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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #767EB6 it is the complementary color #898149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #767EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #767EB6 shade: #7B7EB1, #8C90C4, #9DA2D7, #AEB4EA and #BFC6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #767EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #767EB6 shade: #767EB6, #656CA3, #545A90, #43487D and #32366A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #767EB6 shade: #777FB6, #8077B6, #9177B6, #A277B6 and #B377B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #767EB6 shade: #777FB6 and #7777B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #767EB6 shade matches the following richer shades: #777FB6, #6672C7, #5566D8, #4459E9 and #334CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #767EB6 shade: #777FB6, #888CA5, #999894, #AAA583 and #BBB272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #767EB6 shade: #77A1B6, #7790B6, #777FB6, #7F77B6 and #9077B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #767EB6 shade: #4C558E, #5C66A7, #777FB6, #9298C4 and #ADB1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #767EB6 shade: #767EB6, #B677B2 and #99B677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #767EB6 shade: #767EB6, #B6777F and #7FB677

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #767EB6 shade: #767EB6, #B677B2, #B6AD77 and #77B67B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #767EB6 shade: #767EB6, #B6779F, #B6AD77 and #77B68E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 31 / 0 / 29

HEX #767EB6

RGB 118 126 182

HSL 232.5, 0.3%, 0.59%

LAB 54.19, 10.74, -30.46

 

Complementary color

CMYK 0 / 6 / 47 / 46

HEX #898149

RGB 137 129 73

HSL 52.5, 0.3%, 0.41%

LAB 53.49, -5.3, 31.32

 

CMYK 31 / 29 / 0 / 31

HEX #7B7EB1

RGB 123 126 177

HSL 236.67, 0.26%, 0.59%

LAB 54.35, 10.87, -27.3

 

CMYK 29 / 27 / 0 / 23

HEX #8C90C4

RGB 140 144 196

HSL 235.71, 0.32%, 0.66%

LAB 61.23, 10.38, -27.38

 

CMYK 27 / 25 / 0 / 16

HEX #9DA2D7

RGB 157 162 215

HSL 234.83, 0.42%, 0.73%

LAB 67.96, 9.95, -27.49

 

CMYK 26 / 23 / 0 / 8

HEX #AEB4EA

RGB 174 180 234

HSL 234, 0.59%, 0.8%

LAB 74.56, 9.56, -27.63

 

CMYK 25 / 22 / 0 / 1

HEX #BFC6FD

RGB 191 198 253

HSL 233.23, 0.94%, 0.87%

LAB 81.05, 9.2, -27.79

 

CMYK 35 / 31 / 0 / 29

HEX #767EB6

RGB 118 126 182

HSL 232.5, 0.3%, 0.59%

LAB 54.19, 10.74, -30.46

 

CMYK 38 / 34 / 0 / 36

HEX #656CA3

RGB 101 108 163

HSL 233.23, 0.25%, 0.52%

LAB 47.15, 11.37, -30.49

 

CMYK 42 / 38 / 0 / 44

HEX #545A90

RGB 84 90 144

HSL 234, 0.26%, 0.45%

LAB 39.93, 12.13, -30.59

 

CMYK 46 / 42 / 0 / 51

HEX #43487D

RGB 67 72 125

HSL 234.83, 0.3%, 0.38%

LAB 32.5, 13.08, -30.77

 

CMYK 53 / 49 / 0 / 58

HEX #32366A

RGB 50 54 106

HSL 235.71, 0.36%, 0.31%

LAB 24.82, 14.31, -31.05

 

CMYK 35 / 30 / 0 / 29

HEX #777FB6

RGB 119 127 182

HSL 232.38, 0.3%, 0.59%

LAB 54.53, 10.43, -29.92

 

CMYK 30 / 35 / 0 / 29

HEX #8077B6

RGB 128 119 182

HSL 248.57, 0.3%, 0.59%

LAB 53.12, 17.83, -32.05

 

