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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #768B25 it is the complementary color #8974DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #768B25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #768B25 shade: #7B8B20, #8C9D33, #9DAF46, #AEC159 and #BFD36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #768B25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #768B25 shade: #768B25, #657912, #546700, #435500 and #324300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #768B25 shade: #788D25, #8D8625, #8D6A25, #8D4F25 and #8D3325

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #768B25 shade: #788D25, #5C8D25, #408D25, #258D27 and #258D43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #768B25 shade matches the following richer shades: #788D25, #809B17 and #89AA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #768B25 shade: #788D25, #6F7F34, #677042, #5E6251 and #56535F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #768B25 shade: #8D6B25, #8D8625, #788D25, #5D8D25 and #418D25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #768B25 shade: #404C14, #5C6C1D, #788D25, #93AE2E and #ADCB3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #768B25 shade: #768B25, #258D4F and #78258D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #768B25 shade: #768B25, #25788D and #8D2578

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #768B25 shade: #768B25, #258D4F, #3A258D and #8D2564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #768B25 shade: #768B25, #258D6E, #3A258D and #8D2545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 73 / 45

HEX #768B25

RGB 118 139 37

HSL 72.35, 0.58%, 0.35%

LAB 54.5, -21.96, 49.06

 

Complementary color

CMYK 37 / 47 / 0 / 15

HEX #8974DA

RGB 137 116 218

HSL 252.35, 0.58%, 0.65%

LAB 54.94, 31.67, -49.65

 

CMYK 12 / 0 / 77 / 45

HEX #7B8B20

RGB 123 139 32

HSL 68.97, 0.63%, 0.34%

LAB 54.85, -20.05, 51.34

 

CMYK 11 / 0 / 68 / 38

HEX #8C9D33

RGB 140 157 51

HSL 69.62, 0.51%, 0.41%

LAB 61.59, -20.77, 51.17

 

CMYK 10 / 0 / 60 / 31

HEX #9DAF46

RGB 157 175 70

HSL 70.29, 0.43%, 0.48%

LAB 68.22, -21.3, 50.44

 

CMYK 10 / 0 / 54 / 24

HEX #AEC159

RGB 174 193 89

HSL 70.96, 0.46%, 0.55%

LAB 74.74, -21.7, 49.45

 

CMYK 9 / 0 / 49 / 17

HEX #BFD36C

RGB 191 211 108

HSL 71.65, 0.54%, 0.63%

LAB 81.15, -22.01, 48.35

 

CMYK 15 / 0 / 73 / 45

HEX #768B25

RGB 118 139 37

HSL 72.35, 0.58%, 0.35%

LAB 54.5, -21.96, 49.06

 

CMYK 17 / 0 / 85 / 53

HEX #657912

RGB 101 121 18

HSL 71.65, 0.74%, 0.27%

LAB 47.6, -21.16, 48.56

 

CMYK 18 / 0 / 100 / 60

HEX #546700

RGB 84 103 0

HSL 71.07, 1%, 0.2%

LAB 40.55, -20.1, 46.66

 

CMYK 21 / 0 / 100 / 67

HEX #435500

RGB 67 85 0

HSL 72.71, 1%, 0.17%

LAB 33.33, -18.49, 40.65

 

CMYK 25 / 0 / 100 / 74

HEX #324300

RGB 50 67 0

HSL 75.22, 1%, 0.13%

LAB 25.84, -16.86, 34.1

 

CMYK 15 / 0 / 74 / 45

HEX #788D25

RGB 120 141 37

HSL 72.12, 0.58%, 0.35%

LAB 55.25, -22.11, 49.85

 

CMYK 0 / 5 / 74 / 45

HEX #8D8625

RGB 141 134 37

HSL 55.96, 0.58%, 0.35%

LAB 54.91, -9.05, 50.1

 

CMYK 0 / 25 / 74 / 45

HEX #8D6A25

RGB 141 106 37

HSL 39.81, 0.58%, 0.35%

LAB 47.11, 6.74, 42.38

 

