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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76A3C2 it is the complementary color #895C3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76A3C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76A3C2 shade: #7BA3BD, #8CB5D0, #9DC7E3, #AED9F6 and #BFEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76A3C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76A3C2 shade: #76A3C2, #6591AF, #547F9C, #436D89 and #325B76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76A3C2 shade: #76A3C1, #768EC1, #767AC1, #8676C1 and #9B76C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76A3C2 shade: #76A3C1, #768EC1, #767AC1 and #7676C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76A3C2 shade matches the following richer shades: #76A3C1, #66A5D1, #56A8E2 and #45ABF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76A3C2 shade: #76A3C1, #86A0B1, #969DA1, #A69A91 and #B69781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76A3C2 shade: #76C1B7, #76B7C1, #76A3C1, #768FC1 and #767BC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76A3C2 shade: #477A9E, #598FB5, #76A3C1, #92B6CE and #AFC9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76A3C2 shade: #76A3C2, #A376C1 and #C1C176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76A3C2 shade: #76A3C2, #C176A3 and #A3C176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76A3C2 shade: #76A3C2, #A376C1, #C19476 and #94C176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76A3C2 shade: #76A3C2, #BA76C1, #C19476 and #7DC176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 16 / 0 / 24

HEX #76A3C2

RGB 118 163 194

HSL 204.47, 0.38%, 0.61%

LAB 64.92, -7.19, -20.72

 

Complementary color

CMYK 0 / 33 / 55 / 46

HEX #895C3D

RGB 137 92 61

HSL 24.47, 0.38%, 0.39%

LAB 43.23, 14.83, 25.19

 

CMYK 35 / 14 / 0 / 26

HEX #7BA3BD

RGB 123 163 189

HSL 203.64, 0.33%, 0.61%

LAB 65.03, -7.12, -17.74

 

CMYK 33 / 13 / 0 / 18

HEX #8CB5D0

RGB 140 181 208

HSL 203.82, 0.42%, 0.68%

LAB 71.68, -7.24, -18.07

 

CMYK 31 / 12 / 0 / 11

HEX #9DC7E3

RGB 157 199 227

HSL 204, 0.56%, 0.75%

LAB 78.21, -7.35, -18.4

 

CMYK 29 / 12 / 0 / 4

HEX #AED9F6

RGB 174 217 246

HSL 204.17, 0.8%, 0.82%

LAB 84.63, -7.45, -18.74

 

CMYK 25 / 8 / 0 / 0

HEX #BFEBFF

RGB 191 235 255

HSL 198.75, 1%, 0.87%

LAB 90.65, -9.79, -14.32

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C2

RGB 118 163 194

HSL 204.47, 0.38%, 0.61%

LAB 64.92, -7.19, -20.72

 

CMYK 42 / 17 / 0 / 31

HEX #6591AF

RGB 101 145 175

HSL 204.32, 0.32%, 0.54%

LAB 58.14, -6.97, -20.45

 

CMYK 46 / 19 / 0 / 39

HEX #547F9C

RGB 84 127 156

HSL 204.17, 0.3%, 0.47%

LAB 51.23, -6.7, -20.18

 

CMYK 51 / 20 / 0 / 46

HEX #436D89

RGB 67 109 137

HSL 204, 0.34%, 0.4%

LAB 44.14, -6.34, -19.92

 

CMYK 58 / 23 / 0 / 54

HEX #325B76

RGB 50 91 118

HSL 203.82, 0.4%, 0.33%

LAB 36.87, -5.83, -19.67

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C1

RGB 118 163 193

HSL 204, 0.38%, 0.61%

LAB 64.88, -7.46, -20.22

 

CMYK 39 / 26 / 0 / 24

HEX #768EC1

RGB 118 142 193

HSL 220.8, 0.38%, 0.61%

LAB 59.02, 4.39, -29.22

 

CMYK 39 / 37 / 0 / 24

HEX #767AC1

RGB 118 122 193

HSL 236.8, 0.38%, 0.61%

LAB 53.62, 16.18, -37.64

 

CMYK 31 / 39 / 0 / 24

HEX #8676C1

RGB 134 118 193

HSL 252.8, 0.38%, 0.61%

LAB 53.89, 23.04, -37.12

 

CMYK 20 / 39 / 0 / 24

HEX #9B76C1

RGB 155 118 193

HSL 269.6, 0.38%, 0.61%

LAB 55.86, 29.24, -33.9

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C1

RGB 118 163 193

HSL 204, 0.38%, 0.61%

LAB 64.88, -7.46, -20.22

 

CMYK 39 / 26 / 0 / 24

HEX #768EC1

RGB 118 142 193

HSL 220.8, 0.38%, 0.61%

LAB 59.02, 4.39, -29.22

 

CMYK 39 / 37 / 0 / 24

HEX #767AC1

RGB 118 122 193

HSL 236.8, 0.38%, 0.61%

LAB 53.62, 16.18, -37.64

 

CMYK 39 / 39 / 0 / 24

HEX #7676C1

RGB 118 118 193

HSL 240, 0.38%, 0.61%

LAB 52.57, 18.58, -39.29

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C1

RGB 118 163 193

HSL 204, 0.38%, 0.61%

LAB 64.88, -7.46, -20.22

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D1

RGB 102 165 209

HSL 204.67, 0.54%, 0.61%

LAB 65.23, -8.03, -28.65

 

CMYK 62 / 26 / 0 / 11

HEX #56A8E2

RGB 86 168 226

HSL 204.86, 0.71%, 0.61%

LAB 66.12, -7.69, -36.71

 

