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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7675DC it is the complementary color #898A23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7675DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7675DC shade: #7B75D7, #8C87EA, #9D99FD, #AEABFF and #BFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7675DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7675DC shade: #7675DC, #6563C9, #5451B6, #433FA3 and #322D90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7675DC shade: #7574DC, #9174DC, #AD74DC, #C974DC and #DC74D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7675DC shade: #7574DC and #7474DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7675DC shade matches the following richer shades: #7574DC, #6866EA and #5A58F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7675DC shade: #7574DC, #8382CE, #9190C0, #9F9EB2 and #ACACA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7675DC shade: #74ACDC, #7490DC, #7474DC, #9074DC and #AC74DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7675DC shade: #3433CB, #5553D4, #7574DC, #9695E5 and #B7B6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7675DC shade: #7675DC, #DC74C8 and #9EDC74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7675DC shade: #7675DC, #DC7474 and #74DC74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7675DC shade: #7675DC, #DC74C8, #DCDC74 and #74DC89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7675DC shade: #7675DC, #DC74A8, #DCDC74 and #74DCA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 47 / 0 / 14

HEX #7675DC

RGB 118 117 220

HSL 240.58, 0.6%, 0.66%

LAB 53.75, 27.02, -52.76

 

Complementary color

CMYK 1 / 0 / 75 / 46

HEX #898A23

RGB 137 138 35

HSL 60.58, 0.6%, 0.34%

LAB 55.7, -13.12, 51.48

 

CMYK 43 / 46 / 0 / 16

HEX #7B75D7

RGB 123 117 215

HSL 243.67, 0.55%, 0.65%

LAB 53.86, 26.75, -49.75

 

CMYK 40 / 42 / 0 / 8

HEX #8C87EA

RGB 140 135 234

HSL 243.03, 0.7%, 0.72%

LAB 60.64, 25.72, -49.52

 

CMYK 38 / 40 / 0 / 1

HEX #9D99FD

RGB 157 153 253

HSL 242.4, 0.96%, 0.8%

LAB 67.31, 24.82, -49.34

 

CMYK 32 / 33 / 0 / 0

HEX #AEABFF

RGB 174 171 255

HSL 242.14, 1%, 0.84%

LAB 73.12, 19.68, -41.22

 

CMYK 25 / 26 / 0 / 0

HEX #BFBDFF

RGB 191 189 255

HSL 241.82, 1%, 0.87%

LAB 78.86, 14.55, -32.21

 

CMYK 46 / 47 / 0 / 14

HEX #7675DC

RGB 118 117 220

HSL 240.58, 0.6%, 0.66%

LAB 53.75, 27.02, -52.76

 

CMYK 50 / 51 / 0 / 21

HEX #6563C9

RGB 101 99 201

HSL 241.18, 0.49%, 0.59%

LAB 46.85, 28.31, -53.06

 

CMYK 54 / 55 / 0 / 29

HEX #5451B6

RGB 84 81 182

HSL 241.78, 0.41%, 0.52%

LAB 39.83, 29.82, -53.4

 

CMYK 59 / 61 / 0 / 36

HEX #433FA3

RGB 67 63 163

HSL 242.4, 0.44%, 0.44%

LAB 32.68, 31.6, -53.73

 

CMYK 65 / 69 / 0 / 44

HEX #322D90

RGB 50 45 144

HSL 243.03, 0.52%, 0.37%

LAB 25.47, 33.67, -53.97

 

CMYK 47 / 47 / 0 / 14

HEX #7574DC

RGB 117 116 220

HSL 240.58, 0.6%, 0.66%

LAB 53.43, 27.38, -53.28

 

CMYK 34 / 47 / 0 / 14

HEX #9174DC

RGB 145 116 220

HSL 256.73, 0.6%, 0.66%

LAB 55.76, 34.26, -49.42

 

CMYK 21 / 47 / 0 / 14

HEX #AD74DC

RGB 173 116 220

HSL 272.88, 0.6%, 0.66%

LAB 58.55, 41.76, -44.83

 

CMYK 9 / 47 / 0 / 14

HEX #C974DC

RGB 201 116 220

HSL 289.04, 0.6%, 0.66%

LAB 61.72, 49.59, -39.62

 

CMYK 0 / 47 / 4 / 14

HEX #DC74D3

RGB 220 116 211

HSL 305.19, 0.6%, 0.66%

LAB 63.68, 53.39, -31.35

 

CMYK 47 / 47 / 0 / 14

HEX #7574DC

RGB 117 116 220

HSL 240.58, 0.6%, 0.66%

LAB 53.43, 27.38, -53.28

 

CMYK 47 / 47 / 0 / 14

HEX #7474DC

RGB 116 116 220

HSL 240, 0.6%, 0.66%

LAB 53.35, 27.15, -53.4

 

CMYK 47 / 47 / 0 / 14

HEX #7574DC

RGB 117 116 220

HSL 240.58, 0.6%, 0.66%

LAB 53.43, 27.38, -53.28

 

CMYK 56 / 56 / 0 / 8

HEX #6866EA

RGB 104 102 234

HSL 240.91, 0.76%, 0.66%

LAB 49.96, 37.37, -66.79

 

CMYK 64 / 65 / 0 / 3

HEX #5A58F8

RGB 90 88 248

HSL 240.75, 0.92%, 0.66%

LAB 46.88, 47.81, -79.68

 

CMYK 47 / 47 / 0 / 14

HEX #7574DC

RGB 117 116 220

HSL 240.58, 0.6%, 0.66%

LAB 53.43, 27.38, -53.28

 