CMYK 20 / 35 / 0 / 29

HEX #9177B6

RGB 145 119 182

HSL 264.76, 0.3%, 0.59%

LAB 54.65, 23.01, -29.57

 

CMYK 11 / 35 / 0 / 29

HEX #A277B6

RGB 162 119 182

HSL 280.95, 0.3%, 0.59%

LAB 56.34, 28.4, -26.81

 

CMYK 2 / 35 / 0 / 29

HEX #B377B6

RGB 179 119 182

HSL 297.14, 0.3%, 0.59%

LAB 58.18, 33.89, -23.82

 

CMYK 35 / 30 / 0 / 29

HEX #777FB6

RGB 119 127 182

HSL 232.38, 0.3%, 0.59%

LAB 54.53, 10.43, -29.92

 

CMYK 35 / 35 / 0 / 29

HEX #7777B6

RGB 119 119 182

HSL 240, 0.3%, 0.59%

LAB 52.39, 15.2, -33.26

 

CMYK 35 / 30 / 0 / 29

HEX #777FB6

RGB 119 127 182

HSL 232.38, 0.3%, 0.59%

LAB 54.53, 10.43, -29.92

 

CMYK 49 / 43 / 0 / 22

HEX #6672C7

RGB 102 114 199

HSL 232.58, 0.46%, 0.59%

LAB 50.67, 18.73, -45.82

 

CMYK 61 / 53 / 0 / 15

HEX #5566D8

RGB 85 102 216

HSL 232.21, 0.63%, 0.59%

LAB 47.48, 28.11, -60.68

 

CMYK 71 / 62 / 0 / 9

HEX #4459E9

RGB 68 89 233

HSL 232.36, 0.79%, 0.59%

LAB 44.6, 39.45, -75.05

 

CMYK 80 / 69 / 0 / 2

HEX #334CF9

RGB 51 76 249

HSL 232.42, 0.94%, 0.59%

LAB 42.33, 51.1, -87.8

 

CMYK 35 / 30 / 0 / 29

HEX #777FB6

RGB 119 127 182

HSL 232.38, 0.3%, 0.59%

LAB 54.53, 10.43, -29.92

 

CMYK 18 / 15 / 0 / 35

HEX #888CA5

RGB 136 140 165

HSL 231.72, 0.14%, 0.59%

LAB 58.7, 3.92, -13.68

 

CMYK 0 / 1 / 3 / 40

HEX #999894

RGB 153 152 148

HSL 48, 0.02%, 0.59%

LAB 62.82, -0.39, 2.22

 

CMYK 0 / 3 / 23 / 33

HEX #AAA583

RGB 170 165 131

HSL 52.31, 0.19%, 0.59%

LAB 67.35, -3.87, 18.31

 

CMYK 0 / 5 / 39 / 27

HEX #BBB272

RGB 187 178 114

HSL 52.6, 0.35%, 0.59%

LAB 71.97, -6.23, 33.86

 

CMYK 35 / 12 / 0 / 29

HEX #77A1B6

RGB 119 161 182

HSL 200, 0.3%, 0.59%

LAB 63.99, -8.97, -15.42

 

CMYK 35 / 21 / 0 / 29

HEX #7790B6

RGB 119 144 182

HSL 216.19, 0.3%, 0.59%

LAB 59.2, 0.53, -22.71

 

CMYK 35 / 30 / 0 / 29

HEX #777FB6

RGB 119 127 182

HSL 232.38, 0.3%, 0.59%

LAB 54.53, 10.43, -29.92

 

CMYK 30 / 35 / 0 / 29

HEX #7F77B6

RGB 127 119 182

HSL 247.62, 0.3%, 0.59%

LAB 53.04, 17.53, -32.19

 

CMYK 21 / 35 / 0 / 29

HEX #9077B6

RGB 144 119 182

HSL 263.81, 0.3%, 0.59%

LAB 54.55, 22.7, -29.72

 

