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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76BB13 it is the complementary color #8944EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76BB13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76BB13 shade: #7BBB0E, #8CCD21, #9DDF34, #AEF147 and #BFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76BB13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76BB13 shade: #76BB13, #65A900, #549700, #438500 and #327300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76BB13 shade: #75BA12, #A2BA12, #BAA412, #BA7712 and #BA4A12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76BB13 shade: #75BA12, #48BA12, #1BBA12, #12BA37 and #12BA64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76BB13 shade matches the following richer shades: #75BA12 and #78CA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76BB13 shade: #75BA12, #72A923, #6F9933, #6C8844 and #697854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76BB13 shade: #BAA312, #A3BA12, #77BA12, #4ABA12 and #1EBA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76BB13 shade: #466F0B, #5D940F, #75BA12, #8DDF16 and #A0EB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76BB13 shade: #76BB13, #12BA77 and #BA12BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76BB13 shade: #76BB13, #1277BA and #BA1277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76BB13 shade: #76BB13, #12BA77, #5512BA and #BA1255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76BB13 shade: #76BB13, #12BAA9, #5512BA and #BA1223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 90 / 27

HEX #76BB13

RGB 118 187 19

HSL 84.64, 0.82%, 0.4%

LAB 69.07, -44.79, 66.96

 

Complementary color

CMYK 42 / 71 / 0 / 7

HEX #8944EC

RGB 137 68 236

HSL 264.64, 0.82%, 0.6%

LAB 46.32, 62.16, -73.69

 

CMYK 34 / 0 / 93 / 27

HEX #7BBB0E

RGB 123 187 14

HSL 82.2, 0.86%, 0.39%

LAB 69.31, -43.09, 68.04

 

CMYK 32 / 0 / 84 / 20

HEX #8CCD21

RGB 140 205 33

HSL 82.67, 0.72%, 0.47%

LAB 75.67, -43.98, 70.19

 

CMYK 30 / 0 / 77 / 13

HEX #9DDF34

RGB 157 223 52

HSL 83.16, 0.73%, 0.54%

LAB 81.94, -44.64, 71.12

 

CMYK 28 / 0 / 71 / 5

HEX #AEF147

RGB 174 241 71

HSL 83.65, 0.86%, 0.61%

LAB 88.14, -45.14, 71.25

 

CMYK 25 / 0 / 65 / 0

HEX #BFFF5A

RGB 191 255 90

HSL 83.27, 1%, 0.68%

LAB 93.16, -43.78, 69.72

 

CMYK 37 / 0 / 90 / 27

HEX #76BB13

RGB 118 187 19

HSL 84.64, 0.82%, 0.4%

LAB 69.07, -44.79, 66.96

 

CMYK 40 / 0 / 100 / 34

HEX #65A900

RGB 101 169 0

HSL 84.14, 1%, 0.33%

LAB 62.63, -43.74, 64.04

 

CMYK 44 / 0 / 100 / 41

HEX #549700

RGB 84 151 0

HSL 86.62, 1%, 0.3%

LAB 56.11, -42.27, 58.62

 

CMYK 50 / 0 / 100 / 48

HEX #438500

RGB 67 133 0

HSL 89.77, 1%, 0.26%

LAB 49.46, -40.7, 53.1

 

CMYK 57 / 0 / 100 / 55

HEX #327300

RGB 50 115 0

HSL 93.91, 1%, 0.23%

LAB 42.67, -38.95, 47.48

 

CMYK 37 / 0 / 90 / 27

HEX #75BA12

RGB 117 186 18

HSL 84.64, 0.82%, 0.4%

LAB 68.71, -44.75, 66.81

 

CMYK 13 / 0 / 90 / 27

HEX #A2BA12

RGB 162 186 18

HSL 68.57, 0.82%, 0.4%

LAB 71.45, -27.05, 70.18

 

CMYK 0 / 12 / 90 / 27

HEX #BAA412

RGB 186 164 18

HSL 52.14, 0.82%, 0.4%

LAB 67.3, -5.4, 67.74

 

CMYK 0 / 36 / 90 / 27

HEX #BA7712

RGB 186 119 18

HSL 36.07, 0.82%, 0.4%

LAB 55.76, 19.18, 58.82

 

CMYK 0 / 60 / 90 / 27

HEX #BA4A12

RGB 186 74 18

HSL 20, 0.82%, 0.4%

LAB 46.15, 42.82, 51.56

 

CMYK 37 / 0 / 90 / 27

HEX #75BA12

RGB 117 186 18

HSL 84.64, 0.82%, 0.4%

LAB 68.71, -44.75, 66.81

 

CMYK 61 / 0 / 90 / 27

HEX #48BA12

RGB 72 186 18

HSL 100.71, 0.82%, 0.4%

LAB 66.93, -58.38, 64.61

 

CMYK 85 / 0 / 90 / 27

HEX #1BBA12

RGB 27 186 18

HSL 116.79, 0.82%, 0.4%

LAB 66.05, -65.91, 63.51

 

CMYK 90 / 0 / 70 / 27

HEX #12BA37

RGB 18 186 55

HSL 133.21, 0.82%, 0.4%

LAB 66.15, -64.35, 52.95

 

CMYK 90 / 0 / 46 / 27

HEX #12BA64

RGB 18 186 100

HSL 149.29, 0.82%, 0.4%

LAB 66.65, -58.3, 32.77

 

CMYK 37 / 0 / 90 / 27

HEX #75BA12

RGB 117 186 18

HSL 84.64, 0.82%, 0.4%

LAB 68.71, -44.75, 66.81

 

CMYK 41 / 0 / 99 / 21

HEX #78CA02

RGB 120 202 2

HSL 84.6, 0.98%, 0.4%

LAB 73.7, -50.51, 72.82

 

