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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76825E it is the complementary color #897DA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76825E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76825E shade: #7B8259, #8C946C, #9DA67F, #AEB892 and #BFCAA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76825E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76825E shade: #76825E, #65704B, #545E38, #434C25 and #323A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76825E shade: #76825E, #80825E, #827B5E, #82715E and #82675E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76825E shade: #76825E, #6D825E, #63825E, #5E8263 and #5E826D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76825E shade matches the following richer shades: #76825E, #7C944C, #82A63A, #88B928 and #8ECB16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76825E shade: #76825E, #707070, #6A5E83, #644C95 and #5E3AA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76825E shade: #827B5E, #80825E, #76825E, #6D825E and #63825E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76825E shade: #4B523C, #606A4D, #76825E, #8B9871 and #9FAA89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76825E shade: #76825E, #5E8271 and #805E82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76825E shade: #76825E, #5E7682 and #825E76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76825E shade: #76825E, #5E8271, #6A5E82 and #825E6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76825E shade: #76825E, #5E827C, #6A5E82 and #825E64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

Complementary color

CMYK 15 / 22 / 0 / 37

HEX #897DA1

RGB 137 125 161

HSL 260, 0.16%, 0.56%

LAB 54.61, 12.02, -17.57

 

CMYK 5 / 0 / 32 / 49

HEX #7B8259

RGB 123 130 89

HSL 70.24, 0.19%, 0.43%

LAB 52.84, -9.82, 21.38

 

CMYK 5 / 0 / 27 / 42

HEX #8C946C

RGB 140 148 108

HSL 72, 0.16%, 0.5%

LAB 59.74, -9.95, 20.24

 

CMYK 5 / 0 / 23 / 35

HEX #9DA67F

RGB 157 166 127

HSL 73.85, 0.18%, 0.57%

LAB 66.5, -10.06, 19.17

 

CMYK 5 / 0 / 21 / 28

HEX #AEB892

RGB 174 184 146

HSL 75.79, 0.21%, 0.65%

LAB 73.13, -10.14, 18.18

 

CMYK 5 / 0 / 18 / 21

HEX #BFCAA5

RGB 191 202 165

HSL 77.84, 0.26%, 0.72%

LAB 79.63, -10.21, 17.24

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 10 / 0 / 33 / 56

HEX #65704B

RGB 101 112 75

HSL 77.84, 0.2%, 0.37%

LAB 45.45, -11.05, 19.24

 

CMYK 11 / 0 / 40 / 63

HEX #545E38

RGB 84 94 56

HSL 75.79, 0.25%, 0.29%

LAB 38.16, -10.96, 20.51

 

CMYK 12 / 0 / 51 / 70

HEX #434C25

RGB 67 76 37

HSL 73.85, 0.35%, 0.22%

LAB 30.63, -10.78, 21.87

 

CMYK 14 / 0 / 69 / 77

HEX #323A12

RGB 50 58 18

HSL 72, 0.53%, 0.15%

LAB 22.82, -10.41, 23.17

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 2 / 0 / 28 / 49

HEX #80825E

RGB 128 130 94

HSL 63.33, 0.16%, 0.44%

LAB 53.34, -7.03, 19.3

 

CMYK 0 / 5 / 28 / 49

HEX #827B5E

RGB 130 123 94

HSL 48.33, 0.16%, 0.44%

LAB 51.52, -2.26, 16.85

 

CMYK 0 / 13 / 28 / 49

HEX #82715E

RGB 130 113 94

HSL 31.67, 0.16%, 0.44%

LAB 48.72, 3.49, 13

 

CMYK 0 / 21 / 28 / 49

HEX #82675E

RGB 130 103 94

HSL 15, 0.16%, 0.44%

LAB 45.98, 9.36, 9.18

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 16 / 0 / 28 / 49

HEX #6D825E

RGB 109 130 94

HSL 95, 0.16%, 0.44%

LAB 51.87, -14.67, 17.05

 

CMYK 24 / 0 / 28 / 49

HEX #63825E

RGB 99 130 94

HSL 111.67, 0.16%, 0.44%

LAB 51.18, -18.49, 16

 

CMYK 28 / 0 / 24 / 49

HEX #5E8263

RGB 94 130 99

HSL 128.33, 0.16%, 0.44%

LAB 50.97, -19.38, 12.79

 

CMYK 28 / 0 / 16 / 49

HEX #5E826D

RGB 94 130 109

HSL 145, 0.16%, 0.44%

LAB 51.21, -17.35, 7.32

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 16 / 0 / 49 / 42

HEX #7C944C

RGB 124 148 76

HSL 80, 0.32%, 0.44%

LAB 58.02, -20.66, 35.08

 

CMYK 22 / 0 / 65 / 35

HEX #82A63A

RGB 130 166 58

HSL 80, 0.48%, 0.44%

LAB 63.61, -28.85, 50.14

 

