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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76951F it is the complementary color #896AE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76951F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76951F shade: #7B951A, #8CA72D, #9DB940, #AECB53 and #BFDD66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76951F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76951F shade: #76951F, #65830C, #547100, #435F00 and #324D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76951F shade: #75941E, #94931E, #94741E, #94541E and #94341E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76951F shade: #75941E, #55941E, #36941E, #1E9427 and #1E9447

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76951F shade matches the following richer shades: #75941E, #7CA310 and #83B101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76951F shade: #75941E, #6E862D, #68773B, #61694A and #5A5A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76951F shade: #94731E, #94921E, #77941E, #57941E and #38941E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76951F shade: #3F5010, #5A7217, #75941E, #90B625 and #AAD530

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76951F shade: #76951F, #1E9453 and #821E94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76951F shade: #76951F, #1E7794 and #941E77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76951F shade: #76951F, #1E9453, #3C1E94 and #941E5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76951F shade: #76951F, #1E9477, #3C1E94 and #941E3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 79 / 42

HEX #76951F

RGB 118 149 31

HSL 75.76, 0.66%, 0.35%

LAB 57.51, -27.25, 54.01

 

Complementary color

CMYK 39 / 53 / 0 / 12

HEX #896AE0

RGB 137 106 224

HSL 255.76, 0.66%, 0.65%

LAB 52.96, 39.08, -56.19

 

CMYK 17 / 0 / 83 / 42

HEX #7B951A

RGB 123 149 26

HSL 72.68, 0.7%, 0.34%

LAB 57.83, -25.35, 55.93

 

CMYK 16 / 0 / 73 / 35

HEX #8CA72D

RGB 140 167 45

HSL 73.28, 0.58%, 0.42%

LAB 64.49, -26.1, 56.4

 

CMYK 15 / 0 / 65 / 27

HEX #9DB940

RGB 157 185 64

HSL 73.88, 0.49%, 0.49%

LAB 71.03, -26.66, 56.05

 

CMYK 14 / 0 / 59 / 20

HEX #AECB53

RGB 174 203 83

HSL 74.5, 0.54%, 0.56%

LAB 77.48, -27.08, 55.29

 

CMYK 14 / 0 / 54 / 13

HEX #BFDD66

RGB 191 221 102

HSL 75.13, 0.64%, 0.63%

LAB 83.83, -27.39, 54.32

 

CMYK 21 / 0 / 79 / 42

HEX #76951F

RGB 118 149 31

HSL 75.76, 0.66%, 0.35%

LAB 57.51, -27.25, 54.01

 

CMYK 23 / 0 / 91 / 49

HEX #65830C

RGB 101 131 12

HSL 75.13, 0.83%, 0.28%

LAB 50.72, -26.38, 52.64

 

CMYK 26 / 0 / 100 / 56

HEX #547100

RGB 84 113 0

HSL 75.4, 1%, 0.22%

LAB 43.79, -25.19, 49.12

 

CMYK 29 / 0 / 100 / 63

HEX #435F00

RGB 67 95 0

HSL 77.68, 1%, 0.19%

LAB 36.7, -23.67, 43.22

 

CMYK 35 / 0 / 100 / 70

HEX #324D00

RGB 50 77 0

HSL 81.04, 1%, 0.15%

LAB 29.38, -22.12, 37.12

 

CMYK 21 / 0 / 80 / 42

HEX #75941E

RGB 117 148 30

HSL 75.76, 0.66%, 0.35%

LAB 57.13, -27.23, 53.96

 

CMYK 0 / 1 / 80 / 42

HEX #94931E

RGB 148 147 30

HSL 59.49, 0.66%, 0.35%

LAB 59.21, -13.15, 56.73

 

CMYK 0 / 22 / 80 / 42

HEX #94741E

RGB 148 116 30

HSL 43.73, 0.66%, 0.35%

LAB 50.55, 3.93, 48.88

 

