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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7690DB3F it is the complementary color #896F243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7690DB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7690DB3F shade: #7B90D63F, #8CA2E93F, #9DB4FC3F, #AEC6FF3F and #BFD8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7690DB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7690DB3F shade: #7690DB3F, #657EC83F, #546CB53F, #435AA23F and #32488F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7690DB3F shade: #7690DB, #7776DB, #9276DB, #AD76DB and #C976DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7690DB3F shade: #7690DB and #7676DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7690DB3F shade matches the following richer shades: #7690DB, #6889E9 and #5A82F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7690DB3F shade: #7690DB, #8497CD, #929EBF, #A0A4B1 and #AEABA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7690DB3F shade: #76C6DB, #76ACDB, #7691DB, #7676DB and #9176DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7690DB3F shade: #355BC9, #5575D2, #7690DB, #97AAE3 and #B7C5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7690DB3F shade: #7690DB, #D476DB and #B9DB76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7690DB3F shade: #7690DB, #DB7691 and #91DB76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7690DB3F shade: #7690DB, #D476DB, #DBC076 and #7DDB76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7690DB3F shade: #7690DB, #DB76C3, #DBC076 and #76DB8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 4

HEX #7690DB3F

RGBA 118 144 219 0.25

HSLA 224.55, 0.58%, 0.66%, 0.25

LABA 60.7, 10.68, -41.19, 0.25

 

Complementary color

CMYK 0 / 5 / 18 / 12

HEX #896F243F

RGBA 137 111 36 0.25

HSLA 44.55, 0.58%, 0.34%, 0.25

LABA 48.03, 1.93, 43.6, 0.25

 

CMYK 11 / 8 / 0 / 4

HEX #7B90D63F

RGBA 123 144 214 0.25

HSLA 226.15, 0.53%, 0.66%, 0.25

LABA 60.79, 10.48, -38.24, 0.25

 

CMYK 10 / 8 / 0 / 2

HEX #8CA2E93F

RGBA 140 162 233 0.25

HSLA 225.81, 0.68%, 0.73%, 0.25

LABA 67.5, 9.85, -38.19, 0.25

 

CMYK 9 / 7 / 0 / 0

HEX #9DB4FC3F

RGBA 157 180 252 0.25

HSLA 225.47, 0.94%, 0.8%, 0.25

LABA 74.09, 9.3, -38.18, 0.25

 

CMYK 8 / 6 / 0 / 0

HEX #AEC6FF3F

RGBA 174 198 255 0.25

HSLA 222.22, 1%, 0.84%, 0.25

LABA 79.96, 4.8, -30.63, 0.25

 

CMYK 6 / 4 / 0 / 0

HEX #BFD8FF3F

RGBA 191 216 255 0.25

HSLA 216.56, 1%, 0.87%, 0.25

LABA 85.71, 0.05, -21.75, 0.25

 

CMYK 12 / 9 / 0 / 4

HEX #7690DB3F

RGBA 118 144 219 0.25

HSLA 224.55, 0.58%, 0.66%, 0.25

LABA 60.7, 10.68, -41.19, 0.25

 

CMYK 12 / 9 / 0 / 5

HEX #657EC83F

RGBA 101 126 200 0.25

HSLA 224.85, 0.47%, 0.59%, 0.25

LABA 53.88, 11.52, -41.31, 0.25

 

CMYK 13 / 10 / 0 / 7

HEX #546CB53F

RGBA 84 108 181 0.25

HSLA 225.15, 0.4%, 0.52%, 0.25

LABA 46.9, 12.55, -41.48, 0.25

 

CMYK 15 / 11 / 0 / 9

HEX #435AA23F

RGBA 67 90 162 0.25

HSLA 225.47, 0.41%, 0.45%, 0.25

LABA 39.77, 13.82, -41.71, 0.25

 

CMYK 16 / 12 / 0 / 11

HEX #32488F3F

RGBA 50 72 143 0.25

HSLA 225.81, 0.48%, 0.38%, 0.25

LABA 32.47, 15.46, -41.99, 0.25

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 46 / 46 / 0 / 14

HEX #7776DB

RGB 119 118 219

HSL 240.59, 0.58%, 0.66%

LAB 54.02, 26.36, -51.76

 

CMYK 33 / 46 / 0 / 14

HEX #9276DB

RGB 146 118 219

HSL 256.63, 0.58%, 0.66%

LAB 56.27, 33.1, -48.05

 

CMYK 21 / 46 / 0 / 14

HEX #AD76DB

RGB 173 118 219

HSL 272.67, 0.58%, 0.66%

LAB 58.93, 40.44, -43.66

 

CMYK 8 / 46 / 0 / 14

HEX #C976DB

RGB 201 118 219

HSL 289.31, 0.58%, 0.66%

LAB 62.07, 48.36, -38.51

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 46 / 46 / 0 / 14

HEX #7676DB

RGB 118 118 219

HSL 240, 0.58%, 0.66%

LAB 53.95, 26.12, -51.89

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 55 / 41 / 0 / 9

HEX #6889E9

RGB 104 137 233

HSL 224.65, 0.75%, 0.66%

LAB 58.71, 15.97, -52.18

 

