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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76B338 it is the complementary color #894CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76B338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76B338 shade: #7BB333, #8CC546, #9DD759, #AEE96C and #BFFB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76B338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76B338 shade: #76B338, #65A125, #548F12, #437D00 and #326B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76B338 shade: #76B238, #97B238, #B2AD38, #B28C38 and #B26B38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76B338 shade: #76B238, #55B238, #38B23D, #38B25E and #38B27E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76B338 shade matches the following richer shades: #76B238, #76C525 and #76D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76B338 shade: #76B238, #769F4B, #758C5E, #757971 and #756684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76B338 shade: #B2AC38, #98B238, #77B238, #57B238 and #38B23A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76B338 shade: #4C7424, #61932E, #76B238, #8AC74D and #9FD16C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76B338 shade: #76B338, #38B28C and #B238A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76B338 shade: #76B338, #3877B2 and #B23877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76B338 shade: #76B338, #38B28C, #7338B2 and #B2385F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76B338 shade: #76B338, #38B2B0, #7338B2 and #B2383A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 69 / 30

HEX #76B338

RGB 118 179 56

HSL 89.76, 0.52%, 0.46%

LAB 66.81, -39.56, 54.12

 

Complementary color

CMYK 31 / 62 / 0 / 22

HEX #894CC7

RGB 137 76 199

HSL 269.76, 0.52%, 0.54%

LAB 45.1, 49.18, -54.55

 

CMYK 31 / 0 / 72 / 30

HEX #7BB333

RGB 123 179 51

HSL 86.25, 0.56%, 0.45%

LAB 67.04, -38.08, 56.37

 

CMYK 29 / 0 / 64 / 23

HEX #8CC546

RGB 140 197 70

HSL 86.93, 0.52%, 0.52%

LAB 73.51, -38.41, 55.89

 

CMYK 27 / 0 / 59 / 16

HEX #9DD759

RGB 157 215 89

HSL 87.62, 0.61%, 0.6%

LAB 79.89, -38.61, 55.07

 

CMYK 25 / 0 / 54 / 9

HEX #AEE96C

RGB 174 233 108

HSL 88.32, 0.74%, 0.67%

LAB 86.19, -38.72, 54.07

 

CMYK 24 / 0 / 49 / 2

HEX #BFFB7F

RGB 191 251 127

HSL 89.03, 0.94%, 0.74%

LAB 92.4, -38.76, 52.99

 

CMYK 34 / 0 / 69 / 30

HEX #76B338

RGB 118 179 56

HSL 89.76, 0.52%, 0.46%

LAB 66.81, -39.56, 54.12

 

CMYK 37 / 0 / 77 / 37

HEX #65A125

RGB 101 161 37

HSL 89.03, 0.63%, 0.39%

LAB 60.24, -39.14, 54.26

 

CMYK 41 / 0 / 87 / 44

HEX #548F12

RGB 84 143 18

HSL 88.32, 0.78%, 0.32%

LAB 53.57, -38.44, 53.35

 

CMYK 46 / 0 / 100 / 51

HEX #437D00

RGB 67 125 0

HSL 87.84, 1%, 0.25%

LAB 46.79, -37.41, 51.02

 

CMYK 53 / 0 / 100 / 58

HEX #326B00

RGB 50 107 0

HSL 91.96, 1%, 0.21%

LAB 39.9, -35.73, 45.31

 

CMYK 34 / 0 / 69 / 30

HEX #76B238

RGB 118 178 56

HSL 89.51, 0.52%, 0.46%

LAB 66.5, -39.12, 53.81

 

CMYK 15 / 0 / 69 / 30

HEX #97B238

RGB 151 178 56

HSL 73.28, 0.52%, 0.46%

LAB 68.54, -26.25, 56.54

 

CMYK 0 / 3 / 69 / 30

HEX #B2AD38

RGB 178 173 56

HSL 57.54, 0.52%, 0.46%

LAB 69.21, -12.29, 57.9

 

CMYK 0 / 21 / 69 / 30

HEX #B28C38

RGB 178 140 56

HSL 41.31, 0.52%, 0.46%

LAB 60.34, 5.41, 48.76

 

CMYK 0 / 40 / 69 / 30

HEX #B26B38

RGB 178 107 56

HSL 25.08, 0.52%, 0.46%

LAB 52.14, 23.79, 39.83

 

CMYK 34 / 0 / 69 / 30

HEX #76B238

RGB 118 178 56

HSL 89.51, 0.52%, 0.46%

LAB 66.5, -39.12, 53.81

 

CMYK 52 / 0 / 69 / 30

HEX #55B238

RGB 85 178 56

HSL 105.74, 0.52%, 0.46%

LAB 65.01, -49.9, 51.78

 

CMYK 69 / 0 / 66 / 30

HEX #38B23D

RGB 56 178 61

HSL 122.46, 0.52%, 0.46%

LAB 64.18, -56.38, 48.55

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 0 / 29 / 30

HEX #38B27E

RGB 56 178 126

HSL 154.43, 0.52%, 0.46%

LAB 65.11, -45.83, 17.03

 

CMYK 34 / 0 / 69 / 30

HEX #76B238

RGB 118 178 56

HSL 89.51, 0.52%, 0.46%

LAB 66.5, -39.12, 53.81

 

CMYK 40 / 0 / 81 / 23

HEX #76C525

RGB 118 197 37

HSL 89.63, 0.68%, 0.46%

LAB 72.17, -48.27, 65.67

 

CMYK 45 / 0 / 92 / 15

HEX #76D812

RGB 118 216 18

HSL 89.7, 0.85%, 0.46%

LAB 77.88, -56.32, 74.39

 