CMYK 0 / 43 / 80 / 42

HEX #94541E

RGB 148 84 30

HSL 27.46, 0.66%, 0.35%

LAB 42.35, 22.33, 41.14

 

CMYK 0 / 65 / 80 / 42

HEX #94341E

RGB 148 52 30

HSL 11.19, 0.66%, 0.35%

LAB 35.69, 39.22, 34.52

 

CMYK 21 / 0 / 80 / 42

HEX #75941E

RGB 117 148 30

HSL 75.76, 0.66%, 0.35%

LAB 57.13, -27.23, 53.96

 

CMYK 43 / 0 / 80 / 42

HEX #55941E

RGB 85 148 30

HSL 92.03, 0.66%, 0.35%

LAB 55.28, -39.66, 51.57

 

CMYK 64 / 0 / 80 / 42

HEX #36941E

RGB 54 148 30

HSL 107.8, 0.66%, 0.35%

LAB 54.09, -48.89, 50.02

 

CMYK 80 / 0 / 74 / 42

HEX #1E9427

RGB 30 148 39

HSL 124.58, 0.66%, 0.35%

LAB 53.6, -52.77, 46.15

 

CMYK 80 / 0 / 52 / 42

HEX #1E9447

RGB 30 148 71

HSL 140.85, 0.66%, 0.35%

LAB 53.93, -48.78, 31.73

 

CMYK 21 / 0 / 80 / 42

HEX #75941E

RGB 117 148 30

HSL 75.76, 0.66%, 0.35%

LAB 57.13, -27.23, 53.96

 

CMYK 24 / 0 / 90 / 36

HEX #7CA310

RGB 124 163 16

HSL 75.92, 0.82%, 0.35%

LAB 62.1, -31.96, 61.87

 

CMYK 26 / 0 / 99 / 31

HEX #83B101

RGB 131 177 1

HSL 75.68, 0.99%, 0.35%

LAB 66.73, -35.85, 67.78

 

CMYK 21 / 0 / 80 / 42

HEX #75941E

RGB 117 148 30

HSL 75.76, 0.66%, 0.35%

LAB 57.13, -27.23, 53.96

 

CMYK 18 / 0 / 66 / 47

HEX #6E862D

RGB 110 134 45

HSL 76.18, 0.5%, 0.35%

LAB 52.46, -22.33, 43.49

 

CMYK 13 / 0 / 50 / 53

HEX #68773B

RGB 104 119 59

HSL 75, 0.34%, 0.35%

LAB 47.56, -15.73, 30.93

 

CMYK 8 / 0 / 30 / 59

HEX #61694A

RGB 97 105 74

HSL 75.48, 0.17%, 0.35%

LAB 42.97, -8.93, 16.46

 

CMYK 0 / 0 / 2 / 65

HEX #5A5A58

RGB 90 90 88

HSL 60, 0.01%, 0.35%

LAB 38.18, -0.42, 1.15

 

CMYK 0 / 22 / 80 / 42

HEX #94731E

RGB 148 115 30

HSL 43.22, 0.66%, 0.35%

LAB 50.28, 4.5, 48.63

 

CMYK 0 / 1 / 80 / 42

HEX #94921E

RGB 148 146 30

HSL 58.98, 0.66%, 0.35%

LAB 58.93, -12.62, 56.47

 

CMYK 20 / 0 / 80 / 42

HEX #77941E

RGB 119 148 30

HSL 74.75, 0.66%, 0.35%

LAB 57.27, -26.39, 54.13

 

CMYK 41 / 0 / 80 / 42

HEX #57941E

RGB 87 148 30

HSL 91.02, 0.66%, 0.35%

LAB 55.38, -38.95, 51.7

 

CMYK 62 / 0 / 80 / 42

HEX #38941E

RGB 56 148 30

HSL 106.78, 0.66%, 0.35%

LAB 54.15, -48.4, 50.1

 