CMYK 0 / 44 / 74 / 45

HEX #8D4F25

RGB 141 79 37

HSL 24.23, 0.58%, 0.35%

LAB 40.23, 22.42, 35.19

 

CMYK 0 / 64 / 74 / 45

HEX #8D3325

RGB 141 51 37

HSL 8.08, 0.58%, 0.35%

LAB 34.32, 37.38, 28.68

 

CMYK 15 / 0 / 74 / 45

HEX #788D25

RGB 120 141 37

HSL 72.12, 0.58%, 0.35%

LAB 55.25, -22.11, 49.85

 

CMYK 35 / 0 / 74 / 45

HEX #5C8D25

RGB 92 141 37

HSL 88.27, 0.58%, 0.35%

LAB 53.45, -33.58, 47.46

 

CMYK 55 / 0 / 74 / 45

HEX #408D25

RGB 64 141 37

HSL 104.42, 0.58%, 0.35%

LAB 52.14, -43.08, 45.72

 

CMYK 74 / 0 / 72 / 45

HEX #258D27

RGB 37 141 39

HSL 121.15, 0.58%, 0.35%

LAB 51.37, -49.31, 43.88

 

CMYK 74 / 0 / 52 / 45

HEX #258D43

RGB 37 141 67

HSL 137.31, 0.58%, 0.35%

LAB 51.67, -45.8, 31.03

 

CMYK 15 / 0 / 74 / 45

HEX #788D25

RGB 120 141 37

HSL 72.12, 0.58%, 0.35%

LAB 55.25, -22.11, 49.85

 

CMYK 17 / 0 / 85 / 39

HEX #809B17

RGB 128 155 23

HSL 72.27, 0.74%, 0.35%

LAB 59.97, -26.27, 58.72

 

CMYK 19 / 0 / 95 / 33

HEX #89AA09

RGB 137 170 9

HSL 72.3, 0.9%, 0.35%

LAB 65.03, -30.03, 65.63

 

CMYK 15 / 0 / 74 / 45

HEX #788D25

RGB 120 141 37

HSL 72.12, 0.58%, 0.35%

LAB 55.25, -22.11, 49.85

 

CMYK 13 / 0 / 59 / 50

HEX #6F7F34

RGB 111 127 52

HSL 72.8, 0.42%, 0.35%

LAB 50.46, -17.68, 38.06

 

CMYK 8 / 0 / 41 / 56

HEX #677042

RGB 103 112 66

HSL 71.74, 0.26%, 0.35%

LAB 45.45, -11.47, 24.43

 

CMYK 4 / 0 / 17 / 62

HEX #5E6251

RGB 94 98 81

HSL 74.12, 0.09%, 0.35%

LAB 40.75, -4.94, 9.16

 

CMYK 9 / 13 / 0 / 63

HEX #56535F

RGB 86 83 95

HSL 255, 0.07%, 0.35%

LAB 35.97, 3.87, -6.52

 

CMYK 0 / 24 / 74 / 45

HEX #8D6B25

RGB 141 107 37

HSL 40.38, 0.58%, 0.35%

LAB 47.38, 6.16, 42.65

 

CMYK 0 / 5 / 74 / 45

HEX #8D8625

RGB 141 134 37

HSL 55.96, 0.58%, 0.35%

LAB 54.91, -9.05, 50.1

 

CMYK 15 / 0 / 74 / 45

HEX #788D25

RGB 120 141 37

HSL 72.12, 0.58%, 0.35%

LAB 55.25, -22.11, 49.85

 

CMYK 34 / 0 / 74 / 45

HEX #5D8D25

RGB 93 141 37

HSL 87.69, 0.58%, 0.35%

LAB 53.5, -33.2, 47.53

 

CMYK 54 / 0 / 74 / 45

HEX #418D25

RGB 65 141 37

HSL 103.85, 0.58%, 0.35%

LAB 52.18, -42.79, 45.77

 

