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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76832C it is the complementary color #897CD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76832C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76832C shade: #7B8327, #8C953A, #9DA74D, #AEB960 and #BFCB73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76832C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76832C shade: #76832C, #657119, #545F06, #434D00 and #323B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76832C shade: #75822B, #82782B, #82602B, #82492B and #82312B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76832C shade: #75822B, #5E822B, #46822B, #2F822B and #2B823F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76832C shade matches the following richer shades: #75822B, #7F901D, #899E0F and #93AC01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76832C shade: #75822B, #6B7439, #616647, #585855 and #4E4A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76832C shade: #825F2B, #82762B, #76822B, #5F822B and #48822B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76832C shade: #3D4417, #596321, #75822B, #91A136 and #ACBF40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76832C shade: #76832C, #2B8248 and #6B2B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76832C shade: #76832C, #2B7682 and #822B76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76832C shade: #76832C, #2B8248, #372B82 and #822B65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76832C shade: #76832C, #2B8262, #372B82 and #822B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 66 / 49

HEX #76832C

RGB 118 131 44

HSL 68.97, 0.5%, 0.34%

LAB 52.14, -17.37, 43.77

 

Complementary color

CMYK 35 / 41 / 0 / 17

HEX #897CD3

RGB 137 124 211

HSL 248.97, 0.5%, 0.66%

LAB 56.52, 25.1, -43.19

 

CMYK 6 / 0 / 70 / 49

HEX #7B8327

RGB 123 131 39

HSL 65.22, 0.54%, 0.33%

LAB 52.5, -15.48, 46.4

 

CMYK 6 / 0 / 61 / 42

HEX #8C953A

RGB 140 149 58

HSL 65.93, 0.44%, 0.41%

LAB 59.32, -16.15, 45.71

 

CMYK 6 / 0 / 54 / 35

HEX #9DA74D

RGB 157 167 77

HSL 66.67, 0.37%, 0.48%

LAB 66.01, -16.66, 44.69

 

CMYK 6 / 0 / 48 / 27

HEX #AEB960

RGB 174 185 96

HSL 67.42, 0.39%, 0.55%

LAB 72.59, -17.04, 43.55

 

CMYK 6 / 0 / 43 / 20

HEX #BFCB73

RGB 191 203 115

HSL 68.18, 0.46%, 0.62%

LAB 79.06, -17.34, 42.38

 

CMYK 10 / 0 / 66 / 49

HEX #76832C

RGB 118 131 44

HSL 68.97, 0.5%, 0.34%

LAB 52.14, -17.37, 43.77

 

CMYK 11 / 0 / 78 / 56

HEX #657119

RGB 101 113 25

HSL 68.18, 0.64%, 0.27%

LAB 45.15, -16.64, 44.07

 

CMYK 12 / 0 / 94 / 63

HEX #545F06

RGB 84 95 6

HSL 67.42, 0.88%, 0.2%

LAB 37.99, -15.61, 43.02

 

CMYK 13 / 0 / 100 / 70

HEX #434D00

RGB 67 77 0

HSL 67.79, 1%, 0.15%

LAB 30.64, -14.09, 38.63

 

CMYK 15 / 0 / 100 / 77

HEX #323B00

RGB 50 59 0

HSL 69.15, 1%, 0.12%

LAB 23.02, -12.32, 31.35

 

CMYK 10 / 0 / 67 / 49

HEX #75822B

RGB 117 130 43

HSL 68.97, 0.5%, 0.34%

LAB 51.75, -17.36, 43.78

 

CMYK 0 / 8 / 67 / 49

HEX #82782B

RGB 130 120 43

HSL 53.1, 0.5%, 0.34%

LAB 49.92, -6.02, 42.2

 

CMYK 0 / 26 / 67 / 49

HEX #82602B

RGB 130 96 43

HSL 36.55, 0.5%, 0.34%

LAB 43.19, 7.82, 34.9

 