CMYK 46 / 40 / 0 / 44

HEX #4C558E

RGB 76 85 142

HSL 231.82, 0.3%, 0.43%

LAB 37.82, 12.51, -32.76

 

CMYK 45 / 39 / 0 / 35

HEX #5C66A7

RGB 92 102 167

HSL 232, 0.3%, 0.51%

LAB 45.04, 13.79, -36.22

 

CMYK 35 / 30 / 0 / 29

HEX #777FB6

RGB 119 127 182

HSL 232.38, 0.3%, 0.59%

LAB 54.53, 10.43, -29.92

 

CMYK 26 / 22 / 0 / 23

HEX #9298C4

RGB 146 152 196

HSL 232.8, 0.3%, 0.67%

LAB 63.8, 7.63, -23.39

 

CMYK 18 / 16 / 0 / 17

HEX #ADB1D3

RGB 173 177 211

HSL 233.68, 0.3%, 0.75%

LAB 72.91, 5.62, -17.63

 

CMYK 35 / 31 / 0 / 29

HEX #767EB6

RGB 118 126 182

HSL 232.5, 0.3%, 0.59%

LAB 54.19, 10.74, -30.46

 

CMYK 0 / 35 / 2 / 29

HEX #B677B2

RGB 182 119 178

HSL 303.81, 0.3%, 0.59%

LAB 58.37, 34.11, -21.21

 

CMYK 16 / 0 / 35 / 29

HEX #99B677

RGB 153 182 119

HSL 87.62, 0.3%, 0.59%

LAB 70.57, -21.02, 28.9

 

CMYK 35 / 31 / 0 / 29

HEX #767EB6

RGB 118 126 182

HSL 232.5, 0.3%, 0.59%

LAB 54.19, 10.74, -30.46

 

CMYK 0 / 35 / 30 / 29

HEX #B6777F

RGB 182 119 127

HSL 352.38, 0.3%, 0.59%

LAB 56.75, 25.77, 5.85

 

CMYK 30 / 0 / 35 / 29

HEX #7FB677

RGB 127 182 119

HSL 112.38, 0.3%, 0.59%

LAB 68.97, -30.37, 26.49

 

CMYK 35 / 31 / 0 / 29

HEX #767EB6

RGB 118 126 182

HSL 232.5, 0.3%, 0.59%

LAB 54.19, 10.74, -30.46

 

CMYK 0 / 35 / 2 / 29

HEX #B677B2

RGB 182 119 178

HSL 303.81, 0.3%, 0.59%

LAB 58.37, 34.11, -21.21

 

CMYK 0 / 5 / 35 / 29

HEX #B6AD77

RGB 182 173 119

HSL 51.43, 0.3%, 0.59%

LAB 70.29, -5.01, 28.95

 

CMYK 35 / 0 / 32 / 29

HEX #77B67B

RGB 119 182 123

HSL 123.81, 0.3%, 0.59%

LAB 68.61, -32.37, 23.81

 

CMYK 35 / 31 / 0 / 29

HEX #767EB6

RGB 118 126 182

HSL 232.5, 0.3%, 0.59%

LAB 54.19, 10.74, -30.46

 

CMYK 0 / 35 / 13 / 29

HEX #B6779F

RGB 182 119 159

HSL 321.9, 0.3%, 0.59%

LAB 57.7, 30.71, -11.31

 

CMYK 0 / 5 / 35 / 29

HEX #B6AD77

RGB 182 173 119

HSL 51.43, 0.3%, 0.59%

LAB 70.29, -5.01, 28.95

 

CMYK 35 / 0 / 22 / 29

HEX #77B68E

RGB 119 182 142

HSL 141.9, 0.3%, 0.59%

LAB 68.99, -28.89, 14.06

 

Description

Color code: HEX #767EB6 | qconv.com Color code: HEX #767EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 126 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 126 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 31 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 31% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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