CMYK 26 / 0 / 78 / 27

HEX #88B928

RGB 136 185 40

HSL 80.28, 0.64%, 0.44%

LAB 69.53, -36.43, 62.75

 

CMYK 30 / 0 / 89 / 20

HEX #8ECB16

RGB 142 203 22

HSL 80.22, 0.8%, 0.44%

LAB 75.15, -42.7, 72.01

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 0 / 0 / 0 / 56

HEX #707070

RGB 112 112 112

HSL 0, 0%, 0.44%

LAB 47.24, 0, -0.01

 

CMYK 19 / 28 / 0 / 49

HEX #6A5E83

RGB 106 94 131

HSL 259.46, 0.16%, 0.44%

LAB 42.32, 12.95, -18.88

 

CMYK 33 / 49 / 0 / 42

HEX #644C95

RGB 100 76 149

HSL 259.73, 0.32%, 0.44%

LAB 37.93, 26.9, -36.69

 

CMYK 44 / 65 / 0 / 35

HEX #5E3AA7

RGB 94 58 167

HSL 259.82, 0.48%, 0.44%

LAB 34.39, 41.11, -53.25

 

CMYK 0 / 5 / 28 / 49

HEX #827B5E

RGB 130 123 94

HSL 48.33, 0.16%, 0.44%

LAB 51.52, -2.26, 16.85

 

CMYK 2 / 0 / 28 / 49

HEX #80825E

RGB 128 130 94

HSL 63.33, 0.16%, 0.44%

LAB 53.34, -7.03, 19.3

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 16 / 0 / 28 / 49

HEX #6D825E

RGB 109 130 94

HSL 95, 0.16%, 0.44%

LAB 51.87, -14.67, 17.05

 

CMYK 24 / 0 / 28 / 49

HEX #63825E

RGB 99 130 94

HSL 111.67, 0.16%, 0.44%

LAB 51.18, -18.49, 16

 

CMYK 9 / 0 / 27 / 68

HEX #4B523C

RGB 75 82 60

HSL 79.09, 0.15%, 0.28%

LAB 33.68, -7.25, 12.01

 

CMYK 9 / 0 / 27 / 58

HEX #606A4D

RGB 96 106 77

HSL 80.69, 0.16%, 0.36%

LAB 43.26, -9.44, 15.05

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 9 / 0 / 26 / 40

HEX #8B9871

RGB 139 152 113

HSL 80, 0.16%, 0.52%

LAB 60.9, -11.73, 19.02

 

CMYK 6 / 0 / 19 / 33

HEX #9FAA89

RGB 159 170 137

HSL 80, 0.16%, 0.6%

LAB 67.97, -9.84, 15.74

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 28 / 0 / 13 / 49

HEX #5E8271

RGB 94 130 113

HSL 151.67, 0.16%, 0.44%

LAB 51.31, -16.49, 5.13

 

CMYK 2 / 28 / 0 / 49

HEX #805E82

RGB 128 94 130

HSL 296.67, 0.16%, 0.44%

LAB 44.53, 20.45, -14.7

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 28 / 9 / 0 / 49

HEX #5E7682

RGB 94 118 130

HSL 200, 0.16%, 0.44%

LAB 48.19, -5.76, -9.45

 

CMYK 0 / 28 / 9 / 49

HEX #825E76

RGB 130 94 118

HSL 320, 0.16%, 0.44%

LAB 44.32, 18.81, -7.74

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 28 / 0 / 13 / 49

HEX #5E8271

RGB 94 130 113

HSL 151.67, 0.16%, 0.44%

LAB 51.31, -16.49, 5.13

 

CMYK 18 / 28 / 0 / 49

HEX #6A5E82

RGB 106 94 130

HSL 260, 0.16%, 0.44%

LAB 42.28, 12.7, -18.34

 

CMYK 0 / 28 / 15 / 49

HEX #825E6F

RGB 130 94 111

HSL 331.67, 0.16%, 0.44%

LAB 44.09, 17.53, -3.83

 

CMYK 9 / 0 / 28 / 49

HEX #76825E

RGB 118 130 94

HSL 80, 0.16%, 0.44%

LAB 52.54, -11.11, 18.07

 

CMYK 28 / 0 / 5 / 49

HEX #5E827C

RGB 94 130 124

HSL 170, 0.16%, 0.44%

LAB 51.61, -13.99, -0.85

 

CMYK 18 / 28 / 0 / 49

HEX #6A5E82

RGB 106 94 130

HSL 260, 0.16%, 0.44%

LAB 42.28, 12.7, -18.34

 

CMYK 0 / 28 / 23 / 49

HEX #825E64

RGB 130 94 100

HSL 350, 0.16%, 0.44%

LAB 43.76, 15.65, 2.38

 

Description

Color code: HEX #76825E | qconv.com Color code: HEX #76825E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 130 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 130 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 28 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 28% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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