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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7675F1 it is the complementary color #898A0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7675F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7675F1 shade: #7B75EC, #8C87FF, #9D99FF, #AEABFF and #BFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7675F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7675F1 shade: #7675F1, #6563DE, #5451CB, #433FB8 and #322DA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7675F1 shade: #7574F1, #9774F1, #B874F1, #DA74F1 and #F174E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7675F1 shade: #7574F1 and #7474F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7675F1 shade matches the following richer shades: #7574F1 and #6967FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7675F1 shade: #7574F1, #8180E5, #8D8DD8, #9999CC and #A5A5C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7675F1 shade: #74B7F1, #7495F1, #7474F1, #9574F1 and #B774F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7675F1 shade: #2A29EA, #4F4EEE, #7574F1, #9A99F5 and #BFBFF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7675F1 shade: #7675F1, #F174D8 and #A6F174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7675F1 shade: #7675F1, #F17474 and #74F174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7675F1 shade: #7675F1, #F174D8, #F1F174 and #74F18D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7675F1 shade: #7675F1, #F174B3, #F1F174 and #74F1B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 51 / 0 / 5

HEX #7675F1

RGB 118 117 241

HSL 240.48, 0.82%, 0.7%

LAB 55, 33.32, -62.52

 

Complementary color

CMYK 1 / 0 / 90 / 46

HEX #898A0E

RGB 137 138 14

HSL 60.48, 0.82%, 0.3%

LAB 55.61, -13.85, 57.37

 

CMYK 48 / 50 / 0 / 7

HEX #7B75EC

RGB 123 117 236

HSL 243.03, 0.76%, 0.69%

LAB 55.06, 32.88, -59.61

 

CMYK 45 / 47 / 0 / 0

HEX #8C87FF

RGB 140 135 255

HSL 242.5, 1%, 0.76%

LAB 61.76, 31.64, -59.32

 

CMYK 38 / 40 / 0 / 0

HEX #9D99FF

RGB 157 153 255

HSL 242.35, 1%, 0.8%

LAB 67.4, 25.36, -50.28

 

CMYK 32 / 33 / 0 / 0

HEX #AEABFF

RGB 174 171 255

HSL 242.14, 1%, 0.84%

LAB 73.12, 19.68, -41.22

 

CMYK 25 / 26 / 0 / 0

HEX #BFBDFF

RGB 191 189 255

HSL 241.82, 1%, 0.87%

LAB 78.86, 14.55, -32.21

 

CMYK 51 / 51 / 0 / 5

HEX #7675F1

RGB 118 117 241

HSL 240.48, 0.82%, 0.7%

LAB 55, 33.32, -62.52

 

CMYK 55 / 55 / 0 / 13

HEX #6563DE

RGB 101 99 222

HSL 240.98, 0.65%, 0.63%

LAB 48.22, 34.85, -62.85

 

CMYK 59 / 60 / 0 / 20

HEX #5451CB

RGB 84 81 203

HSL 241.48, 0.54%, 0.56%

LAB 41.35, 36.61, -63.18

 

CMYK 64 / 66 / 0 / 28

HEX #433FB8

RGB 67 63 184

HSL 241.98, 0.49%, 0.48%

LAB 34.41, 38.61, -63.43

 

CMYK 70 / 73 / 0 / 35

HEX #322DA5

RGB 50 45 165

HSL 242.5, 0.57%, 0.41%

LAB 27.49, 40.8, -63.48

 

CMYK 51 / 52 / 0 / 5

HEX #7574F1

RGB 117 116 241

HSL 240.48, 0.82%, 0.7%

LAB 54.68, 33.71, -63.03

 

CMYK 37 / 52 / 0 / 5

HEX #9774F1

RGB 151 116 241

HSL 256.8, 0.82%, 0.7%

LAB 57.48, 41.25, -58.38

 

CMYK 24 / 52 / 0 / 5

HEX #B874F1

RGB 184 116 241

HSL 272.64, 0.82%, 0.7%

LAB 60.81, 49.43, -52.88

 

CMYK 10 / 52 / 0 / 5

HEX #DA74F1

RGB 218 116 241

HSL 288.96, 0.82%, 0.7%

LAB 64.76, 58.29, -46.37

 

CMYK 0 / 52 / 5 / 5

HEX #F174E6

RGB 241 116 230

HSL 305.28, 0.82%, 0.7%

LAB 67.21, 62.52, -36.25

 

CMYK 51 / 52 / 0 / 5

HEX #7574F1

RGB 117 116 241

HSL 240.48, 0.82%, 0.7%

LAB 54.68, 33.71, -63.03

 

CMYK 52 / 52 / 0 / 5

HEX #7474F1

RGB 116 116 241

HSL 240, 0.82%, 0.7%

LAB 54.61, 33.5, -63.15

 

CMYK 51 / 52 / 0 / 5

HEX #7574F1

RGB 117 116 241

HSL 240.48, 0.82%, 0.7%

LAB 54.68, 33.71, -63.03

 

CMYK 59 / 59 / 0 / 0

HEX #6967FE

RGB 105 103 254

HSL 240.79, 0.99%, 0.7%

LAB 51.68, 43.2, -75.15

 

CMYK 51 / 52 / 0 / 5

HEX #7574F1

RGB 117 116 241

HSL 240.48, 0.82%, 0.7%

LAB 54.68, 33.71, -63.03

 

