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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #767585 it is the complementary color #898A7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #767585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #767585 shade: #7B7580, #8C8793, #9D99A6, #AEABB9 and #BFBDCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #767585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #767585 shade: #767585, #656372, #54515F, #433F4C and #322D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #767585 shade: #767584, #7A7584, #7E7584, #837584 and #847582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #767585 shade: #767584 and #757584

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #767585 shade matches the following richer shades: #767584, #656199, #534DAD, #4139C1 and #3025D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #767585 shade: #767584, #888A70, #9A9E5C, #ABB248 and #BDC634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #767585 shade: #757D84, #757984, #767584, #7A7584 and #7E7584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #767585 shade: #4F4F59, #63626F, #767584, #8C8B98 and #A2A1AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #767585 shade: #767585, #847581 and #7B8475

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #767585 shade: #767585, #847675 and #758476

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #767585 shade: #767585, #847581, #848475 and #758479

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #767585 shade: #767585, #84757C, #848475 and #75847E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 12 / 0 / 48

HEX #767585

RGB 118 117 133

HSL 243.75, 0.06%, 0.49%

LAB 49.82, 3.78, -8.6

 

Complementary color

CMYK 1 / 0 / 12 / 46

HEX #898A7A

RGB 137 138 122

HSL 63.75, 0.06%, 0.51%

LAB 56.98, -3.36, 8.45

 

CMYK 4 / 9 / 0 / 50

HEX #7B7580

RGB 123 117 128

HSL 272.73, 0.04%, 0.48%

LAB 50.09, 4.52, -5.2

 

CMYK 5 / 8 / 0 / 42

HEX #8C8793

RGB 140 135 147

HSL 265, 0.05%, 0.55%

LAB 57.09, 4.25, -5.74

 

CMYK 5 / 8 / 0 / 35

HEX #9D99A6

RGB 157 153 166

HSL 258.46, 0.07%, 0.63%

LAB 63.92, 4, -6.27

 

CMYK 6 / 8 / 0 / 27

HEX #AEABB9

RGB 174 171 185

HSL 252.86, 0.09%, 0.7%

LAB 70.61, 3.77, -6.78

 

CMYK 6 / 7 / 0 / 20

HEX #BFBDCC

RGB 191 189 204

HSL 248, 0.13%, 0.77%

LAB 77.18, 3.55, -7.28

 

CMYK 11 / 12 / 0 / 48

HEX #767585

RGB 118 117 133

HSL 243.75, 0.06%, 0.49%

LAB 49.82, 3.78, -8.6

 

CMYK 11 / 13 / 0 / 55

HEX #656372

RGB 101 99 114

HSL 248, 0.07%, 0.42%

LAB 42.62, 4.05, -8.15

 

CMYK 12 / 15 / 0 / 63

HEX #54515F

RGB 84 81 95

HSL 252.86, 0.08%, 0.35%

LAB 35.19, 4.36, -7.7

 

CMYK 12 / 17 / 0 / 70

HEX #433F4C

RGB 67 63 76

HSL 258.46, 0.09%, 0.27%

LAB 27.49, 4.72, -7.26

 

CMYK 12 / 21 / 0 / 78

HEX #322D39

RGB 50 45 57

HSL 265, 0.12%, 0.2%

LAB 19.43, 5.15, -6.82

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 5 / 11 / 0 / 48

HEX #7E7584

RGB 126 117 132

HSL 276, 0.06%, 0.49%

LAB 50.48, 6.47, -6.95

 

CMYK 1 / 11 / 0 / 48

HEX #837584

RGB 131 117 132

HSL 296, 0.06%, 0.49%

LAB 50.94, 8.31, -6.22

 

CMYK 0 / 11 / 2 / 48

HEX #847582

RGB 132 117 130

HSL 308, 0.06%, 0.49%

LAB 50.97, 8.28, -4.99

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 11 / 11 / 0 / 48

HEX #757584

RGB 117 117 132

HSL 240, 0.06%, 0.49%

LAB 49.7, 3.2, -8.19

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 34 / 37 / 0 / 40

HEX #656199

RGB 101 97 153

HSL 244.29, 0.22%, 0.49%

LAB 43.68, 15.3, -30.02

 

CMYK 52 / 55 / 0 / 32

HEX #534DAD

RGB 83 77 173

HSL 243.75, 0.38%, 0.49%

LAB 38.13, 29.23, -50.82

 

CMYK 66 / 70 / 0 / 24

HEX #4139C1

RGB 65 57 193

HSL 243.53, 0.54%, 0.49%

LAB 33.77, 44.83, -69.79

 

CMYK 77 / 83 / 0 / 16

HEX #3025D5

RGB 48 37 213

HSL 243.75, 0.7%, 0.49%

LAB 31.24, 59.73, -85.66

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 1 / 0 / 19 / 46

HEX #888A70

RGB 136 138 112

HSL 64.62, 0.1%, 0.49%

LAB 56.66, -5.44, 13.71

 