CMYK 71 / 29 / 0 / 5

HEX #45ABF2

RGB 69 171 242

HSL 204.62, 0.87%, 0.61%

LAB 67.13, -6.73, -43.93

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C1

RGB 118 163 193

HSL 204, 0.38%, 0.61%

LAB 64.88, -7.46, -20.22

 

CMYK 24 / 10 / 0 / 31

HEX #86A0B1

RGB 134 160 177

HSL 203.72, 0.22%, 0.61%

LAB 64.47, -5.15, -11.8

 

CMYK 7 / 2 / 0 / 37

HEX #969DA1

RGB 150 157 161

HSL 201.82, 0.06%, 0.61%

LAB 64.3, -1.69, -2.96

 

CMYK 0 / 7 / 13 / 35

HEX #A69A91

RGB 166 154 145

HSL 25.71, 0.11%, 0.61%

LAB 64.37, 2.82, 6.3

 

CMYK 0 / 17 / 29 / 29

HEX #B69781

RGB 182 151 129

HSL 24.91, 0.27%, 0.61%

LAB 64.69, 8.23, 15.92

 

CMYK 39 / 0 / 5 / 24

HEX #76C1B7

RGB 118 193 183

HSL 172, 0.38%, 0.61%

LAB 73.16, -25.63, -2.32

 

CMYK 39 / 5 / 0 / 24

HEX #76B7C1

RGB 118 183 193

HSL 188, 0.38%, 0.61%

LAB 70.57, -18.12, -11.63

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C1

RGB 118 163 193

HSL 204, 0.38%, 0.61%

LAB 64.88, -7.46, -20.22

 

CMYK 39 / 26 / 0 / 24

HEX #768FC1

RGB 118 143 193

HSL 220, 0.38%, 0.61%

LAB 59.29, 3.81, -28.8

 

CMYK 39 / 36 / 0 / 24

HEX #767BC1

RGB 118 123 193

HSL 236, 0.38%, 0.61%

LAB 53.89, 15.58, -37.23

 

CMYK 55 / 23 / 0 / 38

HEX #477A9E

RGB 71 122 158

HSL 204.83, 0.38%, 0.45%

LAB 49.16, -6.36, -24.57

 

CMYK 51 / 21 / 0 / 29

HEX #598FB5

RGB 89 143 181

HSL 204.78, 0.38%, 0.53%

LAB 57.18, -7.12, -25.4

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C1

RGB 118 163 193

HSL 204, 0.38%, 0.61%

LAB 64.88, -7.46, -20.22

 

CMYK 29 / 12 / 0 / 19

HEX #92B6CE

RGB 146 182 206

HSL 204, 0.38%, 0.69%

LAB 72.24, -6.54, -16.08

 

CMYK 20 / 8 / 0 / 14

HEX #AFC9DB

RGB 175 201 219

HSL 204.55, 0.38%, 0.77%

LAB 79.61, -4.9, -11.87

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C2

RGB 118 163 194

HSL 204.47, 0.38%, 0.61%

LAB 64.92, -7.19, -20.72

 

CMYK 16 / 39 / 0 / 24

HEX #A376C1

RGB 163 118 193

HSL 276, 0.38%, 0.61%

LAB 56.68, 31.68, -32.57

 

CMYK 0 / 0 / 39 / 24

HEX #C1C176

RGB 193 193 118

HSL 60, 0.38%, 0.61%

LAB 76.55, -11.16, 37.75

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C2

RGB 118 163 194

HSL 204.47, 0.38%, 0.61%

LAB 64.92, -7.19, -20.72

 

CMYK 0 / 39 / 16 / 24

HEX #C176A3

RGB 193 118 163

HSL 324, 0.38%, 0.61%

LAB 58.92, 35.74, -11.64

 

CMYK 16 / 0 / 39 / 24

HEX #A3C176

RGB 163 193 118

HSL 84, 0.38%, 0.61%

LAB 74.34, -22.86, 34.47

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C2

RGB 118 163 194

HSL 204.47, 0.38%, 0.61%

LAB 64.92, -7.19, -20.72

 

CMYK 16 / 39 / 0 / 24

HEX #A376C1

RGB 163 118 193

HSL 276, 0.38%, 0.61%

LAB 56.68, 31.68, -32.57

 

CMYK 0 / 23 / 39 / 24

HEX #C19476

RGB 193 148 118

HSL 24, 0.38%, 0.61%

LAB 64.82, 12.89, 22.39

 

CMYK 23 / 0 / 39 / 24

HEX #94C176

RGB 148 193 118

HSL 96, 0.38%, 0.61%

LAB 73.38, -28.41, 33.04

 

CMYK 39 / 16 / 0 / 24

HEX #76A3C2

RGB 118 163 194

HSL 204.47, 0.38%, 0.61%

LAB 64.92, -7.19, -20.72

 

CMYK 4 / 39 / 0 / 24

HEX #BA76C1

RGB 186 118 193

HSL 294.4, 0.38%, 0.61%

LAB 59.2, 38.8, -28.45

 

CMYK 0 / 23 / 39 / 24

HEX #C19476

RGB 193 148 118

HSL 24, 0.38%, 0.61%

LAB 64.82, 12.89, 22.39

 

CMYK 35 / 0 / 39 / 24

HEX #7DC176

RGB 125 193 118

HSL 114.4, 0.38%, 0.61%

LAB 72.1, -36.32, 31.13

 

Description

Color code: HEX #76A3C2 | qconv.com Color code: HEX #76A3C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 163 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 163 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 16 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 16% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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