CMYK 44 / 44 / 0 / 10

HEX #8180E5

RGB 129 128 229

HSL 240.59, 0.66%, 0.7%

LAB 57.81, 25.71, -51.29

 

CMYK 35 / 35 / 0 / 15

HEX #8D8DD8

RGB 141 141 216

HSL 240, 0.49%, 0.7%

LAB 61.37, 17.59, -38.36

 

CMYK 25 / 25 / 0 / 20

HEX #9999CC

RGB 153 153 204

HSL 240, 0.33%, 0.7%

LAB 64.89, 11.15, -26.12

 

CMYK 14 / 14 / 0 / 25

HEX #A5A5C0

RGB 165 165 192

HSL 240, 0.18%, 0.7%

LAB 68.54, 5.49, -13.82

 

CMYK 52 / 24 / 0 / 5

HEX #74B7F1

RGB 116 183 241

HSL 207.84, 0.82%, 0.7%

LAB 72.18, -5.36, -35.37

 

CMYK 52 / 38 / 0 / 5

HEX #7495F1

RGB 116 149 241

HSL 224.16, 0.82%, 0.7%

LAB 62.98, 13.92, -49.8

 

CMYK 52 / 52 / 0 / 5

HEX #7474F1

RGB 116 116 241

HSL 240, 0.82%, 0.7%

LAB 54.61, 33.5, -63.15

 

CMYK 38 / 52 / 0 / 5

HEX #9574F1

RGB 149 116 241

HSL 255.84, 0.82%, 0.7%

LAB 57.3, 40.78, -58.69

 

CMYK 24 / 52 / 0 / 5

HEX #B774F1

RGB 183 116 241

HSL 272.16, 0.82%, 0.7%

LAB 60.7, 49.17, -53.06

 

CMYK 82 / 82 / 0 / 8

HEX #2A29EA

RGB 42 41 234

HSL 240.31, 0.82%, 0.54%

LAB 34.02, 63.87, -93.1

 

CMYK 67 / 67 / 0 / 7

HEX #4F4EEE

RGB 79 78 238

HSL 240.38, 0.82%, 0.62%

LAB 43.19, 48.97, -80.15

 

CMYK 51 / 52 / 0 / 5

HEX #7574F1

RGB 117 116 241

HSL 240.48, 0.82%, 0.7%

LAB 54.68, 33.71, -63.03

 

CMYK 37 / 38 / 0 / 4

HEX #9A99F5

RGB 154 153 245

HSL 240.65, 0.82%, 0.78%

LAB 66.71, 21.91, -45.94

 

CMYK 23 / 23 / 0 / 2

HEX #BFBFF9

RGB 191 191 249

HSL 240, 0.83%, 0.86%

LAB 79.14, 12.08, -28.57

 

CMYK 51 / 51 / 0 / 5

HEX #7675F1

RGB 118 117 241

HSL 240.48, 0.82%, 0.7%

LAB 55, 33.32, -62.52

 

CMYK 0 / 52 / 10 / 5

HEX #F174D8

RGB 241 116 216

HSL 312, 0.82%, 0.7%

LAB 66.63, 60.26, -29.36

 

CMYK 31 / 0 / 52 / 5

HEX #A6F174

RGB 166 241 116

HSL 96, 0.82%, 0.7%

LAB 88.1, -44.19, 52.58

 

CMYK 51 / 51 / 0 / 5

HEX #7675F1

RGB 118 117 241

HSL 240.48, 0.82%, 0.7%

LAB 55, 33.32, -62.52

 

CMYK 0 / 52 / 52 / 5

HEX #F17474

RGB 241 116 116

HSL 0, 0.82%, 0.7%

LAB 63.72, 48.03, 23.04

 

CMYK 52 / 0 / 52 / 5

HEX #74F174

RGB 116 241 116

HSL 120, 0.82%, 0.7%

LAB 85.95, -59.17, 49.47

 

CMYK 51 / 51 / 0 / 5

HEX #7675F1

RGB 118 117 241

HSL 240.48, 0.82%, 0.7%

LAB 55, 33.32, -62.52

 

CMYK 0 / 52 / 10 / 5

HEX #F174D8

RGB 241 116 216

HSL 312, 0.82%, 0.7%

LAB 66.63, 60.26, -29.36

 

CMYK 0 / 0 / 52 / 5

HEX #F1F174

RGB 241 241 116

HSL 60, 0.82%, 0.7%

LAB 92.96, -16.22, 59.5

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 51 / 51 / 0 / 5

HEX #7675F1

RGB 118 117 241

HSL 240.48, 0.82%, 0.7%

LAB 55, 33.32, -62.52

 

CMYK 0 / 52 / 26 / 5

HEX #F174B3

RGB 241 116 179

HSL 329.76, 0.82%, 0.7%

LAB 65.32, 54.89, -10.55

 

CMYK 0 / 0 / 52 / 5

HEX #F1F174

RGB 241 241 116

HSL 60, 0.82%, 0.7%

LAB 92.96, -16.22, 59.5

 

CMYK 52 / 0 / 26 / 5

HEX #74F1B3

RGB 116 241 179

HSL 150.24, 0.82%, 0.7%

LAB 86.94, -48.88, 19.49

 

Description

Color code: HEX #7675F1 | qconv.com Color code: HEX #7675F1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 117 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 117 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 51 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 51% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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