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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76C289 it is the complementary color #893D76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76C289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76C289 shade: #7BC284, #8CD497, #9DE6AA, #AEF8BD and #BFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76C289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76C289 shade: #76C289, #65B076, #549E63, #438C50 and #327A3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76C289 shade: #76C189, #77C176, #8CC176, #A0C176 and #B4C176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76C289 shade: #76C189, #76C19D, #76C1B1, #76BDC1 and #76A8C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76C289 shade matches the following richer shades: #76C189, #66D181, #56E279 and #45F271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76C289 shade: #76C189, #86B191, #96A199, #A691A1 and #B681A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76C289 shade: #8BC176, #77C176, #76C189, #76C19D and #76C1B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76C289 shade: #479E5D, #59B570, #76C189, #92CEA1 and #AFDBBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76C289 shade: #76C289, #769FC1 and #C17681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76C289 shade: #76C289, #8976C1 and #C18976

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76C289 shade: #76C289, #769FC1, #C176AE and #C19876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76C289 shade: #76C289, #7689C1, #C176AE and #C1AE76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 29 / 24

HEX #76C289

RGB 118 194 137

HSL 135, 0.38%, 0.61%

LAB 72.39, -35.79, 21.45

 

Complementary color

CMYK 0 / 55 / 14 / 46

HEX #893D76

RGB 137 61 118

HSL 315, 0.38%, 0.39%

LAB 37.78, 39.93, -17.57

 

CMYK 37 / 0 / 32 / 24

HEX #7BC284

RGB 123 194 132

HSL 127.61, 0.37%, 0.62%

LAB 72.54, -35.15, 24.35

 

CMYK 34 / 0 / 29 / 17

HEX #8CD497

RGB 140 212 151

HSL 129.17, 0.46%, 0.69%

LAB 78.98, -34.88, 23.24

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AA

RGB 157 230 170

HSL 130.68, 0.59%, 0.76%

LAB 85.33, -34.62, 22.19

 

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

CMYK 25 / 0 / 18 / 0

HEX #BFFFD0

RGB 191 255 208

HSL 135.94, 1%, 0.87%

LAB 94.8, -29.02, 16.09

 

CMYK 39 / 0 / 29 / 24

HEX #76C289

RGB 118 194 137

HSL 135, 0.38%, 0.61%

LAB 72.39, -35.79, 21.45

 

CMYK 43 / 0 / 33 / 31

HEX #65B076

RGB 101 176 118

HSL 133.6, 0.32%, 0.54%

LAB 65.85, -36.05, 22.62

 

CMYK 47 / 0 / 37 / 38

HEX #549E63

RGB 84 158 99

HSL 132.16, 0.31%, 0.47%

LAB 59.2, -36.27, 23.87

 

CMYK 52 / 0 / 43 / 45

HEX #438C50

RGB 67 140 80

HSL 130.68, 0.35%, 0.41%

LAB 52.43, -36.41, 25.23

 

CMYK 59 / 0 / 50 / 52

HEX #327A3D

RGB 50 122 61

HSL 129.17, 0.42%, 0.34%

LAB 45.54, -36.39, 26.69

 

CMYK 39 / 0 / 29 / 24

HEX #76C189

RGB 118 193 137

HSL 135.2, 0.38%, 0.61%

LAB 72.09, -35.33, 21.05

 

CMYK 38 / 0 / 39 / 24

HEX #77C176

RGB 119 193 118

HSL 119.2, 0.38%, 0.61%

LAB 71.81, -38.24, 30.69

 

CMYK 27 / 0 / 39 / 24

HEX #8CC176

RGB 140 193 118

HSL 102.4, 0.38%, 0.61%

LAB 72.91, -31.25, 32.34

 

CMYK 17 / 0 / 39 / 24

HEX #A0C176

RGB 160 193 118

HSL 86.4, 0.38%, 0.61%

LAB 74.14, -23.99, 34.17

 

CMYK 7 / 0 / 39 / 24

HEX #B4C176

RGB 180 193 118

HSL 70.4, 0.38%, 0.61%

LAB 75.55, -16.3, 36.26

 

CMYK 39 / 0 / 29 / 24

HEX #76C189

RGB 118 193 137

HSL 135.2, 0.38%, 0.61%

LAB 72.09, -35.33, 21.05

 

CMYK 39 / 0 / 19 / 24

HEX #76C19D

RGB 118 193 157

HSL 151.2, 0.38%, 0.61%

LAB 72.51, -31.43, 10.87

 

CMYK 39 / 0 / 8 / 24

HEX #76C1B1

RGB 118 193 177

HSL 167.2, 0.38%, 0.61%

LAB 73, -27.04, 0.71

 

CMYK 39 / 2 / 0 / 24

HEX #76BDC1

RGB 118 189 193

HSL 183.2, 0.38%, 0.61%

LAB 72.29, -21.19, -9.06

 

CMYK 39 / 13 / 0 / 24

HEX #76A8C1

RGB 118 168 193

HSL 200, 0.38%, 0.61%

LAB 66.3, -10.18, -18.07

 

CMYK 39 / 0 / 29 / 24

HEX #76C189

RGB 118 193 137

HSL 135.2, 0.38%, 0.61%

LAB 72.09, -35.33, 21.05

 

CMYK 51 / 0 / 38 / 18

HEX #66D181

RGB 102 209 129

HSL 135.14, 0.54%, 0.61%

LAB 76.08, -48.17, 30.48

 

CMYK 62 / 0 / 46 / 11

HEX #56E279

RGB 86 226 121

HSL 135, 0.71%, 0.61%

LAB 80.6, -59.76, 40.26

 

