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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76C405 it is the complementary color #893BFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76C405. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76C405 shade: #7BC400, #8CD613, #9DE826, #AEFA39 and #BFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76C405. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76C405 shade: #76C405, #65B200, #54A000, #438E00 and #327C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76C405 shade: #75C205, #A8C205, #C2A905, #C27605 and #C24305

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76C405 shade: #75C205, #42C205, #0FC205, #05C22E and #05C261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76C405 shade matches the following richer shades: #75C205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76C405 shade: #75C205, #72B215, #6FA225, #6C9235 and #698245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76C405 shade: #C2A905, #A9C205, #76C205, #44C205 and #12C205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76C405 shade: #447103, #5D9A04, #75C205, #8DEA06 and #A1F920

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76C405 shade: #76C405, #05C276 and #C205C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76C405 shade: #76C405, #0576C2 and #C20576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76C405 shade: #76C405, #05C276, #5105C2 and #C20551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76C405 shade: #76C405, #05C2AF, #5105C2 and #C20518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 97 / 23

HEX #76C405

RGB 118 196 5

HSL 84.5, 0.95%, 0.39%

LAB 71.79, -48.74, 70.96

 

Complementary color

CMYK 45 / 76 / 0 / 2

HEX #893BFA

RGB 137 59 250

HSL 264.5, 0.95%, 0.61%

LAB 46.11, 69.43, -81.91

 

CMYK 37 / 0 / 100 / 23

HEX #7BC400

RGB 123 196 0

HSL 82.35, 1%, 0.38%

LAB 72.02, -47.07, 71.78

 

CMYK 35 / 0 / 91 / 16

HEX #8CD613

RGB 140 214 19

HSL 82.77, 0.84%, 0.46%

LAB 78.3, -48.13, 75.01

 

CMYK 32 / 0 / 84 / 9

HEX #9DE826

RGB 157 232 38

HSL 83.2, 0.81%, 0.53%

LAB 84.49, -49, 77.08

 

CMYK 30 / 0 / 77 / 2

HEX #AEFA39

RGB 174 250 57

HSL 83.63, 0.95%, 0.6%

LAB 90.63, -49.67, 78.08

 

CMYK 25 / 0 / 70 / 0

HEX #BFFF4C

RGB 191 255 76

HSL 81.45, 1%, 0.65%

LAB 93.07, -44.68, 74.75

 

CMYK 40 / 0 / 97 / 23

HEX #76C405

RGB 118 196 5

HSL 84.5, 0.95%, 0.39%

LAB 71.79, -48.74, 70.96

 

CMYK 43 / 0 / 100 / 30

HEX #65B200

RGB 101 178 0

HSL 85.96, 1%, 0.35%

LAB 65.44, -47.4, 66.23

 

CMYK 48 / 0 / 100 / 37

HEX #54A000

RGB 84 160 0

HSL 88.5, 1%, 0.31%

LAB 59, -45.89, 60.88

 

CMYK 53 / 0 / 100 / 44

HEX #438E00

RGB 67 142 0

HSL 91.69, 1%, 0.28%

LAB 52.44, -44.26, 55.44

 

CMYK 60 / 0 / 100 / 51

HEX #327C00

RGB 50 124 0

HSL 95.81, 1%, 0.24%

LAB 45.76, -42.42, 49.91

 

CMYK 40 / 0 / 97 / 24

HEX #75C205

RGB 117 194 5

HSL 84.44, 0.95%, 0.39%

LAB 71.13, -48.28, 70.42

 

CMYK 13 / 0 / 97 / 24

HEX #A8C205

RGB 168 194 5

HSL 68.25, 0.95%, 0.39%

LAB 74.14, -28.56, 74.05

 

CMYK 0 / 13 / 97 / 24

HEX #C2A905

RGB 194 169 5

HSL 52.06, 0.95%, 0.39%

LAB 69.37, -4.65, 71.44

 

CMYK 0 / 39 / 97 / 24

HEX #C27605

RGB 194 118 5

HSL 35.87, 0.95%, 0.39%

LAB 56.52, 23.05, 62.4

 

CMYK 0 / 65 / 97 / 24

HEX #C24305

RGB 194 67 5

HSL 19.68, 0.95%, 0.39%

LAB 46.3, 48.71, 55.96

 

CMYK 40 / 0 / 97 / 24

HEX #75C205

RGB 117 194 5

HSL 84.44, 0.95%, 0.39%

LAB 71.13, -48.28, 70.42

 

CMYK 66 / 0 / 97 / 24

HEX #42C205

RGB 66 194 5

HSL 100.63, 0.95%, 0.39%

LAB 69.29, -62.68, 68.18

 

CMYK 92 / 0 / 97 / 24

HEX #0FC205

RGB 15 194 5

HSL 116.83, 0.95%, 0.39%

LAB 68.53, -69.38, 67.24

 

CMYK 97 / 0 / 76 / 24

HEX #05C22E

RGB 5 194 46

HSL 133.02, 0.95%, 0.39%

LAB 68.62, -68.09, 58.67

 

CMYK 97 / 0 / 50 / 24

HEX #05C261

RGB 5 194 97

HSL 149.21, 0.95%, 0.39%

LAB 69.1, -62.09, 37.37

 

CMYK 40 / 0 / 97 / 24

HEX #75C205

RGB 117 194 5

HSL 84.44, 0.95%, 0.39%

LAB 71.13, -48.28, 70.42

 

CMYK 40 / 0 / 97 / 24

HEX #75C205

RGB 117 194 5

HSL 84.44, 0.95%, 0.39%

LAB 71.13, -48.28, 70.42

 

