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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76C4D9 it is the complementary color #893B26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76C4D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76C4D9 shade: #7BC4D4, #8CD6E7, #9DE8FA, #AEFAFF and #BFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76C4D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76C4D9 shade: #76C4D9, #65B2C6, #54A0B3, #438EA0 and #327C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76C4D9 shade: #76C4D9, #76AAD9, #768FD9, #7876D9 and #9376D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76C4D9 shade: #76C4D9, #76AAD9, #768FD9 and #7676D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76C4D9 shade matches the following richer shades: #76C4D9, #68CCE7 and #5AD4F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76C4D9 shade: #76C4D9, #84BCCB, #92B4BD, #A0ACAF and #AEA4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76C4D9 shade: #76D9B8, #76D9D3, #76C5D9, #76ABD9 and #7691D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76C4D9 shade: #36A8C7, #56B6D0, #76C4D9, #97D2E2 and #B7E0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76C4D9 shade: #76C4D9, #9E76D9 and #D9C576

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76C4D9 shade: #76C4D9, #D976C5 and #C5D976

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76C4D9 shade: #76C4D9, #9E76D9, #D98A76 and #B2D976

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76C4D9 shade: #76C4D9, #BC76D9, #D98A76 and #94D976

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

Complementary color

CMYK 0 / 57 / 72 / 46

HEX #893B26

RGB 137 59 38

HSL 12.73, 0.57%, 0.34%

LAB 35.18, 31.85, 28.88

 

CMYK 42 / 8 / 0 / 17

HEX #7BC4D4

RGB 123 196 212

HSL 190.79, 0.51%, 0.66%

LAB 75.1, -18.65, -15.16

 

CMYK 39 / 7 / 0 / 9

HEX #8CD6E7

RGB 140 214 231

HSL 191.21, 0.65%, 0.73%

LAB 81.53, -18.7, -15.62

 

CMYK 37 / 7 / 0 / 2

HEX #9DE8FA

RGB 157 232 250

HSL 191.61, 0.9%, 0.8%

LAB 87.86, -18.73, -16.06

 

CMYK 32 / 2 / 0 / 0

HEX #AEFAFF

RGB 174 250 255

HSL 183.7, 1%, 0.84%

LAB 93.71, -22, -9.85

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 49 / 10 / 0 / 22

HEX #65B2C6

RGB 101 178 198

HSL 192.37, 0.46%, 0.59%

LAB 68.52, -18.38, -17.54

 

CMYK 53 / 11 / 0 / 30

HEX #54A0B3

RGB 84 160 179

HSL 192, 0.38%, 0.52%

LAB 61.9, -18.14, -17.07

 

CMYK 58 / 11 / 0 / 37

HEX #438EA0

RGB 67 142 160

HSL 191.61, 0.41%, 0.45%

LAB 55.15, -17.8, -16.57

 

CMYK 65 / 12 / 0 / 45

HEX #327C8D

RGB 50 124 141

HSL 191.21, 0.48%, 0.37%

LAB 48.28, -17.29, -16.02

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 46 / 22 / 0 / 15

HEX #76AAD9

RGB 118 170 217

HSL 208.48, 0.57%, 0.66%

LAB 67.73, -4.7, -29.14

 

CMYK 46 / 34 / 0 / 15

HEX #768FD9

RGB 118 143 217

HSL 224.85, 0.57%, 0.66%

LAB 60.34, 10.68, -40.64

 

CMYK 45 / 46 / 0 / 15

HEX #7876D9

RGB 120 118 217

HSL 241.21, 0.57%, 0.66%

LAB 53.98, 26, -50.69

 

CMYK 32 / 46 / 0 / 15

HEX #9376D9

RGB 147 118 217

HSL 257.58, 0.57%, 0.66%

LAB 56.26, 32.85, -46.94

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 46 / 22 / 0 / 15

HEX #76AAD9

RGB 118 170 217

HSL 208.48, 0.57%, 0.66%

LAB 67.73, -4.7, -29.14

 

CMYK 46 / 34 / 0 / 15

HEX #768FD9

RGB 118 143 217

HSL 224.85, 0.57%, 0.66%

LAB 60.34, 10.68, -40.64

 

CMYK 46 / 46 / 0 / 15

HEX #7676D9

RGB 118 118 217

HSL 240, 0.57%, 0.66%

LAB 53.83, 25.53, -50.94

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 55 / 12 / 0 / 9

HEX #68CCE7

RGB 104 204 231

HSL 192.76, 0.73%, 0.66%

LAB 77.22, -21.8, -22.28

 

CMYK 63 / 13 / 0 / 4

HEX #5AD4F5

RGB 90 212 245

HSL 192.77, 0.89%, 0.66%

LAB 79.53, -24.27, -26.29

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 35 / 7 / 0 / 20

HEX #84BCCB

RGB 132 188 203

HSL 192.68, 0.41%, 0.66%

LAB 73.01, -14.44, -13.37

 