CMYK 71 / 0 / 53 / 5

HEX #45F271

RGB 69 242 113

HSL 135.26, 0.87%, 0.61%

LAB 84.98, -69.55, 49.39

 

CMYK 39 / 0 / 29 / 24

HEX #76C189

RGB 118 193 137

HSL 135.2, 0.38%, 0.61%

LAB 72.09, -35.33, 21.05

 

CMYK 24 / 0 / 18 / 31

HEX #86B191

RGB 134 177 145

HSL 135.35, 0.22%, 0.61%

LAB 68.43, -20.99, 11.75

 

CMYK 7 / 0 / 5 / 37

HEX #96A199

RGB 150 161 153

HSL 136.36, 0.06%, 0.61%

LAB 65.18, -5.47, 2.81

 

CMYK 0 / 13 / 3 / 35

HEX #A691A1

RGB 166 145 161

HSL 314.29, 0.11%, 0.61%

LAB 62.45, 10.72, -5.54

 

CMYK 0 / 29 / 7 / 29

HEX #B681A9

RGB 182 129 169

HSL 314.72, 0.27%, 0.61%

LAB 60.35, 26.91, -13.06

 

CMYK 28 / 0 / 39 / 24

HEX #8BC176

RGB 139 193 118

HSL 103.2, 0.38%, 0.61%

LAB 72.85, -31.6, 32.25

 

CMYK 38 / 0 / 39 / 24

HEX #77C176

RGB 119 193 118

HSL 119.2, 0.38%, 0.61%

LAB 71.81, -38.24, 30.69

 

CMYK 39 / 0 / 29 / 24

HEX #76C189

RGB 118 193 137

HSL 135.2, 0.38%, 0.61%

LAB 72.09, -35.33, 21.05

 

CMYK 39 / 0 / 19 / 24

HEX #76C19D

RGB 118 193 157

HSL 151.2, 0.38%, 0.61%

LAB 72.51, -31.43, 10.87

 

CMYK 39 / 0 / 8 / 24

HEX #76C1B1

RGB 118 193 177

HSL 167.2, 0.38%, 0.61%

LAB 73, -27.04, 0.71

 

CMYK 55 / 0 / 41 / 38

HEX #479E5D

RGB 71 158 93

HSL 135.17, 0.38%, 0.45%

LAB 58.59, -40.88, 26.23

 

CMYK 51 / 0 / 38 / 29

HEX #59B570

RGB 89 181 112

HSL 135, 0.38%, 0.53%

LAB 66.78, -42.69, 26.98

 

CMYK 39 / 0 / 29 / 24

HEX #76C189

RGB 118 193 137

HSL 135.2, 0.38%, 0.61%

LAB 72.09, -35.33, 21.05

 

CMYK 29 / 0 / 22 / 19

HEX #92CEA1

RGB 146 206 161

HSL 135, 0.38%, 0.69%

LAB 77.77, -28.38, 16.33

 

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

CMYK 39 / 0 / 29 / 24

HEX #76C289

RGB 118 194 137

HSL 135, 0.38%, 0.61%

LAB 72.39, -35.79, 21.45

 

CMYK 39 / 18 / 0 / 24

HEX #769FC1

RGB 118 159 193

HSL 207.2, 0.38%, 0.61%

LAB 63.75, -5.25, -21.94

 

CMYK 0 / 39 / 33 / 24

HEX #C17681

RGB 193 118 129

HSL 351.2, 0.38%, 0.61%

LAB 57.92, 30.77, 6.55

 

CMYK 39 / 0 / 29 / 24

HEX #76C289

RGB 118 194 137

HSL 135, 0.38%, 0.61%

LAB 72.39, -35.79, 21.45

 

CMYK 29 / 39 / 0 / 24

HEX #8976C1

RGB 137 118 193

HSL 255.2, 0.38%, 0.61%

LAB 54.16, 23.9, -36.69

 

CMYK 0 / 29 / 39 / 24

HEX #C18976

RGB 193 137 118

HSL 15.2, 0.38%, 0.61%

LAB 62.11, 18.96, 18.71

 

CMYK 39 / 0 / 29 / 24

HEX #76C289

RGB 118 194 137

HSL 135, 0.38%, 0.61%

LAB 72.39, -35.79, 21.45

 

CMYK 39 / 18 / 0 / 24

HEX #769FC1

RGB 118 159 193

HSL 207.2, 0.38%, 0.61%

LAB 63.75, -5.25, -21.94

 

CMYK 0 / 39 / 10 / 24

HEX #C176AE

RGB 193 118 174

HSL 315.2, 0.38%, 0.61%

LAB 59.3, 37.58, -17.39

 

CMYK 0 / 21 / 39 / 24

HEX #C19876

RGB 193 152 118

HSL 27.2, 0.38%, 0.61%

LAB 65.83, 10.69, 23.74

 

CMYK 39 / 0 / 29 / 24

HEX #76C289

RGB 118 194 137

HSL 135, 0.38%, 0.61%

LAB 72.39, -35.79, 21.45

 

CMYK 39 / 29 / 0 / 24

HEX #7689C1

RGB 118 137 193

HSL 224.8, 0.38%, 0.61%

LAB 57.65, 7.3, -31.35

 

CMYK 0 / 39 / 10 / 24

HEX #C176AE

RGB 193 118 174

HSL 315.2, 0.38%, 0.61%

LAB 59.3, 37.58, -17.39

 

CMYK 0 / 10 / 39 / 24

HEX #C1AE76

RGB 193 174 118

HSL 44.8, 0.38%, 0.61%

LAB 71.5, -1.22, 31.24

 

Description

Color code: HEX #76C289 | qconv.com Color code: HEX #76C289 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 194 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 194 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 29 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 29% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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