CMYK 36 / 0 / 88 / 30

HEX #72B215

RGB 114 178 21

HSL 84.46, 0.79%, 0.39%

LAB 66.11, -42.39, 64.04

 

CMYK 31 / 0 / 77 / 36

HEX #6FA225

RGB 111 162 37

HSL 84.48, 0.63%, 0.39%

LAB 61.09, -35.85, 55.27

 

CMYK 26 / 0 / 64 / 43

HEX #6C9235

RGB 108 146 53

HSL 84.52, 0.47%, 0.39%

LAB 56.09, -28.44, 43.8

 

CMYK 19 / 0 / 47 / 49

HEX #698245

RGB 105 130 69

HSL 84.59, 0.31%, 0.39%

LAB 51.15, -19.94, 30

 

CMYK 0 / 13 / 97 / 24

HEX #C2A905

RGB 194 169 5

HSL 52.06, 0.95%, 0.39%

LAB 69.37, -4.65, 71.44

 

CMYK 13 / 0 / 97 / 24

HEX #A9C205

RGB 169 194 5

HSL 67.94, 0.95%, 0.39%

LAB 74.21, -28.14, 74.13

 

CMYK 39 / 0 / 97 / 24

HEX #76C205

RGB 118 194 5

HSL 84.13, 0.95%, 0.39%

LAB 71.18, -47.93, 70.47

 

CMYK 65 / 0 / 97 / 24

HEX #44C205

RGB 68 194 5

HSL 100, 0.95%, 0.39%

LAB 69.34, -62.25, 68.24

 

CMYK 91 / 0 / 97 / 24

HEX #12C205

RGB 18 194 5

HSL 115.87, 0.95%, 0.39%

LAB 68.55, -69.2, 67.27

 

CMYK 40 / 0 / 97 / 56

HEX #447103

RGB 68 113 3

HSL 84.55, 0.95%, 0.23%

LAB 42.83, -31.71, 47.24

 

CMYK 40 / 0 / 97 / 40

HEX #5D9A04

RGB 93 154 4

HSL 84.4, 0.95%, 0.31%

LAB 57.51, -40.24, 59.28

 

CMYK 40 / 0 / 97 / 24

HEX #75C205

RGB 117 194 5

HSL 84.44, 0.95%, 0.39%

LAB 71.13, -48.28, 70.42

 

CMYK 40 / 0 / 97 / 8

HEX #8DEA06

RGB 141 234 6

HSL 84.47, 0.95%, 0.47%

LAB 84.24, -55.99, 81.12

 

CMYK 35 / 0 / 87 / 2

HEX #A1F920

RGB 161 249 32

HSL 84.33, 0.95%, 0.55%

LAB 89.6, -54.69, 82.7

 

CMYK 40 / 0 / 97 / 23

HEX #76C405

RGB 118 196 5

HSL 84.5, 0.95%, 0.39%

LAB 71.79, -48.74, 70.96

 

CMYK 97 / 0 / 39 / 24

HEX #05C276

RGB 5 194 118

HSL 155.87, 0.95%, 0.39%

LAB 69.42, -58.3, 27.04

 

CMYK 0 / 97 / 0 / 24

HEX #C205C2

RGB 194 5 194

HSL 300, 0.95%, 0.39%

LAB 46.28, 79.55, -49.3

 

CMYK 40 / 0 / 97 / 23

HEX #76C405

RGB 118 196 5

HSL 84.5, 0.95%, 0.39%

LAB 71.79, -48.74, 70.96

 

CMYK 97 / 39 / 0 / 24

HEX #0576C2

RGB 5 118 194

HSL 204.13, 0.95%, 0.39%

LAB 48.11, 1.32, -47.22

 

CMYK 0 / 97 / 39 / 24

HEX #C20576

RGB 194 5 118

HSL 324.13, 0.95%, 0.39%

LAB 42.59, 70.24, -9.31

 

CMYK 40 / 0 / 97 / 23

HEX #76C405

RGB 118 196 5

HSL 84.5, 0.95%, 0.39%

LAB 71.79, -48.74, 70.96

 

CMYK 97 / 0 / 39 / 24

HEX #05C276

RGB 5 194 118

HSL 155.87, 0.95%, 0.39%

LAB 69.42, -58.3, 27.04

 

CMYK 58 / 97 / 0 / 24

HEX #5105C2

RGB 81 5 194

HSL 264.13, 0.95%, 0.39%

LAB 28.78, 65.81, -78.57

 

CMYK 0 / 97 / 58 / 24

HEX #C20551

RGB 194 5 81

HSL 335.87, 0.95%, 0.39%

LAB 41.49, 67.3, 12.38

 

CMYK 40 / 0 / 97 / 23

HEX #76C405

RGB 118 196 5

HSL 84.5, 0.95%, 0.39%

LAB 71.79, -48.74, 70.96

 

CMYK 97 / 0 / 10 / 24

HEX #05C2AF

RGB 5 194 175

HSL 173.97, 0.95%, 0.39%

LAB 70.67, -44.52, -1.91

 

CMYK 58 / 97 / 0 / 24

HEX #5105C2

RGB 81 5 194

HSL 264.13, 0.95%, 0.39%

LAB 28.78, 65.81, -78.57

 

CMYK 0 / 97 / 88 / 24

HEX #C20518

RGB 194 5 24

HSL 353.97, 0.95%, 0.39%

LAB 40.64, 65, 45.54

 

Description

Color code: HEX #76C405 | qconv.com Color code: HEX #76C405 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 196 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 196 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 97 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 97% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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