CMYK 37 / 0 / 90 / 27

HEX #75BA12

RGB 117 186 18

HSL 84.64, 0.82%, 0.4%

LAB 68.71, -44.75, 66.81

 

CMYK 33 / 0 / 79 / 34

HEX #72A923

RGB 114 169 35

HSL 84.63, 0.66%, 0.4%

LAB 63.4, -37.94, 58.14

 

CMYK 27 / 0 / 67 / 40

HEX #6F9933

RGB 111 153 51

HSL 84.71, 0.5%, 0.4%

LAB 58.42, -30.76, 47.24

 

CMYK 21 / 0 / 50 / 47

HEX #6C8844

RGB 108 136 68

HSL 84.71, 0.33%, 0.4%

LAB 53.18, -21.94, 33.08

 

CMYK 13 / 0 / 30 / 53

HEX #697854

RGB 105 120 84

HSL 85, 0.18%, 0.4%

LAB 48.36, -12.45, 17.99

 

CMYK 0 / 12 / 90 / 27

HEX #BAA312

RGB 186 163 18

HSL 51.79, 0.82%, 0.4%

LAB 67.03, -4.87, 67.53

 

CMYK 12 / 0 / 90 / 27

HEX #A3BA12

RGB 163 186 18

HSL 68.21, 0.82%, 0.4%

LAB 71.52, -26.63, 70.26

 

CMYK 36 / 0 / 90 / 27

HEX #77BA12

RGB 119 186 18

HSL 83.93, 0.82%, 0.4%

LAB 68.81, -44.03, 66.94

 

CMYK 60 / 0 / 90 / 27

HEX #4ABA12

RGB 74 186 18

HSL 100, 0.82%, 0.4%

LAB 66.99, -57.9, 64.68

 

CMYK 84 / 0 / 90 / 27

HEX #1EBA12

RGB 30 186 18

HSL 115.71, 0.82%, 0.4%

LAB 66.09, -65.62, 63.55

 

CMYK 37 / 0 / 90 / 56

HEX #466F0B

RGB 70 111 11

HSL 84.6, 0.82%, 0.24%

LAB 42.3, -29.73, 44.98

 

CMYK 37 / 0 / 90 / 42

HEX #5D940F

RGB 93 148 15

HSL 84.81, 0.82%, 0.32%

LAB 55.63, -37.39, 55.94

 

CMYK 37 / 0 / 90 / 27

HEX #75BA12

RGB 117 186 18

HSL 84.64, 0.82%, 0.4%

LAB 68.71, -44.75, 66.81

 

CMYK 37 / 0 / 90 / 13

HEX #8DDF16

RGB 141 223 22

HSL 84.48, 0.82%, 0.48%

LAB 81.01, -51.39, 76.81

 

CMYK 32 / 0 / 78 / 8

HEX #A0EB34

RGB 160 235 52

HSL 84.59, 0.82%, 0.56%

LAB 85.57, -48.62, 74.56

 

CMYK 37 / 0 / 90 / 27

HEX #76BB13

RGB 118 187 19

HSL 84.64, 0.82%, 0.4%

LAB 69.07, -44.79, 66.96

 

CMYK 90 / 0 / 36 / 27

HEX #12BA77

RGB 18 186 119

HSL 156.07, 0.82%, 0.4%

LAB 66.96, -54.65, 23.24

 

CMYK 0 / 90 / 0 / 27

HEX #BA12BA

RGB 186 18 186

HSL 300, 0.82%, 0.4%

LAB 44.82, 75.7, -47.02

 

CMYK 37 / 0 / 90 / 27

HEX #76BB13

RGB 118 187 19

HSL 84.64, 0.82%, 0.4%

LAB 69.07, -44.79, 66.96

 

CMYK 90 / 36 / 0 / 27

HEX #1277BA

RGB 18 119 186

HSL 203.93, 0.82%, 0.4%

LAB 48.09, -1.87, -42.64

 

CMYK 0 / 90 / 36 / 27

HEX #BA1277

RGB 186 18 119

HSL 323.93, 0.82%, 0.4%

LAB 41.54, 67.12, -11.68

 

CMYK 37 / 0 / 90 / 27

HEX #76BB13

RGB 118 187 19

HSL 84.64, 0.82%, 0.4%

LAB 69.07, -44.79, 66.96

 

CMYK 90 / 0 / 36 / 27

HEX #12BA77

RGB 18 186 119

HSL 156.07, 0.82%, 0.4%

LAB 66.96, -54.65, 23.24

 

CMYK 54 / 90 / 0 / 27

HEX #5512BA

RGB 85 18 186

HSL 263.93, 0.82%, 0.4%

LAB 29.18, 61.71, -73.16

 

CMYK 0 / 90 / 54 / 27

HEX #BA1255

RGB 186 18 85

HSL 336.07, 0.82%, 0.4%

LAB 40.46, 64.14, 8.15

 

CMYK 37 / 0 / 90 / 27

HEX #76BB13

RGB 118 187 19

HSL 84.64, 0.82%, 0.4%

LAB 69.07, -44.79, 66.96

 

CMYK 90 / 0 / 9 / 27

HEX #12BAA9

RGB 18 186 169

HSL 173.93, 0.82%, 0.4%

LAB 68.1, -42.28, -2.38

 

CMYK 54 / 90 / 0 / 27

HEX #5512BA

RGB 85 18 186

HSL 263.93, 0.82%, 0.4%

LAB 29.18, 61.71, -73.16

 

CMYK 0 / 90 / 81 / 27

HEX #BA1223

RGB 186 18 35

HSL 353.93, 0.82%, 0.4%

LAB 39.57, 61.64, 38.09

 

Description

Color code: HEX #76BB13 | qconv.com Color code: HEX #76BB13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 187 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 187 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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