CMYK 64 / 47 / 0 / 3

HEX #5A82F7

RGB 90 130 247

HSL 224.71, 0.91%, 0.66%

LAB 56.93, 22.19, -62.83

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 36 / 26 / 0 / 20

HEX #8497CD

RGB 132 151 205

HSL 224.38, 0.42%, 0.66%

LAB 62.88, 6.37, -29.91

 

CMYK 24 / 17 / 0 / 25

HEX #929EBF

RGB 146 158 191

HSL 224, 0.26%, 0.66%

LAB 65.22, 3.05, -18.42

 

CMYK 10 / 7 / 0 / 31

HEX #A0A4B1

RGB 160 164 177

HSL 225.88, 0.1%, 0.66%

LAB 67.43, 1.19, -7.2

 

CMYK 0 / 2 / 7 / 32

HEX #AEABA2

RGB 174 171 162

HSL 45, 0.07%, 0.66%

LAB 69.99, -0.56, 5

 

CMYK 46 / 10 / 0 / 14

HEX #76C6DB

RGB 118 198 219

HSL 192.48, 0.58%, 0.66%

LAB 75.67, -19.04, -18.11

 

CMYK 46 / 21 / 0 / 14

HEX #76ACDB

RGB 118 172 219

HSL 207.92, 0.58%, 0.66%

LAB 68.37, -5.23, -29.26

 

CMYK 46 / 34 / 0 / 14

HEX #7691DB

RGB 118 145 219

HSL 223.96, 0.58%, 0.66%

LAB 60.97, 10.1, -40.77

 

CMYK 46 / 46 / 0 / 14

HEX #7676DB

RGB 118 118 219

HSL 240, 0.58%, 0.66%

LAB 53.95, 26.12, -51.89

 

CMYK 34 / 46 / 0 / 14

HEX #9176DB

RGB 145 118 219

HSL 256.04, 0.58%, 0.66%

LAB 56.18, 32.84, -48.2

 

CMYK 74 / 55 / 0 / 21

HEX #355BC9

RGB 53 91 201

HSL 224.59, 0.58%, 0.5%

LAB 41.93, 24.94, -61.15

 

CMYK 60 / 44 / 0 / 18

HEX #5575D2

RGB 85 117 210

HSL 224.64, 0.58%, 0.58%

LAB 51.04, 16.8, -51.55

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 33 / 25 / 0 / 11

HEX #97AAE3

RGB 151 170 227

HSL 225, 0.58%, 0.74%

LAB 70.09, 6.73, -30.83

 

CMYK 22 / 17 / 0 / 7

HEX #B7C5EC

RGB 183 197 236

HSL 224.15, 0.58%, 0.82%

LAB 79.65, 3.47, -20.89

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 3 / 46 / 0 / 14

HEX #D476DB

RGB 212 118 219

HSL 295.84, 0.58%, 0.66%

LAB 63.4, 51.5, -36.34

 

CMYK 16 / 0 / 46 / 14

HEX #B9DB76

RGB 185 219 118

HSL 80.2, 0.58%, 0.66%

LAB 83.06, -27.15, 45.77

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 0 / 46 / 34 / 14

HEX #DB7691

RGB 219 118 145

HSL 343.96, 0.58%, 0.66%

LAB 61.71, 42.24, 3.2

 

CMYK 34 / 0 / 46 / 14

HEX #91DB76

RGB 145 219 118

HSL 103.96, 0.58%, 0.66%

LAB 80.73, -41.39, 42.37

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 3 / 46 / 0 / 14

HEX #D476DB

RGB 212 118 219

HSL 295.84, 0.58%, 0.66%

LAB 63.4, 51.5, -36.34

 

CMYK 0 / 12 / 46 / 14

HEX #DBC076

RGB 219 192 118

HSL 43.96, 0.58%, 0.66%

LAB 78.5, -0.15, 40.68

 

CMYK 43 / 0 / 46 / 14

HEX #7DDB76

RGB 125 219 118

HSL 115.84, 0.58%, 0.66%

LAB 79.8, -47.66, 41

 

CMYK 46 / 34 / 0 / 14

HEX #7690DB

RGB 118 144 219

HSL 224.55, 0.58%, 0.66%

LAB 60.7, 10.68, -41.19

 

CMYK 0 / 46 / 11 / 14

HEX #DB76C3

RGB 219 118 195

HSL 314.26, 0.58%, 0.66%

LAB 63.31, 49.41, -22.93

 

CMYK 0 / 12 / 46 / 14

HEX #DBC076

RGB 219 192 118

HSL 43.96, 0.58%, 0.66%

LAB 78.5, -0.15, 40.68

 

CMYK 46 / 0 / 36 / 14

HEX #76DB8D

RGB 118 219 141

HSL 133.66, 0.58%, 0.66%

LAB 79.86, -46.12, 29.45

 

Description

Color code: HEX #7690DB3F | qconv.com Color code: HEX #7690DB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 144 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 144 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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