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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76820F it is the complementary color #897DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76820F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76820F shade: #7B820A, #8C941D, #9DA630, #AEB843 and #BFCA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76820F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76820F shade: #76820F, #657000, #545E00, #434C00 and #323A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76820F shade: #74800F, #806D0F, #804F0F, #80300F and #80120F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76820F shade: #74800F, #56800F, #37800F, #19800F and #0F8024

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76820F shade matches the following richer shades: #74800F and #7D8B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76820F shade: #74800F, #6B741B, #626926, #595D32 and #4F523D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76820F shade: #804F0F, #806D0F, #75800F, #56800F and #38800F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76820F shade: #313606, #535B0B, #74800F, #96A513 and #B7CA18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76820F shade: #76820F, #0F8031 and #5E0F80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76820F shade: #76820F, #0F7580 and #800F75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76820F shade: #76820F, #0F8031, #1A0F80 and #800F5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76820F shade: #76820F, #0F8053, #1A0F80 and #800F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 88 / 49

HEX #76820F

RGB 118 130 15

HSL 66.26, 0.79%, 0.28%

LAB 51.67, -18.27, 53.29

 

Complementary color

CMYK 43 / 48 / 0 / 6

HEX #897DF0

RGB 137 125 240

HSL 246.26, 0.79%, 0.72%

LAB 58.3, 32.51, -56.59

 

CMYK 5 / 0 / 92 / 49

HEX #7B820A

RGB 123 130 10

HSL 63.5, 0.86%, 0.27%

LAB 52.06, -16.11, 54.79

 

CMYK 5 / 0 / 80 / 42

HEX #8C941D

RGB 140 148 29

HSL 64.03, 0.67%, 0.35%

LAB 58.83, -17.29, 56.44

 

CMYK 5 / 0 / 71 / 35

HEX #9DA630

RGB 157 166 48

HSL 64.58, 0.55%, 0.42%

LAB 65.48, -18.21, 56.69

 

CMYK 5 / 0 / 64 / 28

HEX #AEB843

RGB 174 184 67

HSL 65.13, 0.47%, 0.49%

LAB 72.02, -18.94, 56.22

 

CMYK 5 / 0 / 57 / 21

HEX #BFCA56

RGB 191 202 86

HSL 65.69, 0.52%, 0.56%

LAB 78.46, -19.51, 55.39

 

CMYK 9 / 0 / 88 / 49

HEX #76820F

RGB 118 130 15

HSL 66.26, 0.79%, 0.28%

LAB 51.67, -18.27, 53.29

 

CMYK 10 / 0 / 100 / 56

HEX #657000

RGB 101 112 0

HSL 65.89, 1%, 0.22%

LAB 44.74, -16.96, 50.39

 

CMYK 11 / 0 / 100 / 63

HEX #545E00

RGB 84 94 0

HSL 66.38, 1%, 0.18%

LAB 37.64, -15.26, 44.49

 

CMYK 12 / 0 / 100 / 70

HEX #434C00

RGB 67 76 0

HSL 67.11, 1%, 0.15%

LAB 30.31, -13.53, 38.38

 

CMYK 14 / 0 / 100 / 77

HEX #323A00

RGB 50 58 0

HSL 68.28, 1%, 0.11%

LAB 22.67, -11.73, 30.99

 

CMYK 9 / 0 / 88 / 50

HEX #74800F

RGB 116 128 15

HSL 66.37, 0.79%, 0.28%

LAB 50.9, -18.13, 52.59

 

CMYK 0 / 15 / 88 / 50

HEX #806D0F

RGB 128 109 15

HSL 49.91, 0.79%, 0.28%

LAB 46.39, -2.04, 49.3

 

CMYK 0 / 38 / 88 / 50

HEX #804F0F

RGB 128 79 15

HSL 33.98, 0.79%, 0.28%

LAB 38.23, 15.58, 42.52

 

CMYK 0 / 63 / 88 / 50

HEX #80300F

RGB 128 48 15

HSL 17.52, 0.79%, 0.28%

LAB 31.2, 32.94, 36.59

 

CMYK 0 / 86 / 88 / 50

HEX #80120F

RGB 128 18 15

HSL 1.59, 0.79%, 0.28%

LAB 26.89, 44.72, 32.89

 

CMYK 9 / 0 / 88 / 50

HEX #74800F

RGB 116 128 15

HSL 66.37, 0.79%, 0.28%

LAB 50.9, -18.13, 52.59

 

CMYK 33 / 0 / 88 / 50

HEX #56800F

RGB 86 128 15

HSL 82.3, 0.79%, 0.28%

LAB 48.82, -31.09, 50

 

CMYK 57 / 0 / 88 / 50

HEX #37800F

RGB 55 128 15

HSL 98.76, 0.79%, 0.28%

LAB 47.35, -41.98, 48.14

 

CMYK 80 / 0 / 88 / 50

HEX #19800F

RGB 25 128 15

HSL 114.69, 0.79%, 0.28%

LAB 46.55, -48.63, 47.13

 

CMYK 88 / 0 / 72 / 50

HEX #0F8024

RGB 15 128 36

HSL 131.15, 0.79%, 0.28%

LAB 46.53, -48.3, 39.93

 

CMYK 9 / 0 / 88 / 50

HEX #74800F

RGB 116 128 15

HSL 66.37, 0.79%, 0.28%

LAB 50.9, -18.13, 52.59

 

CMYK 10 / 0 / 98 / 45

HEX #7D8B03

RGB 125 139 3

HSL 66.18, 0.96%, 0.28%

LAB 54.9, -20.03, 58.29

 