CMYK 36 / 37 / 0 / 19

HEX #8382CE

RGB 131 130 206

HSL 240.79, 0.44%, 0.66%

LAB 57.32, 18.58, -39.15

 

CMYK 24 / 25 / 0 / 25

HEX #9190C0

RGB 145 144 192

HSL 241.25, 0.28%, 0.66%

LAB 61.46, 10.92, -24.74

 

CMYK 11 / 11 / 0 / 30

HEX #9F9EB2

RGB 159 158 178

HSL 243, 0.11%, 0.66%

LAB 65.78, 4.38, -10.22

 

CMYK 0 / 0 / 5 / 33

HEX #ACACA4

RGB 172 172 164

HSL 60, 0.05%, 0.66%

LAB 70.15, -1.47, 4.1

 

CMYK 47 / 22 / 0 / 14

HEX #74ACDC

RGB 116 172 220

HSL 207.69, 0.6%, 0.66%

LAB 68.3, -5.43, -29.92

 

CMYK 47 / 35 / 0 / 14

HEX #7490DC

RGB 116 144 220

HSL 223.85, 0.6%, 0.66%

LAB 60.63, 10.49, -41.87

 

CMYK 47 / 47 / 0 / 14

HEX #7474DC

RGB 116 116 220

HSL 240, 0.6%, 0.66%

LAB 53.35, 27.15, -53.4

 

CMYK 35 / 47 / 0 / 14

HEX #9074DC

RGB 144 116 220

HSL 256.15, 0.6%, 0.66%

LAB 55.67, 34, -49.57

 

CMYK 22 / 47 / 0 / 14

HEX #AC74DC

RGB 172 116 220

HSL 272.31, 0.6%, 0.66%

LAB 58.44, 41.49, -45.01

 

CMYK 74 / 75 / 0 / 20

HEX #3433CB

RGB 52 51 203

HSL 240.39, 0.6%, 0.5%

LAB 32.72, 50.09, -77.4

 

CMYK 60 / 61 / 0 / 17

HEX #5553D4

RGB 85 83 212

HSL 240.93, 0.6%, 0.58%

LAB 42.57, 38.48, -66.37

 

CMYK 47 / 47 / 0 / 14

HEX #7574DC

RGB 117 116 220

HSL 240.58, 0.6%, 0.66%

LAB 53.43, 27.38, -53.28

 

CMYK 34 / 35 / 0 / 10

HEX #9695E5

RGB 150 149 229

HSL 240.75, 0.61%, 0.74%

LAB 64.67, 18.89, -40.36

 

CMYK 23 / 23 / 0 / 7

HEX #B7B6ED

RGB 183 182 237

HSL 241.09, 0.6%, 0.82%

LAB 75.85, 11.85, -27.22

 

CMYK 46 / 47 / 0 / 14

HEX #7675DC

RGB 118 117 220

HSL 240.58, 0.6%, 0.66%

LAB 53.75, 27.02, -52.76

 

CMYK 0 / 47 / 9 / 14

HEX #DC74C8

RGB 220 116 200

HSL 311.54, 0.6%, 0.66%

LAB 63.24, 51.54, -25.84

 

CMYK 28 / 0 / 47 / 14

HEX #9EDC74

RGB 158 220 116

HSL 95.77, 0.6%, 0.66%

LAB 81.68, -37.67, 44.67

 

CMYK 46 / 47 / 0 / 14

HEX #7675DC

RGB 118 117 220

HSL 240.58, 0.6%, 0.66%

LAB 53.75, 27.02, -52.76

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 47 / 0 / 47 / 14

HEX #74DC74

RGB 116 220 116

HSL 120, 0.6%, 0.66%

LAB 79.7, -50.93, 41.78

 

CMYK 46 / 47 / 0 / 14

HEX #7675DC

RGB 118 117 220

HSL 240.58, 0.6%, 0.66%

LAB 53.75, 27.02, -52.76

 

CMYK 0 / 47 / 9 / 14

HEX #DC74C8

RGB 220 116 200

HSL 311.54, 0.6%, 0.66%

LAB 63.24, 51.54, -25.84

 

CMYK 0 / 0 / 47 / 14

HEX #DCDC74

RGB 220 220 116

HSL 60, 0.6%, 0.66%

LAB 85.84, -14.22, 50.69

 

CMYK 47 / 0 / 38 / 14

HEX #74DC89

RGB 116 220 137

HSL 132.12, 0.6%, 0.66%

LAB 80.01, -47.75, 31.68

 

CMYK 46 / 47 / 0 / 14

HEX #7675DC

RGB 118 117 220

HSL 240.58, 0.6%, 0.66%

LAB 53.75, 27.02, -52.76

 

CMYK 0 / 47 / 24 / 14

HEX #DC74A8

RGB 220 116 168

HSL 330, 0.6%, 0.66%

LAB 62.11, 46.64, -9.37

 

CMYK 0 / 0 / 47 / 14

HEX #DCDC74

RGB 220 220 116

HSL 60, 0.6%, 0.66%

LAB 85.84, -14.22, 50.69

 

CMYK 47 / 0 / 24 / 14

HEX #74DCA8

RGB 116 220 168

HSL 150, 0.6%, 0.66%

LAB 80.59, -42.05, 16.36

 

Description

Color code: HEX #7675DC | qconv.com Color code: HEX #7675DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 117 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 117 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 47 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 47% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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