CMYK 23 / 5 / 0 / 26

HEX #92B4BD

RGB 146 180 189

HSL 192.56, 0.25%, 0.66%

LAB 71.16, -9.45, -8.38

 

CMYK 9 / 2 / 0 / 31

HEX #A0ACAF

RGB 160 172 175

HSL 192, 0.09%, 0.66%

LAB 69.52, -3.59, -2.99

 

CMYK 0 / 6 / 7 / 32

HEX #AEA4A1

RGB 174 164 161

HSL 13.85, 0.07%, 0.66%

LAB 68.11, 3.07, 2.84

 

CMYK 46 / 0 / 15 / 15

HEX #76D9B8

RGB 118 217 184

HSL 160, 0.57%, 0.66%

LAB 80.14, -36.82, 7.28

 

CMYK 46 / 0 / 3 / 15

HEX #76D9D3

RGB 118 217 211

HSL 176.36, 0.57%, 0.66%

LAB 80.84, -30.5, -6.09

 

CMYK 46 / 9 / 0 / 15

HEX #76C5D9

RGB 118 197 217

HSL 192.12, 0.57%, 0.66%

LAB 75.32, -19.06, -17.56

 

CMYK 46 / 21 / 0 / 15

HEX #76ABD9

RGB 118 171 217

HSL 207.88, 0.57%, 0.66%

LAB 68.01, -5.25, -28.71

 

CMYK 46 / 33 / 0 / 15

HEX #7691D9

RGB 118 145 217

HSL 223.64, 0.57%, 0.66%

LAB 60.88, 9.51, -39.8

 

CMYK 73 / 16 / 0 / 22

HEX #36A8C7

RGB 54 168 199

HSL 192.83, 0.57%, 0.5%

LAB 64.09, -21.34, -24.99

 

CMYK 59 / 13 / 0 / 18

HEX #56B6D0

RGB 86 182 208

HSL 192.79, 0.56%, 0.58%

LAB 69.46, -20.71, -21.67

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 33 / 7 / 0 / 11

HEX #97D2E2

RGB 151 210 226

HSL 192.8, 0.56%, 0.74%

LAB 80.83, -14.99, -13.95

 

CMYK 22 / 5 / 0 / 8

HEX #B7E0EB

RGB 183 224 235

HSL 192.69, 0.57%, 0.82%

LAB 86.69, -10.92, -9.78

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 27 / 46 / 0 / 15

HEX #9E76D9

RGB 158 118 217

HSL 264.24, 0.57%, 0.66%

LAB 57.3, 35.82, -45.21

 

CMYK 0 / 9 / 46 / 15

HEX #D9C576

RGB 217 197 118

HSL 47.88, 0.57%, 0.66%

LAB 79.61, -3.56, 42.03

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 0 / 46 / 9 / 15

HEX #D976C5

RGB 217 118 197

HSL 312.12, 0.57%, 0.66%

LAB 63.13, 49.13, -24.36

 

CMYK 9 / 0 / 46 / 15

HEX #C5D976

RGB 197 217 118

HSL 72.12, 0.57%, 0.66%

LAB 83.34, -21.6, 46.3

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 27 / 46 / 0 / 15

HEX #9E76D9

RGB 158 118 217

HSL 264.24, 0.57%, 0.66%

LAB 57.3, 35.82, -45.21

 

CMYK 0 / 36 / 46 / 15

HEX #D98A76

RGB 217 138 118

HSL 12.12, 0.57%, 0.66%

LAB 65.15, 27.93, 23.29

 

CMYK 18 / 0 / 46 / 15

HEX #B2D976

RGB 178 217 118

HSL 83.64, 0.57%, 0.66%

LAB 82.05, -28.83, 44.43

 

CMYK 46 / 10 / 0 / 15

HEX #76C4D9

RGB 118 196 217

HSL 192.73, 0.57%, 0.66%

LAB 75.04, -18.55, -17.99

 

CMYK 13 / 46 / 0 / 15

HEX #BC76D9

RGB 188 118 217

HSL 282.42, 0.57%, 0.66%

LAB 60.48, 44.24, -40

 

CMYK 0 / 36 / 46 / 15

HEX #D98A76

RGB 217 138 118

HSL 12.12, 0.57%, 0.66%

LAB 65.15, 27.93, 23.29

 

CMYK 32 / 0 / 46 / 15

HEX #94D976

RGB 148 217 118

HSL 101.82, 0.57%, 0.66%

LAB 80.31, -39.51, 41.87

 

Description

Color code: HEX #76C4D9 | qconv.com Color code: HEX #76C4D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 196 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 196 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 10 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 10% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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