CMYK 9 / 0 / 88 / 50

HEX #74800F

RGB 116 128 15

HSL 66.37, 0.79%, 0.28%

LAB 50.9, -18.13, 52.59

 

CMYK 8 / 0 / 77 / 55

HEX #6B741B

RGB 107 116 27

HSL 66.07, 0.62%, 0.28%

LAB 46.57, -15.4, 44.86

 

CMYK 7 / 0 / 64 / 59

HEX #626926

RGB 98 105 38

HSL 66.27, 0.47%, 0.28%

LAB 42.52, -12.8, 35.76

 

CMYK 4 / 0 / 46 / 64

HEX #595D32

RGB 89 93 50

HSL 65.58, 0.3%, 0.28%

LAB 38.17, -8.93, 24.1

 

CMYK 4 / 0 / 26 / 68

HEX #4F523D

RGB 79 82 61

HSL 68.57, 0.15%, 0.28%

LAB 34.05, -5.33, 11.96

 

CMYK 0 / 38 / 88 / 50

HEX #804F0F

RGB 128 79 15

HSL 33.98, 0.79%, 0.28%

LAB 38.23, 15.58, 42.52

 

CMYK 0 / 15 / 88 / 50

HEX #806D0F

RGB 128 109 15

HSL 49.91, 0.79%, 0.28%

LAB 46.39, -2.04, 49.3

 

CMYK 9 / 0 / 88 / 50

HEX #75800F

RGB 117 128 15

HSL 65.84, 0.79%, 0.28%

LAB 50.98, -17.68, 52.69

 

CMYK 33 / 0 / 88 / 50

HEX #56800F

RGB 86 128 15

HSL 82.3, 0.79%, 0.28%

LAB 48.82, -31.09, 50

 

CMYK 56 / 0 / 88 / 50

HEX #38800F

RGB 56 128 15

HSL 98.23, 0.79%, 0.28%

LAB 47.38, -41.68, 48.19

 

CMYK 9 / 0 / 89 / 79

HEX #313606

RGB 49 54 6

HSL 66.25, 0.8%, 0.12%

LAB 21.22, -9.43, 26.98

 

CMYK 9 / 0 / 88 / 64

HEX #535B0B

RGB 83 91 11

HSL 66, 0.78%, 0.2%

LAB 36.64, -13.7, 40.46

 

CMYK 9 / 0 / 88 / 50

HEX #74800F

RGB 116 128 15

HSL 66.37, 0.79%, 0.28%

LAB 50.9, -18.13, 52.59

 

CMYK 9 / 0 / 88 / 35

HEX #96A513

RGB 150 165 19

HSL 66.16, 0.79%, 0.36%

LAB 64.52, -21.86, 64.04

 

CMYK 9 / 0 / 88 / 21

HEX #B7CA18

RGB 183 202 24

HSL 66.4, 0.79%, 0.44%

LAB 77.5, -25.82, 74.67

 

CMYK 9 / 0 / 88 / 49

HEX #76820F

RGB 118 130 15

HSL 66.26, 0.79%, 0.28%

LAB 51.67, -18.27, 53.29

 

CMYK 88 / 0 / 62 / 50

HEX #0F8031

RGB 15 128 49

HSL 138.05, 0.79%, 0.28%

LAB 46.66, -46.75, 34.1

 

CMYK 27 / 88 / 0 / 50

HEX #5E0F80

RGB 94 15 128

HSL 281.95, 0.79%, 0.28%

LAB 24.58, 50.29, -45.21

 

CMYK 9 / 0 / 88 / 49

HEX #76820F

RGB 118 130 15

HSL 66.26, 0.79%, 0.28%

LAB 51.67, -18.27, 53.29

 

CMYK 88 / 9 / 0 / 50

HEX #0F7580

RGB 15 117 128

HSL 185.84, 0.79%, 0.28%

LAB 44.78, -22.4, -13.71

 

CMYK 0 / 88 / 9 / 50

HEX #800F75

RGB 128 15 117

HSL 305.84, 0.79%, 0.28%

LAB 29.95, 54.74, -29.27

 

CMYK 9 / 0 / 88 / 49

HEX #76820F

RGB 118 130 15

HSL 66.26, 0.79%, 0.28%

LAB 51.67, -18.27, 53.29

 

CMYK 88 / 0 / 62 / 50

HEX #0F8031

RGB 15 128 49

HSL 138.05, 0.79%, 0.28%

LAB 46.66, -46.75, 34.1

 

CMYK 80 / 88 / 0 / 50

HEX #1A0F80

RGB 26 15 128

HSL 245.84, 0.79%, 0.28%

LAB 16.1, 42.41, -59.45

 

CMYK 0 / 88 / 27 / 50

HEX #800F5E

RGB 128 15 94

HSL 318.05, 0.79%, 0.28%

LAB 28.74, 51.49, -16.32

 

CMYK 9 / 0 / 88 / 49

HEX #76820F

RGB 118 130 15

HSL 66.26, 0.79%, 0.28%

LAB 51.67, -18.27, 53.29

 

CMYK 88 / 0 / 35 / 50

HEX #0F8053

RGB 15 128 83

HSL 156.11, 0.79%, 0.28%

LAB 47.19, -40.51, 16.36

 

CMYK 80 / 88 / 0 / 50

HEX #1A0F80

RGB 26 15 128

HSL 245.84, 0.79%, 0.28%

LAB 16.1, 42.41, -59.45

 

CMYK 0 / 88 / 53 / 50

HEX #800F3C

RGB 128 15 60

HSL 336.11, 0.79%, 0.28%

LAB 27.45, 47.86, 4.43

 

Description

Color code: HEX #76820F | qconv.com Color code: HEX #76820F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 130 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 130 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 88 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 88% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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