CMYK 21 / 0 / 80 / 69

HEX #3F5010

RGB 63 80 16

HSL 75.94, 0.67%, 0.19%

LAB 31.42, -16.9, 33.34

 

CMYK 21 / 0 / 80 / 55

HEX #5A7217

RGB 90 114 23

HSL 75.82, 0.66%, 0.27%

LAB 44.62, -22.22, 43.99

 

CMYK 21 / 0 / 80 / 42

HEX #75941E

RGB 117 148 30

HSL 75.76, 0.66%, 0.35%

LAB 57.13, -27.23, 53.96

 

CMYK 21 / 0 / 80 / 29

HEX #90B625

RGB 144 182 37

HSL 75.72, 0.66%, 0.43%

LAB 69.13, -32.01, 63.45

 

CMYK 20 / 0 / 77 / 16

HEX #AAD530

RGB 170 213 48

HSL 75.64, 0.66%, 0.51%

LAB 79.81, -35.48, 70.61

 

CMYK 21 / 0 / 79 / 42

HEX #76951F

RGB 118 149 31

HSL 75.76, 0.66%, 0.35%

LAB 57.51, -27.25, 54.01

 

CMYK 80 / 0 / 44 / 42

HEX #1E9453

RGB 30 148 83

HSL 146.95, 0.66%, 0.35%

LAB 54.11, -46.68, 25.59

 

CMYK 12 / 80 / 0 / 42

HEX #821E94

RGB 130 30 148

HSL 290.85, 0.66%, 0.35%

LAB 33.59, 56.55, -42.79

 

CMYK 21 / 0 / 79 / 42

HEX #76951F

RGB 118 149 31

HSL 75.76, 0.66%, 0.35%

LAB 57.51, -27.25, 54.01

 

CMYK 80 / 20 / 0 / 42

HEX #1E7794

RGB 30 119 148

HSL 194.75, 0.66%, 0.35%

LAB 46.46, -15.09, -23

 

CMYK 0 / 80 / 20 / 42

HEX #941E77

RGB 148 30 119

HSL 314.75, 0.66%, 0.35%

LAB 35.12, 55.79, -22.16

 

CMYK 21 / 0 / 79 / 42

HEX #76951F

RGB 118 149 31

HSL 75.76, 0.66%, 0.35%

LAB 57.51, -27.25, 54.01

 

CMYK 80 / 0 / 44 / 42

HEX #1E9453

RGB 30 148 83

HSL 146.95, 0.66%, 0.35%

LAB 54.11, -46.68, 25.59

 

CMYK 59 / 80 / 0 / 42

HEX #3C1E94

RGB 60 30 148

HSL 255.25, 0.66%, 0.35%

LAB 23.76, 44.71, -59.22

 

CMYK 0 / 80 / 36 / 42

HEX #941E5F

RGB 148 30 95

HSL 326.95, 0.66%, 0.35%

LAB 34.09, 52.75, -8.46

 

CMYK 21 / 0 / 79 / 42

HEX #76951F

RGB 118 149 31

HSL 75.76, 0.66%, 0.35%

LAB 57.51, -27.25, 54.01

 

CMYK 80 / 0 / 20 / 42

HEX #1E9477

RGB 30 148 119

HSL 165.25, 0.66%, 0.35%

LAB 54.85, -38.51, 6.44

 

CMYK 59 / 80 / 0 / 42

HEX #3C1E94

RGB 60 30 148

HSL 255.25, 0.66%, 0.35%

LAB 23.76, 44.71, -59.22

 

CMYK 0 / 80 / 59 / 42

HEX #941E3C

RGB 148 30 60

HSL 344.75, 0.66%, 0.35%

LAB 33.03, 49.5, 12.81

 

Description

Color code: HEX #76951F | qconv.com Color code: HEX #76951F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 149 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 149 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 79 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 79% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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