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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76696F it is the complementary color #899690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76696F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76696F shade: #7B696A, #8C7B7D, #9D8D90, #AE9FA3 and #BFB1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76696F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76696F shade: #76696F, #65575C, #544549, #433336 and #322123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76696F shade: #776970, #77696C and #776969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76696F shade: #776970, #776973, #776977, #736977 and #706977

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76696F shade matches the following richer shades: #776970, #89576E, #9B456D, #AD336B and #C0216A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76696F shade: #776970, #657C71, #538E72, #40A074 and #2EB275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76696F shade: #776977, #776973, #776970, #77696C and #776A69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76696F shade: #4B4347, #61565B, #776970, #8C7D84 and #A09399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76696F shade: #76696F, #777369 and #697577

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76696F shade: #76696F, #707769 and #697077

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76696F shade: #76696F, #777369, #697771 and #696D77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76696F shade: #76696F, #767769, #697771 and #6A6977

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 6 / 54

HEX #76696F

RGB 118 105 111

HSL 332.31, 0.06%, 0.44%

LAB 45.77, 6.27, -1.49

 

Complementary color

CMYK 9 / 0 / 4 / 41

HEX #899690

RGB 137 150 144

HSL 152.31, 0.06%, 0.56%

LAB 60.91, -5.86, 1.56

 

CMYK 0 / 15 / 14 / 52

HEX #7B696A

RGB 123 105 106

HSL 356.67, 0.08%, 0.45%

LAB 46.12, 7.3, 2.08

 

CMYK 0 / 12 / 11 / 45

HEX #8C7B7D

RGB 140 123 125

HSL 352.94, 0.07%, 0.52%

LAB 53.19, 6.88, 1.3

 

CMYK 0 / 10 / 8 / 38

HEX #9D8D90

RGB 157 141 144

HSL 348.75, 0.08%, 0.58%

LAB 60.1, 6.51, 0.58

 

CMYK 0 / 9 / 6 / 32

HEX #AE9FA3

RGB 174 159 163

HSL 344, 0.08%, 0.65%

LAB 66.85, 6.18, -0.1

 

CMYK 0 / 7 / 5 / 25

HEX #BFB1B6

RGB 191 177 182

HSL 338.57, 0.1%, 0.72%

LAB 73.48, 5.88, -0.75

 

CMYK 0 / 11 / 6 / 54

HEX #76696F

RGB 118 105 111

HSL 332.31, 0.06%, 0.44%

LAB 45.77, 6.27, -1.49

 

CMYK 0 / 14 / 9 / 60

HEX #65575C

RGB 101 87 92

HSL 338.57, 0.07%, 0.37%

LAB 38.47, 6.68, -0.78

 

CMYK 0 / 18 / 13 / 67

HEX #544549

RGB 84 69 73

HSL 344, 0.1%, 0.3%

LAB 30.93, 7.16, -0.01

 

CMYK 0 / 24 / 19 / 74

HEX #433336

RGB 67 51 54

HSL 348.75, 0.14%, 0.23%

LAB 23.09, 7.77, 0.86

 

CMYK 0 / 34 / 30 / 80

HEX #322123

RGB 50 33 35

HSL 352.94, 0.2%, 0.16%

LAB 14.88, 8.56, 1.92

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 0 / 12 / 9 / 53

HEX #77696C

RGB 119 105 108

HSL 347.14, 0.06%, 0.44%

LAB 45.78, 6.08, 0.34

 

CMYK 0 / 12 / 12 / 53

HEX #776969

RGB 119 105 105

HSL 0, 0.06%, 0.44%

LAB 45.7, 5.52, 2.02

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 0 / 12 / 3 / 53

HEX #776973

RGB 119 105 115

HSL 317.14, 0.06%, 0.44%

LAB 45.99, 7.45, -3.56

 

CMYK 0 / 12 / 0 / 53

HEX #776977

RGB 119 105 119

HSL 300, 0.06%, 0.44%

LAB 46.12, 8.26, -5.77

 

CMYK 3 / 12 / 0 / 53

HEX #736977

RGB 115 105 119

HSL 282.86, 0.06%, 0.44%

LAB 45.74, 6.75, -6.37

 

CMYK 6 / 12 / 0 / 53

HEX #706977

RGB 112 105 119

HSL 270, 0.06%, 0.44%

LAB 45.47, 5.63, -6.81

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 0 / 36 / 20 / 46

HEX #89576E

RGB 137 87 110

HSL 332.4, 0.22%, 0.44%

LAB 43.15, 24.17, -4.51

 

CMYK 0 / 55 / 30 / 39

HEX #9B456D

RGB 155 69 109

HSL 332.09, 0.38%, 0.44%

LAB 41.73, 40.42, -5.73

 

CMYK 0 / 71 / 38 / 32

HEX #AD336B

RGB 173 51 107

HSL 332.46, 0.54%, 0.44%

LAB 41.71, 53.86, -4.2

 