CMYK 0 / 44 / 67 / 49

HEX #82492B

RGB 130 73 43

HSL 20.69, 0.5%, 0.34%

LAB 37.27, 21.38, 28.13

 

CMYK 0 / 62 / 67 / 49

HEX #82312B

RGB 130 49 43

HSL 4.14, 0.5%, 0.34%

LAB 32.07, 34.52, 21.86

 

CMYK 10 / 0 / 67 / 49

HEX #75822B

RGB 117 130 43

HSL 68.97, 0.5%, 0.34%

LAB 51.75, -17.36, 43.78

 

CMYK 28 / 0 / 67 / 49

HEX #5E822B

RGB 94 130 43

HSL 84.83, 0.5%, 0.34%

LAB 50.12, -27.16, 41.56

 

CMYK 46 / 0 / 67 / 49

HEX #46822B

RGB 70 130 43

HSL 101.38, 0.5%, 0.34%

LAB 48.81, -36.11, 39.77

 

CMYK 64 / 0 / 67 / 49

HEX #2F822B

RGB 47 130 43

HSL 117.24, 0.5%, 0.34%

LAB 47.94, -42.81, 38.56

 

CMYK 67 / 0 / 52 / 49

HEX #2B823F

RGB 43 130 63

HSL 133.79, 0.5%, 0.34%

LAB 48.05, -41.04, 28.7

 

CMYK 10 / 0 / 67 / 49

HEX #75822B

RGB 117 130 43

HSL 68.97, 0.5%, 0.34%

LAB 51.75, -17.36, 43.78

 

CMYK 12 / 0 / 80 / 44

HEX #7F901D

RGB 127 144 29

HSL 68.87, 0.66%, 0.34%

LAB 56.63, -20.98, 54.08

 

CMYK 13 / 0 / 91 / 38

HEX #899E0F

RGB 137 158 15

HSL 68.81, 0.83%, 0.34%

LAB 61.49, -24.1, 61.92

 

CMYK 15 / 0 / 99 / 33

HEX #93AC01

RGB 147 172 1

HSL 68.77, 0.99%, 0.34%

LAB 66.3, -26.9, 67.92

 

CMYK 10 / 0 / 67 / 49

HEX #75822B

RGB 117 130 43

HSL 68.97, 0.5%, 0.34%

LAB 51.75, -17.36, 43.78

 

CMYK 8 / 0 / 51 / 55

HEX #6B7439

RGB 107 116 57

HSL 69.15, 0.34%, 0.34%

LAB 46.86, -13.02, 31.21

 

CMYK 5 / 0 / 30 / 60

HEX #616647

RGB 97 102 71

HSL 69.68, 0.18%, 0.34%

LAB 42, -7.68, 16.92

 

CMYK 0 / 0 / 3 / 65

HEX #585855

RGB 88 88 85

HSL 60, 0.02%, 0.34%

LAB 37.32, -0.63, 1.73

 

CMYK 21 / 25 / 0 / 61

HEX #4E4A63

RGB 78 74 99

HSL 249.6, 0.14%, 0.34%

LAB 32.74, 7.59, -14

 

CMYK 0 / 27 / 67 / 49

HEX #825F2B

RGB 130 95 43

HSL 35.86, 0.5%, 0.34%

LAB 42.92, 8.41, 34.6

 

CMYK 0 / 9 / 67 / 49

HEX #82762B

RGB 130 118 43

HSL 51.72, 0.5%, 0.34%

LAB 49.35, -4.9, 41.59

 

CMYK 9 / 0 / 67 / 49

HEX #76822B

RGB 118 130 43

HSL 68.28, 0.5%, 0.34%

LAB 51.83, -16.92, 43.89

 

CMYK 27 / 0 / 67 / 49

HEX #5F822B

RGB 95 130 43

HSL 84.14, 0.5%, 0.34%

LAB 50.18, -26.75, 41.65

 