CMYK 16 / 0 / 74 / 70

HEX #404C14

RGB 64 76 20

HSL 72.86, 0.58%, 0.19%

LAB 30.18, -13.92, 30.38

 

CMYK 15 / 0 / 73 / 58

HEX #5C6C1D

RGB 92 108 29

HSL 72.15, 0.58%, 0.27%

LAB 42.9, -17.84, 40.07

 

CMYK 15 / 0 / 74 / 45

HEX #788D25

RGB 120 141 37

HSL 72.12, 0.58%, 0.35%

LAB 55.25, -22.11, 49.85

 

CMYK 16 / 0 / 74 / 32

HEX #93AE2E

RGB 147 174 46

HSL 72.66, 0.58%, 0.43%

LAB 67.03, -26.54, 58.68

 

CMYK 15 / 0 / 71 / 20

HEX #ADCB3A

RGB 173 203 58

HSL 72.41, 0.58%, 0.51%

LAB 77.22, -29.15, 64.98

 

CMYK 15 / 0 / 73 / 45

HEX #768B25

RGB 118 139 37

HSL 72.35, 0.58%, 0.35%

LAB 54.5, -21.96, 49.06

 

CMYK 74 / 0 / 44 / 45

HEX #258D4F

RGB 37 141 79

HSL 144.23, 0.58%, 0.35%

LAB 51.85, -43.72, 24.85

 

CMYK 15 / 74 / 0 / 45

HEX #78258D

RGB 120 37 141

HSL 287.88, 0.58%, 0.35%

LAB 32.35, 50.64, -40.57

 

CMYK 15 / 0 / 73 / 45

HEX #768B25

RGB 118 139 37

HSL 72.35, 0.58%, 0.35%

LAB 54.5, -21.96, 49.06

 

CMYK 74 / 15 / 0 / 45

HEX #25788D

RGB 37 120 141

HSL 192.12, 0.58%, 0.35%

LAB 46.64, -17.2, -18.56

 

CMYK 0 / 74 / 15 / 45

HEX #8D2578

RGB 141 37 120

HSL 312.12, 0.58%, 0.35%

LAB 34.69, 51.95, -23.56

 

CMYK 15 / 0 / 73 / 45

HEX #768B25

RGB 118 139 37

HSL 72.35, 0.58%, 0.35%

LAB 54.5, -21.96, 49.06

 

CMYK 74 / 0 / 44 / 45

HEX #258D4F

RGB 37 141 79

HSL 144.23, 0.58%, 0.35%

LAB 51.85, -43.72, 24.85

 

CMYK 59 / 74 / 0 / 45

HEX #3A258D

RGB 58 37 141

HSL 252.12, 0.58%, 0.35%

LAB 24.15, 38.65, -54.25

 

CMYK 0 / 74 / 29 / 45

HEX #8D2564

RGB 141 37 100

HSL 323.65, 0.58%, 0.35%

LAB 33.79, 49.12, -12.26

 

CMYK 15 / 0 / 73 / 45

HEX #768B25

RGB 118 139 37

HSL 72.35, 0.58%, 0.35%

LAB 54.5, -21.96, 49.06

 

CMYK 74 / 0 / 22 / 45

HEX #258D6E

RGB 37 141 110

HSL 162.12, 0.58%, 0.35%

LAB 52.47, -36.86, 8.23

 

CMYK 59 / 74 / 0 / 45

HEX #3A258D

RGB 58 37 141

HSL 252.12, 0.58%, 0.35%

LAB 24.15, 38.65, -54.25

 

CMYK 0 / 74 / 51 / 45

HEX #8D2545

RGB 141 37 69

HSL 341.54, 0.58%, 0.35%

LAB 32.73, 45.69, 6.3

 

Description

Color code: HEX #768B25 | qconv.com Color code: HEX #768B25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 139 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 139 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 73 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 73% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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