CMYK 0 / 83 / 45 / 25

HEX #C0216A

RGB 192 33 106

HSL 332.45, 0.71%, 0.44%

LAB 43.26, 64.42, -0.88

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 19 / 0 / 9 / 51

HEX #657C71

RGB 101 124 113

HSL 151.3, 0.1%, 0.44%

LAB 49.95, -10.76, 3.23

 

CMYK 42 / 0 / 20 / 44

HEX #538E72

RGB 83 142 114

HSL 151.53, 0.26%, 0.44%

LAB 54.45, -25.99, 8.95

 

CMYK 60 / 0 / 28 / 37

HEX #40A074

RGB 64 160 116

HSL 152.5, 0.43%, 0.44%

LAB 59.43, -38.85, 14.7

 

CMYK 74 / 0 / 34 / 30

HEX #2EB275

RGB 46 178 117

HSL 152.27, 0.59%, 0.44%

LAB 64.73, -49.3, 21.35

 

CMYK 0 / 12 / 0 / 53

HEX #776977

RGB 119 105 119

HSL 300, 0.06%, 0.44%

LAB 46.12, 8.26, -5.77

 

CMYK 0 / 12 / 3 / 53

HEX #776973

RGB 119 105 115

HSL 317.14, 0.06%, 0.44%

LAB 45.99, 7.45, -3.56

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 0 / 12 / 9 / 53

HEX #77696C

RGB 119 105 108

HSL 347.14, 0.06%, 0.44%

LAB 45.78, 6.08, 0.34

 

CMYK 0 / 11 / 12 / 53

HEX #776A69

RGB 119 106 105

HSL 4.29, 0.06%, 0.44%

LAB 45.97, 4.93, 2.42

 

CMYK 0 / 11 / 5 / 71

HEX #4B4347

RGB 75 67 71

HSL 330, 0.06%, 0.28%

LAB 29.32, 4.23, -1.18

 

CMYK 0 / 11 / 6 / 62

HEX #61565B

RGB 97 86 91

HSL 332.73, 0.06%, 0.36%

LAB 37.76, 5.48, -1.26

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 0 / 11 / 6 / 45

HEX #8C7D84

RGB 140 125 132

HSL 332, 0.06%, 0.52%

LAB 53.93, 7.03, -1.71

 

CMYK 0 / 8 / 4 / 37

HEX #A09399

RGB 160 147 153

HSL 332.31, 0.06%, 0.6%

LAB 62.2, 5.9, -1.43

 

CMYK 0 / 11 / 6 / 54

HEX #76696F

RGB 118 105 111

HSL 332.31, 0.06%, 0.44%

LAB 45.77, 6.27, -1.49

 

CMYK 0 / 3 / 12 / 53

HEX #777369

RGB 119 115 105

HSL 42.86, 0.06%, 0.44%

LAB 48.52, -0.36, 6.08

 

CMYK 12 / 2 / 0 / 53

HEX #697577

RGB 105 117 119

HSL 188.57, 0.06%, 0.44%

LAB 48.33, -4.03, -2.63

 

CMYK 0 / 11 / 6 / 54

HEX #76696F

RGB 118 105 111

HSL 332.31, 0.06%, 0.44%

LAB 45.77, 6.27, -1.49

 

CMYK 6 / 0 / 12 / 53

HEX #707769

RGB 112 119 105

HSL 90, 0.06%, 0.44%

LAB 49.08, -5.42, 6.8

 

CMYK 12 / 6 / 0 / 53

HEX #697077

RGB 105 112 119

HSL 210, 0.06%, 0.44%

LAB 46.87, -1.11, -4.79

 

CMYK 0 / 11 / 6 / 54

HEX #76696F

RGB 118 105 111

HSL 332.31, 0.06%, 0.44%

LAB 45.77, 6.27, -1.49

 

CMYK 0 / 3 / 12 / 53

HEX #777369

RGB 119 115 105

HSL 42.86, 0.06%, 0.44%

LAB 48.52, -0.36, 6.08

 

CMYK 12 / 0 / 5 / 53

HEX #697771

RGB 105 119 113

HSL 154.29, 0.06%, 0.44%

LAB 48.75, -6.48, 1.53

 

CMYK 12 / 8 / 0 / 53

HEX #696D77

RGB 105 109 119

HSL 222.86, 0.06%, 0.44%

LAB 46.01, 0.66, -6.08

 

CMYK 0 / 11 / 6 / 54

HEX #76696F

RGB 118 105 111

HSL 332.31, 0.06%, 0.44%

LAB 45.77, 6.27, -1.49

 

CMYK 1 / 0 / 12 / 53

HEX #767769

RGB 118 119 105

HSL 64.29, 0.06%, 0.44%

LAB 49.58, -3.06, 7.57

 

CMYK 12 / 0 / 5 / 53

HEX #697771

RGB 105 119 113

HSL 154.29, 0.06%, 0.44%

LAB 48.75, -6.48, 1.53

 

CMYK 11 / 12 / 0 / 53

HEX #6A6977

RGB 106 105 119

HSL 244.29, 0.06%, 0.44%

LAB 44.94, 3.41, -7.66

 

Description

Color code: HEX #76696F | qconv.com Color code: HEX #76696F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 105 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 105 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 6 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 6% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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