CMYK 45 / 0 / 67 / 49

HEX #48822B

RGB 72 130 43

HSL 100, 0.5%, 0.34%

LAB 48.91, -35.43, 39.9

 

CMYK 10 / 0 / 66 / 73

HEX #3D4417

RGB 61 68 23

HSL 69.33, 0.49%, 0.18%

LAB 27.26, -10.47, 25.67

 

CMYK 10 / 0 / 67 / 61

HEX #596321

RGB 89 99 33

HSL 69.09, 0.5%, 0.26%

LAB 39.84, -14.03, 35.04

 

CMYK 10 / 0 / 67 / 49

HEX #75822B

RGB 117 130 43

HSL 68.97, 0.5%, 0.34%

LAB 51.75, -17.36, 43.78

 

CMYK 10 / 0 / 66 / 37

HEX #91A136

RGB 145 161 54

HSL 68.97, 0.5%, 0.42%

LAB 63.16, -20.46, 51.67

 

CMYK 10 / 0 / 66 / 25

HEX #ACBF40

RGB 172 191 64

HSL 68.98, 0.5%, 0.5%

LAB 73.81, -23.43, 59.27

 

CMYK 10 / 0 / 66 / 49

HEX #76832C

RGB 118 131 44

HSL 68.97, 0.5%, 0.34%

LAB 52.14, -17.37, 43.77

 

CMYK 67 / 0 / 45 / 49

HEX #2B8248

RGB 43 130 72

HSL 140, 0.5%, 0.34%

LAB 48.19, -39.49, 23.99

 

CMYK 18 / 67 / 0 / 49

HEX #6B2B82

RGB 107 43 130

HSL 284.14, 0.5%, 0.34%

LAB 30.56, 42.66, -36.71

 

CMYK 10 / 0 / 66 / 49

HEX #76832C

RGB 118 131 44

HSL 68.97, 0.5%, 0.34%

LAB 52.14, -17.37, 43.77

 

CMYK 67 / 9 / 0 / 49

HEX #2B7682

RGB 43 118 130

HSL 188.28, 0.5%, 0.34%

LAB 45.75, -18.82, -13.38

 

CMYK 0 / 67 / 9 / 49

HEX #822B76

RGB 130 43 118

HSL 308.28, 0.5%, 0.34%

LAB 33.52, 46.38, -24.25

 

CMYK 10 / 0 / 66 / 49

HEX #76832C

RGB 118 131 44

HSL 68.97, 0.5%, 0.34%

LAB 52.14, -17.37, 43.77

 

CMYK 67 / 0 / 45 / 49

HEX #2B8248

RGB 43 130 72

HSL 140, 0.5%, 0.34%

LAB 48.19, -39.49, 23.99

 

CMYK 58 / 67 / 0 / 49

HEX #372B82

RGB 55 43 130

HSL 248.28, 0.5%, 0.34%

LAB 24.17, 31.01, -47.35

 

CMYK 0 / 67 / 22 / 49

HEX #822B65

RGB 130 43 101

HSL 320, 0.5%, 0.34%

LAB 32.73, 43.68, -14.69

 

CMYK 10 / 0 / 66 / 49

HEX #76832C

RGB 118 131 44

HSL 68.97, 0.5%, 0.34%

LAB 52.14, -17.37, 43.77

 

CMYK 67 / 0 / 25 / 49

HEX #2B8262

RGB 43 130 98

HSL 157.93, 0.5%, 0.34%

LAB 48.71, -33.92, 9.87

 

CMYK 58 / 67 / 0 / 49

HEX #372B82

RGB 55 43 130

HSL 248.28, 0.5%, 0.34%

LAB 24.17, 31.01, -47.35

 

CMYK 0 / 67 / 42 / 49

HEX #822B4B

RGB 130 43 75

HSL 337.93, 0.5%, 0.34%

LAB 31.76, 40.26, 0.71

 

Description

Color code: HEX #76832C | qconv.com Color code: HEX #76832C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 131 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 131 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 66 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 66% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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