CMYK 3 / 0 / 42 / 38

HEX #9A9E5C

RGB 154 158 92

HSL 63.64, 0.26%, 0.49%

LAB 63.42, -11.7, 33.94

 

CMYK 4 / 0 / 60 / 30

HEX #ABB248

RGB 171 178 72

HSL 63.96, 0.42%, 0.49%

LAB 70.15, -16.81, 51.98

 

CMYK 5 / 0 / 74 / 22

HEX #BDC634

RGB 189 198 52

HSL 63.7, 0.58%, 0.49%

LAB 76.95, -20.43, 67.18

 

CMYK 11 / 5 / 0 / 48

HEX #757D84

RGB 117 125 132

HSL 208, 0.06%, 0.49%

LAB 51.97, -1.46, -4.82

 

CMYK 11 / 8 / 0 / 48

HEX #757984

RGB 117 121 132

HSL 224, 0.06%, 0.49%

LAB 50.83, 0.86, -6.51

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 8 / 11 / 0 / 48

HEX #7A7584

RGB 122 117 132

HSL 260, 0.06%, 0.49%

LAB 50.13, 5, -7.51

 

CMYK 5 / 11 / 0 / 48

HEX #7E7584

RGB 126 117 132

HSL 276, 0.06%, 0.49%

LAB 50.48, 6.47, -6.95

 

CMYK 11 / 11 / 0 / 65

HEX #4F4F59

RGB 79 79 89

HSL 240, 0.06%, 0.33%

LAB 33.93, 2.28, -5.85

 

CMYK 11 / 12 / 0 / 56

HEX #63626F

RGB 99 98 111

HSL 244.62, 0.06%, 0.41%

LAB 42.06, 3.23, -7.19

 

CMYK 11 / 11 / 0 / 48

HEX #767584

RGB 118 117 132

HSL 244, 0.06%, 0.49%

LAB 49.79, 3.56, -8.06

 

CMYK 8 / 9 / 0 / 40

HEX #8C8B98

RGB 140 139 152

HSL 244.62, 0.06%, 0.57%

LAB 58.33, 3.01, -6.77

 

CMYK 6 / 6 / 0 / 33

HEX #A2A1AC

RGB 162 161 172

HSL 245.45, 0.06%, 0.65%

LAB 66.63, 2.51, -5.57

 

CMYK 11 / 12 / 0 / 48

HEX #767585

RGB 118 117 133

HSL 243.75, 0.06%, 0.49%

LAB 49.82, 3.78, -8.6

 

CMYK 0 / 11 / 2 / 48

HEX #847581

RGB 132 117 129

HSL 312, 0.06%, 0.49%

LAB 50.94, 8.08, -4.45

 

CMYK 7 / 0 / 11 / 48

HEX #7B8475

RGB 123 132 117

HSL 96, 0.06%, 0.49%

LAB 54.02, -6.28, 6.97

 

CMYK 11 / 12 / 0 / 48

HEX #767585

RGB 118 117 133

HSL 243.75, 0.06%, 0.49%

LAB 49.82, 3.78, -8.6

 

CMYK 0 / 11 / 11 / 48

HEX #847675

RGB 132 118 117

HSL 4, 0.06%, 0.49%

LAB 50.86, 5.22, 2.51

 

CMYK 11 / 0 / 11 / 48

HEX #758476

RGB 117 132 118

HSL 124, 0.06%, 0.49%

LAB 53.59, -8.34, 5.71

 

CMYK 11 / 12 / 0 / 48

HEX #767585

RGB 118 117 133

HSL 243.75, 0.06%, 0.49%

LAB 49.82, 3.78, -8.6

 

CMYK 0 / 11 / 2 / 48

HEX #847581

RGB 132 117 129

HSL 312, 0.06%, 0.49%

LAB 50.94, 8.08, -4.45

 

CMYK 0 / 0 / 11 / 48

HEX #848475

RGB 132 132 117

HSL 60, 0.06%, 0.49%

LAB 54.75, -2.81, 8.1

 

CMYK 11 / 0 / 8 / 48

HEX #758479

RGB 117 132 121

HSL 136, 0.06%, 0.49%

LAB 53.67, -7.75, 4.08

 

CMYK 11 / 12 / 0 / 48

HEX #767585

RGB 118 117 133

HSL 243.75, 0.06%, 0.49%

LAB 49.82, 3.78, -8.6

 

CMYK 0 / 11 / 6 / 48

HEX #84757C

RGB 132 117 124

HSL 332, 0.06%, 0.49%

LAB 50.78, 7.11, -1.72

 

CMYK 0 / 0 / 11 / 48

HEX #848475

RGB 132 132 117

HSL 60, 0.06%, 0.49%

LAB 54.75, -2.81, 8.1

 

CMYK 11 / 0 / 5 / 48

HEX #75847E

RGB 117 132 126

HSL 156, 0.06%, 0.49%

LAB 53.8, -6.73, 1.37

 

Description

Color code: HEX #767585 | qconv.com Color code: HEX #767585 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 117 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 117 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 12 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 12% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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