106 210 148

HSL 144.23, 0.54%, 0.62%

LAB 76.86, -44.15, 21.66

 

CMYK 50 / 0 / 16 / 18

HEX #6AD2B1

RGB 106 210 177

HSL 160.96, 0.54%, 0.62%

LAB 77.48, -38.09, 7.13

 

CMYK 50 / 0 / 2 / 18

HEX #6AD2CD

RGB 106 210 205

HSL 177.12, 0.54%, 0.62%

LAB 78.21, -31.34, -6.82

 

CMYK 43 / 0 / 50 / 18

HEX #78D26A

RGB 120 210 106

HSL 111.92, 0.54%, 0.62%

LAB 76.76, -47, 43.02

 

CMYK 52 / 0 / 60 / 11

HEX #6CE25A

RGB 108 226 90

HSL 112.06, 0.7%, 0.62%

LAB 80.92, -58.59, 55.19

 

CMYK 60 / 0 / 69 / 5

HEX #61F24A

RGB 97 242 74

HSL 111.79, 0.87%, 0.62%

LAB 85.27, -68.44, 66.23

 

CMYK 43 / 0 / 50 / 18

HEX #78D26A

RGB 120 210 106

HSL 111.92, 0.54%, 0.62%

LAB 76.76, -47, 43.02

 

CMYK 33 / 0 / 38 / 24

HEX #83C379

RGB 131 195 121

HSL 111.89, 0.38%, 0.62%

LAB 73.05, -34.81, 30.87

 

CMYK 20 / 0 / 23 / 30

HEX #8FB389

RGB 143 179 137

HSL 111.43, 0.22%, 0.62%

LAB 69.39, -20.35, 17.54

 

CMYK 6 / 0 / 6 / 36

HEX #9AA399

RGB 154 163 153

HSL 114, 0.05%, 0.62%

LAB 66.03, -5.12, 4.08

 

CMYK 1 / 12 / 0 / 34

HEX #A694A8

RGB 166 148 168

HSL 294, 0.1%, 0.62%

LAB 63.44, 10.38, -8.03

 

CMYK 16 / 0 / 50 / 18

HEX #B0D26A

RGB 176 210 106

HSL 79.62, 0.54%, 0.62%

LAB 79.82, -27.55, 47.46

 

CMYK 30 / 0 / 50 / 18

HEX #94D26A

RGB 148 210 106

HSL 95.77, 0.54%, 0.62%

LAB 78.13, -37.83, 45.01

 

CMYK 43 / 0 / 50 / 18

HEX #78D26A

RGB 120 210 106

HSL 111.92, 0.54%, 0.62%

LAB 76.76, -47, 43.02

 

CMYK 50 / 0 / 43 / 18

HEX #6AD278

RGB 106 210 120

HSL 128.08, 0.54%, 0.62%

LAB 76.38, -48.99, 35.5

 

CMYK 50 / 0 / 30 / 18

HEX #6AD294

RGB 106 210 148

HSL 144.23, 0.54%, 0.62%

LAB 76.86, -44.15, 21.66

 

CMYK 61 / 0 / 70 / 29

HEX #46B436

RGB 70 180 54

HSL 112.38, 0.54%, 0.46%

LAB 65.13, -54.74, 52.55

 

CMYK 55 / 0 / 63 / 21

HEX #5BC94A

RGB 91 201 74

HSL 111.97, 0.54%, 0.54%

LAB 72.56, -55.32, 52.53

 

CMYK 43 / 0 / 50 / 18

HEX #78D26A

RGB 120 210 106

HSL 111.92, 0.54%, 0.62%

LAB 76.76, -47, 43.02

 

CMYK 33 / 0 / 37 / 14

HEX #94DC8A

RGB 148 220 138

HSL 112.68, 0.54%, 0.7%

LAB 81.47, -38.09, 33.35

 

CMYK 23 / 0 / 26 / 10

HEX #B1E5A9

RGB 177 229 169

HSL 112, 0.54%, 0.78%

LAB 86.13, -27.87, 23.98

 

CMYK 44 / 0 / 50 / 18

HEX #76D268

RGB 118 210 104

HSL 112.08, 0.54%, 0.62%

LAB 76.65, -47.85, 43.83

 

CMYK 50 / 3 / 0 / 18

HEX #6ACBD2

RGB 106 203 210

HSL 184.04, 0.54%, 0.62%

LAB 76.33, -26.65, -12.31

 

CMYK 0 / 50 / 23 / 18

HEX #D26AA2

RGB 210 106 162

HSL 327.69, 0.54%, 0.62%

LAB 58.62, 47.53, -11.29

 

CMYK 44 / 0 / 50 / 18

HEX #76D268

RGB 118 210 104

HSL 112.08, 0.54%, 0.62%

LAB 76.65, -47.85, 43.83

 

CMYK 50 / 43 / 0 / 18

HEX #6A78D2

RGB 106 120 210

HSL 231.92, 0.54%, 0.62%

LAB 53.11, 19.41, -48.18

 

CMYK 0 / 50 / 43 / 18

HEX #D26A78

RGB 210 106 120

HSL 351.92, 0.54%, 0.62%

LAB 57.43, 42.29, 11.39

 

CMYK 44 / 0 / 50 / 18

HEX #76D268

RGB 118 210 104

HSL 112.08, 0.54%, 0.62%

LAB 76.65, -47.85, 43.83

 

CMYK 50 / 3 / 0 / 18

HEX #6ACBD2

RGB 106 203 210

HSL 184.04, 0.54%, 0.62%

LAB 76.33, -26.65, -12.31

 

CMYK 7 / 50 / 0 / 18

HEX #C46AD2

RGB 196 106 210

HSL 291.92, 0.54%, 0.62%

LAB 58.69, 51.34, -38.79

 

CMYK 0 / 46 / 50 / 18

HEX #D2716A

RGB 210 113 106

HSL 4.04, 0.54%, 0.62%

LAB 58.56, 37.3, 21.04

 

CMYK 44 / 0 / 50 / 18

HEX #76D268

RGB 118 210 104

HSL 112.08, 0.54%, 0.62%

LAB 76.65, -47.85, 43.83

 

CMYK 50 / 18 / 0 / 18

HEX #6AACD2

RGB 106 172 210

HSL 201.92, 0.54%, 0.62%

LAB 67.44, -10.65, -25.78

 

CMYK 7 / 50 / 0 / 18

HEX #C46AD2

RGB 196 106 210

HSL 291.92, 0.54%, 0.62%

LAB 58.69, 51.34, -38.79

 

CMYK 0 / 31 / 50 / 18

HEX #D2906A

RGB 210 144 106

HSL 21.92, 0.54%, 0.62%

LAB 65.51, 20.71, 30.22

 

Description

Color code: HEX #76D268 | qconv.com Color code: HEX #76D268 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 210 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 210 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 50 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 50% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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