CMYK 34 / 0 / 69 / 30

HEX #76B238

RGB 118 178 56

HSL 89.51, 0.52%, 0.46%

LAB 66.5, -39.12, 53.81

 

CMYK 26 / 0 / 53 / 38

HEX #769F4B

RGB 118 159 75

HSL 89.29, 0.36%, 0.46%

LAB 60.92, -28.61, 38.99

 

CMYK 16 / 0 / 33 / 45

HEX #758C5E

RGB 117 140 94

HSL 90, 0.2%, 0.46%

LAB 55.43, -16.89, 21.94

 

CMYK 3 / 0 / 7 / 53

HEX #757971

RGB 117 121 113

HSL 90, 0.03%, 0.46%

LAB 50.27, -3.1, 3.86

 

CMYK 11 / 23 / 0 / 48

HEX #756684

RGB 117 102 132

HSL 270, 0.13%, 0.46%

LAB 45.57, 12.15, -14.43

 

CMYK 0 / 3 / 69 / 30

HEX #B2AC38

RGB 178 172 56

HSL 57.05, 0.52%, 0.46%

LAB 68.94, -11.77, 57.62

 

CMYK 15 / 0 / 69 / 30

HEX #98B238

RGB 152 178 56

HSL 72.79, 0.52%, 0.46%

LAB 68.61, -25.84, 56.64

 

CMYK 33 / 0 / 69 / 30

HEX #77B238

RGB 119 178 56

HSL 89.02, 0.52%, 0.46%

LAB 66.56, -38.76, 53.88

 

CMYK 51 / 0 / 69 / 30

HEX #57B238

RGB 87 178 56

HSL 104.75, 0.52%, 0.46%

LAB 65.08, -49.33, 51.88

 

CMYK 69 / 0 / 67 / 30

HEX #38B23A

RGB 56 178 58

HSL 120.98, 0.52%, 0.46%

LAB 64.15, -56.68, 49.78

 

CMYK 34 / 0 / 69 / 55

HEX #4C7424

RGB 76 116 36

HSL 90, 0.53%, 0.3%

LAB 44.45, -28.18, 38.31

 

CMYK 34 / 0 / 69 / 42

HEX #61932E

RGB 97 147 46

HSL 89.7, 0.52%, 0.38%

LAB 55.69, -33.76, 46.23

 

CMYK 34 / 0 / 69 / 30

HEX #76B238

RGB 118 178 56

HSL 89.51, 0.52%, 0.46%

LAB 66.5, -39.12, 53.81

 

CMYK 31 / 0 / 61 / 22

HEX #8AC74D

RGB 138 199 77

HSL 90, 0.52%, 0.54%

LAB 74.05, -39.44, 53.48

 

CMYK 24 / 0 / 48 / 18

HEX #9FD16C

RGB 159 209 108

HSL 89.7, 0.52%, 0.62%

LAB 78.49, -33.21, 44.64

 

CMYK 34 / 0 / 69 / 30

HEX #76B338

RGB 118 179 56

HSL 89.76, 0.52%, 0.46%

LAB 66.81, -39.56, 54.12

 

CMYK 69 / 0 / 21 / 30

HEX #38B28C

RGB 56 178 140

HSL 161.31, 0.52%, 0.46%

LAB 65.42, -42.62, 9.78

 

CMYK 0 / 69 / 6 / 30

HEX #B238A8

RGB 178 56 168

HSL 304.92, 0.52%, 0.46%

LAB 45.8, 61.67, -34.94

 

CMYK 34 / 0 / 69 / 30

HEX #76B338

RGB 118 179 56

HSL 89.76, 0.52%, 0.46%

LAB 66.81, -39.56, 54.12

 

CMYK 69 / 33 / 0 / 30

HEX #3877B2

RGB 56 119 178

HSL 209.02, 0.52%, 0.46%

LAB 48.57, -0.74, -37.19

 

CMYK 0 / 69 / 33 / 30

HEX #B23877

RGB 178 56 119

HSL 329.02, 0.52%, 0.46%

LAB 43.69, 54.76, -8.58

 

CMYK 34 / 0 / 69 / 30

HEX #76B338

RGB 118 179 56

HSL 89.76, 0.52%, 0.46%

LAB 66.81, -39.56, 54.12

 

CMYK 69 / 0 / 21 / 30

HEX #38B28C

RGB 56 178 140

HSL 161.31, 0.52%, 0.46%

LAB 65.42, -42.62, 9.78

 

CMYK 35 / 69 / 0 / 30

HEX #7338B2

RGB 115 56 178

HSL 269.02, 0.52%, 0.46%

LAB 37.28, 49.4, -55.01

 

CMYK 0 / 69 / 47 / 30

HEX #B2385F

RGB 178 56 95

HSL 340.82, 0.52%, 0.46%

LAB 42.94, 52.18, 5.19

 

CMYK 34 / 0 / 69 / 30

HEX #76B338

RGB 118 179 56

HSL 89.76, 0.52%, 0.46%

LAB 66.81, -39.56, 54.12

 

CMYK 69 / 0 / 1 / 30

HEX #38B2B0

RGB 56 178 176

HSL 179.02, 0.52%, 0.46%

LAB 66.38, -33.08, -8.74

 

CMYK 35 / 69 / 0 / 30

HEX #7338B2

RGB 115 56 178

HSL 269.02, 0.52%, 0.46%

LAB 37.28, 49.4, -55.01

 

CMYK 0 / 69 / 67 / 30

HEX #B2383A

RGB 178 56 58

HSL 359.02, 0.52%, 0.46%

LAB 42.15, 49.38, 27

 

Description

Color code: HEX #76B338 | qconv.com Color code: HEX #76B338 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 179 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 179 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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